Blog comment, , to PZ Myers, " Always Name Names https://web.archive.org/web/20110706204901/http://scienceblogs.com/pharyngula/2011/07/always_name_names.php" (), Pharyngula, quoted in Rebecca Watson, " The Privilege Delusion http://skepchick.org/2011/07/the-privilege-delusion/", Skepchick.
Regarding the Rebecca Watson elevator incident.
Quotes about blade
page 2
The First Step: A Guide for the New Jewish Spirit, with Donald Gropman (New York: Bantam Books, 1983), p. 74.
Broken Lights Letters 1951-59.
Review http://www.reelviews.net/php_review_template.php?identifier=357 of Blade Runner (1982).
Three-and-a-half star reviews
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8
“Because of thee thy Egypt never sues for showers, nor does the parched blade bow to Jove the Rain-giver.”
Te propter nullos tellus tua postulat imbres,<br/>arida nec pluvio supplicat herba Iovi.
Te propter nullos tellus tua postulat imbres,
arida nec pluvio supplicat herba Iovi.
Bk. 1, no. 7, line 25.
Of the River Nile.
Variant translation: Because of you your land never pleads for showers, nor does its parched grass pray to Jupiter the Rain-giver.
Elegies
Miró admonished art-critic w:Georges Duthuit
1915 - 1940
Source: 'Où allez-vous Miró?' (Where do you go, Miró), Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936
How Plants are Trained to Work for Man (1921) Vol. 5 Gardening
“My work cuts like a steel blade at the base of a man's penis.”
Response to a student's question in her writing class, as quoted by Louis Menand in the New Yorker (June 8-15, 2009), p. 112.
Title poem
The Venetian Bracelet (1829)
A Heartbreaking Work Of Staggering Genius (2000)
“Blade muttered, “Makes as much sense as the story of any other god. Meaning it don’t.””
Source: Dreams of Steel (1990), Chapter 10 (p. 261)
Allah, Allah, Allah.
It's All Crazy! It's All False! It's All A Dream! It's Alright (2009)
Source: Sea Without a Shore (1996), Chapter 7 (p. 89)
The Golden Violet - The Child of the Sea
The Golden Violet (1827)
Source: Emir's Education In The Proper Use of Magical Powers (1979), p. 65-66
“As a trader you often walk on the blade. Be careful and don't step off.”
Advice to a new employee. Quoted in The Economist, 6 July 2013 http://www.economist.com/news/obituary/21580438-marc-rich-king-commodities-died-june-26th-aged-78-marc-rich
Remark: Kenneth Boulding gave the same example in his 1945 The economics of peace, p. 74
Source: 1950s, Principles of economic policy, 1958, p. 23
Quote in Vincent's letter to brother Theo, from Arles, Sept. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 542), p. 39
1880s, 1888
"Jungleland"
Song lyrics, Born to Run (1975)
Song lyrics, Infidels (1983), Jokerman
Source: Ships and Havens https://archive.org/stream/shipshavens00vand#page/28/mode/2up/search/more+we+think+of+it (1897), p.27
Nythod ddwyn, cyd nithud ddail,
Ni'th dditia neb, ni'th etail,
Na llu rhugl, na llaw rhaglaw,
Na llafn glas na llif na glaw.
"Y Gwynt" (The Wind), line 13; translation by Joseph P. Clancy, from Gwyn Jones (ed.) The Oxford Book of Welsh Verse in English (Oxford: OUP, 1977) p. 39.
Anarchism: Its Philosophy and Ideal (1896)
Wesley Snipes, Wesley Snipes interview: 'Robert Downey Jr called me for advice about Iron Man' http://www.telegraph.co.uk/culture/film/11016602/Wesley-Snipes-interview-Robert-Downey-Jr-called-me-for-advice-about-Iron-Man.html, Daily Telegraph, 9 August 2014
"Richard Wakefield" in Rama II (1989)
1980s
Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 209-212. Quoted in Sita Ram Goel : The Calcutta Quran Petition, ch. 6.
Source: Translations, The Aeneid of Virgil (1866), Book XI, p. 427
“To Greece we give our shining blades.”
Evenings in Greece, First Evening.
Bartlett's Familiar Quotations, 10th ed. (1919)
Private Richard Sharpe to the Tippoo Sultan, p. 372
Sharpe (Novel Series), Sharpe's Tiger (1997)
Impromptu poem, made at the request of reporters, printed in "Markham v. Prodigy" http://jcgi.pathfinder.com/time/magazine/printout/0,8816,928761,00.html TIME magazine (23 November 1925)
Vishnu Dutt Shastriji about Mahaprabhuji
31 August 1983
The Teachings of Babaji
Tarikh Yamini (Kitabu-l Yamini) by Al Utbi, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 33 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from Tarikh Yamini (Kitabu-l Yamini) by Al Utbi
“The Empire Pool” Conclave: A Journal of Character, Issue 5, (Spring, 2013)
2010-
Source: Psychic Politics: An Aspect Psychology Book (1976), p. 62
“A gnarled old branch dulls the blade that severs a sapling.”
Lini
(15 October 1993)
Philip Kotler (2012). Kotler On Marketing, p. 125: About defining the Target Market
Los Angeles Times http://herocomplex.latimes.com/2012/04/13/looper-trailer-joseph-gordon-levitt-completes-time-travel-circle/, 2012
"Bright College Days"
An Evening (Wasted) With Tom Lehrer (1959)
"The Crooked Wood", p. 208
The Journey Home (1977)
“Whose wit in the combat, as gentle as bright,
Ne'er carried a heart-stain away on its blade.”
On the Death of Sheridan.
Bartlett's Familiar Quotations, 10th ed. (1919)
Naaman's Song http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/LimitsRenewals/naamansong.html, Stanza 2.
Other works
History of Hindu-Christian Encounters (1996)
Children at the Gate (1962)
“The Kindle is just the razor. The books are the blades — ka-ching!”
" The Kindle: Good Before, Better Now http://www.nytimes.com/2009/02/24/technology/personaltech/24pogue.html," The New York Times, February 24, 2009.
Source: Gulistan (1258), Chapter 3, story 19. Translated by Sir Edwin Arnold. ( Persian version https://ganjoor.net/saadi/golestan/gbab3/sh18/)
“The brightest blades grow dim with rust,
The fairest meadow white with snow.”
Chanson without Music; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
From All Saints: Daily Reflections on Saints, Prophets, and Witnesses for Our Time, As air becomes the medium for light when the sun rises, and as wax melts from the heat of fire, so the soul drawn to that light is resplendent, feels self melt awayby Robert Ellsberg
And I want to say tonight, I want to say that I am happy that I didn't sneeze.
1960s, I've Been to the Mountaintop (1968)
Captain Richard Sharpe and Miss Sarah Fry, p. 205
Sharpe (Novel Series), Sharpe's Escape (2003)
Dick Hebdidge (1979). . p.106-12
Source: Argonautica (3rd century BC), Book IV. Homeward Bound, Lines 930–932
The Varieties of Scientific Experience: A Personal View of the Search for God (2006)
“(on Blades of Glory) Playing the assholes in the movie is fun.”
"Interview:Will Arnett and Amy Poehler," CHUD.com (March 29, 2007) http://www.chud.com/index.php?type=interviews&id=9525
2007
Source: American Caesar: Douglas MacArthur 1880-1964 (1978), p. 709
[ Link to tweet https://twitter.com/dril/status/235218148800991233]
Tweets by year, 2012
Review of Nabokov's Lolita (1958).
Context: Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly.
" Sir Galahad http://home.att.net/%7ETennysonPoetry/sg.htm", st. 1 (1842)
“Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon”
Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)
Context: Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child's balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying
"Love the Wild Swan" (1935)
Context: I hate my verses, every line, every word.
Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.
Oh cracked and twilight mirrors ever to catch
One color, one glinting flash, of the splendor of things.
The Clerk's Vision (1949)
Context: No use going out or staying at home. No use erecting walls against the impalpable. A mouth will extinguish all the fires, a doubt will root up all the decisions. It will be everywhere without being anywhere. It will blur all the. mirrors. Penetrating walls and convictions, vestments and well-tempered souls, it will install itself in the marrow of everyone. Whistling between body and body, crouching between soul and soul. And all the wounds will open because, with expert and delicate, although somewhat cold, hands, it will irritate sores and pimples, will burst pustules and swellings and dig into the old, badly healed wounds. Oh fountain of blood, forever inexhaustible! Life will be a knife, a gray and agile and cutting and exact and arbitrary blade that falls and slashes and divides. To crack, to claw, to quarter, the verbs that move with giant steps against us!
It is not the sword that shines in the confusion of what will be. It is not the saber, but fear and the whip. I speak of what is already among us. Everywhere there are trembling and whispers, insinuations and murmurs. Everywhere the light wind blows, the breeze that provokes the immense Whiplash each time it unwinds in the air. Already many carry the purple insignia in their flesh. The light wind rises from the meadows of the past, and hurries closer to our time.
Source: Andre Cornelis (1886), Ch. 13
Context: I was suddenly carried away by rage to the point of losing all control over my frenzy. "Ah!" I cried, "since you will not do justice on yourself, die then, at once!" I stretched out my hand and seized the dagger which he had recently placed upon the table. He looked at me without flinching, or recoiling; indeed presenting his breast to me, as though to brave my childish rage. I was on his left bending down, and ready to spring. I saw his smile of contempt, and then with all my strength I struck him with the knife in the direction of the heart.
The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed. He uttered a cry. His face was distorted with terrible agony, and he moved his right hand towards the wound, as though he would draw out the dagger. He looked at me, convulsed; I saw that he wanted to speak; his lips moved, but no sound issued from his mouth. The expression of a supreme effort passed into his eyes, he turned to the table, took a pen, dipped it into the inkstand, and traced two lines on a sheet of paper within his reach. He looked at me again, his lips moved once more, then he fell down like a log.
“Treating the sword blade the same as the staff,
Turning the chariot wheel into chaff.”
"The Dust" <!-- p. 23 -->
Venus Invisible and Other Poems (1928)
Context: Treating the sword blade the same as the staff,
Turning the chariot wheel into chaff.
Toppling a pillar and nudging a wall,
Building a sand pile to counter each fall.
Yielding to nothing — not even the rose,
The dust has its reasons wherever it goes.
Source: Patriotism and Christianity http://en.wikisource.org/wiki/Patriotism_and_Christianity (1896), Ch. 17
Context: One free man will say with truth what he thinks and feels amongst thousands of men who by their acts and words attest exactly the opposite. It would seem that he who sincerely expressed his thought must remain alone, whereas it generally happens that every one else, or the majority at least, have been thinking and feeling the same things but without expressing them.
And that which yesterday was the novel opinion of one man, to-day becomes the general opinion of the majority.
And as soon as this opinion is established, immediately by imperceptible degrees, but beyond power of frustration, the conduct of mankind begins to alter.
Whereas at present, every man, even, if free, asks himself, "What can I do alone against all this ocean of evil and deceit which overwhelms us? Why should I express my opinion? Why indeed possess one? It is better not to reflect on these misty and involved questions. Perhaps these contradictions are an inevitable condition of our existence. And why should I struggle alone with all the evil in the world? Is it not better to go with the stream which carries me along? If anything can be done, it must be done not alone but in company with others."
And leaving the most powerful of weapons — thought and its expression — which move the world, each man employs the weapon of social activity, not noticing that every social activity is based on the very foundations against which he is bound to fight, and that upon entering the social activity which exists in our world every man is obliged, if only in part, to deviate from the truth and to make concessions which destroy the force of the powerful weapon which should assist him in the struggle. It is as if a man, who was given a blade so marvelously keen that it would sever anything, should use its edge for driving in nails.
We all complain of the senseless order of life, which is at variance with our being, and yet we refuse to use the unique and powerful weapon within our hands — the consciousness of truth and its expression; but on the contrary, under the pretext of struggling with evil, we destroy the weapon, and sacrifice it to the exigencies of an imaginary conflict'.