Quotes about artist
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“The revolutionary artist is born into a world of clichés, of stale images and signs which no longer pierce the consciousness to express reality. He therefore invents new symbols, perhaps a whole new symbolic system.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

The Philosophy of Modern Art: Collected Essays (1971).
Other Quotes

World, Reality

“Man, I really ain’t have no downtime since the fucking 90’s but I don’t really work fast but I don’t really work slow. So I have been around a lot of producers, some of the top producers in the business and I’ve seen producers go in, I’m talking about producers that have hit songs right now on the radio. I’ve seen some of these producers get up and make 100 beats a week, and out of these 100 beats they make a week, you know 400 a month, maybe one of them will end up on their own artists project. That was never the case with me. If I went into the studio and made 5 beats week all five of those at least four of those would be on the album and three of them would be singles. I just work different, when I go in I hit hard, I strike right on the nose right off the top and I don’t have to live in the studio like you see some artists doing even though I live in the studio but I just be doing other stuff.”

DJ Paul (1977) American rapper and record producer

Interview with Three 6 Mafia Founder DJ Paul http://therapfest.com/behind-lyrics-interview-three-6-mafias-founder-dj-paul/

Making love, Business

“And Margaret, uh, has done a lot of experimenting in her work. I think, probably, no artist has experimented the way Margaret has.”

Margaret Keane (1927) American artist

This statement was made before the public learned that Margaret, and not Walter, was the painter of the Big Eyed waifs. Interviewed https://www.youtube.com/watch?v=9WgStC6fvtM by Gary E. Park (circa 1964). Walter Keane

Way, Thinking

“I should like all artists to sell their fingerprints, or else stage competitions to see who can draw the longest line or sell their shit in tins..”

Piero Manzoni (1933–1963) Italian artist

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Drawing

“Razaji said that the title of the show is Vistaar and by that he means expansion. But Vistaar to me, when I look at his body of work, means expansion inside. As much as he has gone outside and spread his vibration, that much he has equally and as importantly, gone inside his soul, so that there is no difference between Raza the artist and Raza the person. And that is what makes this show really special.”

S. H. Raza (1922–2016) Indian artist

Quoted by Art connoisseur Sangeeta Chopra in "This is a sum of all my experiences: SH Raza}.

Making love, Soul, Personality

“The artist is a magician… nothing short of extraordinary … this is a staggering exhibition by a major artist.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Concrete playground on Kapoor’s first major exhibition in Australia.
Exhibition: Anish Kapoor

“Briju Maharaj’s Baaz Bahadur displayed both Pathan strength and artistic ecstasy – in fact this last Muslim king of Malwa was a considerable poet and ended his days as a musician in the court of Emperor Akbar.”

Birju Maharaj (1938) Indian dancer

India's Kathak Dance, Past Present, Future

“At stake was not only a serious and viable artistic career as a woman, but the development of a subjectivity that was being defined through the self-portrait. conscious of being both muse and maker, Sher-Gil took on the position of artist and object with a double consciousness of being both.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Above two quotes by art historian Rakhee Balaram in the self in making AMRITA SHER-GIL, 7 December 2013, Kiran Nadar Museum of Arts. http://knma.in/exhibition/self-making-amrita-sher-gil-0.,

Self-confidence

“His gifted voice could exfoliate the contrasting emotions of anguish and ecstasy with equal felicity; his impassioned rendition of both the major melodies like a Thodi or Kalyan in their multifarious variations and their minor counterparts like Bhoop or Abhogi with equal aplomb. In either case, one could only marvel at his unfailing deep, powerful and penetrating vocalism. Equally emphatic was the way he could throw away the values and sanctity of sweetness to unleash a flurry of rollicking bol-taans, an exquisite feat which was not easily fathomable by any other artiste in living memory.”

Bhimsen Joshi (1922–2011) Indian vocalist

Critique

Way, Memory

“Rajnikanth’s dedication, compassion for the welfare of co-artistes and passion for cinema have been key factors for his success as a mass-entertainer.”

Rajinikanth (1950) Indian actor

Sankar Narayan alias ‘Cable’ Sankar, an Assistant Director and a writer on film industry trends
Decoding Rajinikanth

Passion, Success

“His thinking threw light in a very introspective way on the entire process of the judicial function. His decisions, beyond just the vote they represented, were sufficiently philosophical to be of enduring interest. He decided the case before him with that respect for its particulars, its special features, that marks alike the honest artist and the just judge.”

John Marshall Harlan II (1899–1971) American judge and Associate Justice of the Supreme Court (1899-1971)

Paul Freund, The Judges' Judge http://www.time.com/time/magazine/article/0,9171,877560,00.html, Time Magazine (June 10, 1972). About Harlan

Way, Thinking, Decision, Light

“English: For his high level of work, a contribute for the Albanian art and for preparing the new generation of artists.”

Sadik Kaceli (1914–2000) Albanian artist

Për nivel të lartë në krijimtari, një kontribut në shquar në artet figurative Shqiptare dhe një ndihmë të pakursyer në përgatitjen e brezave të artistëve të rinj.
Sali Berisha, President of Albania (22-03-1994)

Art

Sadik Kaceli (1914–2000) Albanian artist

Source: Eli Xoxa, Monografi: Kaceli

People

“I am deeply saddened by the news of the passing of DJ AM. He was our resident DJ at Rain Nightclub at the Palms Casino Resort. We considered him a friend and a great artist. He will truly be missed.”

Adam Goldstein (1973–2009) American DJ

George Maloof, entrepreneur and casino owner DJ AM DEATH LEAVES CLUB BOSS DEVASTATED http://www.younghollywood.com/news/2009/08/30/dj-am-death-leaves-club-boss-devastated.html

“Beneath the gentle modesty of his behavior lay the absolute assurance of a born artist.”

Paul Scofield (1922–2008) English actor

Peter Brook, Threads of Time: Recollections (Basic Books, 1998, ISBN 1582430187), p. 29

Behavior

“I’ve been travelling a lot. My boyfriend and I, we just went to Santa Fe. You know, the one named after the gay saint. Has anybody ever been to Santa Fe? …did you know it was a desert? I didn’t know it was a desert. Hated it! People had been telling me for years, if you’re an artist, a non-conformist, come to Santa Fe! I mean, it’s the place you can be yourself! The light, the light, you can paint here! You can live here, the space, the sky! – The fucking dust! I was doing an AIDS benefit there – like what else do I do with my life?”

Harvey Fierstein (1954) actor from the United States

and I said, look, I’m a guest here, you’re paying for the hotel, I don’t mean to insult nobody, but I got a little suggestion for you. If I was yaz, I’d take a hose, hook it up to Colorado, and water this fucking place!
This Is Not Going to Be Pretty, Live at the Bottom Line (1995)

Life, Hate, People, Travel

“Helnwein is a very fine artist and one sick motherfucker.”

Gottfried Helnwein (1948) Austrian photographer and painter

Robert Crumb, letter to his San Francisco art-dealer Martin Muller, 1992

“It is the function of the artist to evoke the experience of surprised recognition: to show the viewer what he knows but does not know that he knows. Helnwein is a master of surprised recognition.”

Gottfried Helnwein (1948) Austrian photographer and painter

William S. Burroughs, Helnwein's Work http://www.helnwein.com/texte/selected_authors/artikel_103.html, Lawrence, Kansas, 1990

“The grimaces on these mocking distorted faces signalize disobedience, opposition and turmoil, as well as a kind of childlike autonomy in the depraved world of adults. The grin found on the faces of ill-treated children, a grotesque picture puzzle which includes both the martyrdom and subversion of mankind is entirely Helnwein’s invention. It is manifested in the metamorphic images of injured bodies. It is an obsessive pattern which is repeated in Helnwein’s pictoral representation of the world and in his staged artistic actions, serving as a metaphor for the invulnerability and invincibility deeply seated in man.”

Gottfried Helnwein (1948) Austrian photographer and painter

Peter Gorsen, about the depiction of wounded children in Helnwein's work, Albertina Museum catalogue, Gottfried Helnwein solo-exhibition, 1985, www.gottfried-helnwein-child.com http:////www.gottfried-helnwein-child.com/index.html

Children, World

“He was never interested in conventional beauty. Sober, pinched, reflective, lined and melancholy, his portraits remind us of that. But how many American artists said more about the sense of being in the world? Eakins was that extreme rarity, an artist who refused to tell a lie even in the service of his own imagination.”

Thomas Eakins (1844–1916) American painter

Robert Hughes, "Thomas Eakins," Nothing If Not Critical: Selected Essays on Art and Artists (1990).

Lie, World, Beauty, Imagination

“It would be a sad thing for an artist if he knew how to paint.”

Arshile Gorky (1904–1948) Armenian-American painter

so sad. An artist paints because it is a challenge to him – it is like trying to twist the devil. If you overcome it, there is no sport left. I don't even like to talk about painting. It is impossible to talk about painting because I don't know what it is. If I knew what it was I would get out a patent and then no one else would be able to paint.
1942 - 1948, A Painter in a Glass House' (1948)

Sadness, Painting

“The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous

World, Art, Change

“Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

Art, Way, Appearance, Time

“And now, ladies and gentlemen, I present the famous escape artists, Krafty Kralefsky and his partner, Slithery Stephanides.”

Gerald Durrell book Fauna and Family

"Dear God," said Larry, "who thought of those names?" "Theodore" "They wanted to call it something much more....complex, but Margo couldn't be trusted to pronounce them properly" "One must be thankful for small mercies"
The Garden of the Gods (1978)

“Garbo is lonely. She always has been and she always will be. She lives in the core of a vast aching aloneness. She is a great artist, but it is both her supreme glory and her supreme tragedy that art is to her the only reality. The figures of living men and women, the events of everyday existence, move about her, shadowy, unsubstantial. It is only when she breathes the breath of life into a part, clothes with her own flesh and blood the concept of a playwright, that she herself is fully awake, fully alive.”

Greta Garbo (1905–1990) Swedish-American actress

Marie Dressler, My Own Story as Told to Mildred Harrington (1934)

Life, Women, Men, Art

“His central characters are the pioneer, the doctor, the scientist, the businessman, and the feminist. The appeal of his best fiction lies in the opposition between his idealistic protagonists and an array of fools, charlatans, and scoundrels - evangelists, editorialists, pseudo-artists, cultists, and boosters.”

Sinclair Lewis (1885–1951) American novelist, short-story writer, and playwright

Martin Light in The Quixotic Vision of Sinclair Lewis (1975)

Fools

“Jonny goes on and on about this. Anybody who claims they write for *themselves is a liar. Everyone has an audience in mind. The only reason any artist would carry on is in the faith that one day somebody would see or hear their work.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.followmearound.com/presscuttings.php?year=1997&cutting=46

Faith

“A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts.”

Norman K. Denzin (1941) American sociologist

By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.
[The Sociology of Rock, 1978, Frith, Simon (ed.), ISBN 0094602204]

Problem, Study

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist. quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190) 1880s, 1882

Waiting, Housing

“Which brings us again, after this long way about, to Jane Austen and her novels, and that troublesome question about them. She was great and they were beautiful, because she and they were honest, and dealt with nature nearly a hundred years ago as realism deals with it to-day. Realism is nothing more and nothing less than the truthful treatment of material, and Jane Austen was the first and the last of the English novelists to treat material with entire truthfulness. Because she did this, she remains the most artistic of the English novelists, and alone worthy to be matched with the great Scandinavian and Slavic and Latin artists.”

Jane Austen (1775–1817) English novelist

William Dean Howells, Criticism and Fiction (1891), Chapter 15

Truth, Beauty, Way, Question

“Why do the characters in Jane Austen give us a slightly new pleasure each time they come in, as opposed to the merely repetitive pleasure that is caused by a character in Dickens? Why do they combine so well in a conversation, and draw one another out, without seeming to do so, and never perform? The answer to this question can be put in several ways; that, unlike Dickens, she was a real artist, that she never stooped to caricature, etc. But the best reply is that her characters, though smaller than his, are more highly organized. They function all round, and even if her plot made greater demands on them than it does, they would still be adequate.”

Jane Austen (1775–1817) English novelist

E.M. Forster, Aspects of The Novel (1927)

Pleasure, Way, Question, Time

“Alike in the highest regions of speculation and in the smaller practical concerns of daily life, her mind was the same perfect instrument, piercing to the very heart and marrow of the matter; always seizing the essential idea or principle. The same exactness and rapidity of operation, pervading as it did her sensitive as well as her mental faculties, would, with her gifts of feeling and imagination, have fitted her to be a consummate artist, as her fiery and tender soul and her vigorous eloquence would certainly have made her a great orator, and her profound knowledge of human nature and discernment and sagacity in practical life, would, in the times when such a carrière was open to women, have made her eminent among the rulers of mankind. Her intellectual gifts did but minister to a moral character at once the noblest and the best balanced which I have ever met with in life.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/186/mode/1up pp. 186-187

Life, Women, Feeling, Soul

“You won’t be an artist if you live a thousand years. You’re merely an expert, and you know it. Those who can—do, those who can’t—criticise.”

Arthur C. Clarke book The Road to the Sea

The Road to the Sea, p. 294
2000s and posthumous publications, The Collected Stories of Arthur C. Clarke (2001)

“Critique of art is not only useless, it is damaging. Art is an expression of self. It is the soul played out upon this physical world. And so, you can no more critique art, than you can critique the human soul. That is why (beyond simple technique that may enable an artist to further express their perspective) I do not believe in art school, for art and school are a serious contradiction in terms.”

Teal Swan (1984) American spiritual teacher

World, School, Art, Soul

“Your spirit is an artist… It paints with thoughts.”

Teal Swan (1984) American spiritual teacher

Painting

“Please don't make me a joke. End the interview with what I believe. I don't mind making jokes, but I don't want to look like one… I want to be an artist, an actress with integrity… If fame goes by, so long, I've had you, fame. If it goes by, I've always known it was fickle. So at least it's something I experienced, but that's not where I live.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Her last taped interview, with Richard Meryman, published in LIFE magazine a few days before her death. (3 August 1962); quoted in Ms. magazine (August 1972)

Making love

“I categorically refused to consider the surrealists as just another literary and artistic group. I believed they were capable of liberating man from the tyranny of the 'practical, rational world'. I was going to become the Nietzsche of the irrational. I, the obsessed rationalist, was the only one who knew what I wanted: I was not going to submit to irrationality for its own sake, to the narcissist and passive irrationality others practiced. I would do completely the opposite. I would fight for the 'conquest of the irrational.”

Salvador Dalí (1904–1989) Spanish artist

In the meantime my friends would let themselves be overwhelmed by the irrational, succumbing, like so many others, Nietzsche included, to that romantic weakness.
Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 9

World, Fight

“it was partly by their writings that my eyes were opened to the very limited and temporary value of the old political economy, which assumes private property and inheritance as indefeasible facts, and freedom of production and exchange as the dernier mot of social improvement. The scheme gradually unfolded by the St. Simonians, under which the labour and capital of society would be managed for the general account of the community every individual being required to take a share of labour either as thinker, teacher, artist, or producer, all being classed according to their capacity, and remunerated according to their works, appeared to me a far superior description of Socialism to Owen's.”

John Stuart Mill book Autobiography

Autobiography (1873)

Communication, Freedom, Teachers, Appearance

“I was working on this movie and the makeup artist was just so ugly! I just wanted to say "Physician, heal thyself!"”

Margaret Cho (1968) American stand-up comedian

She looked exactly like Aaron Neville, and she was trying her hardest to make me look exactly like Aaron Neville. This one time, she leaned into my face with the mascara wand almost touching my eye and she says, "Whass my name?"
From Her Tours and CDs, Drunk With Power CD

“So often the story of rock’n’roll is told from a male perspective. So often it feels like men own music. And I still get as angry and frustrated about that as I ever did. Reading those women’s accounts of their lives has reminded me how much they paved the way back then. And history too often erases the women, in all art forms. Every single published story of a female artist goes a small way towards redressing the balance, and is another one saved from the fire.I didn’t try to be a soul singer, a jazz singer, a blues singer – no category…My music is my expression of what I feel and believe in a moment.”

Tracey Thorn (1962) English singer and songwriter

On women being excluded from music history in “Tracey Thorn: ‘I went through a phase of carrying Camus under my arm’” https://www.theguardian.com/books/2020/jan/25/tracey-thorn-interview-another-planet-memoir in The Guardian (2020 Jan 25)

Women, Men, Art, Music

“An artist doesn't live in some geographical abstraction, superimposed on a part of this beautiful earth by the nonimagination of unanimals and dedicated to the proposition that massacre is a social virtue because murder is an individual vice. Nor does an artist live in some soi-disant world, nor does he live in some so-called universe, nor does he live in any number of "worlds" or in any number of "universes."”

E.E. Cummings (1894–1962) American poet

As for a few trifling delusions like the "past" and "present" and "future" of quote mankind unquote,they may be big enough for a couple of billion supermechanized submorons but they're much too small for one human being.
Re Ezra Pound (p. 69)
i : six nonlectures (1953)

World, Beauty, Universe, Parting

“The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fiber of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College

Life, Truth, World, Making love

“If you're lonely, distressed and never satisfied, then congratulations; you are finally an artist.”

Cometan

Book: Cometan, the Omnidoxy

“Later I went to the design school and saw Kumar and Melamid, the Soviet dissident artists, who are funny. I sold them my soul for $1.”

David Sedaris (1956) American author

26.02.1981 - p.52
Theft by Finding: Diaries, Volume 1 (1977-2002) (2017)

School, Soul

“A far more important lesson to learn from artists is not that they fail, but that they prevail. Artists make. Artists do.”

Will Gompertz (1965) British journalist

Think Like an Artist (2015)

Making love, Learning

“Artists are entrepreneurs. They are willing to stake everything for the chance to go it alone and make the work they feel compelled to create. They will beg and borrow to pay the rent on their studio, to buy the necessary materials, and to feed themselves during the long months of endeavor.”

Will Gompertz (1965) British journalist

Think Like an Artist (2015)

Making love, Feeling, Chance

“In reality, artists are no more courageous or noble or single-minded than the farmers who go to extreme lengths, in extreme weather, to protect their herd. Or a restaurateur who—having waved goodbye to her last customer at midnight—hauls herself out of bed at 4 A.M. the following morning to make sure she’s at the market in time to buy the best produce. Or, for that matter, a master bricklayer who has calloused fingers and an aching back from days spent building a house.”

Will Gompertz (1965) British journalist

Think Like an Artist (2015)

Making love, Courage, Reality, Time

“The problem is, some of us have either convinced ourselves that we are not creative, or are yet to find our way. Confidence in our own creativity can wane. Which is bad. Confidence is crucial. In my experience artists, like a lot of us, fear being “found out.””

Will Gompertz (1965) British journalist

But somehow they manage to summon up enough self-belief to overcome the self-doubt, which enables them to back their creativity. The Beatles were just a bunch of young lads with time on their hands who found the confidence to persuade themselves and then the world that they were musicians.
Think Like an Artist (2015)

Bad luck, Fear, Way, Confidence

“I think that all dreams should evolve. I think its ok to dream small or to dream realistically. But, as you achieve those small goals and achieve those dreams, that they should grow, as your ideas and creativity and you yourself as a creative and an artist and a human being should grow.”

Mattie Do (1981) Laotian film director

IDE2018 Symposium - Mattie Do - 13 Jun 2018, at 11 Min 32 Sec https://www.youtube.com/watch?v=SAj9_vsIzXg From IDE Symposium Presentation

Dreams, Idea, Thinking

“He was one of those scientist-artists who comes along every few centuries to justify the existence of that overworked word “genius.””

Roger Zelazny book Today We Choose Faces

Part 2, Chapter 6 (p. 108)
Today We Choose Faces (1973)

“Moral your artistic proclivities are not, nor fitting for a physician, though I won’t deny the skill in them. They are, I will say it, unnatural.”

China Miéville book The Design

The Design (p. 374)
Short Fiction, Three Moments of an Explosion (2015)

“I think that the best of artists are androgynous in a sense. If a man is a very macho male, I don't know whether he'll make a very good director, he may make a very good craftsman. Or if a woman is a very sort of typically feminine woman, I don't think she will make a very good film. She has to have a bit of both.”

Aparna Sen (1945) Indian filmmaker, script writer and actress

Rendezvous with Simi Garewal, Rendezvous with Simi Garewal - Aparna Sen & Konkana Sen - 24 Mar 2014 (First Broadcast 2003), at 7 Min 51 Sec https://www.youtube.com/watch?v=lkkOKmyld5k

Making love, Thinking, Sense

“You can gather however that I know I am not a real artist, and at the same time am fearfully serious over my work and willing to sweat at atmosphere if it helps me do what I want. What I want, I think, is the sentimental, but the sentimental reached by no easy beaten track—I cannot explain myself properly, for you must remember (I forget it myself) that though 'clever' I have a small and cloudy brain, and cannot clear it by talking or reading philosophy.”

E.M. Forster (1879–1970) English novelist

Letter 60, to Robert Trevelyan, 28 October 1905
Selected Letters (1983-1985)

Thinking, Time, Reading, Help

“The military has more than 130 bands with more than 6000 musicians, costing about a half-billion dollars a year. Meanwhile the National Endowment for the Arts gets $155M, a paltry amount compared to other advanced democracies. Arts & artists should be robustly funded & supported!”

Marianne Williamson (1952) American writer

Twitter https://twitter.com/marwilliamson (24 Oct 2019) Williamson's quotes in social media

Art, Democracy, Support

“The future depends on us taking a different approach. One in which we can all express ourselves and contribute to society by using our unique imagination and talent. It’s our brains not our brawn that makes us special and life worth living. Artists had that worked out a long time ago.”

Will Gompertz (1965) British journalist

Think Like an Artist (2015)

Life, Making love, Imagination, Time

“I do like social medias because of the instant feedback and interaction. I try to keep fans up to date with what I’m doing and try to show them who I am and what I’m passionate about. I also follow a lot of artists myself because I like learning more about the people I respect.”

MacKenzie Porter (1990) Canadian actress, singer and musician

Boots & Hearts 2013 Exclusive Q&A: Mackenzie Porter https://www.thereviewsarein.com/2013/08/04/boots-hearts-2013-exclusive-qa-mackenzie-porter/ (August 4, 2013)

People, Learning, Passion

“Wine making is an artistic creation in which you deal with a variety of styles, colors, and inspiration therefore good wine, like good art, can evoke emotions, sensations and create an experience which leaves a lasting impression.”

Giovanni Morassutti (1980) Italian actor, theatre director and cultural entrepreneur.

Stated in the description of Video artwork Ribolla https://artelaguna.world/videoart/ribolla.30318/ , Arte Laguna World https://artelaguna.world/. Also quoted on visual art work Sauvignon https://www.wikiart.org/en/giovanni-morassutti/sauvignon, Series Wine & Art https://www.wikiart.org/en/giovanni-morassutti/all-works#!#filterName:Series_wine-art,resultType:masonry, Wikiart.org (28 April, 2020) https://www.wikiart.org/

Making love, Art, Color, Wine

“..Painting never means just never picturing the material things, but it is a psychological function, an expression of how his mind [of the artist] responds to things. So that is quite a difference with: painting is showing the beauty of things.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek (original Dutch: citaat van Jan Mankes, in het Nederlands:) Schilderen is.. ..nooit een afbeelding geven der stoffelijke zaken, maar een psychische functie, een uiten hoe zijn geest [van de kunstenaar] reageert ten opzichte der dingen. Dat is dus een heel verschil met: schilderen is de schoonheid der dingen laten zien. Quote of Jan Mankes in a letter to his maceneas A.A.M. Pauwels in The Hague; as cited by J.R. de Groot in 'De bekoring van het gewone - Het werk van Jan Mankes https://www.dbnl.org/tekst/_ons003199001_01/_ons003199001_01_0014.php', p. 102 undated quotes

Beauty, Painting

“What the devil do you come to me for? And burst into tears? And then tell me thanks very much for your suggestion but I shall continue to attempt the impossible? The arrogance, the unreasonableness—no, I can endure all that—but the stupidity, the absolute stupidity of artists, I cannot stand it any longer!”

Ursula K. Le Guin (1929–2018) American writer

An die Musik (pp. 159-160; first published in The Western Humanities Review (1961) Vol. 15, No. 3)
Short fiction, Orsinian Tales (1976)

Stupidity, Tear

“Everybody has antennae. Some people mute them. If you're an artist, you enhance them.”

David Cronenberg (1943) Canadian film director, screenwriter and actor

on being an artist

People

“Does not the beauty of the artist's work lie for us in the accuracy with which his symbols resume innumerable facts of our past emotional experience? ... [A]esthetic judgment... how exactly parallel it is to the scientific judgment.”

Karl Pearson book The Grammar of Science

Introductory. Pearson refers the reader to William Wordsworth's preface to the Lyrical Ballads (1815) "General View of Poetry".
The Grammar of Science (1900)

Lie, Beauty, Past