
Give All to Love, st. 4
1840s, Poems (1847)
A collection of quotes on the topic of clay, likeness, use, man.
Give All to Love, st. 4
1840s, Poems (1847)
https://archive.org/stream/baburnama017152mbp/baburnama017152mbp_djvu.Txt
752 http://books.google.com/books?id=ZUAuAAAAYAAJ&q=%22The+reproduction+of+mankind+is+a+great+marvel+and+mystery+Had+God+consulted+me+in+the+matter+I+should+have+advised+him+to+continue+the+generation+of+the+species+by+fashioning+them+of+clay+in+the+way+Adam+was+fashioned%22&pg=PA307#v=onepage
Table Talk (1569)
“If you are playing bad you are going to lose here, on clay, on ice, or on the beach.”
Preparing to play at the 2006 US Open http://news.bbc.co.uk/sport2/low/tennis/5295932.stm
“This is the legend of Cassius Clay,
The most beautiful fighter in the world today.”
"I am the Greatest" (1964) https://www.youtube.com/watch?v=aZU_AvPPIQY
Context: This is the legend of Cassius Clay,
The most beautiful fighter in the world today.
He talks a great deal, and brags indeed-y,
Of a muscular punch that's incredibly speed-y.
The fistic world was dull and weary,
But with a champ like Liston, things had to be dreary.
Then someone with color and someone with dash,
Brought fight fans a-runnin' with cash.
This brash young boxer is something to see
And the heavyweight championship is his destiny.
The Lake Isle of Innisfree http://poetry.poetryx.com/poems/1641/, st. 1
The Rose (1893)
Context: I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honeybee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow
Dropping from the veils of the morning to where the cricket sings;
Letter to Daniel Ullmann (1 February 1861); quoted in "Why Abraham Lincoln Was a Whig" by Daniel Walker Howe, The Journal of the Abraham Lincoln Association, Volume 16, Issue 1 (Winter 1995) http://quod.lib.umich.edu/j/jala/2629860.0016.105?view=text;rgn=main; also in We Have the War Upon Us: The Onset of the Civil War, November 1860-April 1861 (2013) by William J. Cooper, p. 72 http://books.google.com/books?id=meYLTCRlHaQC&pg=PA72&lpg=PA72&dq=Lincoln+%22I+have+loved+and+revered%22&source=bl&ots=A-QLTNlkSN&sig=F0MdGo6rkAVKc3tIQSs0Xp4AdSY&hl=en&sa=X&ei=fmpQUv22LpCi4APhj4HoDQ&ved=0CC8Q6AEwAQ#v=onepage&q=Lincoln%20%22I%20have%20loved%20and%20revered%22&f=false<!-- Random House LLC, Jun 4, 2013 -->
1860s
The Notebooks of Leonardo da Vinci (1883), XVI Physical Geography
“A vase of unbaked clay, when broken, may be remoulded, but not a baked one.”
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
The Notebooks of Leonardo da Vinci (1883), XI The Notes on Sculpture
Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.
“Data! data! data!" he cried impatiently. "I can't make bricks without clay.”
Source: The Adventure of the Copper Beeches
Source: Memoirs of a Geisha
Source: Bicycle Diaries
D.J., in Why Are We in Vietnam? (1967) Ch. 1
The Nuts of Knowledge (1903)
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75
Source: A Treatise On Political Economy (Fourth Edition) (1832), Book III, On Consumption, Chapter VI, Section II, p. 432
"Our Lincoln" http://www.ericfoner.com/articles/012609nation.html (26 January 2009), The Nation
2000s
Quote of Zadkine from his 'Memoirs', 1967; as cited in 'Torso of the Destroyed City' http://www.zadkine.paris.fr/en/oeuvre/torso-destroyed-city, Musée Zadkine
Zadkine recounts the violence of the impressions which he felt then; the first draft for a monument to the 'Destroyed City', was broken in transport. A new version of a 'projected monument for a bombed city' was produced in 1947
1960 - 1968
Source: The Philosopher's Apprentice (2008), Chapter 17 (p. 401)
Sermons in Erlangen, Marburg, Göttingen and Frankfurt (January 1946), as quoted in Martin Niemöller, 1892-1984 (1984) by James Bentley, p. 177
The New York Times Columns, The Populism Perplex (November 25, 2016)
Journal entry (26 July 1899); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 3
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VIII, Chapter VI, Sec. 10
Over 1,700 men and women strip naked in square in Germany.. and not a sun lounger in sight, 2012
Source: Pictures from an Institution (1954) [novel], Ch. 2, p. 66
in a letter to her mother, from Worpswede, August 1897; as quoted in Paula Modersohn-Becker, The Letters and Journals by Paula Modersohn-Becker, eds. Günter Busch, Liselotte von Reinken, Arthur S. Wensinger, Carole Clew Hoey - Northwestern University Press, 1998, p. 79
1897
From the seventh book, "The Book of Youth"
The Pillow Book
1950s, Tradition and Identity' (1959)
Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 92-93
On l'a tuée à coups de chassepot
A coups de mitrailleuse,
Et roulée avec son drapeau
Dans la terre argileuse.
Et la tourbe des bourreaux gras
Se croyait la plus forte.
Tout ça n'empêche pas, Nicolas
Qu'la Commune n'est pas morte.
Elle n'est pas morte ! (1886).
Creation seminars (2003-2005), The dangers of evolution
Source: Titus Groan (1946), Chapter 69 “Mr Rottcodd Again” (p. 396)
1850s, The Present Aspect of the Slavery Question (1859)
“Vile man, begot of clay, and born of dust.”
Canto IV, stanza 10 (tr. Fairfax)
Gerusalemme Liberata (1581)
p, 125
Ken Kern's Masonry Stove (1983)
The Rubaiyat (1120)
The Italian Itinerant.
Bartlett's Familiar Quotations, 10th ed. (1919)
Source: The Chronicles of Prydain (1964–1968), Book IV: Taran Wanderer (1967), Chapter 21
Source: Dream of the Red Chamber (1958), p. 22
“To get wealth and security by guile
Is like one who pours water into a pot of unbaked clay.”
Verse LXVI.10
Tirukkural
Source: Diverse new Sorts of Soylenot yet brought into any publique Use, 1594, p. 23-24; Cited in: Malcolm Thick (1994)
Source: The Romantic Generation (1995), Ch. 1 : Music and Sound
A Conversation with Ward Cunningham (2003), Working the Program
“I have hardly touched the clay and I am made of it.”
Casi no he tocado el barro y soy de barro.
Voces (1943)
Christian Missions: A Triangular Debate, Before the Nineteenth Century Club of New York (1895)
"Our Love Is Here to Stay", The Goldwyn Follies (1938).
Rights; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 519.
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 131-132
Upon hearing (in December 1839) that he had been rejected in favor of William Henry Harrison as the Whig Party nominee for President in the election of 1840.
Quoted by Henry A. Wise, who claimed to have heard it firsthand, in Seven Decades of the Union (1872), ch. VI.
The Satanic Bible (1969)
from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s