Quotes about blade
page 2

Richard Dawkins photo
Glen Cook photo
Zalman Schachter-Shalomi photo
Robert E. Howard photo
Russell Brand photo
Camille Paglia photo
Tibullus photo

“Because of thee thy Egypt never sues for showers, nor does the parched blade bow to Jove the Rain-giver.”
Te propter nullos tellus tua postulat imbres,<br/>arida nec pluvio supplicat herba Iovi.

Tibullus (-50–-19 BC) poet and writer (0054-0019)

Te propter nullos tellus tua postulat imbres,
arida nec pluvio supplicat herba Iovi.
Bk. 1, no. 7, line 25.
Of the River Nile.
Variant translation: Because of you your land never pleads for showers, nor does its parched grass pray to Jupiter the Rain-giver.
Elegies

Joan Miró photo

“.. wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly. Courage consists of staying at home, close to nature, which could not care less about our disasters. Each grain of dust contains the soul of something marvellous.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Miró admonished art-critic w:Georges Duthuit
1915 - 1940
Source: 'Où allez-vous Miró?' (Where do you go, Miró), Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936

Edgar Rice Burroughs photo
Anthony Burgess photo
Luther Burbank photo

“My work cuts like a steel blade at the base of a man's penis.”

Angela Carter (1940–1992) English novelist

Response to a student's question in her writing class, as quoted by Louis Menand in the New Yorker (June 8-15, 2009), p. 112.

James Russell Lowell photo
Letitia Elizabeth Landon photo
Dave Eggers photo
Glen Cook photo

“In everywhere we look,
In everyone we meet,
In every blade of grass,
Allah, Allah, Allah, in everyone we meet.”

Allah, Allah, Allah.
It's All Crazy! It's All False! It's All A Dream! It's Alright (2009)

Letitia Elizabeth Landon photo

“And Love is like the lightning in its might,
Winging where least bethought its fiery flight,
Melting the blade, despite the scabbard's guard.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Child of the Sea
The Golden Violet (1827)

Jane Roberts photo
William Gibson photo

“As a trader you often walk on the blade. Be careful and don't step off.”

Marc Rich (1934–2013) businessman

Advice to a new employee. Quoted in The Economist, 6 July 2013 http://www.economist.com/news/obituary/21580438-marc-rich-king-commodities-died-june-26th-aged-78-marc-rich

Vincent Van Gogh photo

“If we study Japanese art, you see a man who is undoubtedly wise, philosophic and intelligent who spends his time how? In studying the distance between the earth and the moon? No. In studying the policy of Bismarck? No. He studies a single blade of grass..”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in Vincent's letter to brother Theo, from Arles, Sept. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 542), p. 39
1880s, 1888

Bruce Springsteen photo
Henry Timrod photo
Bob Dylan photo
Shashi Tharoor photo
Henry Van Dyke photo

“To desire and strive to be of some service to the world, to aim at doing something which shall really increase the happiness and welfare and virtue of mankind,—this is a choice which is possible for all of us; and surely it is a good haven to sail for. The more we think of it, the more attractive and desirable it becomes. To do some work that is needed, and to do it thoroughly well; to make our toil count for something in adding to the sum total of what is actually profitable for humanity; to make two blades of grass grow where one grew before, or, better still, to make one wholesome idea take root in a mind that was bare and fallow; to make our example count for something on the side of honesty and cheerfulness, and courage, and good faith, and love - this is an aim for life which is very wide, and yet very definite, as clear as light. It is not in the least vague. It is only free; it has the power to embody itself in a thousand forms without changing its character. Those who seek it know what it means, however it may be expressed. It is real and genuine and satisfying. There is nothing beyond it, because there can be no higher practical result of effort. It is the translation, through many languages, of the true, divine purpose of all the work and labor that is done beneath the sun, into one final, universal word. It is the active consciousness of personal harmony with the will of God who worketh hitherto.”

Henry Van Dyke (1852–1933) American diplomat

Source: Ships and Havens https://archive.org/stream/shipshavens00vand#page/28/mode/2up/search/more+we+think+of+it (1897), p.27

R. A. Salvatore photo
Dafydd ap Gwilym photo

“Winnowing leaves, you steal nests,
None charge you, you're not halted
By armed band, lieutenant's hand,
Blue blade or flood or downpour.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Nythod ddwyn, cyd nithud ddail,
Ni'th dditia neb, ni'th etail,
Na llu rhugl, na llaw rhaglaw,
Na llafn glas na llif na glaw.
"Y Gwynt" (The Wind), line 13; translation by Joseph P. Clancy, from Gwyn Jones (ed.) The Oxford Book of Welsh Verse in English (Oxford: OUP, 1977) p. 39.

Peter Kropotkin photo
Wesley Snipes photo

“You know, if I would have understood the potential of… doing, or adapting comic book characters to feature films, and also the tie-in to gaming and digital technology, when I was doing the first Blade films, then I’d be in a different business right now. I’d be in a whole different ball game.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Wesley Snipes interview: 'Robert Downey Jr called me for advice about Iron Man' http://www.telegraph.co.uk/culture/film/11016602/Wesley-Snipes-interview-Robert-Downey-Jr-called-me-for-advice-about-Iron-Man.html, Daily Telegraph, 9 August 2014

Jean Toomer photo

“And there, a field rat, startled, squealing bleeds,
His belly close to ground. I see the blade,
Blood-stained, continue cutting weeds and shade”

Jean Toomer (1894–1967) American poet and novelist

from "Reapers"
Poems from Cane (1923)

John Crowe Ransom photo

“And a wandering beauty is a blade out of its scabbard.
You know how dangerous, gentlemen of threescore?
May you know it yet ten more.”

John Crowe Ransom (1888–1974) American poet

"Judith of Bethulia", line 4.
Chills and Fevers (1924)

Conrad Aiken photo
Arthur C. Clarke photo
Muhammad of Ghor photo

“The editor introduces Muhammad Ghuri in the Taj-ul-Maasir of Hasan Nizami as follows: 'After dwelling on the advantage and necessity of holy wars, without which the fold of Muhammad's flock could never be filled, he says that such a hero as these obligations of religion require has been found, 'during the reign of the lord of the world Mu'izzu-d dunya wau-d din, the Sultan of Sultans, Abu-l Muzaffar Muhammad bin Sam bin Husain' the destroyer of infidels and plural-worshippers etc.,' and that Almighty Allah had selected him from amongst the kings and emperors of the time, 'for he had employed himself in extirpating the enemies of religion and the state, and had deluged the land of Hind with the blood of their hearts, so that to the very day of resurrection travellers would have to pass over pools of gore in boats, - had taken every fort and stronghold which he attacked, and ground its foundations and pillars to powder under the feet of fierce and gigantic elephants, - had sent the whole world of idolatry to the fire of hell, by the well-watered blade of his Hindi sword, - had founded mosques and colleges in the places of images and idols'.'The narrative proceeds: 'Having equipped and set in order the army of Islam, and unfurled the standards of victory and the flags of power, trusting in the aid of the Almighty, he proceeded towards Hindustan…”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 209-212. Quoted in Sita Ram Goel : The Calcutta Quran Petition, ch. 6.

Robert Louis Stevenson photo
Thomas Moore photo

“To Greece we give our shining blades.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Evenings in Greece, First Evening.
Bartlett's Familiar Quotations, 10th ed. (1919)

Bernard Cornwell photo

“You can keep your sword, for you fought proper. Like a proper soldier. Take your blade to paradise, and tell them you were killed by another proper soldier.”

Bernard Cornwell (1944) British writer

Private Richard Sharpe to the Tippoo Sultan, p. 372
Sharpe (Novel Series), Sharpe's Tiger (1997)

The Edge photo
Robert E. Howard photo
Eric Rücker Eddison photo
Nathalia Crane photo

“Lo and behold! God made this
starry wold,
The maggot and the mold; lo and
behold!
He taught the grass contentment
blade by blade,
The sanctity of sameness in a shade.”

Nathalia Crane (1913–1998) American writer

Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)

Mahmud of Ghazni photo

“The Sultan, contrary to the disposition of man, which induces him to prefer a soft to a hard couch, and the splendour of the cheeks of pomegranate-bosomed girls to well-tempered sword blades, was so offended at the standard which Satan had raised in Hind, that he determined on another holy expedition to that land.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh Yamini (Kitabu-l Yamini) by Al Utbi, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 33 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from Tarikh Yamini (Kitabu-l Yamini) by Al Utbi

Jane Roberts photo
Frances Kellor photo
Natalie Merchant photo

“where is the halo
that should glow 'round your face
and where are the wings that
should grow from your shoulder blades?”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), City of Angels

Robert Jordan photo

“A gnarled old branch dulls the blade that severs a sapling.”

Robert Jordan (1948–2007) American writer

Lini
(15 October 1993)

Philip Kotler photo
Joseph Gordon-Levitt photo

“[Looper's] sort of a down-to-earth Blade Runner: it feels real. It's that style of sci-fi that could actually exist in 30 years.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Los Angeles Times http://herocomplex.latimes.com/2012/04/13/looper-trailer-joseph-gordon-levitt-completes-time-travel-circle/, 2012

Tom Lehrer photo

“Oh, soon we'll be out amid the cold world's strife. Soon we'll be sliding down the razor blade of life. Oooh.”

Tom Lehrer (1928) American singer-songwriter and mathematician

"Bright College Days"
An Evening (Wasted) With Tom Lehrer (1959)

Neil Peart photo
Thomas Moore photo

“Whose wit in the combat, as gentle as bright,
Ne'er carried a heart-stain away on its blade.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

On the Death of Sheridan.
Bartlett's Familiar Quotations, 10th ed. (1919)

Neal Stephenson photo
Rudyard Kipling photo

“There rise her timeless capitals of Empires daily born,
Whose plinths are laid at midnight, and whose streets are packed at morn;
And here come hired youths and maids that feign to love or sin
In tones like rusty razor-blades to tunes like smitten tin.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Naaman's Song http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/LimitsRenewals/naamansong.html, Stanza 2.
Other works

Robert T. Bakker photo
Philip Pullman photo
F. Paul Wilson photo
Walter Scott photo
David Pogue photo

“The Kindle is just the razor. The books are the blades — ka-ching!”

David Pogue (1963) Technology writer, journalist and commentator

" The Kindle: Good Before, Better Now http://www.nytimes.com/2009/02/24/technology/personaltech/24pogue.html," The New York Times, February 24, 2009.

Letitia Elizabeth Landon photo
Jones Very photo
Saadi photo
Dan Abnett photo
Oliver Wendell Holmes photo

“The brightest blades grow dim with rust,
The fairest meadow white with snow.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Chanson without Music; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Leo Tolstoy photo
Jacopone da Todi photo

“Now, a new creature, I in Christ am born,
The old man stripped away; -- I am new-made;
And mounting in me, like the sun at morn,
Love breaks my heart, even as a broken blade:
Christ, First and Only Fair, from me hath shorn
My will, my wits, and all that in me stayed,
I in His arms am laid,
I cry and call --
O Thou my All,
O let me die of Love!”

Jacopone da Todi (1236–1306) Italian Franciscan mystic

From All Saints: Daily Reflections on Saints, Prophets, and Witnesses for Our Time, As air becomes the medium for light when the sun rises, and as wax melts from the heat of fire, so the soul drawn to that light is resplendent, feels self melt awayby Robert Ellsberg

W. S. Gilbert photo

“I have a left shoulder-blade that is a miracle of loveliness. People come miles to see it. My right elbow has a fascination that few can resist.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Mikado (1885)

Allen C. Guelzo photo
Martin Luther King, Jr. photo

“You know, several years ago, I was in New York City autographing the first book that I had written. And while sitting there autographing books, a demented black woman came up. The only question I heard from her was, "Are you Martin Luther King?"
And I was looking down writing, and I said yes. And the next minute I felt something beating on my chest. Before I knew it I had been stabbed by this demented woman. I was rushed to Harlem Hospital. It was a dark Saturday afternoon. And that blade had gone through, and the X-rays revealed that the tip of the blade was on the edge of my aorta, the main artery. And once that's punctured, you drown in your own blood — that's the end of you.
It came out in the New York Times the next morning, that if I had sneezed, I would have died. Well, about four days later, they allowed me, after the operation, after my chest had been opened, and the blade had been taken out, to move around in the wheel chair in the hospital. They allowed me to read some of the mail that came in, and from all over the states, and the world, kind letters came in. I read a few, but one of them I will never forget. I had received one from the President and the Vice-President. I've forgotten what those telegrams said. I'd received a visit and a letter from the Governor of New York, but I've forgotten what the letter said. But there was another letter that came from a little girl, a young girl who was a student at the White Plains High School. And I looked at that letter, and I'll never forget it. It said simply, "Dear Dr. King: I am a ninth-grade student at the Whites Plains High School." She said, "While it should not matter, I would like to mention that I am a white girl. I read in the paper of your misfortune, and of your suffering. And I read that if you had sneezed, you would have died. And I'm simply writing you to say that I'm so happy that you didn't sneeze."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

And I want to say tonight, I want to say that I am happy that I didn't sneeze.
1960s, I've Been to the Mountaintop (1968)

Bernard Cornwell photo
Carl Sagan photo
Gerd Gigerenzer photo
Will Arnett photo

“(on Blades of Glory) Playing the assholes in the movie is fun.”

Will Arnett (1970) Canadian actor

"Interview:Will Arnett and Amy Poehler," CHUD.com (March 29, 2007) http://www.chud.com/index.php?type=interviews&id=9525
2007

Tom Waits photo
Immanuel Kant photo
Ben Croshaw photo

“strongest blade in the world, howeve, r it is so fragile as to shatter when handled by any force other than the delicate touch of a lesbian.”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/235218148800991233]
Tweets by year, 2012

“Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Review of Nabokov's Lolita (1958).
Context: Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly.

Wallace Stevens photo

“Bethou me, said sparrow, to the crackled blade,
And you, and you, bethou me as you blow,
When in my coppice you behold me be.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Change

Alfred, Lord Tennyson photo

“My good blade carves the casques of men,
My tough lance thrusteth sure,
My strength is as the strength of ten,
Because my heart is pure.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

" Sir Galahad http://home.att.net/%7ETennysonPoetry/sg.htm", st. 1 (1842)

Bob Dylan photo

“Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)
Context: Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying

Robinson Jeffers photo

“Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.”

Robinson Jeffers (1887–1962) American poet

"Love the Wild Swan" (1935)
Context: I hate my verses, every line, every word.
Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.
Oh cracked and twilight mirrors ever to catch
One color, one glinting flash, of the splendor of things.

Octavio Paz photo

“Oh fountain of blood, forever inexhaustible! Life will be a knife, a gray and agile and cutting and exact and arbitrary blade that falls and slashes and divides. To crack, to claw, to quarter, the verbs that move with giant steps against us!”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

The Clerk's Vision (1949)
Context: No use going out or staying at home. No use erecting walls against the impalpable. A mouth will extinguish all the fires, a doubt will root up all the decisions. It will be everywhere without being anywhere. It will blur all the. mirrors. Penetrating walls and convictions, vestments and well-tempered souls, it will install itself in the marrow of everyone. Whistling between body and body, crouching between soul and soul. And all the wounds will open because, with expert and delicate, although somewhat cold, hands, it will irritate sores and pimples, will burst pustules and swellings and dig into the old, badly healed wounds. Oh fountain of blood, forever inexhaustible! Life will be a knife, a gray and agile and cutting and exact and arbitrary blade that falls and slashes and divides. To crack, to claw, to quarter, the verbs that move with giant steps against us!
It is not the sword that shines in the confusion of what will be. It is not the saber, but fear and the whip. I speak of what is already among us. Everywhere there are trembling and whispers, insinuations and murmurs. Everywhere the light wind blows, the breeze that provokes the immense Whiplash each time it unwinds in the air. Already many carry the purple insignia in their flesh. The light wind rises from the meadows of the past, and hurries closer to our time.

Paul Bourget photo

“The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed.”

Paul Bourget (1852–1935) French writer

Source: Andre Cornelis (1886), Ch. 13
Context: I was suddenly carried away by rage to the point of losing all control over my frenzy. "Ah!" I cried, "since you will not do justice on yourself, die then, at once!" I stretched out my hand and seized the dagger which he had recently placed upon the table. He looked at me without flinching, or recoiling; indeed presenting his breast to me, as though to brave my childish rage. I was on his left bending down, and ready to spring. I saw his smile of contempt, and then with all my strength I struck him with the knife in the direction of the heart.
The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed. He uttered a cry. His face was distorted with terrible agony, and he moved his right hand towards the wound, as though he would draw out the dagger. He looked at me, convulsed; I saw that he wanted to speak; his lips moved, but no sound issued from his mouth. The expression of a supreme effort passed into his eyes, he turned to the table, took a pen, dipped it into the inkstand, and traced two lines on a sheet of paper within his reach. He looked at me again, his lips moved once more, then he fell down like a log.

Nathalia Crane photo

“Treating the sword blade the same as the staff,
Turning the chariot wheel into chaff.”

Nathalia Crane (1913–1998) American writer

"The Dust" <!-- p. 23 -->
Venus Invisible and Other Poems (1928)
Context: Treating the sword blade the same as the staff,
Turning the chariot wheel into chaff.
Toppling a pillar and nudging a wall,
Building a sand pile to counter each fall.
Yielding to nothing — not even the rose,
The dust has its reasons wherever it goes.

Leo Tolstoy photo

“It is as if a man, who was given a blade so marvelously keen that it would sever anything, should use its edge for driving in nails.”

Leo Tolstoy (1828–1910) Russian writer

Source: Patriotism and Christianity http://en.wikisource.org/wiki/Patriotism_and_Christianity (1896), Ch. 17
Context: One free man will say with truth what he thinks and feels amongst thousands of men who by their acts and words attest exactly the opposite. It would seem that he who sincerely expressed his thought must remain alone, whereas it generally happens that every one else, or the majority at least, have been thinking and feeling the same things but without expressing them.
And that which yesterday was the novel opinion of one man, to-day becomes the general opinion of the majority.
And as soon as this opinion is established, immediately by imperceptible degrees, but beyond power of frustration, the conduct of mankind begins to alter.
Whereas at present, every man, even, if free, asks himself, "What can I do alone against all this ocean of evil and deceit which overwhelms us? Why should I express my opinion? Why indeed possess one? It is better not to reflect on these misty and involved questions. Perhaps these contradictions are an inevitable condition of our existence. And why should I struggle alone with all the evil in the world? Is it not better to go with the stream which carries me along? If anything can be done, it must be done not alone but in company with others."
And leaving the most powerful of weapons — thought and its expression — which move the world, each man employs the weapon of social activity, not noticing that every social activity is based on the very foundations against which he is bound to fight, and that upon entering the social activity which exists in our world every man is obliged, if only in part, to deviate from the truth and to make concessions which destroy the force of the powerful weapon which should assist him in the struggle. It is as if a man, who was given a blade so marvelously keen that it would sever anything, should use its edge for driving in nails.
We all complain of the senseless order of life, which is at variance with our being, and yet we refuse to use the unique and powerful weapon within our hands — the consciousness of truth and its expression; but on the contrary, under the pretext of struggling with evil, we destroy the weapon, and sacrifice it to the exigencies of an imaginary conflict'.