Quotes about blackness
page 20

Sister Souljah photo
Brett Kavanaugh photo

“Utu, shepherd of the land, father of the black-headed, when you go to sleep, the people go to sleep with you; youth Utu, when you rise, the people rise with you.”

In Lugalbanda in the Mountain Cave, Ur III Period (21st century BCE). http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.8.2.1#

Ken Livingstone photo
H. G. Wells photo

“Suppose, now, there is such a thing as an all-round inferior race. Is that any reason why we should propose to preserve it for ever…? Whether there is a race so inferior I do not know, but certainly there is no race so superior as to be trusted with human charges. The true answer to Aristotle’s plea for slavery, that there are “natural slaves,” lies in the fact that there are no “natural” masters… The true objection to slavery is not that it is unjust to the inferior but that it corrupts the superior. There is only one sane and logical thing to be done with a really inferior race, and that is to exterminate it. Now there are various ways of exterminating a race, and most of them are cruel. You may end it with fire and sword after the old Hebrew fashion; you may enslave it and work it to death, as the Spaniards did the Caribs; you may set it boundaries and then poison it slowly with deleterious commodities, as the Americans do with most of their Indians; you may incite it to wear clothing to which it is not accustomed and to live under new and strange conditions that will expose it to infectious diseases to which you yourselves are immune, as the missionaries do the Polynesians; you may resort to honest simple murder, as we English did with the Tasmanians; or you can maintain such conditions as conduce to “race suicide,” as the British administration does in Fiji. Suppose, then, for a moment, that there is an all-round inferior race… If any of the race did, after all, prove to be fit to survive, they would survive—they would be picked out with a sure and automatic justice from the over-ready condemnation of all their kind. Is there, however, an all-round inferior race in the world? Even the Australian black-fellow is, perhaps, not quite so entirely eligible for extinction as a good, wholesome, horse-racing, sheep-farming Australian white may think. These queer little races, the black-fellows, the Pigmies, the Bushmen, may have their little gifts, a greater keenness, a greater fineness of this sense or that, a quaintness of the imagination or what not, that may serve as their little unique addition to the totality of our Utopian civilisation. We are supposing that every individual alive on earth is alive in Utopia, and so all the surviving “black-fellows” are there. Every one of them in Utopia has had what none have had on earth, a fair education and fair treatment, justice, and opportunity…Some may be even prosperous and admired, may have married women of their own or some other race, and so may be transmitting that distinctive thin thread of excellence, to take its due place in the great synthesis of the future.”

Source: A Modern Utopia (1905), Ch. 10, sect. 3

John Mayer photo

“Sheryl's heroes are in black and white photos, and so are mine.”

John Mayer (1977) guitarist and singer/songwriter

Mayer on why he agreed to tour with Sheryl Crow, despite the fact that he considers her more established and successful
Mervis, Scott (2006). "Music Preview: John Mayer takes strides with new record" http://www.post-gazette.com/pg/06236/715835-42.stm Post-Gazette.com (accessed August 23, 2006)

Charles Lightoller photo

“"Now I have lost all fear, and begin to draw on the black surface'" (Arp). Only love — for painting, in this instance — is able to cover the fearful void.”

Hans Hofmann (1880–1966) American artist

Robert Motherwell, partly quoting Jean Arp, in Motherwell & black (1981) p. 94 -->
Misattributed

Tom DeLonge photo

“But really we wanted to do something that was more kind of different than what most punk rock bands are doing right now, where they are all dressing in black and acting pissed or sad or wearing make-up. Its just not what we are into.”

Tom DeLonge (1975) American rock musician

In interview for Absolutepunk.net http://www.absolutepunk.net/showthread.php?t=290928 about his band Angels and Airwaves. (January 2008).

Bill Whittle photo

“You're not black, white, yellow or brown. You're an American.”

Bill Whittle (1959) author, director, screenwriter, editor

citation needed

Conrad Black photo
Calvin Coolidge photo
Jane Austen photo

“The General has got the gout, and Mrs. Maitland the jaundice. Miss Debary, Susan, and Sally, all in black, but without any stature, made their appearance, and I was as civil to them as their bad breath would allow me.”

Jane Austen (1775–1817) English novelist

Letter (1800-11-20) on people she met at a ball [Letters of Jane Austen -- Brabourne Edition]
Letters

Julius Malema photo

“Malema: So these popcorn and mushrooming political parties in Zimbabwe, they will never find friendship in us. They can insult us here from air-conditioned offices of Sandton, we are unshaken. They must stop shouting at us, they must go and fight with their battle in Zimbabwe and win. Even if they've got ground and they are formed on the basis of solid ground in Zim, why are they speaking in Sandton and not Mashonaland or Matabeleland? … Let them go back and go and fight there. Even when the ANC was underground in exile, we had our internal underground forces fighting for freedom.
Fisher: You live in Sandton.
Malema: And we have never spoken from … exile. Let me tell you before you are tjatjarag [i. e. chatty]. This is a building of a revolutionary party, and you know nothing about the revolution.
Fisher: So, so they are not welcome in Sandton but you are?
Malema: So here you behave or else you jump. [Fisher and others laugh. ] Don't laugh.
Fisher: You're joking.
Malema: Chief, can you get security to remove this thing here. If you are not going to behave … call security to take you out. This is not a news room this. This is a revolutionary house. And you don't come here with that tendency. Don't come here with that white tendency, not here. … If you've got a tendency of undermining blacks even while you work, you are in a wrong place …
Fisher: That's rubbish.
Malema: … and you can go out!
Fisher: Absolutely rubbish.
Malema: Rubbish is what you have covered in that trouser. … You are a small boy, you can't do anything. … Bastard! Go out! You bloody agent! … So we think that we need to ensure that we encourage Zanu PF comrades to engage in peaceful means.”

Julius Malema (1981) South African political activist

Outburst against reporter Jonah Fisher at Luthuli House on 8 April 2010, while president of the ANC youth league and after his return from Zimbabwe, ANC's Julius Malema lashes out at 'misbehaving' BBC journalist https://www.theguardian.com/world/2010/apr/08/anc-julius-malema-bbc-journalist (8 April 2010)

David Horowitz photo

“The black middle-class in America is a prosperous community that is now larger in absolute terms than the black underclass. Does its existence not suggest that economic adversity is the result of failures of individual character rather than the lingering after-effects of racial discrimination and a slave system that ceased to exist well over a century ago?”

David Horowitz (1939) Neoconservative activist, writer

[David, Horowitz, http://www.frontpagemag.com/Articles/ReadArticle.asp?ID=1153, Ten Reasons Why Reparations for Blacks is a Bad Idea for Blacks - and Racist Too, FrontPageMagazine.com, January 3, 2001, 2007-02-17]
2001

Linus Torvalds photo
Assata Shakur photo
John Millington Synge photo
Dafydd ap Gwilym photo
Alison Bechdel photo
Assata Shakur photo
Nicholas Serota photo
Ta-Nehisi Coates photo
Albert Gleizes photo
Greg Giraldo photo

“Hasslehoff, your liver is so shriveled, black, and dead. If you put your ear to your side you can hear it going "What you talking bout Willis."”

Greg Giraldo (1965–2010) American comedian

David Hasslehoff Comedy Central Roast (2010)

William Whipple photo

“A recommendation is gone thither for raising some regiments of Blacks. This, I suppose will lay a foundation for the emancipation of those wretches in that country. I hope it will be the means of dispensing the blessings of Freedom to all the human race in America.”

William Whipple (1730–1785) American signatory of the Declaration of Independence

As quoted in "This Was a Man" http://www.whipple.org/william/thiswasaman.html, by Dorothy Mansfield Vaughan

Lee Child photo
Susan Cooper photo
Nat Turner photo
Gerald Durrell photo
Robert A. Heinlein photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
David Letterman photo

“How long have you been a black man?”

David Letterman (1947) American comedian and actor

To U.S. President Barack Obama, after he had responded to a question on whether he thought racism was fueling criticisms of him with the comment "First of all, I think it's important to realize that I was actually black before the election.", as quoted in "Obama Takes On Letterman" http://www.washingtonpost.com/wp-dyn/content/article/2009/09/21/AR2009092103432.html by Michael D. Shear, in The Washington Post (22 September 2009).

Brandon Flowers photo

“Barack Obama being elected. I think about how… um… how my sons will grow up only knowing a black President. [Wells with tears] I can’t explain how that’s changed America. There’s an optimism now that wasn’t there for black people.”

Brandon Flowers (1981) American indie rock singer

When asked what the most culturally significant event for him between 2000 and 2010
" Brandon Flowers On His Sons http://www.ibabycouture.com/blog/?p=3729", BabyCouture (accessed December 20, 2010)

Pik Botha photo

“Senator, some of us strongly believe that Americans are the last people that can go around the world preaching morality. What we are doing to the blacks in Africa today is what you have already done and continue to do to the American Indian.”

Pik Botha (1932–2018) South African politician

To Senator Ted Kennedy
Quoted in The Namibian newspaper, 27 Apr 2011 http://www.namibian.com.na/index.php?id=28&tx_ttnews%5Btt_news%5D=80921&no_cache=1

Herbert Morrison photo

“It is because I have confidence in the reasoned appeal the Socialist Party can make to all sections of the community – manual workers and black coats alike – that I have decided to go to East Lewisham, if I am selected, emphasizing by this action my conviction that the soundest socialist appeal is that which is most universal in its scope.”

Herbert Morrison (1888–1965) British Labour politician

The Times, 10 January 1945.
Morrison abandoned his safe seat in Hackney South for Lewisham East in the 1945 general election despite it being a Conservative-held seat that had never previously returned a Labour MP. The move paid off, and he was elected there.

Larry Holmes photo

“It wasn't about Larry Holmes, if I would have fought a brother I wouldn't have gotten the money I got. Give me 10 black guys and I make eight dollars. Give me Gerry Cooney and I make $10 million.”

Larry Holmes (1949) American boxer

On beating Gerry Cooney, billed as "the great white hope" http://news.yahoo.com/s/ap/20070630/ap_on_sp_bo_ne/box_tim_dahlberg063007

“The greater the penalties laid on sellers in the black market… the higher the black market price.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1947) " A Note on the Theory of the Underground economy http://www.jstor.org/stable/137604". In: The Canadian Journal of Economics and Political Science. Vol. 13 no.1, p. 117; quoted in: Michael York (2007) The Entrepreneurial Outlaw http://www2.gcc.edu/dept/econ/ASSC/Papers2007/Entrepreneurial_Outlaw_York.pdf
1940s

Bell Hooks photo
Qutb al-Din Aibak photo
Herman Cain photo

“I could eat black walnut all the time, it's not a flavor of the week!”

Herman Cain (1945) American writer, businessman and activist

Fox & Friends
Television
Fox News
2011-10-04, quoted in * Herman Cain Refers To Himself As ‘Black Walnut Ice Cream’ On Fox and Friends
Mediaite
2011-10-04
James
Crugnale
http://www.mediaite.com/tv/herman-cain-refers-to-himself-as-black-walnut-ice-cream/
2011-10-08

Elmore Leonard photo
James Weldon Johnson photo

“O black and unknown bards of long ago,
How came your lips to touch the sacred fire?
How, in your darkness, did you come to know
The power and beauty of the minstrels' lyre?”

James Weldon Johnson (1871–1938) writer and activist

O Black and Unknown Bards, st. 1.
Fifty Years and Other Poems (1917)

Abbie Hoffman photo
Alistair Cooke photo
Mr. T photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Isa Chandra Moskowitz photo

“They say that black-eyed peas bring you luck when eaten on New Year's Day, and New Year's is also the time of year many people go vegan, so not only will you be lucky, so will the animals!”

Isa Chandra Moskowitz (1973) American food writer

Appetite for Reduction: 125 Fast and Filling Low-Fat Vegan Recipes, Da Capo Press, 2011, ISBN 978-0-738-21441-2, p. 203 https://books.google.it/books?id=2bB_cc54DQYC&pg=PT203

Taylor Swift photo
James Frazer photo
Charles Brockden Brown photo

“Ruffian or devil, black as hell or bright as angels, thenceforth he was nothing to me.”

Charles Brockden Brown (1771–1810) American novelist, historian and editor

Wieland; or, the Transformation (1798)

Paul Cézanne photo
Chris Rock photo

“Black Santa Claus caused more tears than the Tampa Bay Devil Rays.”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

From Everybody Hates Chris second season episode, "Everybody Hates Chris"
Miscellaneous

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Joseph Stella photo
Angela Davis photo
Nathanael Greene photo
Bell Hooks photo
Flip Wilson photo
Thomas Sowell photo
Brooks D. Simpson photo
Ray Comfort photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Harry V. Jaffa photo
Camille Paglia photo
P. W. Botha photo
Slavoj Žižek photo
Martin Brundle photo

“The history of the Democratic Party can be concisely captured by referring to its steadfast allegiance to the four Ss. Slavery, Secession, Segregation, and Socialism. During the Obama presidency we have seen how hard old habits die, even for a black man whose race was the long-time victim of Democratic Party's bone-deep authoritarianism. Under this Democratic president we have seen a war waged on several fronts against America's young. Indeed, the Democrats' historic taste for and belief in slavery have resurfaced with a vengeance and indiscriminately under the Obama administration, whether white, black, yellow, red, male, or female America's young are dying and being forced to work for Obama and his lieutenants as they seek to maintain their party's hold on political power. How so? Well, America has never had a president and administration so eager to kill unborn Americans. Even with post-1973 science having proved irrefutably that the unborn are human beings, and even though American law always has defined them as U. S. citizens, Obama and his colleagues have strengthened at every point they could the absurd notion that unborn humans are the chattel property of the woman who bears them, and so can be disposed of, that is, murdered, at her whim. And, in what must be considered a masterpiece of Orwellian language, Obama and his team, and most Democrats since 1973, describe this federal government-issued license to kill as a woman's 'right', a means by which she manifests her equality with men. They then damn any one who questions the logic, sanity, or justice of this argument as an 'extremist'. Only in an America in which a political entity as devoted to the four 'Ss' as the Democratic Party could opposition to the cold-blooded murder of fellow citizens unable defend themselves be identified by the country’s best-educated as 'extremism'. If this is indeed a right, it is a right gives each woman the right to be a slave-owner and a Nazi. Such a 'right' really is no different than the rights sanctioned by the Dred Scott decision and the Nuremberg laws, each of which legally defined certain categories of people out of the human race in order to enslave or kill them. Since 1973, the application of this 'right' has produced precisely the same results as Dred Scott and the Nuremberg laws, though in numbers so immense, 55 million and climbing, that they make those acts seem rather tame and minimally destructive of humans.”

Michael Scheuer (1952) American counterterrorism analyst

As quoted in "Obama and his party offer America's young … death, misery, and slavery" http://non-intervention.com/1143/obama-and-his-party-offer-america%E2%80%99s-young-%E2%80%A6-death-misery-and-slavery/ (21 November 2013), by M. Scheuer, Michael Scheuer's Non-Intervention.
2010s

Edgar Rice Burroughs photo
Reggie Jackson photo

“I was 'colored' until I was 14, a Negro until I was 21 and a black man ever since.”

Reggie Jackson (1946) American professional baseball player, outfielder, coach

"We Have A Serious Problem That Isn't Going Away" http://sportsillustrated.cnn.com/vault/article/magazine/MAG1065955/index.htm, Sports Illustrated, May 11, 1987.

Joseph Beuys photo
William Blake photo
Kent Hovind photo
Statius photo

“Atlas' grandson obeys his sire's words and hastily thereupon binds the winged sandals on to his ankles and with his wide hat covers his locks and tempers the stars. Then he thrusts the wand in his right hand; with this he was wont to banish sweet slumber or recall it, with this to enter black Tartarus and give life to bloodless phantoms. Down he leapt and shivered as the thin air received him. No pause; he takes swift and lofty flight through the void and traces a vast arc across the clouds.”
Paret Atlantiades dictis genitoris et inde summa pedum propere plantaribus inligat alis obnubitque comas et temperat astra galero. tum dextrae uirgam inseruit, qua pellere dulces aut suadere iterum somnos, qua nigra subire Tartara et exangues animare adsueuerat umbras. desiluit, tenuique exceptus inhorruit aura. nec mora, sublimes raptim per inane volatus carpit et ingenti designat nubila gyro.

Source: Thebaid, Book I, Line 303

Curtis Mayfield photo
John Moffat photo

“Is the reader feeling confused about the status of the black hole information paradox and black holes in general? So am I!”

Source: Reinventing Gravity (2008), Chapter 5, Conventional Black Holes, p. 87

Arshile Gorky photo
William Ewart Gladstone photo
Marco Girolamo Vida photo

“I sing the form of war, the bloodless plain,
Armies of ivory, and a mock campaign;
How two bold kings in different armour veil'd,
One black, one white, for conquest fought the field.”

Ludimus effigiem belli, simulataque veris Praelia, buxo acies fictas, et ludicra regna, Ut gemini inter se reges albusque, nigerque Pro laude oppositi certent bicoloribus armis.

Vida's Game of Chess https://books.google.com/books?id=IGMIAAAAQAAJ, opening lines
Compare:
Of armies on the chequer'd field array'd,
And guiltless war in pleasing form display'd;
When two bold kings contend with vain alarms,
In ivory this, and that in ebon arms.
William Jones, Caïssa; Or, The Game of Chess.
Scacchia Ludus (1527)

Ephraim Mirvis photo
Sarah Silverman photo
Douglas Adams photo
Nelson Mandela photo
Statius photo

“Black Death sits upon an eminence, and numbers the silent peoples for their lord; yet the greater part of the troop remains. The Gortynian judge shakes them in his inexorable urn, demanding the truth with threats, and constrains them to speak out their whole lives' story.”
In speculis Mors atra sedet dominoque silentes adnumerat populos; maior superinminet ordo. arbiter hos dura versat Gortynius urna vera minis poscens adigitque expromere vitas usque retro.

Source: Thebaid, Book IV, Line 528 (tr. J. H. Mozley)

Ayn Rand photo
Ai Weiwei photo