Quotes about audience
page 3

“Lange was hosting a reception at Vogel House for the Chinese politician Hu Yao Bang when the lights went out. Lange immediately asked all the guests to raise their hands because "many hands make light work." The audience complied, and to their amazement the lights immediately came back on. Lange was invited to visit China.”

David Lange (1942–2005) New Zealand politician and 32nd Prime Minister of New Zealand

Anecdotes
Source: Dominion, 23 March 1992, p. 6.

Light, Housing

“I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.”

Judith Jamison (1943) American dancer

WomenSports magazine, p. 14 (September 1975)

Thinking

“What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.”

Jacques Attali (1943) French economist

Quoted in Classic Essays on Twentieth-Century Music, ed. Richard Kostelanetz and Joseph Darby (Wadsworth, 1996, ISBN 0-028-64581-2)

Music, Communication

“Throughout Jack's violin solo at the Hollywood Bowl, the audience was glued to their seats. That was the only way he could get them to sit down.”

Zubin Mehta (1936) Indian conductor

Zubin Mehta in Irving Fein, Jack Benny: an Intimate Biography (1976), Volume 2, page 154.

Way

“Remember, in the tyranny of physical space, an audience too thinly spread is the same as no audience at all.”

Chris Anderson book The Long Tail

Source: The Long Tail: Why the Future of Business Is Selling Less of More (2006), Ch. 9, p. 163

“We must pursue the removal of church property by any means necessary in order to secure for ourselves a fund of several hundred million gold rubles (do not forget the immense wealth of some monasteries and lauras). Without this fund any government work in general, any economic build-up in particular, and any upholding of soviet principles in Genoa especially is completely unthinkable. In order to get our hands on this fund of several hundred million gold rubles (and perhaps even several hundred billion), we must do whatever is necessary. But to do this successfully is possible only now. All considerations indicate that later on we will fail to do this, for no other time, besides that of desperate famine, will give us such a mood among the general mass of peasants that would ensure us the sympathy of this group, or, at least, would ensure us the neutralization of this group in the sense that victory in the struggle for the removal of church property unquestionably and completely will be on our side.
One clever writer on statecraft correctly said that if it is necessary for the realization of a well-known political goal to perform a series of brutal actions then it is necessary to do them in the most energetic manner and in the shortest time, because masses of people will not tolerate the protracted use of brutality. … Now victory over the reactionary clergy is assured us completely. In addition, it will be more difficult for the major part of our foreign adversaries among the Russian emigres abroad, i. e., the Socialist-Revolutionaries and the Milyukovites, to fight against us if we, precisely at this time, precisely in connection with the famine, suppress the reactionary clergy with utmost haste and ruthlessness.
Therefore, I come to the indisputable conclusion that we must precisely now smash the Black Hundreds clergy most decisively and ruthlessly and put down all resistance with such brutality that they will not forget it for several decades. … The greater the number of representatives of the reactionary clergy and the reactionary bourgeoisie that we succeed in shooting on this occasion, the better because this "audience" must precisely now be taught a lesson in such a way that they will not dare to think about any resistance whatsoever for several decades.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Letter to Comrade Molotov for the Politburo (19 March 1922) http://www.ibiblio.org/expo/soviet.exhibit/ae2bkhun.html Variant translation: It is precisely now and only now, when in the starving regions people are eating human flesh, and hundreds if not thousands of corpses are littering the roads, that we can (and therefore must) carry out the confiscation of church valuables. … I come to the categorical conclusion that precisely at this moment we must give battle to the Black Hundred clergy in the most decisive and merciless manner and crush its resistance with such brutality that it will not forget it for decades to come. The greater the number of representatives of the reactionary clergy and reactionary bourgeoisie we succeed in executing for this reason, the better. As translated in The Unknown Lenin : From the Secret Archive (1996) edited by Richard Pipes, pp. 152-4 1920s

People, Way, Mood, Thinking

“We are the actors and the audience as well, all of us. And the critics. We are also the critics.”

Orson Scott Card book Pastwatch: The Redemption of Christopher Columbus

Pastwatch: The Redemption of Christopher Columbus (1996)

“The goons needed some comic relief, and I needed an audience. I had found my niche.”

Brad Garrett (1960) actor, comedian, voice actor

When the Balls Drop https://books.google.com/books?idlLydBAAAQBAJ&pgPT0 (2015), Chapter 2, "Jews Don't Dribble."

“Once I got into it, I (realized) in this medium, you can use musical theater to connect and make a dream come true, like fly on stage. Through stagecraft you can wow (the audience) and make them feel that sense of wonder. … You’re singing, you’re dancing, and you’re performing a feat of wonder. I couldn’t stop thinking in those terms. There was so much potential.”

Misty Lee (1976) Magician, voice actress, comedian

Mt. Clemens native Misty Lee hangs with Houdini, Princess Leia, Spidey https://www.freep.com/story/entertainment/2016/10/22/misty-lee-magician-voice-actress/92484578/ (October 22, 2016)

Dreams, Music, Feeling, Thinking

“Many forms of new knowledge are potentially dangerous, the energy of the atom being a preeminent example. But instead of curtailing inquiry Western societies have in general assumed that the better policy is to continue exploration in confidence that the rewards can be reaped and the risks managed. It is hard to see why exploration of the human genome and its racial variations should be made an exception to this principle, even though researchers and their audience must first develop the words and concepts to discuss a dangerous subject objectively.”

Nicholas Wade (1942) British writer

A Troublesome Inheritance: Genes, Race and Human History (2014)

Confidence, Knowledge

“He called to mind all the millionaires he had ever read or heard of; they didn’t seem to get much fun out of their riches. The majority of them were martyrs to dyspepsia. They were often weighed down by the cares and responsibilities of their position; the only people who were unable to obtain an audience of them at any time were their friends; they lived in a glare of publicity, and every post brought them hundreds of begging letters, and a few threats; their children were in constant danger from kidnappers, and they themselves, after knowing no rest in life, could not be certain that even their tombs would be undisturbed. Whether they were extravagant or thrifty, they were equally maligned, and, whatever the fortune they left behind them, they could be absolutely certain that, in a couple of generations, it would be entirely dissipated.”

F. Anstey (1856–1934) English novelist and journalist

Source: The Brass Bottle (1900), Chapter 7, “Gratitude—a Lively Sense of Favours to Come”

Life, Children, People, Time

“To save the audience we must fill the stage with murderers, adulterers and madmen; in short, we must fire a salvo of monsters at them. They are our monster which we will temporarily free ourselves from only to face another day.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

Life As It Is, page ii, by Nelson Rodrigues, English translation, Alex Ladd, Host Publications, ISBN 9780924047602 pages

“Hi, this is Roseanne Barr and I'd like to welcome you to my own studio, where I'm able to speak for myself to my fellow and sister Americans without the filter of the biased media," she said. "This was my statement from the very beginning and it will continue to be forever because it is the truth. When ABC called and asked me to explain my 'egregious and unforgivable tweet,' I told them I thought Valerie Jarrett was white. And I also said, 'I'm willing to go on The View, Jimmy Kimmel, or whatever other show you want me to go on and explain that to my audience.'”

Roseanne Barr (1952) American actress, comedienne, writer, producer and director

YouTube dialogue, July 2018 per Entertainment Tonight https://www.etonline.com/roseanne-barr-attempts-to-explain-racist-tweet-in-expletive-filled-rant-106417. 2018

Truth, Sister

“I could list some Japanese films illustrating this, but the last thing the audience for Memoirs of a Geisha wants to see is a more truthful film with less gorgeous women and shabbier production values.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/memoirs-of-a-geisha-2005 of Memoirs of a Geisha (9 December 2005) Reviews, Two-and-a-half star reviews

Women, Truth

“In a tribal nation, he’s just one more partisan mobilizing his troops…. Mr. Shapiro has always been deeply conservative and does not pretend to be objective. But he says his market niche is giving cleareyed reads of current events, not purely partisan rants. He is often compared to his former colleague at, Milo Yiannopoulos. On the surface, they seem the same. Both speak on college campuses. Both draw protests. Both used to work for Mr. Bannon at Breitbart. Both are young. In fact, they are very different. Mr. Yiannopoulos, a protégé of Mr. Bannon, was good at shocking audiences, saying things like “feminism is cancer.” But critics say that he was empty of ideas, a kind of nihilistic rodeo clown who was not even conservative. Mr. Shapiro broke with Mr. Bannon last year, saying Breitbart had become a propaganda tool for Mr. Trump. Mr. Yiannopoulos’s act collapsed this year. But the fact that it lasted so long says a lot about the right’s fury against mainstream liberalism, Mr. Shapiro said…. But Mr. Shapiro does it too. He thinks it’s easy to provoke the left, which he says has become intellectually flabby after decades of cultural dominance. It’s not good at arguing and relies instead on taboos and punishing people who violate them. That is the essence of his stump speech…. Critics say that is great red meat for his audience, but it’s nonsense. Even if straight white males are low on the left’s pecking order, they have most of the power in Washington, in statehouses, in every corporate boardroom. They run America. Mr. Shapiro says he’s about more than tribal polemics.”

Sabrina Tavernise (1971) American journalist

Ben Shapiro, a Provocative ‘Gladiator,’ Battles to Win Young Conservatives https://www.nytimes.com/2017/11/23/us/ben-shapiro-conservative.html (November 23, 2017), '.

People, Idea, Thinking, Reading

“The audience is unpredictable, and the people who produce and distribute the artistic work have no real contact with it. They market the work in large quantities as with books and records, or through a mechanical system, as with radio and television, so that they could not, if they tried, know audience members personally.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p. 125.

People, Books, Personality

“The audience will only truly respect you when they have no idea what is going on.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

"Flor de Obsessão: as 1000 melhores frases de Nelson Rodrigues" - Published by Companhia das Letras, 1992 ISBN 8571646678, 9788571646674

Idea

“I love Christmas. I work in Pantomime over the christmas period. On christmas eve I always say to the audience: "Let's celebrate the birth of a child and the start of a new beginning. Let's all sing Silent Night." And we all start singing and halfway through it everybody on the stage is just in tears. Calm comes across everybody. And there is no judgement, there is no anger. It is everybody sitting and thinking about one tiny thing but thinking about it all together and being one with each other. It's just incredible.”

John Barrowman (1967) Scottish-American actor, singer, dancer, musical theatre performer, writer and television personality

Fern Britton Meets John Barrowman BBC (2012)

Love, Birth, Thinking, Tear

“Sometimes I think that I cheated my own family and my closest friends by giving to audiences so much of the love I might have kept for them. But that’s the way I was made; I truly don't think I could help it”

Mary Martin (1913–1990) American actress

Source: My Heart Belongs (1976), p. 20

Love, Family, Way, Thinking

“You can make an audience see nearly anything, if you yourself believe in it.”

Mary Renault book The Mask of Apollo

The Mask of Apollo (1966)

“Most people think themselves kind enough, but rather like a magician thinking he is fooling an audience who can see through his trick, we are the worst judges of the effect we have on others. True, we can mentally point out various kindnesses we have committed and those pleasant aspects of ourselves. Yet by doing so, we ignore the real test cases: how we behave under pressure, how nice we are to people we don’t like, how we deal with other people who seem determined to not live up to our unrealistic expectations.”

Derren Brown (1971) British illusionist

Books, There’s Probably No God - The Atheist’s Guide to Christmas (2009)

People, Fools, Thinking

“[Rwanda’s Untold Story] marks an important, informative, and decisive break from the now-more-than 20 years of false and propagandistic storytelling in the Anglo-American world that has buried the real history of the period. Both the BBC 2’s This World and the documentary’s production staff deserve their audience’s gratitude - not condemnation. […] We have seen that the 38 have a penchant for slander as well as straightforward misrepresentation. It is for committing the grave intellectual and moral crime of providing an alternative but, we believe, entirely credible and evidence-based reinterpretations of what really happened in Rwanda in 1994 that the 38 would like Rwanda’s Untold Story expunged from the BBC archives and its production team sent to the woodshed.”

Edward S. Herman (1925–2017) American journalist

Peterson and Herman, “The Kagame-Power Lobby’s Dishonest Attack on the BBC 2’s Documentary on Rwanda” https://mronline.org/2014/11/01/hp011114-html-2/, MR Online, November 1, 2014. 2010s

World, History, Decision, Falseness

“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The World's Last Night (1952)

“If you really want to help the American theater, don't be an actress, dahling. Be an audience.”

Tallulah Bankhead (1902–1968) American actress

Tallulah: My Autobiography (1952)

Help

“The murdered man meets his death in an intriguing and novel manner, which the management asks its customers, as a personal favor, not to reveal to possible future audiences. It remains a secret, chummily shared by those that have seen the play and the four or five million who read it in its original form as a Saturday Evening Post story a year or so ago. p. 320”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

Death, Secret, Reading, Future

“The Poet could not remember ever fearing death, but he had often suspected Providence of plotting the worst for him as to the manner of his dying when the time came to go. He had expected to rot away. Slowly and not very fragrantly. Some poetic insight had warned him that he would surely die a blubbering leprous lump, cravenly penitential but impenitent. Never had he anticipated anything so blunt and final as a bullet in the stomach, and with not even an audience at hand to hear his dying quips. The last thing they had heard him say when they shot him was: "Oof!"”

Walter M. Miller, Jr. book A Canticle for Leibowitz

his testament for posterity. Ooof!
Ch 23
A Canticle for Leibowitz (1959), Fiat Lux

Death, Fear, Time

“I remember I was once booed off the stage on day one of a festival at Nagpur within half an hour and the same audiences were eating off my hands the next within the first seven or eight minutes. Everyone has their bad day, if I didn’t I’d be God.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

God

“It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/summer-school-1987 of Summer School (22 July 1987) Reviews, Half-star reviews

Feeling, Reading

“The children should never be excluded from what I am doing and should never have the feeling of being part of an audience.”

Bob Keeshan (1927–2004) United States Marine

Instructions to director Peter Birch on the format of Captain Kangaroo, as quoted in "Bob Keeshan, Creator and Star of TV's 'Captain Kangaroo,' Is Dead at 76" in The New York Times (24 January 2004) http://www.nytimes.com/2004/01/24/arts/bob-keeshan-creator-and-star-of-tv-s-captain-kangaroo-is-dead-at-76.html?pagewanted=all

Children, Feeling, Parting

“An artist needs not so much an audience, as to feel a need to answer, a promise to respond…. a good feeling about his art.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Poetry and the World, Ecco Press,1988

Art, Feeling

“On concerts: "Concerts are nonsense. They create many problems: money, interests – it is hardly spontaneous. I want to feel the same pleasure that my audience experiences, otherwise it’s not honest"”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1979

Money, Pleasure, Feeling, Problem

“Not only do we witness on the Holy Mount the installation of the royal lawgiver, but of the great high-priest. It is a grand valedictory service in which He is re-ordained to duty — as the banners are blessed before the army marches to the field. And the voice speaks from heaven as a sovereign gives audience to a chosen commander, and cheers him with the encouragement of royal favor. With what reverence, brethren, should we, sinners, look upon the scene! As we see Him standing alone upon the mountain — fresh from His ordination of glory — calm and kingly in His heaven-imparted strength; and then as we see Him, with firm step, treading the dark avenue which, through desertion, agony, insult, abandonment, terminates in His death upon the cross — surely our distrust should vanish, and in reliance on such a champion we should have "joy in believing." Surely our indignation against the vile sin which made all this suffering necessary should be roused within us. Surely our hearts should bound with a fervor of devotion and gratitude which the obedience of a lifetime can only inadequately express.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 67.

Death, Mountain, Suffering, Heart

“I'm very concerned with the performer, but I'm not too concerned with the listener. It seems to me that if you can interest the performer and make him feel that he's done something really valuable, his playing will convince the audience just that. To write for the audience is just too uncertain. You never know what your audience may be like, but you can usually know what your performers will be like. A good musician has the training to appreciate all sorts of things you might try to do in a piece. A performer will also recognize whether a piece is skillfully written or original -- an audience might not always be so sure.”

Elliott Carter (1908–2012) American composer

From American Gothic: An Interview with Elliott Carter http://edwebproject.org/carter.html (1993) by Andy Carvin.

Feeling, Training

“Herbert Marcuse made a lengthy, impassioned response. What good was the Voting Rights Act accomplishing, he said, since the blacks were pursuing the tawdry values as their white fellow citizens? They were accepting the same capitalist values and aping the life-restricting respectability of the middle class. At a prolonged pause in his reply, just as he was getting his second wind, I rose and asked him a simple question: 'Which do you prefer, a situation in which the blacks had no freedom to vote or one in which they had the freedom to vote but chose wrongly?' Marcuse's response surprised the audience--and subsequently perhaps Marcuse himself: 'Since I have gone so far out on a limb, I may as well go all the way. I would prefer that they did not have the freedom to vote if they are going to make the wrong use of their freedom.”

Sidney Hook (1902–1989) American philosopher

For this and other reasons, I suspect, Marcuse never became the darling of the black American students.
Out of Step (1985)

Life, Way, Question, Freedom

“Change was a constant in Walt Disney’s commitment to tell a story well, to bring it to an audience through the technology of the day, and to push that technology so that rather than controlling the story, it enhanced the story and gave it an opportunity to touch people, to speak to each of them individually, to make it believable.”

Newton Lee American computer scientist

Disney Stories: Getting to Digital, 2012

People, Change

“My sermons are criticized by certain audiences. They say that my sermons are hollow, not holy. I agree with them because I myself am not holy. The Buddha's teaching guides people to the place where there is nothing special… People often misunderstand faith as kind of ecstasy of intoxication… True faith is sobering up from such intoxication.”

Kodo Sawaki (1880–1965) Japanese zen Buddhist monk

Source: The Zen Teaching of "Homeless" Kodo (Kyoto: Kyoto Soto Zen Center, 1990), p. 72

People, Faith

“Farrakhan: Is the Federal Reserve owned by the government?
Audience: No.
Farrakhan: Who owns the Federal Reserve?
Audience: Jews.
Farrakhan: The same year they set up the IRS, they set up the FBI. And the same year they set up the Anti-Defamation League of B'nai B'rith… It could be a coincidence… [I want] to see black intellectuals free… I want to see them not controlled by members of the Jewish community.”

Louis Farrakhan (1933) leader of the Nation of Islam

Dallas Observer (10 August 2000)
Attributed

Communication

“Everybody seemed to be in show business; what the hell had happened to the audience?”

T. A. Waters (1938–1998) American magician

Source: The Probability Pad (1970), Chapter 3 (p. 27)

Hell, Business

“You have a responsibility for the way you make the audience feel, and I want them to feel uncomfortable.”

David Fincher (1962) American film director

The Curious Case of David Fincher (2007)

Way, Feeling

“In the end I created a career of my own, concentrating on my writing and lecturing, reaching larger audiences than I would had I ended up with tenure and a full teaching load. It was Virginia Woolf who said that it is terrible to be frozen out of a sacred tradition-but even more terrible to be frozen into it.”

Michael Parenti (1933) American academic

5 MISCELLANY AND MEMORABILIA, Struggles in Academe: A Personal Account, p. 252
Dirty truths (1996), first edition

“When someone asks me where MP3 Newswire stands with regards to file trading (or piracy as some try to call it) I tell them that we support the growth of this notion of an online music industry. One that uses technology to bring us more music, broadening our pallettes while leveraging the Net to reduce distribution costs. The music can be paid for like CDs and tape or it can be free to its audience and supported by advertising like radio and MTV are. Whatever the model, the point is online music easily can and does supplement what we already purchase in the stores.”

Richard Menta American journalist

Source Three Lawsuits and a Funeral http://web.archive.org/web/20031217142538/www.mp3newswire.net/stories/2001/funeral.html - 11/30/2001 Quotes from the MP3 Newswire

Music, Support

“When I play, it is not for the audience. I play for that superior Power in between the audience and me. There are different kinds of people in the audience, and it is difficult for me to satisfy everyone. I perform for "that Power."”

Hariprasad Chaurasia (1938) Indian bansuri player

If He is satisfied and happy, I feel blessed.
Pandit Hariprasad Chaurasia in Hinduism Today

People, Feeling

“A Keyes speech on the moral erosion of America is one of those transcendent experiences where you just have to be there. It's hard to explain how he touches the soul of an audience, and saying that he's 'silver-tongued' (as everyone does) only tarnishes the picture by inadequacy.”

Alan Keyes (1950) American politician

David R. Boldt, writing in The Baltimore Sun, Nov. 29, 1995.
Miscellaneous

Soul

“There you are', said Efros [Granovsky, director of the State Jewish Chamber Theater, in 1920], leading me into a dark room, 'These walls are all yours, you can do what you like with them'. It was a completely demolished apartment that had been abandoned by bourgeois refugees. 'You see', he continued, 'the benches for the audience will be here; the stage there'. To tell the truth, all I could see there was the remains of a kitchen… And I flung myself at the walls. The canvases were stretched out on the floor. Workmen, actors walked over them. The rooms and corridors were in the process of being repaired; piles of shavings lay among my tubes of paint, my sketches. At every step one dislodged cigarette-ends, crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 38
1920's, My life (1922)

Truth, Painting

“Classical music has struggled to keep up. Unlike any other art form, it keeps on looking backwards all the time. It used to have a real museum culture. Then it went: "Oh my God, what are we going to do? Call for Nigel Kennedy. Quick!" Classical musicians have got to change or die,' she asserts strongly, 'but they just don't know how to. Audiences for classical music have dropped. The old blue rinse audience is dying out, and young people aren't coming in.”

Joanna MacGregor (1959) British musician

On Classical Music

God, People, Art, Music

“My target audience in my mind was not the dedicated, dyed-in-the-wool knowledgeable anorak, who would watch anything and listen to anything on the subject. It was the un-committed, uninvolved and probably not very enthusiastic ordinary folks who were watching at home. I wanted to grip them by the throats and say 'Hey look this is fantastic! I love it and you ought to love it too. And here's why!”

Murray Walker (1923) Motorsport commentator and journalist

Nick Deacon (October 26, 2002) "Murray the motor mouth", The Gold Coast Bulletin, p. W08.
Interviews

Love, Home, Knowledge

“What Elizabethan playwrights learned from the Greek classics was not theories of insanity, but dramatic practice — that is, madness is a dandy theatrical element. It focuses the audience's attention and increases suspense, since you never know what a mad person may get up to next; and Shakespeare himself makes use of it in many forms. In King Lear, there's a scene in which one man pretending to be mad, another who has really gone mad, and a third who has probably always been a little addled, are brought together for purposes of comparison, irony, pathos, and tour de force acting. In Hamlet, there are two variations — Hamlet himself, who assumes madness, and Ophelia, who really does go winsomely bonkers. In MacBeth, it's Lady MacBeth who snaps.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Learning, Personality, Madness

“so you think there’s no validity at all in the subjective?
there may be, there may not. in either case, it should not be used as a basis for an objective truth, which is after all what we are seeking. i have no doubt that many of those who claim to have found god have indeed felt something, but i suspect that the “something” they felt was merely a self-induced mystic experience—akin to a drug trip. witness the great numbers of drug users who claim spiritual insights as a result of their experiences. witness also the evangelists and faith-healers who induce hysteria and frenzy into their audiences so that they might feel “the hand of god” upon them. to them, god is little more than a meaningful “high.””

David Gerrold book When HARLIE Was One

Section 15 (p. 75; Dr. Auberson, then HARLIE)
When HARLIE Was One (1972)

God, Truth, Faith, Feeling

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“A small but brilliant advance made today by someone’s awareness may for the moment reach a very small audience, but insofar as it’s valid and beautiful, it will make its way and become part of the whole world of consciousness. So in that sense it’s all working toward this huge audience, and all working toward a better man.”

Conrad Aiken (1889–1973) American novelist and poet

The Paris Review interview (1963)

World, Beauty, Way, Sense

“I did a bond tour during the Second World War… We were raising money, and we played Boston and Philadelphia and most of the big cities. And we got to Minneapolis. There wasn't any big theater to play there, so we did our show in a railroad station. Then I told the audience that I knew a girl in Minneapolis. She was also known in St. Paul, she used to come over to visit me. She was known as "The Tail Of Two Cities."”

Groucho Marx (1890–1977) American comedian

I didn't sell any more bonds, but eh... they didn't allow me to appear anymore.
Recounting a War Bonds tour in his Carnegie Hall appearance (6 May 1972)

Money, War, World, Girl

“Will you grant the audience?"
"Of cour-" Jarlaxle started to answer, but Entreri grasped his shoulder and shifted in front.
"Tell King Gareth we do not enjoy the spectacle of an army at our doorstep unannounced. But even so, Gareth may enter my home. We have many tall towers here, as you can see. Please tell Gareth, from me, that he is most welcomed to dive headlong off of any of them.”

R. A. Salvatore book Road of the Patriarch

Road of the Patriarch

Home

“We are able to speak for ourselves through our music rather than being defined and put into the spotlight in a very male kind of groomed way for an obviously predominantly male audience.”

Shingai Shoniwa (1981) British musician

On being compared to compared to Karen O and Billie Holiday. http://venuszine.com/stories/music/4102.php

Music, Way

“Manuscript culture is conversational if only because the writer and his audience are physically related by the form of publication as performance.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 96

“In pulp fiction it is a rigid convention that the hero’s shoulders and the heroine’s balcon constantly threaten to burst their bonds, a possibility which keeps the audience in a state of tense expectancy. Unfortunately for the fans, however, recent tests reveal that the wisp of chiffon which stands between the publisher and the postal laws has the tensile strength of drop-forged steel.”

S.J. Perelman (1904–1979) American humorist, author, and screenwriter

"Captain Future, Block That Kick!", The Most of S. J. Perelman (1992) p. 72

Law

“What I fear most is that you will know where the laughs are going to come, or that you will know a character so well that you know when they're going to sing a song. In some shows, you just know that the audience is sitting there going "Oh no, she's going to sing."”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Tracking Tracey" http://www.dareland.com/emulsionalproblems/ullman.htm (Interview, January 1989)

Fear, Singing

“Audience Member: Hey Mitch, I got something to put in that pipe for ya!”

Mitch Hedberg (1968–2005) American stand-up comedian

Mitch Hedberg: Oh, I bet you do! Only don't think about the fact that there might be police around! What have you got there, we... dope? You fucking doper? [beat] Arrest that dude!!
Do You Believe in Gosh?

“Graduation was nice. General Clark liked it. The Board of Visitors liked it. Moms and Dads liked it. And the Cadets hated it, for without a doubt it ranked as the most boring event of the year. Thus it was in 1964 that the Clarey twins pulled the graduation classic. When Colonel Hoy called the name of the first twin, instead of walking directly to General Clark to receive his diploma, he headed for the line of visiting dignitaries, generals, and members of the Board of Visitors who sat in a solemn semi-circle around the stage. He shook hands with the first startled general, then proceeded to shake hands and exchange pleasantries with every one on the stage. He did this so quickly that it took several moments for the whole act to catch on. When it finally did, the Corps went wild. General Clark, looking like he had just learned the Allies had surrendered to Germany, stood dumbfounded with Clarey number one's diploma hanging loosely from his hand; then Clarey number two started down the line, repeating the virtuoso performance of Clarey number one, as the Corps whooped and shouted their approval. The first Clarey grabbed his diploma from Clark and pumped his hand vigorously up and down. Meanwhile, his brother was breezing through the hand-shaking exercise. As both of them left the stage, they raised their diplomas above their heads and shook them like war tomahawks at the wildly applauding audience. No graduation is remembered so well.”

Pat Conroy book The Boo

Source: The Boo (1970), p. 33

Hate, War, Exercises, Moms

“I'm not sure what this means and if it can be replicated, but we did something very unique and none of it was planned. There wasn't a $20 million marketing budget designed to make this; it just happened. The audience took the movie for its own and decided to make it an event, and that's pretty awesome. And by the way, there were people who liked the movie so much they were defending the film against people who were thrashing it. Completely mind-blowing. I've never had that happen, either.”

Anthony C. Ferrante American film director

'Sharknado' Director on Secrets, Sequels and Success of the Social Media Sensation http://www.hollywoodreporter.com/live-feed/sharknado-director-secrets-sequels-success-social-media-sensation-584636 (July 12, 2013)

People, Way

“I just like observing people — it's something I've done ever since I was a kid, and I got really good at it. That's a big part of why I became a comedian. My audience is filled with every kind of person you can imagine, and I love that.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Redbook, January 2006

Love, People, Imagination, Parting

“I think you just have to space out selfies with not too many professional photos. Followers want to see you and get to know you. Posting consistently is important, and with captions I try to talk about what I’m doing. I use quotes, but only if they aren’t cliché. I do less group pictures, because followers want to see what you’re doing and not what other people are doing. So not too many group photos. You have to cater to your audience, remember why they followed you.”

Antje Utgaard (1994) American actress

Antje Utgaard Spills The Top Mistakes You're Making On Instagram https://galoremag.com/antje-utgaard-spills-the-top-mistakes-youre-making-on-instagram/ (November 3, 2016)

People, Quotes, Photo, Thinking

“[She was the first pop singer to perform for a Pope. ] And a woman at that. Apparently Pope John Paul II and his boys -- is that what you call them? -- loved one of my songs and thought I was puting spiritual messages in my music. I'm not religious as such. Dogma and I don't get along. They knew all that, but the Pope was celebrating 50 years as a priest, and he asked for me. Quite an audience -- bishops, cardinals, a handful of nuns -- and me, covered from neck to ankles.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Love, Music, Boy

“Let's face it; regular monthly superhero comic books have taken on the look and smell of old men's pants. It's hardly a surprise comics lost the teenage audience or that the adult audience is now bored and irritated by the endless recycling of images they've already seen and words they've already read.”

Grant Morrison (1960) writer

2003
http://www.comicon.com/cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=001597
On comics

Men, Books, Reading

“Ever since I was a little girl, I felt that I wanted to be of service here on the earth: I felt that was my job somehow. And whatever I was going to do, I was going to find a way to do that. And so, as I got a larger audience -- a broader audience worldwide, and more and more people were listening to me -- it became important for me to share that thought. And the song "Get on Your Feet" -- which I didn't write, it was written actually by my guitar player, bass player and keyboardist... They knew how I felt. [They knew] what my thoughts were... So although it was written before my accident, it was thrown back at me so many times... But that really is my motto. I look always forward. I look ahead. And that's why I chose to record that song, because I really loved the message. Then "Coming Out of the Dark," which came on the heals of that accident and my rehab, and the incredible love that I felt from everyone worldwide that helped me through that difficult moment when I broke my back in 1990, is a big thank you to my fans -- and an expression of how ultimately we are here for each other to help one another. And the strength of prayer... That's why I say I know the love that saved me, you're sharing with me. We do have the power to save one another... And I wanted to thank everyone for being there for me.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007

Love, People, Way, Girl

“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

Art, Way, Nature

“In the world of television, the massive flows of information are largely in only one direction, which makes it virtually impossible for individuals to take part in what passes for a national conversation. Individuals receive, but they cannot send. They hear, but they do not speak. The "well-informed citizenry" is in danger of becoming the "well-amused audience."”

Al Gore (1948) 45th Vice President of the United States

Quotes, The Assault on Reason (2007)

World, Parting

“An audience is not so much a complement to an actor's ego, as a challenge to his capacities.”

Orson Welles (1915–1985) American actor, director, writer and producer

Welles, speaking in an episode of Orson Welles Sketch-book

“Film is more appealing in a lot of ways, especially with the relationship with the audience. They’ve paid to come and see it, they’re more prepared to see characters develop. With television, there’s a different criteria. You still want to have all the qualities of film but there are things you have to work against. It’s much quicker, it has to be more dynamic in maintaining an audience’s interest.”

John Hannah (actor) (1962) Scottish actor

The Inspector's Call http://www.johnhannah.net/interview00.php#tic (April 17, 2000)

Way

“With The Dark Knight you had to strike a balance of familiarity with the audience. It is a sequel, and they want familiar elements, things they liked from the first film. But you always have to be very aware that the audience is extremely ruthless in its demand for newness, novelty and freshness. At script stage, we really tried to thrash that out—are we striking that right balance?”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chris Nolan Q&A About 'Inception' http://deadline.com/2011/01/oscar-christopher-nolan-qa-inceptions-writer-director-is-a-hollwood-original-94704

“Alienation is the most common state of the knowledgeable movie audience, and though it has the peculiar rewards of low connoisseurship, a miser’s delight in small favors, we long to be surprised out of it — not to suspension of disbelief nor to a Brechtian kind of alienation, but to pleasure, something a man can call good without self-disgust.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Pleasure, Knowledge

“I've got no particular desire to play ten minute solos. Those were never valid anyway in my book -- never. It was just a cheap way of building up a tension in the audience…A solo should do something; it shouldn't just be there as a cosmetic. It should have some aim, take the tune somewhere. I'm not saying I can do it, but I try and take the tune somewhere.”

Jeff Beck (1944) English rock guitarist

[Denyer, Ralph, The Guitar Handbook, 2002, 140, 0-679-74275-1]

Books, Way

“…Take this all of you and eat it. This is my body which will be given up for you…
Old words; old rituals. But they still made sound commercial sense.
Talk of Power and Might would always attract an audience. Lords never went out of fashion.”

Clive Barker book Weaveworld

Part Six “Back Among the Blind Men”, Chapter v “Our Lady of the Bones”, Section 2 (p. 273)
Weaveworld (1987), BOOK TWO: THE FUGUE

Fashion, Sense

“For art, the intervention of capital always signals a further degree of mediation. To say that art is commodified is to say that a mediation, or standing-in-between, has occurred, & that this betweenness amounts to a split, & that this split amounts to "alienation". Improv music played by friends at home is less "alienated" than music played "live" at the Met, or music played through media (whether PBS or MTV or Walkman). In fact, an argument could be made that music distributed free or at cost on cassette via mail, is less alienated than live music played at some huge We Are The World spectacle or Las Vegas niteclub, even though the latter is live music played to a live audience (or at least so it appears), while the former is recorded music consumed by distant & even anonymous listeners.”

Hakim Bey (1945) American political writer, poet and essayist

Immediatism (AK Press: 1994)

World, Art, Music, Home

“Talking about the definition of the niche, or niche market, I really have the completely opposite opinion. The people the other companies are targeting are very limited to those who are high-tech oriented, and core game players. They cannot expand beyond that population. We are trying to capture the widest possible audience all around the world. In other words, we are trying to capture the people who are even beyond the gaming population. So for that kind of company, we don't think the term 'niche' is appropriate.”

Satoru Iwata (1959–2015) Japanese video game programmer and businessman

Q&A: Video-game industry maverick promises a Revolution, 2007-03-03, Bishop, Todd, 2005-05-20, Seattle Post-Intelligencer http://seattlepi.nwsource.com/business/225097_e3iwata20.html, In response to Bill Gates' labeling Nintendo as a "niche player" in the seventh generation console wars

People, World, Game, Thinking

“Gibbs is thankful to be alive. He really thought life was over, and for him to admit that is huge, because he’s not that kind of guy. After all this time, the writers still find new places to take him. NCIS was never a show about the crime cases, because sometimes we solve ’em, sometimes we don’t. This is a show about characters. The audience takes real ownership of the people we play.”

Mark Harmon (1951) actor from the United States

TV Insider interview (2017)

Life, People, Guy, Time

“The technological landscape of the present day has enfranchised its own electorates — the inhabitants of the marketing zones in the consumer society, television audiences and news magazine readerships, who vote with money at the cash counter rather than with ballot paper at the polling boot. These huge and passive electorates are wide open to any opportunist using the psychological weaponry of fear and anxiety, elements that are carefully blanched out of the world of domestic products and consumer software.”

J. G. Ballard (1930–2009) British writer

"The Consumer Consumed", originally published in Ink (1971)
A User's Guide to the Millennium (1996)

Money, World, Fear

“The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage.”

Marlon Brando (1924–2004) American screen and stage actor

New York Times (July 2, 2004)

Behavior, Reality, Learning

“We resist hegemonic dominance of feminist thought by insisting that it is a theory in the making, that we must necessarily criticize, question, re-examine, and explore new possibilities. My persistent critique has been informed by my status as a member of an oppressed group, experience of sexist exploitation and discrimination, and the sense that prevailing feminist analysis has not been the force shaping my feminist consciousness. This is true for many women. There are white women who had never considered resisting male dominance until the feminist movement created an awareness that they could and should. My awareness of feminist struggle was stimulated by social circumstance. Growing up in a Southern, black, father-dominated, working class household, I experienced (as did my mother, my sisters, and my brother) varying degrees of patriarchal tyranny and it made me angry-it made us all angry. Anger led me to question the politics of male dominance and enabled me to resist sexist socialization. Frequently, white feminists act as if black women did not know sexist oppression existed until they voiced feminist sentiment. They believe they are providing black women with "the" analysis and "the" program for liberation. They do not understand, cannot even imagine, that black women, as well as other groups of women who live daily in oppressive situations, often acquire an awareness of patriarchal politics from their lived experience, just as they develop strategies of resistance (even though they may not resist on a sustained or organized basis). These black women observed white feminist focus on male tyranny and women's oppression as if it were a "new" revelation and felt such a focus had little impact on their lives. To them it was just another indication of the privileged living conditions of middle and upper class white women that they would need a theory to inform them that they were "oppressed." The implication being that people who are truly oppressed know it even though they may not be engaged in organized resistance or are unable to articulate in written form the nature of their oppression. These black women saw nothing liberatory in party line analyses of women's oppression. Neither the fact that black women have not organized collectively in huge numbers around the issues of "feminism" (many of us do not know or use the term) nor the fact that we have not had access to the machinery of power that would allow us to share our analyses or theories about gender with the American public negate its presence in our lives or place us in a position of dependency in relationship to those white and non-white feminists who address a larger audience.”

Bell Hooks (1952) American author, feminist, and social activist

Source: (1984), Chapter 1: Black Women: Shaping Feminist Theory, p. 10.

Women, People, Imagination, Understanding

“(The Queen of Housewife Rock) means I’ve reached a lot of people in a simplistic manner who would never go to a lecture or read an article on Women’s Lib. My basic audience is women who have had their heads turned around by the knowledge that something’s going on out there—that they can stay married and have their own identities. I’m not for the swinging singles. I have a career and marriage happening all at the same time, and that’s the example I set.”

Helen Reddy (1941) Australian actress

On the title Alice Cooper gave to her, as quoted in "Helen Reddy Sings Out for Women's Lib—but Jeffrey Calls the Tune" by Robert Windeler, People Magazines, 3 February 1975 http://people.com/archive/helen-reddy-sings-out-for-womens-lib-but-jeffrey-calls-the-tune-vol-3-no-4/

Women, Marriage, People, Knowledge

“You don't rely on a great army of people to spoon-feed you. Today's classical-music world is very self-defeating. I love the fact that all these corporations are falling apart. They're sinking millions into acts and getting it wrong. And I know why - it's not about the music, or the audiences. So in many ways this is a very encouraging time.”

Joanna MacGregor (1959) British musician

The Independent, 23/06/2003
On Classical Music

Love, People, World, Music

“David Letterman: Earlier today, the man who owns this network, Leslie Moonves—he and I have had a relationship for years and years and years—and we have had this conversation in the past, and we agreed that we would work together on this circumstance and the timing of this circumstance. And I phoned him just before the program, and I said, "Leslie, it's been great, you've been great, the network has been great, but I'm retiring."
Paul Shaffer: This is—really?
David Letterman: Yep.
Paul Shaffer: This is—this is—you actually did this?
David Letterman: Yes, I did.
[dead silence in the studio followed by nervous laughter from the audience]
Paul Shaffer: Well—do I have a minute to call my accountant, because…I, uh…
[Dave cracks up]
David Letterman: I just want to reiterate my thanks for the support from the network, all of the people who have worked here, all of the people in the theatre, all the people on the staff, everybody at home. Thank you very much. And what this means now, is that Paul and I can be married.
[uproarious laughter and applause as wedding chimes play]
David Letterman: So we don't have the timing of this precisely down, I think it will be at least a year or so. But sometime in the not too distant future—2015 for the love of God, in fact, Paul and I will be wrapping things up and taking a hike.
[studio audience goes wild, gives him a standing ovation]
David Letterman: Thank you, thanks everybody. All right, thanks very much.”

David Letterman (1947) American comedian and actor

On announcing his retirement, quoted in Here’s what happened the moment David Letterman announced his retirement (transcript + video) http://www.washingtonpost.com/blogs/style-blog/wp/2014/04/03/heres-what-happened-the-moment-david-letterman-announced-his-retirement-transcript-video/ by Emily Yahr, in "The Washington Post" (3 April 2014).

Love, God, People, Home

“Painting is a very difficult thing. It absorbs the whole man, body and soul – thus I have passed blindly many things which belong to the real and political life. I assume, though, that there are two worlds: the world of spiritual life and the world of political reality. Both are manifestations of life which may sometimes coincide but are very different in principle. I must leave it to you [the audience] to decide which is the more important.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Source: 1930s, On my Painting (1938), p. 18

Life, World, Soul, Reality

“The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i. e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 67
Psychotic Reactions and Carburetor Dung (1988)

Music, Way, Home, Communication

“after someone in audience applauds, causing plaintiff to burst into tears: If there's any more noise from our gallery, you're gonna leave. Got it?”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

https://www.youtube.com/watch?v=xn9XiHQBe1k
Quotes from Judge Judy cases, Dress, stand, speak properly

Tear

“At 8 o’clock, the [body] of the hall was nearly filled with an intelligent and respectable looking audience – The exercises commenced with a patriotic song by the Hutchinsons, which was received with great applause. The Rev. H. H. Garnett opened the meeting stating that the black man, a fugitive from Virginia, who was announced to speak would not appear, as a communication had been received yesterday from the South intimating that, for prudential reasons, it would not be proper for that person to appear, as his presence might affect the interests and safety of others in the South, both white persons and colored. He also stated that another fugitive slave, who was at the battle of Bull Run, proposed when the meeting was announced to be present, but for a similar reason he was absent; he had unwillingly fought on the side of Rebellion, but now he was, fortunately where he could raise his voice on the side of Union and universal liberty. The question which now seemed to be prominent in the nation was simply whether the services of black men shall be received in this war, and a speedy victory be accomplished. If the day should ever come when the flag of our country shall be the symbol of universal liberty, the black man should be able to look up to that glorious flag, and say that it was his flag, and his country’s flag; and if the services of the black men were wanted it would be found that they would rush into the ranks, and in a very short time sweep all the rebel party from the face of the country”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Douglass Monthly https://web.archive.org/web/20160309192511/http://deadconfederates.com/tag/black-confederates/#_edn2 (March 1862), p. 623 1860s

Men, War, Color, Exercises

“The news is all rapes and murders we didn't commit, funerals we don't attend, AIDS we don't want to catch. All crammed into a quarter of a minute! But at least we still have a hand with which to switch channels or turn off altogether. I tell my lecture audiences to never, ever watch local TV news.”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)

“In this country, Fox News has gotten a big, big audience that appreciates its independence. There's passion there, and it's pushed. … It has taken a long boot time, but it has now changed CNN because it has challenged them — they've become more centrist in their choice of stories. They're trying to become, using our phrase, more fair and balanced.”

Rupert Murdoch (1931) Australian-American media mogul

citation needed

Passion, Change, Time, Country

“You want to do something that shows some type individuality and talent and imagination ¿ at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent. Not to just go ahead and make something that¿s completely different and ruin a franchise. At the same time, you don't want to be embarrassed in front of your peers and look like you¿re just copying something, and there's nothing individual. It's a very tricky balance. There are pressures, because you¿re going to be compared to the predecessors.”

Renny Harlin (1959) Finnish film director and film producer

Interview With Renny Harlin http://www.ign.com/articles/2001/04/27/interview-with-renny-harlin (April 27, 2001)

Truth, Imagination, Time

“Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

"trick" question at innumerable concerts— always with the same result
2007, 2008

“I suppose you are a fool to do it [express a political view as an artist], but if you happen to be more interested in the political question, than the size of your audience, then it doesn't matter.”

Orson Welles (1915–1985) American actor, director, writer and producer

Fools, Question

“I was speaking out in Minnesota — my hometown, in fact — and a guy stood up in the audience, said, "Mr. Friedman, is there any free trade agreement you’d oppose?" I said, "No, absolutely not." I said, "You know what, sir? I wrote a column supporting the CAFTA, the Caribbean Free Trade initiative. I didn’t even know what was in it. I just knew two words: free trade."”

Thomas Friedman (1953) American journalist and author

Meet the Press (23 July 2006), referring to the Central American Free Trade Agreement.

Guy, Support

“How many times, have I had to seat women whom I received at audiences next to me, rather than facing me, in order to avoid general embarrassment? Nothing should compel us to suffer such trials. It puts the nerves of men and the modesty of women to a severe test.”

Habib Bourguiba (1903–2000) Tunisian politician

Women, Men, Suffering, Time

“Journalists have never before been able to tell stories so effectively, bouncing off each other, linking to each other (as the most generous and open-minded do), linking out, citing sources, allowing response – harnessing the best qualities of text, print, data, sound and visual media. If ever there was a route to building audience, trust and relevance, it is by embracing all the capabilities of this new world, not walling yourself away from them.”

Alan Rusbridger (1953) British newspaper editor

Source: 2010s, Does journalism exist? (2010), p. 7; Cited in: Janet Jones, ‎Lee Salter (2011) Digital Journalism. p. 88. Also cited in: Bob Franklin (2013) The future of journalism. p. 1969:

World

“I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.”

Madeline Kahn (1942–1999) American actress

Charlie Rose, (December 16, 1996) "Charlie Rose - An interview with Madeline Kahn" http://www.charlierose.com/view/interview/5799, Charlie Rose, PBS

Time, Future

“I take it for granted, when I am invited to lecture anywhere, — for I have had a little experience in that business, — that there is a desire to hear what I think on some subject, though I may be the greatest fool in the country, — and not that I should say pleasant things merely, or such as the audience will assent to; and I resolve, accordingly, that I will give them a strong dose of myself. They have sent for me, and engaged to pay for me, and I am determined that they shall have me, though I bore them beyond all precedent.”

Henry David Thoreau book Life Without Principle

Life Without Principle (1863)

Fools, Business, Thinking, Strong

“America's first great surrealist artists were named Walt Disney, Max Fleischer, and Tex Avery. Their artistic medium was cartoon animation, though we must remember that cartoons of this era were seen not only by children but by a mixed audience, consisting mainly of adults. These men took — quite literally — the principles of surrealism and turned them into mass entertainment. As Fleischer's scantily clad Betty Boop ran through a phantasmagoric underground landscape to the driving beat of Cab Calloway's "Minnie the Moocher," moviegoers of the Thirties saw surrealist dream-logic unfold more powerfully than in any experimental poem created in Greenwich Village. To this day the greatest moment of North American surrealism is probably Dumbo's drunken nightmare choreographed to the demonic oom-pah-pah of "Pink Elephants on Parade" from Walt Disney's 1941 movie. When the surrealist style was so quickly assimilated into mass-media comedy, what avant-garde poet could consider it sufficiently chic?”

Dana Gioia (1950) American writer

"James Tate and American Surrealism," BBC Radio 3, published in Denver Quarterly (Fall 1998)
Essays

Men, Children, Dreams, Animals

“What one thinks is possible might not always be so. I try to do my best but, finally, everything lies in God's hands. I consider my skills as a musician to be a blessing from God. Even today, before I perform, I am unsure of whether I will be able to move my audience. I leave everything to Him… He pulls the strings in my life.”

A. R. Rahman (1966) Indian singer and composer

A R Rahman: In tune with life

Life, God, Thinking

“The distinction between identifying reference and uniquely existential assertion is something quite undeniable. The sense in which the existence of something answering to a definite description used for the purpose of identifying reference, and its distinguishability by an audience from anything else, is presupposed and not asserted in an utterance containing such an expression, so used, stands absolutely firm, whether or not one opts for the view that radical failure of the presupposition would deprive the statement of a truth-value. It remains a decisive objection to the theory of Descriptions… that… it amounts to a denial of these undeniable distinctions.”

P. F. Strawson (1919–2006) British philosopher

Strawson (1964) "Identifying Reference and Truth-Values", Theoria Vol xxx; As cited in: Paul Snowdon (2009) " Peter Frederick Strawson http://plato.stanford.edu/archives/fall2009/entries/strawson/", The Stanford Encyclopedia of Philosophy.

Truth, Failure, Decision, Sense

“The small triumph of "The Graduate" was to have domesticated alienation and the difficulty of communication, by making what Benjamin is alienated from a middle-class comic strip and making it absurdly evident that he has nothing to communicate — which is just what makes him an acceptable hero for the large movie audience. If he said anything or had any ideas, the audience would probably hate him.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Hate, Communication, Idea

“A man really writes for an audience of about ten persons. Of course if others like it, that is clear gain. But if those ten are satisfied, he is content.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: Attributed from posthumous publications, Dialogues of Alfred North Whitehead (1954), p. 66

Personality

Quotes about audience page 3

Quotes about audience
page 3