Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
Beside me singing in the Wilderness —
And Wilderness is Paradise enow.
FitzGerald's first edition (1859)
A book, a woman, and a flask of wine:
The three make heaven for me; it may be thine
Is some sour place of singing cold and bare —
But then, I never said thy heaven was mine.
As translated by Richard Le Gallienne (1897)
Give me a flagon of red wine, a book of verses, a loaf of bread, and a little idleness. If with such store I might sit by thy dear side in some lonely place, I should deem myself happier than a king in his kingdom.
As translated by Justin McCarthy (1888).
The Rubaiyat (1120)
Quotes about bough
A collection of quotes on the topic of bough, tree, likeness, bird.
Quotes about bough
Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
Beside me singing in the Wilderness —
And Wilderness is Paradise enow.
FitzGerald's first edition (1859).
The Rubaiyat of Omar Khayyam
Self-Pity (1929)
Source: The Complete Poems
“The use of men is like a leaf
On bough, which goeth and another cometh.”
Canto XXVI, lines 137–138 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso
Source: The Northern Farm: A Glorious Year on a Small Maine Farm
“If she's cool and unwilling to be wooed,
Just take it, don't weaken; in time she'll soften her mood.
Bending a bough the right way, gently, makes
It easy; use brute force, and it breaks.
With swimming rivers it's the same—
Go with, not against, the current.”
Si nec blanda satis, nec erit tibi comis amanti,
Perfer et obdura: postmodo mitis erit.
Flectitur obsequio curvatus ab arbore ramus:
Frangis, si vires experiere tuas.
Obsequio tranantur aquae: nec vincere possis
Flumina, si contra, quam rapit unda, nates.
Book II, lines 177–182 (tr. James Michie)
Ars Amatoria (The Art of Love)
“The little white dove
Has returned to the ark with the bough”
Spiritual Canticle of The Soul and The Bridegroom
Context: The little white dove
Has returned to the ark with the bough;
And now the turtle-dove
Its desired mate
On the green banks has found. ~ 34
The Lord of Misrule
The Lord of Misrule and Other Poems (1915)
Context: He died and He went down to hell!
You know not what you mean.
Our rafters were of green fir. Also our beds were green.
But out of the mouth of a fool, a fool, before the darkness fall,
We tell you He is risen again,
The Lord of Life is risen again,
The boughs put forth their tender buds, and
Love is Lord of all!
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
A Birthday http://www.poetry-online.org/rossetti_christina_a_birthday.htm, st. 1 (1861).
Source: Not So Deep As A Well: Collected Poems
“The apparition of these faces in the crowd;
Petals on a wet black bough.”
The Growth of Love http://www.poemhunter.com/p/m/poem.asp?poet=6639&poem=510395, Sonnet 6 (1876).
Poetry
(20th November 1824) Constancy
The London Literary Gazette, 1824
(10th May 1823) Poetical Catalogue of Paintings - Two Doves in a Grove. Mr. Glover's Exhibition.
24th May 1823) Inez see The Improvisatrice (1824
The London Literary Gazette, 1823
"Dank fens of cedar, hemlock branches gray" lines 6–14, Poems, 1860
“The Author”, opening; p. 45.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)
Source: The Yardley Oak (1791), Lines 18-23
The Summer Rain, st. 3
“Loveliest of trees, the cherry now
Is hung with bloom along the bough.”
No. 2, st. 1.
A Shropshire Lad (1896)
“Boughs are daily rifled
By the gusty thieves,
And the book of Nature
Getteth short of leaves.”
The Season; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century
Source: Aphorisms and Reflections (1901), p. 137
Inhale and Exhale (1936), Antranik and the Spirit of Armenia
" Autumn in King's Hintock Park http://www.naic.edu/~gibson/poems/hardy2.html" (1901), lines 1-6, from Time's Laughingstocks (1909)
XLVI. "I saw thee in a vision of the night"
Love Sonnets http://www.sonnets.org/love-sonnets.htm (1889)
The Ancestress (Spoken by Jaromir)
The Venetian Bracelet (1829)
The Rubaiyat (1120)
The Dead Robin
Traits and Trials of Early Life (1836)
(3rd March 1827) Birthday in Spring
The London Literary Gazette, 1827
No. 10.
The Biglow Papers (1848–1866), Series II (1866)
The Serenade http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page189, St. 14
Woodman, spare that Tree! (1830), reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“The bud is on the bough again,
The leaf is on the tree.”
The Meeting of Spring and Summer, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Oh, to be home again, home again, home again!
Under the apple-boughs, down by the mill!”
In a strange Land, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel
“Huge as the snakes that armed the Giants when they stormed heaven, or as the hydra that wearied Hercules by the waters of Lerna, or as Juno's snake that guarded the boughs with golden foliage.”
Quantis armati caelum petiere Gigantes
anguibus, aut quantus Lernae lassavit in undis
Amphitryoniaden serpens, qualisque comantis
auro servauit ramos Junonius anguis.
Book VI, lines 181–184
Punica
Miss Mehitabel's Son; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Sayings of Sri Ramakrishna (1960), p. 387
Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 410-411
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 2
“I sing as the bird sings
That lives in the boughs.”
Ich singe, wie der Vogel singt
Der in den Zweigen wohnet.
Bk. II, Ch. 11
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)
“But on her side the Colchian ceases not to foam with hellish poisons and to sprinkle all the silences of Lethe's bough: exerting her spells she constrains his reluctant eyes, exhausting all her Stygian power of hand and tongue.”
Contra Tartareis Colchis spumare venenis
cunctaque Lethaei quassare silentia rami
perstat et adverso luctantia lumina cantu
obruit atque omnem linguaque manuque fatigat
vim Stygiam.
Source: Argonautica, Book VIII, Lines 83–87
“Casting the body's vest aside,
My soul into the boughs does glide.”
The Garden (1650-1652)
“I am like a tree,
From my top boughs I can see
The footprints that led up to me.”
"Here"
Tares (1961)
“So in the midnight shadows of the grove did they two meet and draw nigh each other, awe-struck, like silent first or motionless cypresses, when the mad South wind hath not yet intertwined their boughs.”
Haud secus in mediis noctis nemoris que tenebris
inciderant ambo attoniti iuxtaque subibant
abietibus tacitis aut immotis cyparissis
adsimiles, rapidus nondum quas miscuit Auster.
Source: Argonautica, Book VII, Lines 403–406
" After Apple Picking http://www.poemhunter.com/poem/after-apple-picking-3/"
1910s
April 15, 1802
Wordsworth's "I Wandered Lonely as a Cloud" is based on this description.
Diaries
A Cypress-Bough, and A Rose-Wreath Sweet, from The Poetical Works of Thomas Lovell Beddoes (1890).
"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.
Meditation on a Broomstick (1703–1710)
Nightingales http://www.poetry-online.org/bridges_nightingales.htm, st. 3.
Poetry
(14th February 1829) Lines on Newton’s Picture of the Disconsolate
The London Literary Gazette, 1829
Qual vento a cui s'oppone o selva o colle,
Doppia nella contesa i soffj e l'ira;
Ma con fiato più placido e più molle
Per le campagne libere poi spira.
Come fra scoglj il mar spuma e ribolle:
E nell'aperto onde più chete aggira.
Così quanto contrasto avea men saldo,
Tanto scemava il suo furor Rinaldo.
Canto XX, stanza 58 (tr. Fairfax)
Gerusalemme Liberata (1581)
"Intense Ornate" interview with Amazon.co.uk (1999) http://www.elizabethhand.com/interview99.shtml
Context: So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else. The White Goddess is a crank book, a crank book of genius of course, but all the same... Mind you, I found Waking the Moon cited in an article in a pagan magazine as an authority for the idea that there was a patriarchal brotherhood, the Benandanti, that have been running things since antiquity, with no mention of the fact that it is a novel, and a fantasy at that. People want to believe something, and so they swallow anything.
"The Snow Man"
Harmonium (1923)
Context: p>One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitterOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,Which is the sound of the land
Full of the same wind
That is blowing in the same bare placeFor the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.</p
South America To-Day : A Study of Conditions, Social, Political, and Commercial in Argentina, Uruguay and Brazil (1911) http://www.archive.org/details/southamericatoda011092mbp Ch. 14, Brazilian Coffee, p. 395
Context: In the distance huge trees were still blazing, around us was a waste of ashes and of half-consumed boughs, and the falling rain seemed only to quicken the dying conflagration. In some of the great green boles were fearful gaping wounds through which the sap was oozing, while some tall trees still stretched to heaven their triumphant crown of foliage above a trunk all charred that would never sprout again. The Brazilians contemplate spectacles such as this with a wholly indifferent eye, and, indeed, even with satisfaction, for they see in the ruin only a promise of future harvests. To me the scene possessed only the horror of a slaughter-house.
On nature in “Edmonia Lewis https://americanart.si.edu/artist/edmonia-lewis-2914 (Smithsonian American Art Museum)
Innkeeper's wife
Source: A Child is Born (1942)