Quotes about authenticity
page 3

news release (July 20, 2007)
2007, 2008

After reading a pamphlet denigrating Durga which was allegedly published by JNU students , as quoted in " 'I Am A Durga Worshipper,' Says Smriti Irani Amid Apology Demands http://www.ndtv.com/cheat-sheet/smriti-irani-must-apologise-or-house-wont-run-says-opposition-10-developments-1281440" NDTV (26 February 2016)

Quote, 1920's; MPC p. 13; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 28
Quotes of Salvador Dali, 1920 - 1930

“The building of a just society means overcoming every obstacle to the creation of authentic peace.”
Source: A Theology of Liberation - 15th Anniversary Edition, Chapter Three, The problem, p. 31

Sean Kelly, America's Tyrant: The CIA and Mobutu of Zaire, p. 194
Sometimes the latter contention is only an excuse for unwillingness to market, although it may sometimes reflect an accurate assessment of how the media and journals will receive books that are strongly critical of the established order.
Source: The Washington Connection and Third World Fascism, with Noam Chomsky, 1979, pp. xiv-xvii.

Source: before 1960, Ritual for the Relinquishment of the immaterial Pictorial Sensitivity Zones', Yves Klein, 1957-59, p. 207

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

in Meeting with Artists http://www.vatican.va/holy_father/benedict_xvi/speeches/2009/november/documents/hf_ben-xvi_spe_20091121_artisti_en.html (21 November 2009)
2009

Nerzuk Ćurak, as quoted in In Memoriam BiH (1992-1995) (2016) p.399
About

Afterword to Exposures, p. 246
In Alien Flesh (1986)
Source: The Christian Agnostic (1965), p.31 ,[ellipsis added]

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

“Conscience is the authentic voice of God to you.”
Letter to his son, Scott R. Hayes (8 March 1892)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 2

Interview on matthewsplace.com (October 2009) http://www.matthewsplace.com/2009/10/interview-with-jennifer-beals/.

Essays on Woman (1996), The Ethos of Woman's Professions (1930)
in Une réouverture des chemins du sens, edited by [Jean Staune, Science et quête de sens, Presses de la Renaissance, 2005, 2750901251, 26]

"The Magical Value of Manuscripts," http://www.danagioia.net/essays/ehop.htm The Hudson Review (Spring 1996); later published as an introduction to The Hand of the Poet: Poems and Papers in Manuscript, ed. Rodney Phillips (1997)
Essays

2009, Cartias in Vertitate (29 June 2009)

Cover Interview with Powergirls Magazine, "Nicole Lapin: Rebel in the Newsroom" by Kim Siegelson.
Powergirls Magazine Cover Story
Ram Gopal, Indian Resistance to Early Muslim Invaders Upto 1206 A.D., 1983, p.64.
Indian Resistance to Early Muslim Invaders Upto 1206 A.D.

Source: The Homeless Mind: Modernization and Consciousness (1973), pp. 4-5
From Are You the One for Me? (1992)

1990s, The Monarchy: A Critique of Britain's Favourite Fetish

interview at Americans for Prosperity's RightOnline Conference, July 2010
Christine O'Donnell Running For Senate In Delaware At AFP's RightOnline Conference
2010-09-05
http://www.youtube.com/watch?v=NYPTaKrWkRk
2010-10-20
asked if she considers herself a feminist

Romancing Opiates: Pharmacological Lies and the Addiction Bureaucracy (2006)

http://www.memritv.org/clip_transcript/en/756.htm.
Hizbullah
Authority and persuasion in philosophy (1985)

James Boswell, The Journal of a Tour to the Hebrides (1785), p. 490.
Criticism

Source: Aphorisms and Reflections (1901), p. 202

2010-09-11
Gingrich: Obama’s ‘Kenyan, anti-colonial’ worldview
Robert
Costa
National Review
0028-0038
2010s

Pages 126-127
Post-Presidency, Our Endangered Values (2005)

Source: The Politics of Experience (1967), p. 2 of Introduction
Context: We are all murderers and prostitutes — no matter to what culture, society, class, nation, we belong, no matter how normal, moral, or mature we take ourselves to be.
Humanity is estranged from its authentic possibilities. This basic vision prevents us from taking any unequivocal view of the sanity of common sense, or of the madness of the so-called madman. … Our alientation goes to the roots. The realisation of this is the essential springboard for any serious reflection on any aspect of present inter-human life.
Songfacts interview (2007)
Context: I think the trick for any songwriter is authenticity. For the young songwriter coming up who is connected to his generation, as I was connected to mine, write honestly about what's going on in the center of your life. You know, when "We've Only Just Begun" was a Number 1 record, I think the Number 1 album in the country was "In-A-Gadda-Da-Vida." So it was as far away from what was happening in the music scene as you can get. And yet it was a hit. I think it was a hit because of, obviously, Karen's amazing vocal, but I think that any time we write authentically and honestly about what's going on in the center of our chest, because people are so much alike, there's a big a chance that it's going on in the center of your chest, too.

"Tom Wolfe's Failed Optimism" (1977), Beginning To See the Light: Pieces of a Decade (1981)
Context: My education was dominated by modernist thinkers and artists who taught me that the supreme imperative was courage to face the awful truth, to scorn the soft-minded optimism of religious and secular romantics as well as the corrupt optimism of governments, advertisers, and mechanistic or manipulative revolutionaries. I learned that lesson well (though it came too late to wholly supplant certain critical opposing influences, like comic books and rock-and-roll). Yet the modernists’ once-subversive refusal to be gulled or lulled has long since degenerated into a ritual despair at least as corrupt, soft-minded, and cowardly — not to say smug — as the false cheer it replaced. The terms of the dialectic have reversed: now the subversive task is to affirm an authentic post-modernist optimism that gives full weight to existent horror and possible (or probable) apocalyptic disaster, yet insists — credibly — that we can, well, overcome. The catch is that you have to be an optimist (an American?) in the first place not to dismiss such a project as insane.

2010s, Why Penn Jillette is Terrified of a President Trump (2016)
Context: The problem is, I know Trump, so my optimism has been squashed like a baby bird … Everything bad I had to say about him, I said to his face. … I think he’s very good, very compelling on that show [Celebrity Apprentice] … I really like him because of his absence of filters. I really like the glimpse we get into the human heart we get when someone loses their filters … If he weren’t running for president, you’d be seeing essays from me about how much I learned from Donald Trump and how much I loved being on the show … I’m feeling so, so, so guilty, because I feel like, along with millions of other people, I played right into this. The cynicism of the Clintons, the careful, tightrope walk of all politicians, forced me, as an atheist, to get down on my knees and pray that someone would come along with some kind of authenticity … Well, someone called my bluff, goddamn it. … I’m a pure and utter peacenik. I want a president who sings the praises of people, sings the praises of peace and sings the praises of working together for a great country … Abraham Lincoln wouldn’t have laughed about waterboarding … If you told me right now I could have another eight years of Obama, I would not hesitate to grab at it. … He is unquestionably good and unquestionably smarter than I am, which is putting the bar pretty low. I want a president that is kinder, smarter and more measured than me.

Quote in 'Culture: Caspar D. Friedrich and the Wasteland', by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
Variant translation: The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge. (as quoted in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated
Context: The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 235

“There is no formula for generating the authentic warmth of love. It cannot be copied.”
The Wisdom of Insecurity (1951)
Context: There is no formula for generating the authentic warmth of love. It cannot be copied. You cannot talk yourself into it or rouse it by straining at the emotions or by dedicating yourself solemnly to the service of mankind. Everyone has love, but it can only come out when he is convinced of the impossibility and the frustration of trying to love himself. This conviction will not come through condemnations, through hating oneself, through calling self love bad names in the universe. It comes only in the awareness that one has no self to love.

The Tragic Sense of Life (1913), IV : The Essence of Catholicism
Context: The most authentic Catholic ethic, monastic asceticism, is an ethic of eschatology, directed to the salvation of the individual soul rather than to the maintenance of society. And in the cult of virginity may there not perhaps be a certain obscure idea that to perpetuate ourselves in others hinders our own personal perpetuation?

"The Argentine Writer and Tradition", Fervor of Buenos Aires (1923)
Context: Some days past I have found a curious confirmation of the fact that what is truly native can and often does dispense with local color; I found this confirmation in Gibbon's Decline and Fall of the Roman Empire. Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work. It was written by Mohammed, and Mohammed, as an Arab, had no reason to know that camels were especially Arabian; for him they were part of reality, he had no reason to emphasize them; on the other hand, the first thing a falsifier, a tourist, an Arab nationalist would do is have a surfeit of camels, caravans of camels, on every page; but Mohammed, as an Arab, was unconcerned: he knew he could be an Arab without camels. I think we Argentines can emulate Mohammed, can believe in the possibility of being Argentine without abounding in local color.

Source: Nietzsche (1946), pp. 187-188
Context: For any community and those living in it, only that is true which can be communicated to all. Hence universal communicability is unconsciously accepted as the source and criterion of those truths that promote life through communal means. Truth is that which our conventional social code accepts as effective in promoting the purposes of the group. … This community will condemn as a “liar” the person who misuses its unconsciously accepted, and therefore valid, metaphors. … Community members are obliged to “lie” in accordance with fixed convention. To put it otherwise, they must be truthful by playing with the conventionally marked dice. To fail to pay in the coin of the realm is to tell forbidden lies, for, on this view, whatever transcends conventional truth is a falsehood. To tell lies of this kind is to sacrifice the world of meanings upon which the endurance of his community rests. Conversely, there are forbidden truths: This same threat to the continuance of the community is also counteracted by relentlessly preventing anyone from thinking and uttering unconventional but authentic truths.

Comparing Charles Lindbergh's leadership of an "America First" movement with that of Donald Trump, in responses to being asked about foreseeing an America such as now exists in his earlier writings, including his alternate-history novel The Plot Against America (2004) where Lindbergh defeated FDR for the presidency in 1940, as quoted in "No Longer Writing, Philip Roth Still Has Plenty to Say" by Charles Mcgrath, in The New York Times (16 January 2018) https://www.nytimes.com/2018/01/16/books/review/philip-roth-interview.html
Context: No one I know of has foreseen an America like the one we live in today. No one (except perhaps the acidic H. L. Mencken, who famously described American democracy as “the worship of jackals by jackasses”) could have imagined that the 21st-century catastrophe to befall the U. S. A., the most debasing of disasters, would appear not, say, in the terrifying guise of an Orwellian Big Brother but in the ominously ridiculous commedia dell’arte figure of the boastful buffoon. How naïve I was in 1960 to think that I was an American living in preposterous times! How quaint! But then what could I know in 1960 of 1963 or 1968 or 1974 or 2001 or 2016? … However prescient The Plot Against America might seem to you, there is surely one enormous difference between the political circumstances I invent there for the U. S. in 1940 and the political calamity that dismays us so today. It’s the difference in stature between a President Lindbergh and a President Trump. Charles Lindbergh, in life as in my novel, may have been a genuine racist and an anti-Semite and a white supremacist sympathetic to Fascism, but he was also — because of the extraordinary feat of his solo trans-Atlantic flight at the age of 25 — an authentic American hero 13 years before I have him winning the presidency. … Trump, by comparison, is a massive fraud, the evil sum of his deficiencies, devoid of everything but the hollow ideology of a megalomaniac.

The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Context: Nothing … nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance. For man alone of animals plays the ape to his dreams. These axioms — poor, deaf and blinded spendthrift! — are none the less valuable for being quoted.

Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: The authentic rebel knows that the silencing of all his adversaries is the last thing on earth he wishes: their extermination would deprive him and whoever else remains alive from the uniqueness, the originality, and the capacity for insight that these enemies — being human — also have and could share with him. If we wish the death of our enemies, we cannot talk about the community of man. In the losing of the chance for dialogue with our enemies, we are the poorer.

"Six Asides About Culture"
Living in Truth (1986)
Context: There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. … Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.

78 U.S. 93-94
Judicial opinions, United States v. Ballard (1944)
Songfacts interview (2007)
Context: I think the trick for any songwriter is authenticity. For the young songwriter coming up who is connected to his generation, as I was connected to mine, write honestly about what's going on in the center of your life. You know, when "We've Only Just Begun" was a Number 1 record, I think the Number 1 album in the country was "In-A-Gadda-Da-Vida." So it was as far away from what was happening in the music scene as you can get. And yet it was a hit. I think it was a hit because of, obviously, Karen's amazing vocal, but I think that any time we write authentically and honestly about what's going on in the center of our chest, because people are so much alike, there's a big a chance that it's going on in the center of your chest, too.

trans. Michael Chase (1995), p. 91
La Philosophie comme manière de vivre (2001)
Context: Only he who is capable of a genuine encounter with the other is capable of an authentic encounter with himself, and the converse is equally true…From this perspective, every spiritual exercise is a dialogue, insofar as it is an exercise of authentic presence, to oneself and to others.

Introduction
The Wedge (1944)
Context: When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them — without distortion which would mar their exact significances — into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn’t what he says that counts as a work of art, it’s what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.

“That theater doesn't make for authentic public discourse.”
Hartford Advocate Interview (2008)
Context: Stewart: The real issue is that TV news can either bring clarity or noise. And it tends to not seem to know the difference between them. … We do a show that doesn't try to bring noise. I think that we have a more consistent point of view than most news shows, I'll say that.
Bulger: What's that point of view?
Stewart: That theater doesn't make for authentic public discourse.

p. 139 https://babel.hathitrust.org/cgi/pt?id=mdp.39015005727337;view=1up;seq=163
Myth, Magic, and Morals (1909)

On the tropes that she employs often in “AN Interview with Elizabeth Acevedo” https://www.washingtonsquarereview.com/new-page-21 in Washington Square Review

Watts' Foreward to The Secret Oral Teachings in the Tibetan Buddhist Sects (1964)], by Alexandra David Neel
On writing characters in “Interviews with authors at EMWF: Uzma Jalaluddin” https://theontarion.com/2018/09/13/interviews-with-authors-at-emwf-uzma-jalaluddin/ in The Ontarion (2018 Sep 13)

Real journalists act as agents of people, not power, Daily Star (Bangladesh) https://www.thedailystar.net/opinion/interviews/news/real-journalists-act-agents-people-not-power-1687921 (16 January 2019)

On consent being a theme in her book Trust Exercise in “Trust, Serendipity, and Consent: An Interview with Trust Exercise Author Susan Choi” https://www.bookish.com/articles/interview-susan-choi-trust-exercise/ in Bookish (2019 Apr 16)

On being considered an authentic Zimbabwean writer in “Petina Gappah interview: ‘I’ve written a very Zimbabwean story – we keep a lot of family secrets’” https://www.theguardian.com/books/2015/sep/05/petina-gappah-interview-ive-written-very-zimbabwean-story in The Guardian (2015 Sep 5)

http://www.coldplay.com/flaming-lips-interview/ source

Engagement interview (November 2017)
p. 168 https://books.google.com/books?id=sUTZCwAAQBAJ&pg=PA168
1990s, The Ragamuffin Gospel (1990)

Review of her poetry publications in *[Das, Sisir Kumar, History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy, http://books.google.com/books?id=sqBjpV9OzcsC, 1 January 1995, Sahitya Akademi, 978-81-7201-798-9, 184]

Emancipation: A Romance of the Times to Come (1971)

Van Gogh, the Man Suicided by Society (1947)

When orchestrated and distributed in that way, it leads to disappointment and rancour, and can lead to the enthronement of sillier or nastier idols.
1990s, The Monarchy: A Critique of Britain's Favourite Fetish

Chap. 9 : Confront Your Dark Side
The Laws of Human Nature (2018)

Chap. 12 : Reconnect to the Masculine or Feminine Within You
The Laws of Human Nature (2018)

This being so, our three ring circus is art—for to contend that the spectacle in question is not an authentic manifestation of "beauty" is as childish, as to dismiss the circus on the ground that it is "childish," is idiotic.
"The Adult, the Artist and the Circus." Vanity Fair (October 1925)

Dealing with Doubt
18 November 2007
YouTube
https://www.youtube.com/watch?v=S-fDyPU3wlQ (0:37 into video)
Source: Feet of Clay; Saints, Sinners, and Madmen: A Study of Gurus (1996, 1997), Chapter 7 "The Jesuit and Jesus" (p. 147)

On how she composes character dialogue in “Tracy Chevalier: 'Slavery has to be raised until it's put to bed'” https://www.theguardian.com/books/2013/mar/17/tracy-chevalier-interview-last-runaway in The Guardian (2013 Mar 16)

“I’d rather be myself authentically than have to keep up with a persona.”
[Sony's Lost In Music Tech and Music Pop-Up Space in New York City — Episode 2: Lauren Jauregui, https://www.sony.com/en_us/lost-in-music.html#_weeklyonlineshow, Sony, November 23, 2018]

[2003, The Play of Masks, World Wisdom, 12, 978-0-94153214-3]
Miscellaneous, Religion

“There is no valid virtue without piety, and there is no authentic piety without virtue.”
[2013, From the Divine to the Human, World Wisdom, 70, 978-1-936597-32-1]
Spiritual path, Virtue

Original: (it) L'idiota pensa di essere intelligente, astuto e persino una persona autentica, quando la realtà dimostra esattamente l'opposto.
Source: prevale.net