Quotes about audience
page 2

“Besides, hysteria is only possible with an audience.”

Source: Invisible Monsters

“Hysteria is impossible without an audience. Panicking by yourself is the same as laughing alone in an empty room. You feel really silly.”

Chuck Palahniuk book Invisible Monsters

Source: Invisible Monsters

Feeling

“Never try to convey your idea to the audience — it is a thankless and senseless task. Show them life, and they'll find within themselves the means to assess and appreciate it.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 152

Life, Idea

“When I told the people of Northern Ireland that I was an atheist, a woman in the audience stood up and said, 'Yes, but is it the God of the Catholics or the God of the Protestants in whom you don't believe?”

Quentin Crisp (1908–1999) writer, Actor

Attributed
Source: Quoted in The Wit and Wisdom of Quentin Crisp

God, People

“Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

“Once a president gets to the White House, the only audience that is left that really matters is history.”

Doris Kearns Goodwin (1943) American biographer

History, Housing

“It is very difficult to be a hero without an audience, although, in a sense, we are each the hero of a peculiar, half-ruined film called our life.”

Sebastian Barry book The Secret Scripture

Source: The Secret Scripture

Life, Sense

“It requires wisdom to understand wisdom: the music is nothing if the audience is deaf.”

Walter Lippmann (1889–1974) American journalist

A Preface to Morals (1929)

Wisdom, Music, Understanding

“Movies are a fad. Audiences really want to see live actors on a stage.”

Charlie Chaplin (1889–1977) British comic actor and filmmaker

“Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: The Ladies of the Corridor

Intelligence

“What did Isabelle want?" Jace asked.
Alec hesitated. "Isabelle says the Queen of the Seelie Court has requested an audience with us."
"Sure," said Magnus. "And Madonna wants me as a backup dancer on her next world tour.”

Cassandra Clare book City of Ashes

Source: City of Ashes

World

“Audiences know what to expect, and that is all that they are prepared to believe in.”

Tom Stoppard book Rosencrantz and Guildenstern Are Dead

Source: Rosencrantz and Guildenstern Are Dead

“Both Averill and Bayar were like actors speaking lines for their audience and not to each other.”

Cinda Williams Chima (1952) Novelist

Source: The Gray Wolf Throne

“Always make the audience suffer as much as possible.”

Alfred Hitchcock (1899–1980) British filmmaker

Suffering

“To have great poets,
there must be great audiences.”

Walt Whitman (1819–1892) American poet, essayist and journalist

“If all the world is a stage, where is the audience sitting?”

George Carlin (1937–2008) American stand-up comedian

World

“I made mistakes in drama. I thought drama was when actors cried. But drama is when the audience cries.”

Frank Capra (1897–1991) Sicilian-born American film director

1001 quotations to inspire you before you die, Quintessence Editions Ltd., 2016, ISBN 978-1-84403-895-4

“The play was a great success, but audience was a dismal failure.”

George Bernard Shaw (1856–1950) Irish playwright

Failure, Success

“The emotions - love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust - are in the audience.”

John Cage book Silence: Lectures and Writings

Source: Silence: Lectures and Writings

Love, Fear, Anger

“There is no better audience for someone in love than someone in love.”

Emily Giffin Something Borrowed

Source: Something Borrowed

Love

“When I write, I don't translate for white readers…. Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.”

Toni Morrison (1931–2019) American writer

Reading

“Creator — A comedian whose audience is afraid to laugh.”

H.L. Mencken (1880–1956) American journalist and writer

1940s–present, A Mencken Chrestomathy (1949)

“I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.”

Alfred Hitchcock (1899–1980) British filmmaker

Newsweek (11 June 1956).

“I only share when I have no unmet needs that I'm trying to fill. I firmly believe that being vulnerable with a larger audience is only a good idea if the healing is tied to the sharing, not to the expectations I might have for the response I get.”

Brené Brown (1965) US writer and professor

Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead

Idea

“But there's an enormous difference between an audience that's watching you because they can't wait to see what comes next and an audience that's watching you because they're waiting for you to fail.”

Jodi Picoult book Sing You Home

Source: Sing You Home

Waiting

“I pull the sleeping bag up to his chin and kiss his forehead, not for the audience, but for me. Because I'm so grateful that he's here, not dead by the stream as I'd thought. So glad I don't have to face Cato alone.”

Suzanne Collins The Hunger Games

Source: The Hunger Games

Kiss, Sleep, Dead

“Darab Khan who had been sent with a strong force to punish the Rajputs of Khandela and to demolish the great temple of the place, attacked the place on the 8th March/5th Safar, and slew the three hundred and odd men who made a bold defence, not one of them escaping alive. [16 October 1678] The temples of Khandela and Sanula and all other temples in the neighbourhood were demolished…'On Sunday, the 25th May/24th Rabi. S., Khan Jahan Bahadur came from Jodhpur, after demolishing the temples and bringing with himself some cart-loads of idols, and had audience of the Emperor, who highly praised him and ordered that the idols, which were mostly jewelled, gold en, silver y, bronze, copper or stone, should be cast in the yard (jilaukhanah) of the Court and under the steps of the Jam'a mosque, to be trodden on. They remained so for some time and at last their very names were lost' [25 May 1679]…Ruhullah Khan and Ekkataz Khan went to demolish the great temple in front of the Rana's palace, which was one of the rarest buildings of the age and the chief cause of the destruction of life and property of the despised worshippers Twenty machator Rajputs who were sitting in the temple vowed to give up their lives; first one of them came out to fight, killed some and was then himself slain, then came out another and so on, until every one of the twenty perished, after killing a large number of the imperialists including the trusted slave, Ikhlas. The temple was found empty. The hewers broke the images…..”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. Different translation: “Darab Khan was sent with a strong force to punish the Rajputs of Khandela and demolish the great temple of that place.” (M.A. 171.) “He attacked the place on 8th March 1679, and pulled down the temples of Khandela and Sanula and all other temples in the neighbourhood.”(M.A. 173.) Sarkar, Jadunath (1972). History of Aurangzib: Volume III. App. V.
Quotes from late medieval histories, 1670s

Life, Strong, Fight, Age

““This is the first award I received…In fact, I consider this priceless. This was presented to me by Sri. Godavarma Bhattan Thampuran of Kodungallur (Cranganore) Palace years ago. I was only 22 then. Those were days when Kodungallur used to witness the best assembly of scholars in Sanskrit and the sasthras. Present on that day were several highly learned men and women. The stage was in front of Sringapuram temple. I presented Bhagavad Dooth Prabhantham Koothu. My interpretation of one of the slokas was a little more elaborate than and different from the custom-worn treatment. The audience liked it. In appreciation, Bhattan Thampuran removed this ring from his finger and put it on mine. The spontaneous gesture in recognition of my art naturally is the most precious to me ”
-Guru Māni Mādhava Chākyār, about his prized possession- the golden ring from the great scholar H. H Bhattan Thampuran”

Mani Madhava Chakyar (1899–1990) Indian actor

Awards
Source: K. A. Chandrahasan, In pursuit of excellence (Performing Arts), "The Hindu", Sunday March 26, 1989

Women, Men, Art, Nature

“The composer who is frightened of losing his artistic integrity through contact with a mass audience is no longer aware of the meaning of the word art.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Aaron Copland and His World, ISBN 9780691124704.

Art

“Audiences who have been forced to wade through the thick middle-class padding of more expensively made movies to get to the action enjoy the nose-thumbing at "good taste" of cheap movies that stick to the raw materials. At some basic level they like the pictures to be cheaply done, they enjoy the crudeness; it’s a breather, a vacation from proper behavior and good taste and required responses. Patrons of burlesque applaud politely for the graceful erotic dancer but go wild for the lewd lummox who bangs her big hips around. That’s what they go to burlesque for.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Behavior

“Laura was born an authentic artist, and, coming together, my job was to help her bring all of it forward and out. […] The artist is a shaman; a wounded healer. We have wounds that we want to bring forth through the material. It's joyful, it's painful, but not painful in a bad way. And when you do that, you also heal people in the audience.”

Sandra Seacat (1936) American acting teacher and actress

As heard in "Laura Dern and Sandra Seacat: Hollywood Mentors," https://www.youtube.com/watch?v=XpqQwfq5tqg The Hollywood Reporter (February 18, 2015)

Pain, People, Way, Help

“Audience member: We have a problem in this country, it's called Muslims. Our current President is one. We know he's not even an American. We have training camps growing where they want to kill us. That's my question, when can we get rid of them?
Donald Trump: We're going to be looking at a lot of different things. A lot of people are saying that and a lot of people are saying that bad things are happening out there. We're going to be looking at that and a lot of different things.”

Donald J. Trump (1946) 45th President of the United States of America

At a town hall meeting in New Hampshire — as quoted in * 2015-09-17
Here's How Donald Trump Responded to a Person Saying President Obama is Muslim
Maya Rhodan
Time
http://time.com/4039658/trump-obama-muslim/
2010s, 2015

People, Question, Problem, Training

“My first memory of Nirvana was getting a cassette of demos, which ended up becoming Bleach. Everybody's response was that this was an amazing band and these were amazing songs. It was another indication that the Northwest had something special that you couldn't argue with.
It was pretty shocking to see a threepiece that sounded like that, and trying to get inside the head of a guy who writes a song like "Floyd the Barber" – where does the kernel of a song like that start?
The Seattle scene benefitted from an MTV culture, and it was because of the way Nirvana looked and presented themselves that created this kind of unanimous support worldwide. Rock music had become kind of hedonistic – 35-year-old men taking a helicopter to the stage and dating supermodels, and going out of their way to separate themselves from their audience. Nirvana, more than any other band, rocked way harder, had significant originality, while looking like guys you went to high school with. I think that was their secret. There was an inclusion that was long overdue, and it was what rock was supposed to be about.
The legend isn't simply going to be the way that he took his life; I believe it will always be the songs.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Soundgarden Era

Life, Men, Secret, School

““All life is theatre,” he said. “We are all actors, you and I, in a play which nobody wrote and which nobody will see. We have no audience but ourselves….” He laughed gently. “Some players would say that is the best kind of theatre there can be.””

Susan Cooper (1935) English fantasy writer

Source: The Dark Is Rising (1965-1977), Silver on the Tree (1977), Chapter 9 “The City” (p. 139)

Life

“Well, then, some of you will say, and rightly, "Well, what did you use the fund for, Senator? Why did you have to have it?" Let me tell you in just a word how a Senate office operates. First of all, a Senator gets $15,000 a year in salary. He gets enough money to pay for one trip a year, a round trip, that is, for himself, and his family between his home and Washington, DC. And then he gets an allowance to handle the people that work in his office to handle his mail. And the allowance for my State of California, is enough to hire 13 people. And let me say, incidentally, that that allowance is not paid to the Senator. It is paid directly to the individuals that the Senator puts on his payroll. But all of these people and all of these allowances are for strictly official business; business, for example, when a constituent writes in and wants you to go down to the Veteran's Administration and get some information about his GI policy — items of that type, for example. But there are other expenses that are not covered by the Government. And I think I can best discuss those expenses by asking you some questions.Do you think that when I or any other senator makes a political speech, has it printed, should charge the printing of that speech and the mailing of that speech to the taxpayers? Do you think, for example, when I or any other Senator makes a trip to his home State to make a purely political speech that the cost of that trip should be charged to the taxpayers? Do you think when a Senator makes political broadcasts or political television broadcasts, radio or television, that the expense of those broadcasts should be charged to the taxpayers? Well I know what your answer is. It's the same answer that audiences give me whenever I discuss this particular problem: The answer is no. The taxpayers shouldn't be required to finance items which are not official business but which are primarily political business.”

Richard Nixon (1913–1994) 37th President of the United States of America

1950s, Checkers speech (1952)

Money, People, Family, Home

“It was left by Aristoxenus, who with great ability and labour classified and arranged in it the different modes. In accordance with it, and by giving heed to these theories, one can easily bring a theatre to perfection, from the point of view of the nature of the voice, so as to give pleasure to the audience.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter V, Sec. 6

Pleasure, Nature, Perfection

“That physical tingle, that powerful audible experience(not with poets projecting their work to an audience) but more intimate, less planned than that.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

The Art of Poetry - interview 1995 with Downing & Kunitz

“Life was growing and spreading here the way a disease propagates and eats and in the eating must kill. There should be something more, he thought. A kind of being might come into the universe that did not want to finally eat everything or to command all or to fill every niche and site with its own precious self. It would be a strange thing, with enough of the brute biology in it to have the quick, darting sense of survival. But it would also have to carry something of the machine in it, the passive and accepting quality of duty, of waiting, and of thought that went beyond the endless eating or the fear of dying. To such a thing the universe would not be a battleground but a theater, where eternal dramas were acted out and it was best to be in the audience. Perhaps evolution, which had been at the beginning a blind force that pushed against everything, could find a path to that shambling, curiously lasting state.”

Gregory Benford (1941) Science fiction author and astrophysicist

Part 6 “Aleph Null”, Chapter 4 (p. 226)
Against Infinity (1983)

Life, Fear, Disease, Way

“…the energy exchange between us on stage and the audience was absolutely amazing.”

Anni-Frid Lyngstad (1945) Swedish female singer

Sydney Morning Herald interview (2017)

“Indeed I have observed that even the Barbarians across the Rhine sing savage songs composed in language not unlike the croaking of harsh-voiced birds, and that they delight in such songs. For I think it is always the case that inferior musicians, though they annoy their audiences, give very great pleasure to themselves”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Julian, on the songs of the early Germans. As quoted in his Mispogon.
General sources

Pleasure, Bird, Thinking, Singing

“Free speech is not to be regulated like diseased cattle and impure butter. The audience … that hissed yesterday may applaud today, even for the same performance.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, Kingsley Books, Inc. v. Brown, 354 U.S. 436, 447 (1957)
Judicial opinions

Disease

“This is especially important when addressing less statistically savvy audiences. Such audiences could perhaps be encouraged to think of two normal distributions, one representing males and the other females. Instead of imagining that natural selection creates two distinct psychological types — a male type and a female type, described by the mean values for each group — they could be encouraged to imagine that natural selection pushes the male and female distributions closer together or further apart. This simple expedient may help people to visualize the effects of natural selection on average sex differences without at the same time losing sight of the variation within each sex.”

Steve Stewart-Williams (1971)

Source: The Ape that Kicked the Hornet's Nest (2013), p. 268

People, Sex, Imagination, Nature

“The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.”

Peter Greenaway (1942) British film director

Watching Water

Patience

“Mnemonists, people with freakish memories and no other virtues, were capable of playing dazzling games, dismaying and confusing the other participants by their rapid muster of countless ideas. In the course of time such displays of virtuosity fell more and more under a strict ban, and contemplation became a highly important component of the Game. Ultimately, for the audiences at each Game it became the main thing. This was the necessary turning toward the religious spirit. What had formerly mattered was following the sequences of ideas and the whole intellectual mosaic of a Game with rapid attentiveness, practiced memory, and full understanding. But there now arose the demand for a deeper and more spiritual approach. After each symbol conjured up by the director of a Game, each player was required to perform silent, formal meditation on the content, origin, and meaning of this symbol, to call to mind intensively and organically its full purport. The members of the Order and of the Game associations brought the technique and practice of contemplation with them from their elite schools, where the art of contemplation and meditation was nurtured with the greatest care. In this way the hieroglyphs of the Game were kept from degenerating into mere empty signs.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

People, School, Art, Way

“Always warm up the audience with a joke…. If you are not a particularly funny person, make sure that you inform them that it's a joke….”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

Sphinx Society lecture, Brown University, April 3, 2003 (as reported in the Brown Daily Herald

Personality

“Though the poems of Homer and his successors were recorded, there will be no Greek reading public till we reach the fifth century B. C. …There was instead, a hearing public that formed responsive audiences at festivals and contests.”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch. III The Poet: How to Party

Reading

“The more I examined my emotions, the more I was able to put that in my writing. I wanted to concentrate more on human emotions and internal feelings in the characters, inasmuch as I could in an animated cartoon show—ostensibly one for a young audience. There were times when I felt I couldn’t put the depth of feeling that I wanted to in the cartoons at that time, because it’s for kids and you have to keep it kind of upbeat. But I did it where I could. And I put it in my other work as well, when I was writing things like comics and screenplays.”

Paul Dini (1957) writer

Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)

Feeling, Time, Animals

“Arre bhai…there is so much more to Indian music than those beats. I have done bhangra…nothing against it. But why do we present only that to the Indian and global audience. Punjabi language and music has become the language of the film industry unfortunately. Be it Singh is King or London Dreams or New York Beats are the same. agreed you cannot use classical or folk music in New York or Singh is King but London Dreams — it's supposed to be a musical. Music should have been the soul of it. But that is the weakest thing in the film. So much could have been done — classical music and folk music could have been used. But they didn't. They want to finish of work ASAP. Quantity, not quality has taken over.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Dreams, Music, Soul

“The Americans have always been more open to my ideas. In fact, I could earn a living in America just by lecturing. One of my brightest audiences, incidentally, were the prisoners in a Philadelphia gaol — brighter than my students at university.”

Colin Wilson (1931–2013) author

Interview with Paul Newman in Abraxas Unbound #7

Idea, Universe

“John Cage, composer, painter, and all-round thinker and cultural catalyst, said that if you introduce twenty percent of novelty into any artwork, watch out -- you are going to lose eighty percent of your audience at once. He said you would lose them for fifteen years. Cage was interested in fifteen-year cycles. But he was hopelessly optimistic. The general appreciation, for example, of Western painting has got stuck around Impressionism, and that was 130 years ago, not fifteen years ago.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Painting

“The default designation of poetry has become written poetry. That's why we have to prefix the adjective "oral," because the unmodified noun no longer covers anything but written poetry. That's also why we resort to other unwieldy phrases to pigeonhole events and phenomena that our cultural proclivities have silently eliminated from consideration. Thus a "poetry reading" describes a performance (from a published text, of course) before a well-behaved, often academic audience. Thus "spoken-word poetry"—so redundant from a historical perspective—identifies voiced verbal art, verse that is lifted off the page and into the world of presence and experience.”

John Miles Foley (1947–2012) American literary scholar

How to Read an Oral Poem (2002), p. 30

World, Art, Reading

“I think there's a side of me that's trying to compete with Lucas and Spielberg — I don't usually admit this publicly — because I tend to think that they only go so far, and their view of the world is rather simplistic. What I want to do is take whatever cinema is considered normal or successful at a particular time and play around with it — to use it as a way of luring audiences in.”

Terry Gilliam (1940) American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe

IMDB profile http://www.imdb.com/name/nm0000416/bio#quotes

World, Way, Thinking, Time

“With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)

Art, Nature, Thinking, Strong

“The only reason we wore sunglasses onstage was because we couldn't stand the sight of the audience.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

Attributed without citation at John Cale Quotes, inspirationalstories.com, 16 November 2012 http://www.inspirationalstories.com/quotes/t/john-cale/,

“I was so pleased to be offered Doctor Who. To me kids are the greatest audience - and the greatest critics - in the world.”

William Hartnell (1908–1975) English actor

I Felt Like the Pied Piper

World

“Forty years ago, when Dylan Thomas read, he spent half the program reciting other poets' work. Hardly a self-effacing man, he was nevertheless humble before his art. Today most readings are celebrations less of poetry than of the author's ego. No wonder the audience for such events usually consists entirely of poets, would-be poets, and friends of the author.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Art, Reading

“I had by this time heard a number of his public speeches and was beginning to understand the pattern of their appeal. The first secret lay in his choice of words. Every generation develops its own vocabulary of catchwords and phrases, and these date thoughts and utterances. My own father talked like a contemporary of Bismarck, the people of my own age bore the stamp of Wilhelm II, but Hitler had caught the casual camaraderie of the trenches, and without stooping to slang, except for special effects, managed to talk like a member of his audience. In describing the difficulties of the housewife without enough money to buy the buy the food her family needed in the Viktualien Market he would produce just the phrases she would have used herself to describe her difficulties, if she had been able to formulate them. Where other national orators gave the painful impression of talking down to their audience, he had his priceless gift of expressing exactly their own thoughts.”

Ernst Hanfstaengl (1887–1975) German businessman

Quoted in "Hitler: The Missing Years" - Page 67 - by Ernst Hanfstaengl, John Toland - 1994

Money, Pain, People, Secret

“A modern painter may have many audiences or one or none; he paints in relation to none of them, though he longs for the audience of other modern painters.”

Robert Motherwell (1915–1991) American artist

Source: 1950s, The painter and the audience' (1954), p. 107

Painting

“so believe you're who you are
and stay in character
but at the end of the play the audience walks away
and ill be shivering cold on a well lit stage”

Conor Oberst (1980) American musician

The trees get wheeled away
Noise Floor (Rarities: 1998-2005) (2006)

“The audience will always feel far more generous if, as some point in the evening, a little time has been found for them to applaud themselves.”

Don Paterson (1963) Poet

Aphorisms in Poetry, vol. 187, n. 1, October 2005

Feeling, Time

“The real resistance now is to an art which forces its audience to recognize and accept imaginatively, in their nerve ends, not the facts of life but the facts of death and violence: absurd, random, gratuitous, unjustified, and inescapably part of the society we have created.”

Al Alvarez (1929–2019) English poet, novelist, essayist and critic

Page 262.
The Savage God (1971)

Life, Death, Art, Imagination

“How many watched the President's speech last night?
[half-hearted audience applause]
How many watched American Idol?
[thundering applause]
Okay, there you go! You get the government you deserve.”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Monologue, February 1, 2006
The Tonight Show

Heart, Night

“I am basically writing for a general audience rather than an academic audience. So, I explain stuff, I don’t assume knowledge of any of this on the part of the reader. In a kind of general sense I suppose I have, when I am deciding how much needs to be explained, in mind my primary audience.”

William Dalrymple (1965) author and historian

In Amrita Ghosh, Author in Focus: An Interview with Dalrymple http://www.cerebration.org/dalrymple.html, Cerebration.Org.

Knowledge, Sense, Parting

“The essence and foundation of House of Commons debating is formal conversation. The set speech, the harangue addressed to constituents, or to the wider public out of doors, has never succeeded much in our small wisely-built chamber. To do any good you have got to get down to grips with the subject and in human touch with the audience.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

In Great Contemporaries, "Clemenceau" (1937).
The 1930s

Housing

“One of the most happiest and most convincing political arguments ever made in this City… No man ever made such an impression on his first appeal to a New-York audience.”

Horace Greeley (1811–1872) American politician and publisher

As quoted in New York Tribune (28 February 1860).
1860s

“The protreptic text, the so-called protreptikós, is an invitation to produce one's own knowledge. So one might easily think, at first glance, that protreptic was nothing more than rhetoric, and it is probably correct to speak of a particular sort of rhetoric. For protreptic texts use every possible rhetorical means with the explicit goal of engaging with a discipline in one's own way. And that is exactly the point of significant difference from rhetorical structures exclusively concerned to bring an audience to a particular point of view: in the protreptikós, language serves to talk an audience into persuading itself. … The protreptikós does not argue for a particular persuasion, but directs attention to the ways one can achieve certainty for oneself.”

Lambert Wiesing (1963) German archaeologist, humanities scholar and art historian

The Philosophy of Perception: Phenomenology and Image Theory, N. Roth, trans. (2014), p. 60 http://books.google.com/books?id=lJQIBAAAQBAJ&pg=PA60

Way, Knowledge, Thinking

“Well, moving swiftly sideways into cognitive neuroscience…In the past twenty years we’ve made huge strides, using imaging tools, direct brain interfaces, and software simulations. We’ve pretty much disproved the existence of free will, at least as philosophers thought they understood it. A lot of our decision-making mechanics are subconscious; we only become aware of our choices once we’ve begun to act on them. And a whole lot of other things that were once thought to correlate with free will turn out also to be mechanical. If we use transcranial magnetic stimulation to disrupt the right temporoparietal junction, we can suppress subjects’ ability to make moral judgements; we can induce mystical religious experiences: We can suppress voluntary movements, and the patients will report that they didn’t move because they didn’t want to move. The TMPJ finding is deeply significant in the philosophy of law, by the way: It strongly supports the theory that we are not actually free moral agents who make decisions—such as whether or not to break the law—of our own free will.
“In a nutshell, then, what I’m getting at is that the project of law, ever since the Code of Hammurabi—the entire idea that we can maintain social order by obtaining voluntary adherence to a code of permissible behaviour, under threat of retribution—is fundamentally misguided.” His eyes are alight; you can see him in the Cartesian lecture-theatre of your mind, pacing door-to-door as he addresses his audience. “If people don’t have free will or criminal intent in any meaningful sense, then how can they be held responsible for their actions? And if the requirements of managing a complex society mean the number of laws have exploded until nobody can keep track of them without an expert system, how can people be expected to comply with them?”

Charles Stross book Rule 34

Source: Rule 34 (2011), Chapter 26, “Liz: It’s Complicated” (pp. 286-287)

People, Law, Way, Idea

“Theatre audiences can't be made to think and cry: at best, they can be made to think and laugh, or to feel and cry.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Theater

Feeling, Thinking, Cry

“King George VI was always remarkably well informed, and I made a point of reading the latest telegrams before my weekly audience with him. A conscientious, constitutional monarch is a strong element of stability and continuity in our Constitution.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Address to the Oxford University Law Society (14 June 1957), quoted in The Times (15 June 1957), p. 4.
1950s

Strong, Reading

““Mani Madhava Chakyar was performing sikhinisalabha… Butterflies fly all around. Some of them fell into the fire below. The anguish was reflected in the actor’s eyes. Ha! There they come out without a burn! What a relief! They came again. The actor continued the performance. Only his eyes move… The audience was spellbound. They did not know that an hour has passed!”
- About his world famous abhinaya of the shloka shikhinisalabha from Subhadradhananjayam.”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya Source: Indigenous Sanskrit theatre form, The Hindu, Tuesday, Jul 31, 2007 http://www.hindu.com/br/2007/07/31/stories/2007073150031600.htm

World, Flying

“I have a fear of heights, so falling off something very tall. But I've conquered a good amount of my fears. I guess most people would have the fear of getting up in front of a large audience of people and making a fool of themselves. I've gotten over that.”

Beck (1970) American Musician (b.1970)

'Beck - On the Couch', NME

People, Fear, Fools

“[My audiences] discover they are producing a tonal dimension of the music which interacts melodically, rhythmically, and spatially with the tones in the room. Tones ‘dance’ in the immediate space of their body, around them like a sonic wrap, cascade inside ears, and out to space in front of their eyes … Do not be alarmed! Your ears are not behaving strange or being damaged! … these virtual tones are a natural and very real physical aspect of auditory perception, similar to the fusing of two images resulting in a third three dimensional image in binocular perception… I want to release this music which is produced by the listener…”

Maryanne Amacher (1938–2009) Composer and installation artist

Quoted in: " Maryanne Amacher, Synaptic Island http://datagarden.org/5483/maryanne-amacher-synaptic-island/," on datagarden.org, 2015.

Music, Nature, Dance

“Thousands of pulpit orators have swayed their audiences as a wind sways standing corn; but in the result, those who were most affected differed nothing from their former selves. An effect of eloquence is sufficient to account for a vast amount of feeling at the moment; but to trace to this a moral power, by which a man, for his life long, overcomes his besetting sins, and adorns his name with Christian virtues, is to make sport of human nature.”

William Arthur (minister) (1819–1901) Wesleyan Methodist minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 322.

Life, Feeling, Nature, Sport

“Vytautas Juozapaitis' Don Giovanni filled the performance. The singer won the audience not only with his impeccable impersonation of the gallantly vicious philanderer, but also with his vocal rendition that didn't leave any of the listener's desires unfulfilled.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Stephan Thomas, "Laue Sommernacht für Don Giovanni". Solothurner Zeitung (July 16, 2005)

“How many talks have you sat through where the researcher qua [as] person just didn't show up: no anecdotes, no personal details, no emotion or enthusiasm, no humor (intentional, that is), no real contact with the audience – in other words, no performance. […] They may satisfy the second two requirements mentioned above – accuracy and nonadvocacy – but they fail in the first and, in some ways, the most important.”

Scott L. Montgomery (1951) American geologist and writer

The Chicago Guide to Communicating Science, second edition, University of Chicago press, 2017, page 302 ISBN 978-0-226-14450-4.

Way, Personality

“Philosophers might care to ask themselves … how often they are accomplices in increasing the audience for a second-rate article simply because their introductory course needs a simple-minded version of a bad idea that even freshmen can refute. Some of the most frequently reprinted articles in twentieth-century philosophy are famous precisely because nobody believes them; everybody can see what's wrong with them. … The confirmation of this claim is left as an exercise for the reader. Among the memes that structure the infosphere and hence affect the transmission of other memes are the laws of libel.”

Daniel Dennett book Darwin's Dangerous Idea

Darwin's Dangerous Idea (1995)

Law, Exercises, Idea

“Not content to have the audience in the palm of his hand; he goes one further and clinches his fist.”

Kenneth Tynan (1927–1980) English theatre critic and writer

On singer Frankie Laine
Curtains (1961)

“I'm not crossing over from anything. I think of it as pop music with different influences. "When I walk in the music store, [my] album is under classical/pop/easy listening. It's hard to say what genre it is. It's genreless. I try not to define what it is. I let the audience define it. Because for me, it's just me.”

Josh Groban (1981) American musician and actor

UK Sunday Times, 5/9/04

Music, Thinking

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fiber seemed to vibrate with elemental musical power. Wildness and gentleness were never far from each other in his piano-playing, and demonic outbursts would magically give way to inner peace. It was as little trouble to him (as Alfred Polgar once said of an actor) to lose himself as to find himself.
His playing of slow movements was full of an unselfconsciousness beside which the music-making of others, famous names included, seemed academic or insincere. With Fischer, one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwangler, conveyed to the same degree this sensation of music not being played, but rather happening by itself.”

Alfred Brendel (1931) Austrian pianist, poet, and author

As cited in: Ruth Hanna Sachs, ‎D. E. Heap, ‎Joyce Light (2005). White Rose History, Volume II (Academic Version). p. 366

Peace, Music, Way, Soul

“The main thing, if there is a power that the media has, it’s mostly because they represent the public in quite a direct relationship. They’re very populist in the sense that they are meant to be the public’s hired goons who go out, find information, collate it all, verify whether or not it’s true, and then signpost to the citizens that this is worth reading. And they make it in such a way that it’s interesting to read. So they are kind of spokespeople for the people. And in an interconnected age, they are definitely quicker to realize the way power has shifted. You find most journalists now are on all these social networks. They’re all about creating… they want a direct relationship with their audience, in a way that politicians have been very loathe to do.”

Heather Brooke (1970) American journalist

Attributed, Chatham House Talk (September 28, 2011)

People, Age, Way, Sense

“I wish, I were big enough, like Einstein, to do what he did on one occasion. A hundred-dollar-a-plate dinner was organised for him to speak, and leaders of America in all fields, particularly in the field of science, were invited to hear the great man. When his turn came, he rose and said:'I've nothing to say,' and sat down. You can imagine the consternation, quite apart from the wasted cost of the dinner! Realising the frightful effect his remarks had on the audience, Einstein got up again and said: 'When I've something to say, I'll let you know.”

J. R. D. Tata (1904–1993) Indian businessman

Address to the Lions Club of Jamshedpur, August 22, 1963.
Keynote: Excerpts from his speeches and chairman's statements to shareholders

Imagination, Science

“The audience is equally responsible for making Scary Movie 3 as the studio system is because as long as they continue to go see Fast and Furious 4, they're going to make it. You have to remember that studio heads went to NYU and stuff and film school and they wanted to make great films and were seduced by The Godfather and instead, this is the world that were in.”

Natasha Lyonne (1979) actress

Suicidegirls interview (2004)

World, School

“My hope is that Casino Royale has not only re-invented James Bond, but made him relevant for the 21st century. The target audience has shifted. Although there's nothing in Casino Royale that will exclude teenagers, this 007 is aimed squarely at adults. The November release date is also perfect — the film is almost too dark and serious for the kind of lighthearted, mindless fun we associate with summer blockbusters. In recent years, I have come to each new James Bond movie with a series of ingrained expectations. For the most part, the Brosnan films met them across the board. Casino Royale defies many of them, and I couldn't be happier.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=769 of Casino Royale (2006). Three-and-a-half star reviews

Hope, Summer, Parting, Perfection

“It was insane, I wish I had filmed it. It was like bringing an audience to the Mona Lisa and asking, 'Do you know why she is smiling?' 'Sorry Leonardo, you'll have to make some changes.' At least the audience understood that THX was not a love story set in the 25th century, which was the way Warners had planned to advertise it. Instead the company settled for 'Visit the future, where love is the ultimate crime.”

George Lucas (1944) American film producer

On a test audience screening of THX 1138
Interview with Judy Stone (1971)

Love, Smile, Way, Change

“I do so many convention appearances and have a lot of face-to-face interaction with the fans. They tell me that they prefer seeing a live human being in a costume. Humans like to watch other humans, period, whether it’s in makeup or not. They can appreciate the artwork that goes into computer graphics—it’s an art form unto itself, getting better all the time—but there’s something connectable when you actually have a live person. The true fanboys actually want to connect with another person, that’s what I’m told. Me personally, as an audience member, I can appreciate the artistry of both types. When it’s completely rendered by an artist with no live performers involved, sometimes it can look like you’re watching a video game. That takes you out of the film for just a second. What I love about the medium is when they can be combined.”

Doug Jones (actor)

Doug Jones, Unmasked https://www.interviewmagazine.com/culture/doug-jones-falling-skies (July 30, 2013)

Love, Art, Game, Appearance

“Evolution embodies information in every part of every organism. … This information doesn't have to be copied into the brain at all. It doesn't have to be "represented" in "data structures" in the nervous system. It can be exploited by the nervous system, however, which is designed to rely on, or exploit, the information in the hormonal systems just as it is designed to rely on, or exploit, the information embodied in your limbs and eyes. So there is wisdom, particularly about preferences, embodied in the rest of the body. By using the old bodily systems as a sort of sounding board, or reactive audience, or critic, the central nervous system can be guided — sometimes nudged, sometimes slammed — into wise policies. Put it to the vote of the body, in effect….When all goes well, harmony reigns and the various sources of wisdom in the body cooperate for the benefit of the whole, but we are all too familiar with the conflicts that can provoke the curious outburst "My body has a mind of its own!" Sometimes, apparently, it is tempting to lump together some of the embodied information into a separate mind. Why? Because it is organized in such a way that it can sometimes make independent discriminations, consult preferences, make decisions, enact policies that are in competition with your mind. At such time, the Cartesian perspective of a puppeteer self trying desperately to control an unruly body-puppet is very powerful. Your body can vigorously betray the secrets you are desperately trying to keep — by blushing and trembling or sweating, to mention only the most obvious cases. It can "decide" that in spite of your well-laid plans, right now would be a good time for sex, not intellectual discussion, and then take embarrassing steps in preparation for a coup d'etat. On another occasion, to your even greater chagrin and frustration, it can turn a deaf ear on your own efforts to enlist it for a sexual campaign, forcing you to raise the volume, twirl the dials, try all manner of preposterous cajolings to persuade it.”

Daniel Dennett (1942) American philosopher

Kinds of Minds (1996)

Wisdom, Secret, Sex, Way

“I know two kinds of audience only – one coughing, and one not coughing.”

Artur Schnabel (1882–1951) Austrian pianist

Source: My Life and Music (1961), p. 202

“It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1423 of Psycho (1998). One-and-a-half star reviews

Money, People, Understanding, Success

“Barack and Michelle Obama arrived on the North Portico just before 10:00 a. m. Laura and I had invited them for a cup of coffee in the Blue Room, just as Bill and Hillary Clinton had done for us eight years earlier. The Obamas were in good spirits and excited about the journey ahead. Meanwhile, in the Situation Room, homeland security aides from both our teams monitored intelligence on a terrorist threat to Washington. It was a stark reminder that evil men still want to harm our country, no matter who is serving as president. After our visit, we climbed into the motorcade for the trip up Pennsylvania Avenue. I thought back to the drive I'd made with Bill Clinton eight years earlier. That day in January 2001, I could never have imagined what would unfold over my time in office. I knew some of the decisions I had made were not popular with many of my fellow citizens. But I felt satisfied that I had been willing to make the hard decisions, and I had always done what I believed was right. At the Capitol, Laura and I took our seats for the Inauguration. I marveled at the peaceful transition of power, one of the defining features of our democracy. The audience was riveted with anticipation for he swearing-in. Barack Obama had campaigned on hope, and that was what he had given many Americans. For our new president, the Inauguration was a thrilling beginning. For Laura and me, it was an end. It was another president's turn, and I was ready to go home.”

George W. Bush (1946) 43rd President of the United States

Source: 2010s, 2010, Decision Points (November 2010), p. 474

Men, Peace, Hope, Democracy

“[Mussolini] brought a radical Marxist strand to the Avanti! newspaper, soon doubling its circulation. With a growing audience, Mussolini redoubled the urgency of his utopian propaganda; ‘private property is theft’ and should be abolished as Italy moved through the phase of collectivism forwards to the ultimate goal of communism.”

Denis Mack Smith (1920–2017) British historian

Source: Mussolini, 1983, p. 23

Communication

“I didn’t want to be the kind of man that my father was. So I’ve tried, my entire life, to be the complete and utter opposite of that. And it has served not only the art well, but I think the audience well.”

Tyler Perry (1966) American actor, director, screenwriter, playwright, producer, author, and songwriter

Interview: Tyler Perry, movie mogul, 21 August 2010

Life, Art, Thinking

“It would be very convincing to say that there’s no hope for movies — that audiences have been so corrupted by television and have become so jaded that all they want are noisy thrills and dumb jokes and images that move along in an undemanding way, so they can sit and react at the simplest motor level. And there’s plenty of evidence, such as the success of Alien. This was a haunted-house-with-gorilla picture set in outer space. It reached out, grabbed you, and squeezed your stomach; it was more gripping than entertaining, but a lot of people didn’t mind. They thought it was terrific, because at least they’d felt something: they’d been brutalized. It was like an entertainment contrived in Aldous Huxley’s Brave New World by the Professor of Feelies in the College of Emotional Engineering.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

People, World, Hope, Way

“I tour a bit in America and a lot in Europe, Holland especially, where they have this forward-looking music scene because they got through the barriers 15 years ago. They gobble up the things I do. I go to the Far East - I like working with the orchestra in Singapore - but my favourite places tend to be the ones where it's more than turning up and doing a big concert. Next month I go to the Sydney Festival, where I've persuaded them to do the Lou Harrison concerto. As penance, though I don't mind it, I have to play the Gershwin concerto in the first half. And I hope to return year after year to South Africa, where I've been with the National Symphony Orchestra into Soweto. Education work is being done there for the first time. Previously they had never bothered to find new audiences, and now they are staring into an abyss which we may face too. Events there are a fast-forward version of what could happen here.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

Education, Hope, Music, Time

“The interchanges I would have — of course, most of them were positive, and most people understand the movie, but there were plenty where the guys would want to put me in a headlock, or push me around a bit, or get into a little tussle with 'that tough guy from Back To The Future, because he’s not that tough after all'. Well, I’m not that tough after all, because I’m an actor; because it’s pretend! And I think that social media, the greater intimacy, maybe — I mean, part of it is false intimacy, but part of it’s real intimacy; you can go and see things about an actor, that’s kind of why I do the YouTube thing, to present, ‘this is me as a person’, that the audience, now, the pop cultural audience, is a more sophisticated audience and a more multi-faceted audience.”

Thomas F. Wilson (1959) actor, writer, musician, painter, voice-over artist, stand-up comedian, and podcaster

How Back To The Future's Thomas F Wilson Overcame His Biggest Bully: Himself http://themusic.com.au/interviews/all/2017/06/15/thomas-f-wilson-supanova-comic-con-mitch-knox/ (June 15, 2017)

People, Guy, Understanding, Thinking

“[Conchita Wurst] She is an incredible singer and entertainer. But what made her win so meaningful was the way she turned her victory in the Song Contest into an electrifying moment of human rights education. Conchita is promoting respect for diversity. This is a core value of the United Nations Charter, along with our commitment to tolerance. She confounds people's preconceived ideas of gender and sexuality - and she appeals to them to accept her as she is. That is a powerful message. I am delighted she is using her talent and the Eurovision platform to take this message to a global audience.”

Ban Ki-moon (1944) 8th Secretary-General of the United Nations

3 November 2014; Remarks at Meeting with Conchita Wurst http://www.unis.unvienna.org/unis/en/pressrels/2014/unissgsm573.html

People, Education, Way, Idea

“In some lyceums they tell me that they have voted to exclude the subject of religion. But how do I know what their religion is, and when I am near to or far from it? I have walked into such an arena and done my best to make a clean breast of what religion I have experienced, and the audience never suspected what I was about.”

Henry David Thoreau book Life Without Principle

Life Without Principle (1863)

Religion

“English: Only a total idiot would think that a major channel is working to inform the audience. The channel sells product, it must be packaged. CNN, for example, is a colossal ideological tool in the West. An excellent example is the situation around Yugoslavia. How effectively a very civilized part of humankind was brainwashed! The question is in approaches. If a consumer "grubs" stale bread, nobody will offer him poppy-seed buns. I'm an absolutely engaged person. By myself. I have certain political views. I'm not a journalist. I practice political propaganda. I am a commentator, and if one comments on events without having one's own position, that's an unhealthy symptom.”

Mikhail Leontyev (1958) Russian television pundit

Только полный идиот может думать, что крупный канал готов работать ради информирования зрителя. Канал продает продукт, его надо паковать. CNN, к примеру, является на Западе колоссальным идеологическим инструментом. Яркий пример тому - ситуация вокруг Югославии. Как эффектно промыли мозги очень цивилизованной части человечества! Вопрос в методах. Если потребитель "хавает" черствый хлеб, никто не будет давать ему булочки с маком. Я человек ангажированный абсолютно. Самим собой. У меня есть конкретные политические взгляды. Я не журналист. Я занимаюсь политической пропагандой. Я комментатор, и если человек комментирует события, не имея своей позиции, то это явление болезненное. Михаил Леонтьев: 'Придется стать придурком', Chelpress.ru (Mass Media of Chelyabinsk), 2000-06-29, 2007-03-25 http://www.chelpress.ru/newspapers/vecherka/archive/29-06-2000/9/2.DOC.shtml,

Question, Thinking, Parting, Personality

“(Audience member): What's your mood watch say?”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

Mood

“turning a big dial taht says "Racism" on it and constantly looking back at the audience for approval like a contestant on the price is right”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/841892608788041732] Tweets by year, 2017

“Plays by Alan Ayckbourn have been attracting larger audiences in the regional theatres than those of Shakespeare.”

Alan Ayckbourn (1939) English playwright

Press release by the Arts Council of Great Britain, November 2, 1983. This is said to be the source of the common, but unsubstantiated, statement that Ayckbourn is the second most performed playwright after Shakespeare. http://biography.alanayckbourn.net/BiographyFAQPopularity.htm Criticism

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Quotes about audience
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