Quotes about audience
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David Lange photo
Jacques Attali photo
Zubin Mehta photo

“Throughout Jack's violin solo at the Hollywood Bowl, the audience was glued to their seats. That was the only way he could get them to sit down.”

Zubin Mehta (1936) Indian conductor

Zubin Mehta in Irving Fein, Jack Benny: an Intimate Biography (1976), Volume 2, page 154.

Chris Anderson photo

“Remember, in the tyranny of physical space, an audience too thinly spread is the same as no audience at all.”

Source: The Long Tail: Why the Future of Business Is Selling Less of More (2006), Ch. 9, p. 163

Vladimir Lenin photo

“We must pursue the removal of church property by any means necessary in order to secure for ourselves a fund of several hundred million gold rubles (do not forget the immense wealth of some monasteries and lauras). Without this fund any government work in general, any economic build-up in particular, and any upholding of soviet principles in Genoa especially is completely unthinkable. In order to get our hands on this fund of several hundred million gold rubles (and perhaps even several hundred billion), we must do whatever is necessary. But to do this successfully is possible only now. All considerations indicate that later on we will fail to do this, for no other time, besides that of desperate famine, will give us such a mood among the general mass of peasants that would ensure us the sympathy of this group, or, at least, would ensure us the neutralization of this group in the sense that victory in the struggle for the removal of church property unquestionably and completely will be on our side.
One clever writer on statecraft correctly said that if it is necessary for the realization of a well-known political goal to perform a series of brutal actions then it is necessary to do them in the most energetic manner and in the shortest time, because masses of people will not tolerate the protracted use of brutality. … Now victory over the reactionary clergy is assured us completely. In addition, it will be more difficult for the major part of our foreign adversaries among the Russian emigres abroad, i. e., the Socialist-Revolutionaries and the Milyukovites, to fight against us if we, precisely at this time, precisely in connection with the famine, suppress the reactionary clergy with utmost haste and ruthlessness.
Therefore, I come to the indisputable conclusion that we must precisely now smash the Black Hundreds clergy most decisively and ruthlessly and put down all resistance with such brutality that they will not forget it for several decades. … The greater the number of representatives of the reactionary clergy and the reactionary bourgeoisie that we succeed in shooting on this occasion, the better because this "audience" must precisely now be taught a lesson in such a way that they will not dare to think about any resistance whatsoever for several decades.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Letter to Comrade Molotov for the Politburo (19 March 1922) http://www.ibiblio.org/expo/soviet.exhibit/ae2bkhun.html
Variant translation:
It is precisely now and only now, when in the starving regions people are eating human flesh, and hundreds if not thousands of corpses are littering the roads, that we can (and therefore must) carry out the confiscation of church valuables. … I come to the categorical conclusion that precisely at this moment we must give battle to the Black Hundred clergy in the most decisive and merciless manner and crush its resistance with such brutality that it will not forget it for decades to come. The greater the number of representatives of the reactionary clergy and reactionary bourgeoisie we succeed in executing for this reason, the better.
As translated in The Unknown Lenin : From the Secret Archive (1996) edited by Richard Pipes, pp. 152-4
1920s

Orson Scott Card photo
Brad Garrett photo

“The goons needed some comic relief, and I needed an audience. I had found my niche.”

Brad Garrett (1960) actor, comedian, voice actor

When the Balls Drop https://books.google.com/books?idlLydBAAAQBAJ&pgPT0 (2015), Chapter 2, "Jews Don't Dribble."

Misty Lee photo
Nicholas Wade photo
F. Anstey photo
Nélson Rodrigues photo

“To save the audience we must fill the stage with murderers, adulterers and madmen; in short, we must fire a salvo of monsters at them. They are our monster which we will temporarily free ourselves from only to face another day.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

Life As It Is, page ii, by Nelson Rodrigues, English translation, Alex Ladd, Host Publications, ISBN 9780924047602 pages

Roseanne Barr photo
Roger Ebert photo

“I could list some Japanese films illustrating this, but the last thing the audience for Memoirs of a Geisha wants to see is a more truthful film with less gorgeous women and shabbier production values.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/memoirs-of-a-geisha-2005 of Memoirs of a Geisha (9 December 2005)
Reviews, Two-and-a-half star reviews

“In a tribal nation, he’s just one more partisan mobilizing his troops…. Mr. Shapiro has always been deeply conservative and does not pretend to be objective. But he says his market niche is giving cleareyed reads of current events, not purely partisan rants. He is often compared to his former colleague at, Milo Yiannopoulos. On the surface, they seem the same. Both speak on college campuses. Both draw protests. Both used to work for Mr. Bannon at Breitbart. Both are young. In fact, they are very different. Mr. Yiannopoulos, a protégé of Mr. Bannon, was good at shocking audiences, saying things like “feminism is cancer.” But critics say that he was empty of ideas, a kind of nihilistic rodeo clown who was not even conservative. Mr. Shapiro broke with Mr. Bannon last year, saying Breitbart had become a propaganda tool for Mr. Trump. Mr. Yiannopoulos’s act collapsed this year. But the fact that it lasted so long says a lot about the right’s fury against mainstream liberalism, Mr. Shapiro said…. But Mr. Shapiro does it too. He thinks it’s easy to provoke the left, which he says has become intellectually flabby after decades of cultural dominance. It’s not good at arguing and relies instead on taboos and punishing people who violate them. That is the essence of his stump speech…. Critics say that is great red meat for his audience, but it’s nonsense. Even if straight white males are low on the left’s pecking order, they have most of the power in Washington, in statehouses, in every corporate boardroom. They run America. Mr. Shapiro says he’s about more than tribal polemics.”

Sabrina Tavernise (1971) American journalist

Ben Shapiro, a Provocative ‘Gladiator,’ Battles to Win Young Conservatives https://www.nytimes.com/2017/11/23/us/ben-shapiro-conservative.html (November 23, 2017), '.

Howard S. Becker photo
Nélson Rodrigues photo

“The audience will only truly respect you when they have no idea what is going on.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

"Flor de Obsessão: as 1000 melhores frases de Nelson Rodrigues" - Published by Companhia das Letras, 1992 ISBN 8571646678, 9788571646674

John Barrowman photo
Mary Martin photo
Derren Brown photo
Clive Staples Lewis photo
Tallulah Bankhead photo

“If you really want to help the American theater, don't be an actress, dahling. Be an audience.”

Tallulah Bankhead (1902–1968) American actress

Tallulah: My Autobiography (1952)

Dorothy Parker photo
Zakir Hussain (musician) photo
Roger Ebert photo

“It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/summer-school-1987 of Summer School (22 July 1987)
Reviews, Half-star reviews

Bob Keeshan photo

“The children should never be excluded from what I am doing and should never have the feeling of being part of an audience.”

Bob Keeshan (1927–2004) United States Marine

Instructions to director Peter Birch on the format of Captain Kangaroo, as quoted in "Bob Keeshan, Creator and Star of TV's 'Captain Kangaroo,' Is Dead at 76" in The New York Times (24 January 2004) http://www.nytimes.com/2004/01/24/arts/bob-keeshan-creator-and-star-of-tv-s-captain-kangaroo-is-dead-at-76.html?pagewanted=all

Robert Pinsky photo

“An artist needs not so much an audience, as to feel a need to answer, a promise to respond…. a good feeling about his art.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Poetry and the World, Ecco Press,1988

Vangelis photo
William Morley Punshon photo
Newton Lee photo
Kodo Sawaki photo
Louis Farrakhan photo

“Everybody seemed to be in show business; what the hell had happened to the audience?”

T. A. Waters (1938–1998) American magician

Source: The Probability Pad (1970), Chapter 3 (p. 27)

David Fincher photo

“You have a responsibility for the way you make the audience feel, and I want them to feel uncomfortable.”

David Fincher (1962) American film director

The Curious Case of David Fincher (2007)

Michael Parenti photo
Hariprasad Chaurasia photo
Alan Keyes photo
Marc Chagall photo
Joanna MacGregor photo
Murray Walker photo
Margaret Atwood photo
David Gerrold photo
Peter Greenaway photo
Conrad Aiken photo
Groucho Marx photo
R. A. Salvatore photo
Shingai Shoniwa photo

“We are able to speak for ourselves through our music rather than being defined and put into the spotlight in a very male kind of groomed way for an obviously predominantly male audience.”

Shingai Shoniwa (1981) British musician

On being compared to compared to Karen O and Billie Holiday. http://venuszine.com/stories/music/4102.php

Marshall McLuhan photo

“Manuscript culture is conversational if only because the writer and his audience are physically related by the form of publication as performance.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 96

Tracey Ullman photo

“What I fear most is that you will know where the laughs are going to come, or that you will know a character so well that you know when they're going to sing a song. In some shows, you just know that the audience is sitting there going "Oh no, she's going to sing."”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Tracking Tracey" http://www.dareland.com/emulsionalproblems/ullman.htm (Interview, January 1989)

“Audience Member: Hey Mitch, I got something to put in that pipe for ya!”

Mitch Hedberg (1968–2005) American stand-up comedian

Mitch Hedberg: Oh, I bet you do! Only don't think about the fact that there might be police around! What have you got there, we... dope? You fucking doper? [beat] Arrest that dude!!
Do You Believe in Gosh?

Pat Conroy photo

“Graduation was nice. General Clark liked it. The Board of Visitors liked it. Moms and Dads liked it. And the Cadets hated it, for without a doubt it ranked as the most boring event of the year. Thus it was in 1964 that the Clarey twins pulled the graduation classic. When Colonel Hoy called the name of the first twin, instead of walking directly to General Clark to receive his diploma, he headed for the line of visiting dignitaries, generals, and members of the Board of Visitors who sat in a solemn semi-circle around the stage. He shook hands with the first startled general, then proceeded to shake hands and exchange pleasantries with every one on the stage. He did this so quickly that it took several moments for the whole act to catch on. When it finally did, the Corps went wild. General Clark, looking like he had just learned the Allies had surrendered to Germany, stood dumbfounded with Clarey number one's diploma hanging loosely from his hand; then Clarey number two started down the line, repeating the virtuoso performance of Clarey number one, as the Corps whooped and shouted their approval. The first Clarey grabbed his diploma from Clark and pumped his hand vigorously up and down. Meanwhile, his brother was breezing through the hand-shaking exercise. As both of them left the stage, they raised their diplomas above their heads and shook them like war tomahawks at the wildly applauding audience. No graduation is remembered so well.”

Source: The Boo (1970), p. 33

Ellen DeGeneres photo
Gloria Estefan photo
Grant Morrison photo
Gloria Estefan photo

“Ever since I was a little girl, I felt that I wanted to be of service here on the earth: I felt that was my job somehow. And whatever I was going to do, I was going to find a way to do that. And so, as I got a larger audience -- a broader audience worldwide, and more and more people were listening to me -- it became important for me to share that thought. And the song "Get on Your Feet" -- which I didn't write, it was written actually by my guitar player, bass player and keyboardist... They knew how I felt. [They knew] what my thoughts were... So although it was written before my accident, it was thrown back at me so many times... But that really is my motto. I look always forward. I look ahead. And that's why I chose to record that song, because I really loved the message. Then "Coming Out of the Dark," which came on the heals of that accident and my rehab, and the incredible love that I felt from everyone worldwide that helped me through that difficult moment when I broke my back in 1990, is a big thank you to my fans -- and an expression of how ultimately we are here for each other to help one another. And the strength of prayer... That's why I say I know the love that saved me, you're sharing with me. We do have the power to save one another... And I wanted to thank everyone for being there for me.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007

Walter Benjamin photo

“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

Al Gore photo
Orson Welles photo

“An audience is not so much a complement to an actor's ego, as a challenge to his capacities.”

Orson Welles (1915–1985) American actor, director, writer and producer

Welles, speaking in an episode of Orson Welles Sketch-book

John Hannah (actor) photo
Christopher Nolan photo
Pauline Kael photo
Jeff Beck photo
Clive Barker photo
Hakim Bey photo
Satoru Iwata photo

“Talking about the definition of the niche, or niche market, I really have the completely opposite opinion. The people the other companies are targeting are very limited to those who are high-tech oriented, and core game players. They cannot expand beyond that population. We are trying to capture the widest possible audience all around the world. In other words, we are trying to capture the people who are even beyond the gaming population. So for that kind of company, we don't think the term 'niche' is appropriate.”

Satoru Iwata (1959–2015) Japanese video game programmer and businessman

Q&A: Video-game industry maverick promises a Revolution, 2007-03-03, Bishop, Todd, 2005-05-20, Seattle Post-Intelligencer http://seattlepi.nwsource.com/business/225097_e3iwata20.html,
In response to Bill Gates' labeling Nintendo as a "niche player" in the seventh generation console wars

Mark Harmon photo
Marlon Brando photo
Bell Hooks photo

“We resist hegemonic dominance of feminist thought by insisting that it is a theory in the making, that we must necessarily criticize, question, re-examine, and explore new possibilities. My persistent critique has been informed by my status as a member of an oppressed group, experience of sexist exploitation and discrimination, and the sense that prevailing feminist analysis has not been the force shaping my feminist consciousness. This is true for many women. There are white women who had never considered resisting male dominance until the feminist movement created an awareness that they could and should. My awareness of feminist struggle was stimulated by social circumstance. Growing up in a Southern, black, father-dominated, working class household, I experienced (as did my mother, my sisters, and my brother) varying degrees of patriarchal tyranny and it made me angry-it made us all angry. Anger led me to question the politics of male dominance and enabled me to resist sexist socialization. Frequently, white feminists act as if black women did not know sexist oppression existed until they voiced feminist sentiment. They believe they are providing black women with "the" analysis and "the" program for liberation. They do not understand, cannot even imagine, that black women, as well as other groups of women who live daily in oppressive situations, often acquire an awareness of patriarchal politics from their lived experience, just as they develop strategies of resistance (even though they may not resist on a sustained or organized basis). These black women observed white feminist focus on male tyranny and women's oppression as if it were a "new" revelation and felt such a focus had little impact on their lives. To them it was just another indication of the privileged living conditions of middle and upper class white women that they would need a theory to inform them that they were "oppressed." The implication being that people who are truly oppressed know it even though they may not be engaged in organized resistance or are unable to articulate in written form the nature of their oppression. These black women saw nothing liberatory in party line analyses of women's oppression. Neither the fact that black women have not organized collectively in huge numbers around the issues of "feminism" (many of us do not know or use the term) nor the fact that we have not had access to the machinery of power that would allow us to share our analyses or theories about gender with the American public negate its presence in our lives or place us in a position of dependency in relationship to those white and non-white feminists who address a larger audience.”

Bell Hooks (1952) American author, feminist, and social activist

Source: (1984), Chapter 1: Black Women: Shaping Feminist Theory, p. 10.

Helen Reddy photo
Joanna MacGregor photo
David Letterman photo

“David Letterman: Earlier today, the man who owns this network, Leslie Moonves—he and I have had a relationship for years and years and years—and we have had this conversation in the past, and we agreed that we would work together on this circumstance and the timing of this circumstance. And I phoned him just before the program, and I said, "Leslie, it's been great, you've been great, the network has been great, but I'm retiring."
Paul Shaffer: This is—really?
David Letterman: Yep.
Paul Shaffer: This is—this is—you actually did this?
David Letterman: Yes, I did.
[dead silence in the studio followed by nervous laughter from the audience]
Paul Shaffer: Well—do I have a minute to call my accountant, because…I, uh…
[Dave cracks up]
David Letterman: I just want to reiterate my thanks for the support from the network, all of the people who have worked here, all of the people in the theatre, all the people on the staff, everybody at home. Thank you very much. And what this means now, is that Paul and I can be married.
[uproarious laughter and applause as wedding chimes play]
David Letterman: So we don't have the timing of this precisely down, I think it will be at least a year or so. But sometime in the not too distant future—2015 for the love of God, in fact, Paul and I will be wrapping things up and taking a hike.
[studio audience goes wild, gives him a standing ovation]
David Letterman: Thank you, thanks everybody. All right, thanks very much.”

David Letterman (1947) American comedian and actor

On announcing his retirement, quoted in Here’s what happened the moment David Letterman announced his retirement (transcript + video) http://www.washingtonpost.com/blogs/style-blog/wp/2014/04/03/heres-what-happened-the-moment-david-letterman-announced-his-retirement-transcript-video/ by Emily Yahr, in "The Washington Post" (3 April 2014).

Max Beckmann photo
Judith Sheindlin photo

“after someone in audience applauds, causing plaintiff to burst into tears: If there's any more noise from our gallery, you're gonna leave. Got it?”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

https://www.youtube.com/watch?v=xn9XiHQBe1k
Quotes from Judge Judy cases, Dress, stand, speak properly

Frederick Douglass photo

“At 8 o’clock, the [body] of the hall was nearly filled with an intelligent and respectable looking audience – The exercises commenced with a patriotic song by the Hutchinsons, which was received with great applause. The Rev. H. H. Garnett opened the meeting stating that the black man, a fugitive from Virginia, who was announced to speak would not appear, as a communication had been received yesterday from the South intimating that, for prudential reasons, it would not be proper for that person to appear, as his presence might affect the interests and safety of others in the South, both white persons and colored. He also stated that another fugitive slave, who was at the battle of Bull Run, proposed when the meeting was announced to be present, but for a similar reason he was absent; he had unwillingly fought on the side of Rebellion, but now he was, fortunately where he could raise his voice on the side of Union and universal liberty. The question which now seemed to be prominent in the nation was simply whether the services of black men shall be received in this war, and a speedy victory be accomplished. If the day should ever come when the flag of our country shall be the symbol of universal liberty, the black man should be able to look up to that glorious flag, and say that it was his flag, and his country’s flag; and if the services of the black men were wanted it would be found that they would rush into the ranks, and in a very short time sweep all the rebel party from the face of the country”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Douglass Monthly https://web.archive.org/web/20160309192511/http://deadconfederates.com/tag/black-confederates/#_edn2 (March 1862), p. 623
1860s

Ray Bradbury photo
Rupert Murdoch photo
Renny Harlin photo
Gloria Estefan photo

“Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

"trick" question at innumerable concerts— always with the same result
2007, 2008

Orson Welles photo
Thomas Friedman photo
Habib Bourguiba photo
Alan Rusbridger photo
Madeline Kahn photo

“I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.”

Madeline Kahn (1942–1999) American actress

Charlie Rose, (December 16, 1996) "Charlie Rose - An interview with Madeline Kahn" http://www.charlierose.com/view/interview/5799, Charlie Rose, PBS

Henry David Thoreau photo
Dana Gioia photo
A. R. Rahman photo
Pauline Kael photo
Alfred North Whitehead photo

“A man really writes for an audience of about ten persons. Of course if others like it, that is clear gain. But if those ten are satisfied, he is content.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: Attributed from posthumous publications, Dialogues of Alfred North Whitehead (1954), p. 66