“All of us have masculine and feminine qualities—some of this is genetic, and some of it comes from the profound influence of the parent of the opposite sex. But in the need to present a consistent identity in society, we tend to repress these qualities, overidentifying with the masculine or feminine role expected of us. And we pay a price for this. We lose valuable dimensions to our character. Our thinking and ways of acting become rigid. Our relationships with members of the opposite sex suffer as we project onto them our own fantasies and hostilities. You must become aware of these lost masculine or feminine traits and slowly reconnect to them, unleashing creative powers in the process. You will become more fluid in your thinking. In bringing out the masculine or feminine undertone to your character, you will fascinate people by being authentically yourself. Do not play the expected gender role, but rather create the one that suits you.”

Source: 'Gender is een performance', Gender is a performance, Anouta de Groot, 2017-09-04, Radboud University Nijmegen, The Netherlands, nl, In 1999 schreef de Amerikaanse filosoof Judith Butler haar bekende werk Gender Trouble. Met dit boek zette zei het begrip gender op de kaart. Butler stelt hierin dat gender niet biologisch vastgelegd is, maar door de maatschappij wordt bepaald en steeds kan veranderen. "Masculine and feminine roles are not biologically fixed but socially constructed.", 2022-06-12 https://www.ru.nl/radboudreflects/terugblik/terugblik-2017-0/terugblik-2017/17-09-04-man-vrouw-doe-filosofieworkshop-anya/,

Source: "Woman in Europe" (1927), P. 243

Sketchbook 1946-1949

"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).

A Bishop Speaks to the Men of His Flock https://www.catholicworldreport.com/2016/01/26/a-bishop-speaks-to-the-men-of-his-flock/ (January 26, 2016)

Speech at Queens College, City University of New York (March 12, 1975). "The Sexual Politics of Fear and Courage", ch. 5, Our Blood (1976).

Source: The Red Book: Liber Novus, s. 263

A Grief Observed (1961)

Body Politic, June 1983, reported in Ann Silversides, AIDS activist: Michael Lynch and the Politics of Community (2003), p. 32.