Quotes about authenticity
page 3

Hannah Arendt photo
Gloria Estefan photo
Smriti Irani photo

“I read it because I was asked to explain what the truth is. I said it with a lot of pain. I myself am a practicing Hindu, I myself am a Durga worshiper. These are authenticated documents from the university itself.”

Smriti Irani (1972) Indian politician

After reading a pamphlet denigrating Durga which was allegedly published by JNU students , as quoted in " 'I Am A Durga Worshipper,' Says Smriti Irani Amid Apology Demands http://www.ndtv.com/cheat-sheet/smriti-irani-must-apologise-or-house-wont-run-says-opposition-10-developments-1281440" NDTV (26 February 2016)

Jon Sobrino photo
Salvador Dalí photo

“Telephone, pedal washbasin, white refrigerators gleaming with Ripolin [French paint], bidet, small phonograph.... objects of authentic and pure poetry (MPC p. 11).... The Parthenon was not built as a ruin. It was built on a new surface without patina, like our automobiles. / we will not always bear on our shoulders the weight of our father's corpse.”

Salvador Dalí (1904–1989) Spanish artist

Quote, 1920's; MPC p. 13; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 28
Quotes of Salvador Dali, 1920 - 1930

Gustavo Gutiérrez photo

“The building of a just society means overcoming every obstacle to the creation of authentic peace.”

Gustavo Gutiérrez (1928) Peruvian theologian

Source: A Theology of Liberation - 15th Anniversary Edition, Chapter Three, The problem, p. 31

Mobutu Sésé Seko photo

“We are seeking our own authenticity, and we will find it because we wish, in the innermost fibers of our being to discover it.”

Mobutu Sésé Seko (1930–1997) President of Zaïre

Sean Kelly, America's Tyrant: The CIA and Mobutu of Zaire, p. 194

“An earlier version of this volume was originally contracted for and produced as a monograph by Warner Modular Communications, Inc., a subsidiary member of the Warner communications and entertainment conglomerate. The publishing house had run a relatively independent operation up to the time of the controversy over this document. The editors and publisher were enthusiastic about the monograph and committed themselves to put it out quickly and to promote it with vigor. But just prior to publication, in the fall of 1973, officials of the parent company got wind of it, looked at it, and were horrified by its “unpatriotic” contents. Mr. William Sarnoff, a high officer of the parent company, for example, was deeply pained by our statement on page 7 of the original that the “leadership in the United States, as a result of its dominant position and wide-ranging counter-revolutionary efforts, has been the single most important instigator, administrator, and moral and material sustainer of serious bloodbaths in the years that followed World War II.” So pained were Sarnoff and his business associates, in fact, that they were quite prepared to violate a contractual obligation in order to assure that no such material would see the light of day. […] they decided to close down the publishing house […]. The history of the suppressed monograph is an authentic instance of private censorship of ideas per se. The uniqueness of the episode lies only in the manner of suppression. Usually, private intervention in the book market is anticipatory, with regrets that the manuscript is unacceptable, perhaps “unmarketable.””

Edward S. Herman (1925–2017) American journalist

Sometimes the latter contention is only an excuse for unwillingness to market, although it may sometimes reflect an accurate assessment of how the media and journals will receive books that are strongly critical of the established order.
Source: The Washington Connection and Third World Fascism, with Noam Chomsky, 1979, pp. xiv-xvii.

Anu Partanen photo
Yves Klein photo
Amos Bronson Alcott photo
Thomas Carlyle photo
Hans Urs Von Balthasar photo
Pope Benedict XVI photo
Edvin Kanka Cudic photo
Gregory Benford photo
Bell Hooks photo
Koenraad Elst photo
Rutherford B. Hayes photo

“Conscience is the authentic voice of God to you.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Letter to his son, Scott R. Hayes (8 March 1892)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Frances Moore Lappé photo

“Even the fear of death is nothing compared to the fear of not having lived authentically and fully.”

Frances Moore Lappé (1944) activist against world hunger

O Magazine, May 2004

Alexander Herrmann photo
Paulo Freire photo
Jennifer Beals photo
Edith Stein photo

“Every profession in which woman's soul comes into its own and which can be formed by woman's soul is an authentic woman's profession.”

Edith Stein (1891–1942) Jewish-German nun, theologian and philosopher

Essays on Woman (1996), The Ethos of Woman's Professions (1930)

“Science doesn’t give authentically access to the Real in the ontological meaning of the word, but only to the links between phenomena.”

Bernard d'Espagnat (1921–2015) French physicist and philosopher

in Une réouverture des chemins du sens, edited by [Jean Staune, Science et quête de sens, Presses de la Renaissance, 2005, 2750901251, 26]

Dana Gioia photo
Pope Benedict XVI photo
Houston Stewart Chamberlain photo
Jonathan Franzen photo
Nicole Lapin photo
Peter L. Berger photo
Herbert Marcuse photo
Christopher Hitchens photo
Christine O'Donnell photo

“Absolutely, but let me qualify that— I consider myself an authentic feminist. Not as defined by the modern movement. And, let me clarify that a little bit more. I was an English major, so break it down: -ist means one who celebrates. As a feminist, I celebrate my femininity.”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

interview at Americans for Prosperity's RightOnline Conference, July 2010
Christine O'Donnell Running For Senate In Delaware At AFP's RightOnline Conference
2010-09-05
http://www.youtube.com/watch?v=NYPTaKrWkRk
2010-10-20
asked if she considers herself a feminist

Charles Stross photo
Gwyneth Paltrow photo
Theodore Dalrymple photo
Ken Wilber photo
Mohammad Khatami photo
James Macpherson photo
George Chapman photo
John Lancaster Spalding photo

“It is a large part of learning to know what one wants, and where it may be found in its most authentic form.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 202

Newt Gingrich photo
Jimmy Carter photo
Melanie Joy photo
Ronald David Laing photo

“We are all murderers and prostitutes — no matter to what culture, society, class, nation, we belong, no matter how normal, moral, or mature we take ourselves to be.
Humanity is estranged from its authentic possibilities.”

Source: The Politics of Experience (1967), p. 2 of Introduction
Context: We are all murderers and prostitutes — no matter to what culture, society, class, nation, we belong, no matter how normal, moral, or mature we take ourselves to be.
Humanity is estranged from its authentic possibilities. This basic vision prevents us from taking any unequivocal view of the sanity of common sense, or of the madness of the so-called madman. … Our alientation goes to the roots. The realisation of this is the essential springboard for any serious reflection on any aspect of present inter-human life.

Paul Williams (songwriter) photo

“I think that any time we write authentically and honestly about what's going on in the center of our chest, because people are so much alike, there's a big a chance that it's going on in the center of your chest, too.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

Songfacts interview (2007)
Context: I think the trick for any songwriter is authenticity. For the young songwriter coming up who is connected to his generation, as I was connected to mine, write honestly about what's going on in the center of your life. You know, when "We've Only Just Begun" was a Number 1 record, I think the Number 1 album in the country was "In-A-Gadda-Da-Vida." So it was as far away from what was happening in the music scene as you can get. And yet it was a hit. I think it was a hit because of, obviously, Karen's amazing vocal, but I think that any time we write authentically and honestly about what's going on in the center of our chest, because people are so much alike, there's a big a chance that it's going on in the center of your chest, too.

Ellen Willis photo

“The terms of the dialectic have reversed: now the subversive task is to affirm an authentic post-modernist optimism that gives full weight to existent horror and possible (or probable) apocalyptic disaster, yet insists — credibly — that we can, well, overcome. The catch is that you have to be an optimist (an American?) in the first place not to dismiss such a project as insane.”

Ellen Willis (1941–2006) writer, activist

"Tom Wolfe's Failed Optimism" (1977), Beginning To See the Light: Pieces of a Decade (1981)
Context: My education was dominated by modernist thinkers and artists who taught me that the supreme imperative was courage to face the awful truth, to scorn the soft-minded optimism of religious and secular romantics as well as the corrupt optimism of governments, advertisers, and mechanistic or manipulative revolutionaries. I learned that lesson well (though it came too late to wholly supplant certain critical opposing influences, like comic books and rock-and-roll). Yet the modernists’ once-subversive refusal to be gulled or lulled has long since degenerated into a ritual despair at least as corrupt, soft-minded, and cowardly — not to say smug — as the false cheer it replaced. The terms of the dialectic have reversed: now the subversive task is to affirm an authentic post-modernist optimism that gives full weight to existent horror and possible (or probable) apocalyptic disaster, yet insists — credibly — that we can, well, overcome. The catch is that you have to be an optimist (an American?) in the first place not to dismiss such a project as insane.

Penn Jillette photo

“The cynicism of the Clintons, the careful, tightrope walk of all politicians, forced me, as an atheist, to get down on my knees and pray that someone would come along with some kind of authenticity … Well, someone called my bluff, goddamn it.”

Penn Jillette (1955) American magician

2010s, Why Penn Jillette is Terrified of a President Trump (2016)
Context: The problem is, I know Trump, so my optimism has been squashed like a baby bird … Everything bad I had to say about him, I said to his face. … I think he’s very good, very compelling on that show [Celebrity Apprentice] … I really like him because of his absence of filters. I really like the glimpse we get into the human heart we get when someone loses their filters … If he weren’t running for president, you’d be seeing essays from me about how much I learned from Donald Trump and how much I loved being on the show … I’m feeling so, so, so guilty, because I feel like, along with millions of other people, I played right into this. The cynicism of the Clintons, the careful, tightrope walk of all politicians, forced me, as an atheist, to get down on my knees and pray that someone would come along with some kind of authenticity … Well, someone called my bluff, goddamn it. … I’m a pure and utter peacenik. I want a president who sings the praises of people, sings the praises of peace and sings the praises of working together for a great country … Abraham Lincoln wouldn’t have laughed about waterboarding … If you told me right now I could have another eight years of Obama, I would not hesitate to grab at it. … He is unquestionably good and unquestionably smarter than I am, which is putting the bar pretty low. I want a president that is kinder, smarter and more measured than me.

Caspar David Friedrich photo

“All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote in 'Culture: Caspar D. Friedrich and the Wasteland', by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
Variant translation: The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge. (as quoted in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated
Context: The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.

Camille Paglia photo
Alan Watts photo

“There is no formula for generating the authentic warmth of love. It cannot be copied.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Wisdom of Insecurity (1951)
Context: There is no formula for generating the authentic warmth of love. It cannot be copied. You cannot talk yourself into it or rouse it by straining at the emotions or by dedicating yourself solemnly to the service of mankind. Everyone has love, but it can only come out when he is convinced of the impossibility and the frustration of trying to love himself. This conviction will not come through condemnations, through hating oneself, through calling self love bad names in the universe. It comes only in the awareness that one has no self to love.

Miguel de Unamuno photo

“The most authentic Catholic ethic, monastic asceticism, is an ethic of eschatology, directed to the salvation of the individual soul rather than to the maintenance of society.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), IV : The Essence of Catholicism
Context: The most authentic Catholic ethic, monastic asceticism, is an ethic of eschatology, directed to the salvation of the individual soul rather than to the maintenance of society. And in the cult of virginity may there not perhaps be a certain obscure idea that to perpetuate ourselves in others hinders our own personal perpetuation?

Jorge Luis Borges photo

“Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"The Argentine Writer and Tradition", Fervor of Buenos Aires (1923)
Context: Some days past I have found a curious confirmation of the fact that what is truly native can and often does dispense with local color; I found this confirmation in Gibbon's Decline and Fall of the Roman Empire. Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work. It was written by Mohammed, and Mohammed, as an Arab, had no reason to know that camels were especially Arabian; for him they were part of reality, he had no reason to emphasize them; on the other hand, the first thing a falsifier, a tourist, an Arab nationalist would do is have a surfeit of camels, caravans of camels, on every page; but Mohammed, as an Arab, was unconcerned: he knew he could be an Arab without camels. I think we Argentines can emulate Mohammed, can believe in the possibility of being Argentine without abounding in local color.

Karl Jaspers photo

“Conversely, there are forbidden truths: This same threat to the continuance of the community is also counteracted by relentlessly preventing anyone from thinking and uttering unconventional but authentic truths.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Source: Nietzsche (1946), pp. 187-188
Context: For any community and those living in it, only that is true which can be communicated to all. Hence universal communicability is unconsciously accepted as the source and criterion of those truths that promote life through communal means. Truth is that which our conventional social code accepts as effective in promoting the purposes of the group. … This community will condemn as a “liar” the person who misuses its unconsciously accepted, and therefore valid, metaphors. … Community members are obliged to “lie” in accordance with fixed convention. To put it otherwise, they must be truthful by playing with the conventionally marked dice. To fail to pay in the coin of the realm is to tell forbidden lies, for, on this view, whatever transcends conventional truth is a falsehood. To tell lies of this kind is to sacrifice the world of meanings upon which the endurance of his community rests. Conversely, there are forbidden truths: This same threat to the continuance of the community is also counteracted by relentlessly preventing anyone from thinking and uttering unconventional but authentic truths.

Philip Roth photo

“Charles Lindbergh, in life as in my novel, may have been a genuine racist and an anti-Semite and a white supremacist sympathetic to Fascism, but he was also — because of the extraordinary feat of his solo trans-Atlantic flight at the age of 25 — an authentic American hero 13 years before I have him winning the presidency. … Trump, by comparison, is a massive fraud, the evil sum of his deficiencies, devoid of everything but the hollow ideology of a megalomaniac.”

Philip Roth (1933–2018) American novelist

Comparing Charles Lindbergh's leadership of an "America First" movement with that of Donald Trump, in responses to being asked about foreseeing an America such as now exists in his earlier writings, including his alternate-history novel The Plot Against America (2004) where Lindbergh defeated FDR for the presidency in 1940, as quoted in "No Longer Writing, Philip Roth Still Has Plenty to Say" by Charles Mcgrath, in The New York Times (16 January 2018) https://www.nytimes.com/2018/01/16/books/review/philip-roth-interview.html
Context: No one I know of has foreseen an America like the one we live in today. No one (except perhaps the acidic H. L. Mencken, who famously described American democracy as “the worship of jackals by jackasses”) could have imagined that the 21st-century catastrophe to befall the U. S. A., the most debasing of disasters, would appear not, say, in the terrifying guise of an Orwellian Big Brother but in the ominously ridiculous commedia dell’arte figure of the boastful buffoon. How naïve I was in 1960 to think that I was an American living in preposterous times! How quaint! But then what could I know in 1960 of 1963 or 1968 or 1974 or 2001 or 2016? … However prescient The Plot Against America might seem to you, there is surely one enormous difference between the political circumstances I invent there for the U. S. in 1940 and the political calamity that dismays us so today. It’s the difference in stature between a President Lindbergh and a President Trump. Charles Lindbergh, in life as in my novel, may have been a genuine racist and an anti-Semite and a white supremacist sympathetic to Fascism, but he was also — because of the extraordinary feat of his solo trans-Atlantic flight at the age of 25 — an authentic American hero 13 years before I have him winning the presidency. … Trump, by comparison, is a massive fraud, the evil sum of his deficiencies, devoid of everything but the hollow ideology of a megalomaniac.

James Branch Cabell photo

“Nothing … nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance.”

James Branch Cabell (1879–1958) American author

The Gander, in Book Seven : What Saraïde Wanted, Ch. XLV : The Gander Also Generalizes
The Silver Stallion (1926)
Context: Nothing … nothing in the universe, is of any importance, or is authentic to any serious sense, except the illusions of romance. For man alone of animals plays the ape to his dreams. These axioms — poor, deaf and blinded spendthrift! — are none the less valuable for being quoted.

Rollo May photo

“The authentic rebel knows that the silencing of all his adversaries is the last thing on earth he wishes”

Rollo May (1909–1994) US psychiatrist

Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: The authentic rebel knows that the silencing of all his adversaries is the last thing on earth he wishes: their extermination would deprive him and whoever else remains alive from the uniqueness, the originality, and the capacity for insight that these enemies — being human — also have and could share with him. If we wish the death of our enemies, we cannot talk about the community of man. In the losing of the chance for dialogue with our enemies, we are the poorer.

Václav Havel photo

“There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

"Six Asides About Culture"
Living in Truth (1986)
Context: There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. … Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.

Robert H. Jackson photo
Paul Williams (songwriter) photo

“I think the trick for any songwriter is authenticity. For the young songwriter coming up who is connected to his generation, as I was connected to mine, write honestly about what's going on in the center of your life.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

Songfacts interview (2007)
Context: I think the trick for any songwriter is authenticity. For the young songwriter coming up who is connected to his generation, as I was connected to mine, write honestly about what's going on in the center of your life. You know, when "We've Only Just Begun" was a Number 1 record, I think the Number 1 album in the country was "In-A-Gadda-Da-Vida." So it was as far away from what was happening in the music scene as you can get. And yet it was a hit. I think it was a hit because of, obviously, Karen's amazing vocal, but I think that any time we write authentically and honestly about what's going on in the center of our chest, because people are so much alike, there's a big a chance that it's going on in the center of your chest, too.

Pierre Hadot photo

“Only he who is capable of a genuine encounter with the other is capable of an authentic encounter with himself”

Pierre Hadot (1922–2010) French historian and philosopher

trans. Michael Chase (1995), p. 91
La Philosophie comme manière de vivre (2001)
Context: Only he who is capable of a genuine encounter with the other is capable of an authentic encounter with himself, and the converse is equally true…From this perspective, every spiritual exercise is a dialogue, insofar as it is an exercise of authentic presence, to oneself and to others.

William Carlos Williams photo

“It isn’t what he says that counts as a work of art, it’s what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.”

William Carlos Williams (1883–1963) American poet

Introduction
The Wedge (1944)
Context: When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them — without distortion which would mar their exact significances — into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn’t what he says that counts as a work of art, it’s what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.

Jon Stewart photo

“That theater doesn't make for authentic public discourse.”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Hartford Advocate Interview (2008)
Context: Stewart: The real issue is that TV news can either bring clarity or noise. And it tends to not seem to know the difference between them. … We do a show that doesn't try to bring noise. I think that we have a more consistent point of view than most news shows, I'll say that.
Bulger: What's that point of view?
Stewart: That theater doesn't make for authentic public discourse.

Sinclair Lewis photo
Teal Swan photo
George Adamski photo
Frederick Cornwallis Conybeare photo
Elizabeth Acevedo photo
Alan Watts photo
Uzma Jalaluddin photo
John Pilger photo
Susan Choi photo
Petina Gappah photo

“Authentic is one of my least favourite words because in such a diverse country, whose authenticity are you talking about?”

Petina Gappah (1971) Zimbabwean writer, journalist and business lawyer

On being considered an authentic Zimbabwean writer in “Petina Gappah interview: ‘I’ve written a very Zimbabwean story – we keep a lot of family secrets’” https://www.theguardian.com/books/2015/sep/05/petina-gappah-interview-ive-written-very-zimbabwean-story in The Guardian (2015 Sep 5)

Vivek Agnihotri photo
Chris Martin photo
Frantz Fanon photo
Meghan, Duchess of Sussex photo
Sarojini Naidu photo

“Is not just a faded echo of the feeble voice of decadent romanticism but an authentic Indian English utterance exquisitely tuned to the composite to Indian ethos, bringing home to the unbiased reader all the opulence, pageantry and charm of Indian life, and the spenders of Indian scene.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Review of her poetry publications in *[Das, Sisir Kumar, History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy, http://books.google.com/books?id=sqBjpV9OzcsC, 1 January 1995, Sahitya Akademi, 978-81-7201-798-9, 184]

Thomas M. Disch photo
Antonin Artaud photo
George Chapman photo

“And for the authentical truth of either person or actions, who (worth the respecting) will expect it in a poem, whose subject is not truth, but things like truth?”

Poor envious souls they are that cavil at truth's want in these natural fictions; material instruction, elegant and sententious excitation to virtue, and deflection from her contrary, being the soul, limbs, and limits of an authentical tragedy.
The Revenge of Bussy D'Ambois (1613)

Christopher Hitchens photo

“In their last ditch, the royalists object that this all too bloodless and practical; that people need and want the element of magic and fantasy. Nobody wants life to be charmless. But the element of fantasy and magic is as primitive as it is authentic, and there are good reasons why it should not come from the state.”

Christopher Hitchens (1949–2011) British American author and journalist

When orchestrated and distributed in that way, it leads to disappointment and rancour, and can lead to the enthronement of sillier or nastier idols.
1990s, The Monarchy: A Critique of Britain's Favourite Fetish

Robert Greene photo
Robert Greene photo
E.E. Cummings photo
William Lane Craig photo
Tracy Chevalier photo

“Dialogue is always tricky. Authenticity is almost impossible, and you always end up sounding too olde worlde. What I do is to strip the words back, so I get the dialogue to sound timeless…”

Tracy Chevalier (1962) American writer

On how she composes character dialogue in “Tracy Chevalier: 'Slavery has to be raised until it's put to bed'” https://www.theguardian.com/books/2013/mar/17/tracy-chevalier-interview-last-runaway in The Guardian (2013 Mar 16)

Lauren Jauregui photo

“I’d rather be myself authentically than have to keep up with a persona.”

Lauren Jauregui (1996) Cuban-American singer and songwriter

[Sony's Lost In Music Tech and Music Pop-Up Space in New York City — Episode 2: Lauren Jauregui, https://www.sony.com/en_us/lost-in-music.html#_weeklyonlineshow, Sony, November 23, 2018]

Paulo Freire photo

“He has made use of the insights of these men to develop a perspective on education which is authentically his own and which seeks to respond to the concrete realities of Latin America.”

As quoted in Pedagogy of the Oppressed (2014), p.31
Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)

Frithjof Schuon photo

“Without religion − or without authentic religion − a human collectivity cannot survive in the long run; that is, it cannot remain human.”

Frithjof Schuon (1907–1998) Swiss philosopher

[2003, The Play of Masks, World Wisdom, 12, 978-0-94153214-3]
Miscellaneous, Religion

Frithjof Schuon photo

“There is no valid virtue without piety, and there is no authentic piety without virtue.”

Frithjof Schuon (1907–1998) Swiss philosopher

[2013, From the Divine to the Human, World Wisdom, 70, 978-1-936597-32-1]
Spiritual path, Virtue

Prevale photo

“The idiot thinks he is intelligent, cunning, and even an authentic person, when reality proves just the opposite.”

Prevale (1983) Italian DJ and producer

Original: (it) L'idiota pensa di essere intelligente, astuto e persino una persona autentica, quando la realtà dimostra esattamente l'opposto.
Source: prevale.net