Quotes about bough

A collection of quotes on the topic of bough, tree, likeness, bird.

Quotes about bough

Omar Khayyám photo

“A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread — and Thou
Beside me singing in the Wilderness —
Oh, Wilderness were Paradise enow!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
Beside me singing in the Wilderness —
And Wilderness is Paradise enow.
FitzGerald's first edition (1859)
A book, a woman, and a flask of wine:
The three make heaven for me; it may be thine
Is some sour place of singing cold and bare —
But then, I never said thy heaven was mine.
As translated by Richard Le Gallienne (1897)
Give me a flagon of red wine, a book of verses, a loaf of bread, and a little idleness. If with such store I might sit by thy dear side in some lonely place, I should deem myself happier than a king in his kingdom.
As translated by Justin McCarthy (1888).
The Rubaiyat (1120)

Khushwant Singh photo
Edward FitzGerald photo

“A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread — and Thou
Beside me singing in the Wilderness —
Oh, Wilderness were Paradise enow!”

Edward FitzGerald (1809–1883) English poet and writer

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
Beside me singing in the Wilderness —
And Wilderness is Paradise enow.
FitzGerald's first edition (1859).
The Rubaiyat of Omar Khayyam

D.H. Lawrence photo

“I never saw a wild thing
Sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

Self-Pity (1929)
Source: The Complete Poems

Dante Alighieri photo

“The use of men is like a leaf
On bough, which goeth and another cometh.”

Canto XXVI, lines 137–138 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

John Keats photo
Ovid photo

“If she's cool and unwilling to be wooed,
Just take it, don't weaken; in time she'll soften her mood.
Bending a bough the right way, gently, makes
It easy; use brute force, and it breaks.
With swimming rivers it's the same—
Go with, not against, the current.”

Si nec blanda satis, nec erit tibi comis amanti, Perfer et obdura: postmodo mitis erit. Flectitur obsequio curvatus ab arbore ramus: Frangis, si vires experiere tuas. Obsequio tranantur aquae: nec vincere possis Flumina, si contra, quam rapit unda, nates.

Book II, lines 177–182 (tr. James Michie)
Ars Amatoria (The Art of Love)

W.B. Yeats photo
H.P. Lovecraft photo
John of the Cross photo

“The little white dove
Has returned to the ark with the bough”

John of the Cross (1542–1591) Spanish mystic and Roman Catholic saint

Spiritual Canticle of The Soul and The Bridegroom
Context: The little white dove
Has returned to the ark with the bough;
And now the turtle-dove
Its desired mate
On the green banks has found. ~ 34

Alfred Noyes photo

“We tell you He is risen again,
The Lord of Life is risen again,
The boughs put forth their tender buds, and
Love is Lord of all!”

Alfred Noyes (1880–1958) English poet

The Lord of Misrule
The Lord of Misrule and Other Poems (1915)
Context: He died and He went down to hell!
You know not what you mean.
Our rafters were of green fir. Also our beds were green.
But out of the mouth of a fool, a fool, before the darkness fall,
We tell you He is risen again,
The Lord of Life is risen again,
The boughs put forth their tender buds, and
Love is Lord of all!

Leonardo Da Vinci photo
Christina Rossetti photo

“My heart is like a singing bird
Whose nest is in a water'd shoot;
My heart is like an apple-tree
Whose boughs are bent with thick-set fruit.”

Christina Rossetti (1830–1894) English poet

A Birthday http://www.poetry-online.org/rossetti_christina_a_birthday.htm, st. 1 (1861).

A.E. Housman photo
Thomas Hardy photo
Dorothy Parker photo

“I never see that prettiest thing-
A cherry bough gone white with Spring-
But what I think, "How gay 'twould be
To hang me from a flowering tree.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: Not So Deep As A Well: Collected Poems

Victor Hugo photo
Ezra Pound photo
Robert Seymour Bridges photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo

“On a bough,
The only one chained by the honeysuckle,
Sat two white Doves, upon each neck a tint
Like the rose-stain within the delicate shell
Of the sea-pearl, as Love breathed on their plumes.
And each was mirror'd in the other's eyes,
Floating and dark, a paradise of passion.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(10th May 1823) Poetical Catalogue of Paintings - Two Doves in a Grove. Mr. Glover's Exhibition.
24th May 1823) Inez see The Improvisatrice (1824
The London Literary Gazette, 1823

George Eliot photo
Hans Christian Andersen photo
Frederick Goddard Tuckerman photo
Donald Barthelme photo
William Cowper photo
James Frazer photo
Henry David Thoreau photo

“Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock's crown?”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

The Summer Rain, st. 3

A.E. Housman photo

“Loveliest of trees, the cherry now
Is hung with bloom along the bough.”

No. 2, st. 1.
A Shropshire Lad (1896)

Wallace Stevens photo
Thomas Hood photo

“Boughs are daily rifled
By the gusty thieves,
And the book of Nature
Getteth short of leaves.”

Thomas Hood (1799–1845) British writer

The Season; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

John Lancaster Spalding photo
William Saroyan photo
Sara Teasdale photo
Thomas Hardy photo

“Here by the baring bough
Raking up leaves,
Often I ponder how
Springtime deceives,—
I, an old woman now,
Raking up leaves.”

Thomas Hardy (1840–1928) English novelist and poet

" Autumn in King's Hintock Park http://www.naic.edu/~gibson/poems/hardy2.html" (1901), lines 1-6, from Time's Laughingstocks (1909)

Philipp Meyer photo
Paul Laurence Dunbar photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Tom Robbins photo
Dylan Thomas photo
John Keats photo
Omar Khayyám photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo

“A thousand songs from a thousand boughs
The glad birds' pleasure declare;
The rills are laughing in crystal light—
For the presence of Spring is there.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(3rd March 1827) Birthday in Spring
The London Literary Gazette, 1827

James Russell Lowell photo

“Under the yaller pines I house,
When sunshine makes 'em all sweet-scented,
An' hear among their furry boughs
The baskin' west-wind purr contented.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 10.
The Biglow Papers (1848–1866), Series II (1866)

William Cullen Bryant photo

“The rugged trees are mingling
Their flowery sprays in love;
The ivy climbs the laurel
To clasp the boughs above.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Serenade http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page189, St. 14

George Pope Morris photo

“Woodman, spare that tree!
Touch not a single bough!
In youth it sheltered me,
And I 'll protect it now.”

George Pope Morris (1802–1864) American publisher

Woodman, spare that Tree! (1830), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“The bud is on the bough again,
The leaf is on the tree.”

Charles Jefferys (1807–1865) British music publisher

The Meeting of Spring and Summer, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

James Thomas Fields photo

“Oh, to be home again, home again, home again!
Under the apple-boughs, down by the mill!”

James Thomas Fields (1817–1881) American writer and publisher

In a strange Land, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Letitia Elizabeth Landon photo
Edgar Rice Burroughs photo
Joaquin Miller photo
James Frazer photo

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Silius Italicus photo

“Huge as the snakes that armed the Giants when they stormed heaven, or as the hydra that wearied Hercules by the waters of Lerna, or as Juno's snake that guarded the boughs with golden foliage.”
Quantis armati caelum petiere Gigantes anguibus, aut quantus Lernae lassavit in undis Amphitryoniaden serpens, qualisque comantis auro servauit ramos Junonius anguis.

Book VI, lines 181–184
Punica

Thomas Bailey Aldrich photo
Ramakrishna photo
Charles Lyell photo
Vitruvius photo
Johann Wolfgang von Goethe photo

“I sing as the bird sings
That lives in the boughs.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Ich singe, wie der Vogel singt
Der in den Zweigen wohnet.
Bk. II, Ch. 11
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)

“But on her side the Colchian ceases not to foam with hellish poisons and to sprinkle all the silences of Lethe's bough: exerting her spells she constrains his reluctant eyes, exhausting all her Stygian power of hand and tongue.”
Contra Tartareis Colchis spumare venenis cunctaque Lethaei quassare silentia rami perstat et adverso luctantia lumina cantu obruit atque omnem linguaque manuque fatigat vim Stygiam.

Source: Argonautica, Book VIII, Lines 83–87

Thomas Gray photo
Andrew Marvell photo

“Casting the body's vest aside,
My soul into the boughs does glide.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

The Garden (1650-1652)

“I am like a tree,
From my top boughs I can see
The footprints that led up to me.”

R.S. Thomas (1913–2000) Welsh poet

"Here"
Tares (1961)

Letitia Elizabeth Landon photo
George Gordon Byron photo

“So in the midnight shadows of the grove did they two meet and draw nigh each other, awe-struck, like silent first or motionless cypresses, when the mad South wind hath not yet intertwined their boughs.”
Haud secus in mediis noctis nemoris que tenebris inciderant ambo attoniti iuxtaque subibant abietibus tacitis aut immotis cyparissis adsimiles, rapidus nondum quas miscuit Auster.

Source: Argonautica, Book VII, Lines 403–406

James Frazer photo
Robert Frost photo
Dorothy Wordsworth photo
Thomas Lovell Beddoes photo

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Jonathan Swift photo
Aleksis Kivi photo
Robert Seymour Bridges photo

“As night is withdrawn
From these sweet-springing meads and bursting boughs of May,
Dream, while the innumerable choir of day
Welcome the dawn.”

Robert Seymour Bridges (1844–1930) British writer

Nightingales http://www.poetry-online.org/bridges_nightingales.htm, st. 3.
Poetry

Letitia Elizabeth Landon photo
Andrew Lang photo
Torquato Tasso photo

“Like as the wind, stopped by some wood or hill,
Grows strong and fierce, tears boughs and trees in twain,
But with mild blasts, more temperate, gentle, still,
Blows through the ample field or spacious plain;
Against the rocks as sea-waves murmur shrill,
But silent pass amid the open main:
Rinaldo so, when none his force withstood,
Assuaged his fury, calmed his angry mood.”

Torquato Tasso (1544–1595) Italian poet

Qual vento a cui s'oppone o selva o colle,
Doppia nella contesa i soffj e l'ira;
Ma con fiato più placido e più molle
Per le campagne libere poi spira.
Come fra scoglj il mar spuma e ribolle:
E nell'aperto onde più chete aggira.
Così quanto contrasto avea men saldo,
Tanto scemava il suo furor Rinaldo.
Canto XX, stanza 58 (tr. Fairfax)
Gerusalemme Liberata (1581)

Elizabeth Hand photo

“So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else.”

Elizabeth Hand (1957) American writer

"Intense Ornate" interview with Amazon.co.uk (1999) http://www.elizabethhand.com/interview99.shtml
Context: So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else. The White Goddess is a crank book, a crank book of genius of course, but all the same... Mind you, I found Waking the Moon cited in an article in a pagan magazine as an authority for the idea that there was a patriarchal brotherhood, the Benandanti, that have been running things since antiquity, with no mention of the fact that it is a novel, and a fantasy at that. People want to believe something, and so they swallow anything.

Wallace Stevens photo

“One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow”

"The Snow Man"
Harmonium (1923)
Context: p>One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitterOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,Which is the sound of the land
Full of the same wind
That is blowing in the same bare placeFor the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.</p

Georges Clemenceau photo

“In the distance huge trees were still blazing, around us was a waste of ashes and of half-consumed boughs, and the falling rain seemed only to quicken the dying conflagration.”

Georges Clemenceau (1841–1929) French politician

South America To-Day : A Study of Conditions, Social, Political, and Commercial in Argentina, Uruguay and Brazil (1911) http://www.archive.org/details/southamericatoda011092mbp Ch. 14, Brazilian Coffee, p. 395
Context: In the distance huge trees were still blazing, around us was a waste of ashes and of half-consumed boughs, and the falling rain seemed only to quicken the dying conflagration. In some of the great green boles were fearful gaping wounds through which the sap was oozing, while some tall trees still stretched to heaven their triumphant crown of foliage above a trunk all charred that would never sprout again. The Brazilians contemplate spectacles such as this with a wholly indifferent eye, and, indeed, even with satisfaction, for they see in the ruin only a promise of future harvests. To me the scene possessed only the horror of a slaughter-house.

Edmonia Lewis photo
Stephen Vincent Benét photo
Emily Brontë photo