Quotes about artist (2524 quotes, page 24)

“It wouldn’t take much – one big scientific idea, or artistic idea, one good book, one good painting – who knows – we are at a critical point where the ideas are coming thicker and faster and stranger and stranger than they ever were before.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)
Context: To me, when we talk about the world, we are talking about our ideas of the world. Our ideas of organisation, our different religions, our different economic systems, our ideas about it are the world. We are heading for a radical revision where you could say we are heading towards the end of the world, but more in the R. E. M. sense than the Revelation sense. That is what apocalypse means – revelation. I could square that with the end of the world, a revelation, a new way of looking at things, something that completely radicalises our notions of the where we were, when we were, what we were, something like that would constitute an end to the world in the kind of abstract – yet very real sense – that I am talking about. A change in the language, a change in the thinking, a change in the music. It wouldn’t take much – one big scientific idea, or artistic idea, one good book, one good painting – who knows – we are at a critical point where the ideas are coming thicker and faster and stranger and stranger than they ever were before. They are realised at a greater speed, everything has become very fluid.

Books , Idea , Painting

“Real artists ship.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

An old saying at Apple Computer, attributed to Steve Jobs, meaning that it is important to actually deliver. http://c2.com/cgi/wiki?RealArtistsShip
1980s

“The exercise of drawing from the life brings out the individuality of the (artist) in the man.”

David Bomberg (1890–1957) painter

"The Bomberg Papers", An Anthology From X (Oxford University Press, 1988) p. 88.
Context: The exercise of drawing from the life brings out the individuality of the (artist) in the man. When the door has been closed on completion of an academic rendering, no matter how rendered to the resemblance of the anatomic stress and strain, it is still only saying the things you already know... it is still a lifeless drawing in the light of modern art.

Life , Exercises , Drawing

“Not everyone can become a great artist, but a great artist can come from anywhere.”

Brad Bird (1957) American director, screenwriter, animator, producer and occasional voice actor

"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

“I think every man is an artist.”

Barnett Newman (1905–1970) American artist

Quote of Barnett Newman in: American Artists, a 1966 TV Show on New York's educational television network; as cited by Caroline A. Jones (1998) in Machine in the Studio: Constructing the Postwar American Artist. p. 84
1960 - 1970
Context: Does a man want to be an artist? Is it like he wants to be a priest, or a lawyer? Is the artist that kind of profession? Or, as I once actually wrote, I think every man is an artist. An artist is a matter of my birthright... what I'd like to be is a man in the world. And I paint in order to do a painting, not to... make myself into a so-called artist... I'm impelled to do something, to say something.

Thinking

“The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words.”

Ursula K. Le Guin (1929–2018) American writer

Introduction to The Left Hand of Darkness (1976)
Context: The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.

“I believe the principle fault of the majority of writers and artists is having neither the will nor the courage to break with their successes, failing to seek new paths and give birth to new ideas.”

Claude Debussy (1862–1918) French composer

The Life of the Creative Spirit
Context: I believe the principle fault of the majority of writers and artists is having neither the will nor the courage to break with their successes, failing to seek new paths and give birth to new ideas. Most of them produce them twice, three, even four times. They have neither the courage nor the temerity to leave what is certain for what is uncertain. There is, however, no greater pleasure than going into the depth of oneself, setting one's whole being in motion and seeking for new and hidden treasures. What a joy to find something new in oneself, something that surprises even ourselves, filling us with warmth.

Idea , Birth , Courage , Success

“I don't do art to address other people but to address myself. I've never done art with a thought of being a professional artist who makes a living by selling his art.”

Robert Fulghum (1937) American writer

Introduction to the Art gallery at his website (2006) http://robertfulghum.com/index.php/fulghumweb/artshowentry/introduction2/
Context: I don't do art to address other people but to address myself. I've never done art with a thought of being a professional artist who makes a living by selling his art. I've never had a commercial show in a gallery. I suppose I'm like those who write poetry or songs without seeking publication. I make art in and for the experience itself — to satisfy a need to express myself in a creative, colorful, non-verbal way.

People , Art

“Inspiration is not the exclusive privilege of poets or artists.”

Wisława Szymborska (1923–2012) Polish writer

The Poet and the World (1996)
Context: Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination. It may include doctors, teachers, gardeners — I could list a hundred more professions. Their work becomes one continuous adventure as long as they manage to keep discovering new challenges in it. Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous "I don't know."

“Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.”

William Faulkner (1897–1962) American writer

Paris Review interview (1958)
Context: The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.

Way

“This is…how artists should be—we should be creators and also teach the public how to be creators, how to make art, so that we may all use that art together.”

Augusto Boal (1931–2009) Brazilian writer

Games for Actors and non-Actors (1992)
Context: Wouldn’t it be wonderful to see a dance piece where the dancers danced in the first act and in the second showed the audience how to dance? Wouldn’t it be wonderful to see a musical where in the first act the actors sang and in the second we all sang together?... This is... how artists should be—we should be creators and also teach the public how to be creators, how to make art, so that we may all use that art together.

Art

“If he achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine.
The artist spends a lifetime in pursuing the things that haunt him, in having his mind "teased" by them, in trying to get these conceptions down on paper exactly as they are to him and not in conventional poses supposed to reveal their character”

Willa Cather (1873–1947) American writer and novelist

"Miss Jewett"
Not Under Forty (1936)
Context: One might say that every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure; a cadence, a quality of voice that is exclusively the writer's own, individual, unique. A quality which one can remember without the volume at hand, can experience over and over again in the mind but can never absolutely define, as one can experience in memory a melody, or the summer perfume of a garden... It is a common fallacy that a writer, if he is talented enough, can achieve this poignant quality by improving upon his subject-matter, by using his "imagination" upon it and twisting it to suit his purpose. The truth is that by such a process (which is not imaginative at all!) he can at best produce only a brilliant sham, which, like a badly built and pretentious house, looks poor and shabby after a few years. If he achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine.
The artist spends a lifetime in pursuing the things that haunt him, in having his mind "teased" by them, in trying to get these conceptions down on paper exactly as they are to him and not in conventional poses supposed to reveal their character; trying this method and that, as a painter tries different lightings and different attitudes with his subject to catch the one that presents it more suggestively than any other. And at the end of a lifetime he emerges with much that is more or less happy experimenting, and comparatively little that is the very flower of himself and his genius.

“In the remote purity of his solitariness, where the work of art is made, the artist is supremely the anti-social creature.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)
Context: It is not necessary to subscribe to the tiresome conception of the artist as rampaging Bohemian to understand that the activity of painting is socially useless, or at best occupies a dubious position... In the remote purity of his solitariness, where the work of art is made, the artist is supremely the anti-social creature.

Art

“It occurs to me that artists go forward by going backward, something which I have nothing against intrinsically when it is a reproduced retreat — as is the case with the better artists.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Kierkegaard Journals and Papers 1A, 86 September 29, 1835
1830s, The Journals of Søren Kierkegaard, 1830s
Context: It occurs to me that artists go forward by going backward, something which I have nothing against intrinsically when it is a reproduced retreat — as is the case with the better artists. But it does not seem right that they stop with the historical themes already given and, so to speak, think that only these are suitable for poetic treatment, because these particular themes, which intrinsically are no more poetic than others, are now again animated and inspirited by a great poetic nature. In this case the artists advance by marching on the spot. — Why are modern heroes and the like not just as poetic? Is it because there is so much emphasis on clothing the content in order that the formal aspect can be all the more finished?

“A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control.”

Lawrence Lessig book Free Culture

Free Culture (2004)
Context: A free culture has been our past, but it will only be our future if we change the path we are on right now. Like Stallman's arguments for free software, an argument for free culture stumbles on a confusion that is hard to avoid, and even harder to understand. A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control. A free culture, like a free market, is filled with property. It is filled with rules of property and contract that get enforced by the state. But just as a free market is perverted if its property becomes feudal, so too can a free culture be queered by extremism in the property rights that define it. That is what I fear about our culture today. It is against that extremism that this book is written.

Books , Freedom

“The artist is usually a child of his times, especially if his formative years fell in the period of early socialism.”

Käthe Kollwitz (1867–1945) German artist

Reply to questionnaire sent to prominent artists, (1942/1943), quoted in Käthe Kollwitz (1971) by Otto Nagel, translated by Stella Humphries.
Other Quotes
Context: The artist is usually a child of his times, especially if his formative years fell in the period of early socialism. My formative years coincided with that period, and I was totally caught up in the socialist movement. At that time, the idea of a conscious commitment to serve the proletariat was the farthest thing from my mind. But what use to me were principles of beauty like those of the Greeks, for example, principles that I could not feel as my own and identify with? The simple fact of the matter was that I found the proletariat beautiful.

Time

“Every artist's strictly illimitable country is himself.”

E.E. Cummings (1894–1962) American poet

Re Ezra Pound (p. 69)
i : six nonlectures (1953)
Context: Every artist's strictly illimitable country is himself.
An artist who plays that country false has committed suicide; and even a good lawyer cannot kill the dead. But a human being who's true to himself — whoever himself may be — is immortal; and all the atomic bombs of all the antiartists in spacetime will never civilize immortality.

Country

“I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders.”

Elizabeth Hand (1957) American writer

Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

People , Mood , Thinking , Suffering

“Scholars and artists thrown together are often annoyed at the puzzle of where they differ.”

Robert Frost (1874–1963) American poet

The Figure a Poem Makes (1939)
Context: Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspect they differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields.

“In this situation the artist has a special task and duty: the task of reminding men of their humanity and the promise of their creativity.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

In the Name of Sanity (1954)
Context: Today, all the normal mischances of living have been multiplied, a million-fold, by the potentialities for destruction, for an unthinking act of collective suicide, which man's very triumphs in science and invention have brought about. In this situation the artist has a special task and duty: the task of reminding men of their humanity and the promise of their creativity.

Men

“The selective instinct of the artist tells him when his language should be homely, and when it should be more elevated; and it is precisely in the imperceptible blending of the plain with the ornate that a great writer is distinguished.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: The selective instinct of the artist tells him when his language should be homely, and when it should be more elevated; and it is precisely in the imperceptible blending of the plain with the ornate that a great writer is distinguished. He uses the simplest phrases without triviality, and the grandest without a suggestion of grandiloquence.

Home

“Inspiration comes from many places — experiences, places, people, books, and the work of other artists.”

Dawud Wharnsby (1972) Canadian musician

The Sounds of Taqwa (2006)
Context: Inspiration comes from many places — experiences, places, people, books, and the work of other artists. As a writer, it is important to keep one’s senses open to the world around and then trying to capture those impressions to a page. Writing is sort of a game or puzzle to me — playing with words and concepts to present something new to listeners.

People , Books

“An artist produces an effect in virtue of the distinctness with which he sees the objects he represents, seeing them not vaguely as in vanishing apparitions, but steadily, and in their most characteristic relations. To this Vision he adds artistic skill with which to make us see.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: An artist produces an effect in virtue of the distinctness with which he sees the objects he represents, seeing them not vaguely as in vanishing apparitions, but steadily, and in their most characteristic relations. To this Vision he adds artistic skill with which to make us see. He may have clear conceptions, yet fail to make them clear to us: in this case he has imagination, but is not an artist. Without clear Vision no skill can avail. Imperfect Vision necessitates imperfect representation; words take the place of ideas.

“Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth.”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter VII: The Disappearing Oeuvre (p. 134)
Context: Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth. These circumstances include the ambiance created by the other, lesser artists of their own time, who have all done their part in creating the pressure that forces up an exceptional talent. Unjustly, but unavoidably, the very closeness of a great artist to his colleagues and contemporaries leads to their eclipse.

Spring , Birth , Time

“The mind is like a sea, few are those who dare sail, most stand on the shore and watch. Artist pages.”

Avner Strauss (1954) Israeli musician

A.S.

Sea

“In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

Fate , Truth , Hope , Art

“A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Twenty-four Conversations with Borges, Including a Selection of Poems: Interviews by Roberto Alifano, 1981–1983 (1984)

Art , Feeling , Thinking , Personality

“Dogmatists of all kinds — scientific, economic, moral, as well as political — are threatened by the creative freedom of the artist. This is necessarily and inevitably so.”

Rollo May (1909–1994) US psychiatrist

Ch 3 : Creativity and the Unconcious, p. 76
The Courage to Create (1975)
Context: Dogmatists of all kinds — scientific, economic, moral, as well as political — are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyers of our nicely ordered systems. For the creative impulse is the speaking of the voice and the expressing of the forms of the preconscious and unconscious; and this is, by its very nature, a threat to rationality and external control.

Freedom

“The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: I wish to call special attention to the psychological fact, that fairies and demons, remote as they are from experience, are not created by a more vigorous effort of imagination than milk maids and poachers. The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.

Imagination

“Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price.”

Cyril Connolly book The Unquiet Grave

Part III: La Clé des Chants (p. 93)
The Unquiet Grave (1944)
Context: Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.

Country

“Artists shouldn't be made famous.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Profiles in Rock interview (December 1980)
Context: Artists shouldn't be made famous. You know… they're just … as important as… um doctors, and priests … or maybe not as important sometimes, and yet they have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance — you know, football stars and theatre stars — It is man-made so the press can feed off it.

“I write music to celebrate life. I think most artists do, no matter how they themselves describe it. It's the joy of creating. It's a way of life.”

Chick Corea (1941) American jazz and fusion pianist, keyboardist, and composer

"Answer #3" at his official website. http://www.chickcorea.com/from_chick.html
Context: I believe that any "awareness" of life is "spiritual" since awareness can only be a quality of the spirit not of the material world or of matter and machines. Only a spiritual being has awareness. But if you mean "spiritual" in the sense of a kind of "celebration of Life", then yes, I write music to celebrate life. I think most artists do, no matter how they themselves describe it. It's the joy of creating. It's a way of life.

Life , Music , Way , Thinking

“I have a lot of doubts about following my muse when my muse leads me down some weird path. Again, like quilts. But I also know that if I do something just because I know people will approve of that, that's not really going to help me as an artist.”

Nina Paley (1968) US animator, cartoonist and free culture activist

1h12m00s https://www.youtube.com/watch?v=M7mB_WlihQo#t=1h12m00s
Nina Paley on: Sita Sings the Blues: The Ramayana and 'Free Culture' (2009)
Context: Everyone wants me to make another movie and I'm like "Yeah, I'm doing quilts." Yeah, I have ideas. I have to be really, really obsessively moved. Like I have to have no other choice to do a project that takes that much time and it has to be a motivation other than just that I know that I will get approval for it. Much as I love approval, I mean it's extremely tempting. I want it. And I have a lot of doubts about following my muse when my muse leads me down some weird path. Again, like quilts. But I also know that if I do something just because I know people will approve of that, that's not really going to help me as an artist. So I'm not ruling out doing another film, but I'm only going to do it if I have no other choice, which was the case with Sita Sings the Blues.

People , Help

“I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.”

Walt Whitman (1819–1892) American poet, essayist and journalist

"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851)
Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.

Beauty , Thinking

“Klimt sought newer truths that could not be captured by the camera. He… turned the artists view inward”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)
Context: Like other modern artists faced with the advent of the photography, Klimt sought newer truths that could not be captured by the camera. He... turned the artists view inward—away from the three-dimensional outside world and toward the multidimensional inner self and the unconscious mind.

Truth

“It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess.”

Walt Whitman (1819–1892) American poet, essayist and journalist

"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851)
Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.

Men , Truth , World , Beauty

“Contrary to general belief, an artist is never ahead of his time but most people are far behind theirs.”

Edgard Varèse (1883–1965) French composer

As quoted in Gramophone (1962), Vol. 40, Part 2‎, p. 389
Context: Contrary to general belief, an artist is never ahead of his time but most people are far behind theirs. I was the first composer to explore, so to speak, musical outer space.

People , Time

“The complete accomplishment of it, in so short a time and by such simple means, was perhaps a singular example in the history of mankind. Thirteen clocks were made to strike together — a perfection of mechanism, which no artist had ever before effected.
In this research, the gloriole of individual gentlemen, and of separate States, is of little consequence. The means and the measures are the proper objects of investigation. These may be of use to posterity, not only in this nation, but in South America and all other countries.”

John Adams (1735–1826) 2nd President of the United States

1810s, What do we mean by the American Revolution? (1818)
Context: The colonies had grown up under constitutions of government so different, there was so great a variety of religions, they were composed of so many different nations, their customs, manners, and habits had so little resemblance, and their intercourse had been so rare, and their knowledge of each other so imperfect, that to unite them in the same principles in theory and the same system of action, was certainly a very difficult enterprise. The complete accomplishment of it, in so short a time and by such simple means, was perhaps a singular example in the history of mankind. Thirteen clocks were made to strike together — a perfection of mechanism, which no artist had ever before effected.
In this research, the gloriole of individual gentlemen, and of separate States, is of little consequence. The means and the measures are the proper objects of investigation. These may be of use to posterity, not only in this nation, but in South America and all other countries. They may teach mankind that revolutions are no trifles; that they ought never to be undertaken rashly; nor without deliberate consideration and sober reflection; nor without a solid, immutable, eternal foundation of justice and humanity; nor without a people possessed of intelligence, fortitude, and integrity sufficient to carry them with steadiness, patience, and perseverance, through all the vicissitudes of fortune, the fiery trials and melancholy disasters they may have to encounter.

History , Time , Perfection , Country

“A skillful Artist in shapes and appearances does no more than necessary to create His effect.”

Robert A. Heinlein Job: A Comedy of Justice

Job: A Comedy of Justice (1984)
Context: Time is never a problem on the God level. Or space. Whatever needed to deceive you was provided. But no more than that. That is the conservative principle in art at the God level. While I can't do it, not being at that level, I have seen a lot of it done. A skillful Artist in shapes and appearances does no more than necessary to create His effect.

Appearance

“We know the country, its potential, its resources, where it was and where it could have been. We should be at the level of a Taiwan or a South Korea today, not ranked 150th in the world, even though we are an oil-producing country… We should not have our Iranian rap artists say the regime is promising us yellow cake when we don't even have bread to eat.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

As quoted in Peter Godspeed, 'It is my duty' http://www.rezapahlavi.org/details_article.php?article=462&page=2, Canada National Post, September 24, 2010.
Interviews, 2010

World , Country

“Sometimes people ask me who are the future leaders of Iran… I say I don't know who they are, but I know that they exist by the thousands. They are the artists and engineers; they are poets and businessmen; they are entrepreneurs and they are there -- waiting to inherit this future… And it is, by God, our obligation, our duty to the nation, to help them the best way possible to minimize the toll and the cost of change.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

As quoted in Peter Godspeed, 'It is my duty' http://www.rezapahlavi.org/details_article.php?article=462&page=2, Canada National Post, September 24, 2010.
Interviews, 2010

God , People , Way , Change

“And do you agree with me, that the first condition of an artist should be to bear respect towards what is great, and to bow to it and acknowledge it, and not attempt to extinguish great flames for the sake of making his own rushlight burn more brightly?”

Felix Mendelssohn (1809–1847) German composer, pianist and conductor

Und sind Sie mit mir einer Meinung, daß es die erste Bedingung zu einem Künstler sei, daß er Respekt vor dem Großen habe, und sich davor beuge, und es anerkenne, und nicht die großen Flammen auszupusten versuche, damit das kleine Talglicht ein wenig heller leuchte?
Letter to Wilhelm Taubert, August 27, 1831, cited from Reisebriefe von Felix Mendelssohn Bartholdy: Aus den Jahren 1830 bis 1832 (Leipzig: Hermann Mendelssohn, 1862) p. 256; translation from Emil Naumann (trans. F. Praeger) The History of Music (London: Cassell, 1886) vol. 2, p. 1052-53.

“The great artists and thinkers are simplifiers.”

Henri Frederic Angel

“I take great pride in the artistic development of cartoons. Our characters are made to go through emotions which a few short years ago would have seemed impossible to secure with a cartoon character. Some of the action produced in the finished cartoon of today is more graceful than anything possible for a human to do.”

Walt Disney (1901–1966) American film producer and businessman

“A true artist doesn't change with the times. A true artist is already way ahead of the times. ”

Эрик Пио

Way , Change , Time

“When I was writing it, I was remembering how hard it was to be a 16-year-old in high school. I always wanted to be an artist, so I was this loner kid who just got drunk all the time. I only had one real friend. There was a girl I really liked, and she ended up taking really sleazy photographs with her boyfriend, and that really crushed me, I was just swimming in this pit of despair, jealousy and alcoholism.”

Джерард Артур Уэй (1977)

Alcohol , Jealousy , School , Girl

“Understand that all the evils from which you suffer, you yourselves cause by yielding to the suggestions by which yourselves cause by yielding to the suggestions by which emperors, kings, members of parliament, governors, officers, capitalists, priests, authors, artists, and all who need this fraud of patriotism in order to live upon your labour, deceive you!”

Leo Tolstoy book Patriotism and Government

Patriotism and Government

Fraud , Understanding , Suffering , Evil

“In part coming of age listening to Throbbing Gristle, Monte Cazazza and so on... basically industrial music and No Wave defined my tastes. So, I really entered Burroughs via post-punk… and to me his ideas of sound, cut-ups, infrasound, and so on, all informed the mise-en-scène of first wave industrial music. The fact that he really found an audience in post-punk and punk showed some aesthetic lineage. In Against Control – when I look at the records released around Burroughs – I mention the releases by Giorno Poetry Systems, and I think you can really see some shared ideas about the nature of communication amongst the artists there. It’s telling to me that so many of the musicians and bands that are on those records emerged from punk and industrial music.”

Jack Sargeant (writer) (1968) British writer, performer and curator.

Interviewed by Zora Burden https://zoraburden.weebly.com/jack-sargeant.html (2014)

Nature , Music , Communication , Thinking

“All great scientists have, in a certain sense, been great artists; the man with no imagination may collect facts, but he cannot make great discoveries.”

Karl Pearson book The Grammar of Science

Introductory
The Grammar of Science (1900)

Sense , Imagination , Making love

“Our aesthetic judgment demands harmony between the representation, and the represented and in this sense science is often more artistic than modern art.”

Karl Pearson book The Grammar of Science

Introductory
The Grammar of Science (1900)

Sense , Science , Art

“The old Dances of Death supplied what fails so much in our modern life—an artistic representation appealing to all classes of at least one experience common to the whole of humanity.”

Karl Pearson (1857–1936) English mathematician and biometrician

"The Chances of Death" (1895)

Life , Death , Dance

“Our mission was and is to develop, nurture, support, produce and present new and original performance work by artists of all nations and cultures.”

Ellen Stewart (1919–2011) American theater director and producer

Quoted in "Remembering Ellen Stewart, Founder of La MaMa Etc." By Ellis Nassour, Theaterlife.com http://theaterlife.com/remembering-ellen-stewart/.

Support

“Just thought and thought! Poor artist of the word!High priest of thought! You cannot flee;The word holds all: the world and man,Death, life, and ever-unveiled truth.”

Evgeny Baratynsky (1800–1844) Russian poet

1840
From the Ends to the Beginning: A Bilingual Anthology of Russian Poetry, http://max.mmlc.northwestern.edu/mdenner/Demo/texts/thoughts_more_thoughts.html Northwestern University (2001)

World , Truth , Life , Death

“I see their role as the same as ever; the artist is to give voice to the issues that are given to us in a confused manner, so that people can understand the role that they must play…I think the role of the cultural worker is to define those things we receive from those that are in power, and give it back to the community, presented it in a more clear way.”

Malaquías Montoya (1938) American artist

On how technological advancements have not diminished the cultural role of artists (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)

Understanding , People , Communication , Thinking

“It is a very physically and mentally torturous process. It goes 18-20 hours a day, and if you’re stoned during that whole period, you’re not going to make a good movie, because you just won’t have the stamina to physically and mentally do that. And it’s every day. So we didn’t get stoned making the record, never stoned on stage. But we were very disciplined artists about what we were doing. It didn’t magically happen. Well, it did magically happen, but not without effort.”

Cheech Marin (1946) American comedian, actor and writer

On how there’s a misconception that he’s like his stoner character in “Cheech Marin and Tommy Chong Are Not Their Characters: ‘It’s All for the Love of the Art’” https://www.thewrap.com/heres-the-biggest-misconception-about-cheech-and-chong/ in The Wrap (2018 Sep 14)

Making love , Effort

“In the place I’m from you don’t have much room. You have the sea. If you step on the sea, you sink. The only thing the sea can do is take you away. People living on a tiny island are not expected to have deep thoughts about how they live, their right to live. You can have little conflicts, disagreements about what side of the street to walk on, but you cannot disagree that perhaps there should not be a street there. You cannot disagree about fundamental things, which is what an artist would do. All they’re left with is a kind of pastoral beauty, a kind of natural beauty, and wonderful trinkets…”

Jamaica Kincaid (1949) Antiguan-American novelist, essayist, gardener, and gardening writer

On the limited opportunities in her country of origin in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

Beauty , Sea , People , Nature

“My subject matter is Colombia and it has always been Colombia; I lived many years in New York, in Paris, and I have never had the feeling to paint an American or a French subject matter. The thing is that the art - and the artist - must have roots in his own land, in his own life: my life is in Colombia, and my land is Colombia. Now, of course, the language that you use to express the subject matter must be universal: the composition, the colour, the balance, etc. In this sense, subject must be local, but the language must be universal, in order to touch any human being in the world…”

Fernando Botero (1932–2023) Colombian artist

On staying with Colombia as his subject matter in “Interview: Fernando Botero” http://www.timeoutshanghai.com/features/Art-Art_Features/34176/Interview-Fernando-Botero.html in TimeOut Shanghai (2016 Feb 25)

Painting , Art , Universe , World

“The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist’s choice.”

Fernando Botero (1932–2023) Colombian artist

On whether an artist should paint about injustices in “Interview With Fernando Botero” https://www.huffpost.com/entry/interview-with-fernando-botero_b_6795782 in HuffPost (2017 Dec 6)

Feeling , Art

“A great artist is born from a profound knowledge of the tradition and problems of painting. However, there are many works in which freshness and audacity surprise, as can be seen in popular art and in certain examples of modern art.”

Fernando Botero (1932–2023) Colombian artist

On the influence of culture on an artist in “Interview With Fernando Botero” https://www.huffpost.com/entry/interview-with-fernando-botero_b_6795782 in HuffPost (2017 Dec 6)

Knowledge , Problem , Painting , Art

“It may be observed, however, that Spinoza was not the first prominent monist and pantheist in modern Europe. A generation before him Bruno conveyed a similar message to humanity. Yet Bruno is merely a beautiful episode in the history of the human mind, while Spinoza is one of its most potent forces. Bruno was a rhapsodist and a poet, who was overwhelmed with artistic emotions; Spinoza, however, was spiritus purus and in his method the prototype of the philosopher.”

Baruch Spinoza (1632–1677) Dutch philosopher

Selected works, Spinoza and Buddha: Visions of a Dead God (1933)

Beauty , History

“A universal spiritual art would be art that any person would recognize as having a spiritual intention. It could speak to the heart and soul of the individual and orient them toward the greater aspect of their own being, their interconnectedness with all life and the cosmos. A universal spiritual art would return the viewer to their own ultimate identity, which lies beyond representation, but can be pointed to when our inspired visions are brilliantly transmitted. The challenge to artists today is to integrate the vast history of art from as many cultures as possible, to reach deep inside themselves for their own personal insights into the transcendental and allow this to coalesce into the most powerful imagery possible.”

Alex Grey (1953) American artist

High Times interview (2002)

Soul , History , Personality , Heart

“Every artist who’s really into their work disappears into the creative flow. This is akin to some of the concentration-oriented meditations of the various sacred traditions. Images come in all different ways. You can get visions when you’re tripping on drugs, when you’re dreaming or in a hypnogogic state before dropping off to sleep, while listening to music or even waiting for the subway.”

Alex Grey (1953) American artist

High Times interview (2002)

Sleep , Waiting , Dreams , Music

“Art can be a spiritual practice. Not all artists consider this to be true for them, but with the proper motivation and focus, it can be. A spiritual practice is an activity that enables you to develop the qualities of mental clarity, mindfulness of the moment, wisdom, compassion and access to revelations of higher mystic states of awareness. A contemplative method, such as yoga or meditation, will stabilize and assist in the progress of spiritual awareness. An artist’s craft can become a contemplative method, and the creations may provide outward signs of an inner spiritual journey.”

Alex Grey (1953) American artist

High Times interview (2002)

Motivation , Wisdom , Art

“As a Rioplatense person of European decent, I feel strongly about the urgency of retelling the stories of our nation’s histories, the Argentinian and Uruguayan national stories and cultural stories, in ways that fully recognize the presence of black people. Which is a huge part of the greater story of the Americas as well. You cannot tell the story of the Americas without the story of black people and the transatlantic slave trade — that mass atrocity. Alongside, of course, the genocide of indigenous people. And also the cultural richness and artistic production and stories of resilience and power that, too, come out of those harsh realities that are at the origin of the Americas.”

Carolina de Robertis (1975) American writer

On telling the histories of Uruguay and Argentina in “A Conversation with Carolina De Robertis on Immigration, Sexuality, and the True Origins of the Tango” https://lareviewofbooks.org/article/conversation-carolina-de-robertis-immigration-sexuality-true-origins-tango/ in Los Angeles Review of Books (2016 Apr 20)

History , Personality , People , Reality

“I think it means where the artist doesn’t necessarily have a full understanding of something, but they have deep empathy. They have some kind of amazing empathy with the characters in the world. I just think it means being openhearted and generous. I think that to be a conscious person is to sort through stuff in order to understand not just yourself but how you feel in the world.”

Hilton Als (1961) writer, critic

On how he defines “soulful” in “Hilton Als on What It Means to Be Hopeful, Despite the World” https://lithub.com/hilton-als-on-what-it-means-to-be-hopeful-despite-the-world/ in LitHub (2015 Dec 16)

Understanding , Personality , Thinking , World

“I grew up with a lot of discrimination and racism though we were in South Texas it was still very prevalent and I had to deal with a lot of it in the public school system. In the elementary school we were punished for speaking Spanish, physically punished for speaking Spanish. So you’re made to feel ashamed. When the farm workers came through Kingsville on their march to Austin, the capital of Texas, we were very excited. The most obvious issues that were being discussed were the violence against the Mexicans and the farm workers, anybody who wasn’t the right color was subject to being arrested, to being beat up by the Texas Rangers. It was at that point that I made the decision that no matter what it took from me I was going to be a Chicana artist, no matter what! Because here was this whole population of my people who were being unfairly treated and if I could use my artwork as a vehicle towards bringing a greater understanding as who were as a people: our culture, our language, out customs, our mannerisms. Everything about our lives needed to be brought out in a fine art format…”

Carmen Lomas Garza (1948) Mexican-American artist and illustrator

On becoming a Chicana artist in “CARMEN LOMAS GARZA – IN HER OWN WORDS” http://latinopia.com/latino-art/carmen-lomas-garza/ in Latinopia (2010 Mar 6)

School , Understanding , People , Art

“I wanted to have these kinds of images because other Chicano artists were doing imagery that was very political, sending messages about oppression and discrimination, honoring the great muralists in Mexico, and protesting the Vietnam war because a lot of Chicanos had been drafted into the army. There were a lot of protests against the war and the draft. I just wanted to focus on the every day life that we’re all very familiar with. We needed to re-celebrate that: the beautiful things that we have always known and grown up with…”

Carmen Lomas Garza (1948) Mexican-American artist and illustrator

On depicting everyday life for Mexican Americans in “Carmen Lomas Garza in the Artist Studio, April 2011” https://www.famsf.org/blog/carmen-lomas-garza-artist-studio-april-2011 (de Young Museum of Art)

War , Beauty , Life

“I’ve been banging the drum on that sort of thing, environment sustainability, for a long time – and getting some flack for it along the road – so yes I’m pleased other artists are starting to get on board with it too, but listen, really taking flack is what we do – it’s ok, I’m cool with that.”

Chris Martin (1977) musician, co-founder of Coldplay

http://www.nme.com/news/music/coldplay-to-play-a-couple-more-shows-before-they-take-a-break-to-reconsider-touring-2581423 source

Time

“I am constantly recharged by the different artists I work with, by the new challenges we face, and by listening to my inner voice. My trip to the ocean every year gives me great peace, and now that I am a grandfather for the first time, I am thrilled and inspired every day that I see my granddaughter because I have great hope for the future generation.”

Hugo Medrano director, playwright, and actor

On what inspires him in “An Interview with GALA Hispanic Theatre’s Hugo Medrano” https://mdtheatreguide.com/2011/10/an-interview-with-gala-hispanic-theatres-hugo-medrano/ in MD Theatre Guide (2011 Oct 8)

Future , Time , Hope , Peace

“I call myself a citizen artist, because one of the things I do is try to get my playwrights — especially my graduate playwrights — interested in the world. It’s about how you connect art to culture and community here and now, and how we are vital to the expression of our community...”

Luis Alfaro (1963) Chicano performance artist, writer, theater director, and social activist

On calling himself a “citizen artist” in “The Artist as Leader: Luis Alfaro” https://www.uncsa.edu/kenan/artist-as-leader/luis-alfaro.aspx (Thomas S. Kenan Institute for the Arts)

World , Communication , Art

“The intellectual hierarchy has been demolished. It’s a sad commentary that in the world’s largest democracy, writers’ protest has become a subject of jokes. The power-hungry artists, writers, academics, and media-persons in India waste a huge amount of time making political statements to hide behind their lack of intellectual stands. Michel Houellebecq wrote Submission, a strong political statement; he didn’t get press coverage for returning some award. The lustre is gone from our intellectual discourse. Secularism has lost its ideological currency. Artists, writers, activists are all suspect. Media czars have lost their access to the corridors of power and to people’s hearts. It’s the overclass’ space that has been taken over by the underclass. Their discomfort is with the new order where the others are also heard. Hence, the feeling of shrinking space. They are intolerant of this new phenomenon – the emergence of the underclass. They try to devalue this new, empowered underclass by associating it with Modi and, therefore, Hindutva, and that’s a grave mistake. The universe that was full of their voice has expanded to accommodate this new voice. This is what they call an attack on FoE and growing intolerance.”

Vivek Agnihotri (1973) director

Urban Naxals (2018)

Democracy , Time , Strong , Personality

“I have to be a risk-taker and just tell the truth the way it is. Everything that bothers me. Everything that must be told. Fearlessly. My loyalty is to the inner vision. There is no other way work of artistic worth can be done.”

Vivek Agnihotri (1973) director

Urban Naxals (2018)

Way , Truth , Loyalty

“Looking at, ie analyzing the so-called the visual elements of an image, we see the surface, the outer look of an artwork. All practical art education (the use of artistic elements, ie art grammar) is mainly focused on this surface analysis. Sometimes, through these elements, it tries to penetrate deep into the essence of the image, into what it initiated and created a work, into an experience (this is the primary task of theory, sociology, and art history). This is very difficult. There are works that undoubtedly suggest its depth and meaning, but there is, at least sometimes, the possibility of a mistake.”

Alfred Freddy Krupa (1971) Croatian contemporary painter, master draughtsman, book artist and art teacher, the pioneer of the New Ink Art m…

Aquarelle - Experiences of a Practitioner, Alfred Freddy Krupa , MB-Tisak (Croatia), 1994
1990s

Education , History , Art

“There’s no diploma in the world that declares you as an artist. It’s not like becoming a doctor or something. You can declare yourself an artist and then figure out how to be an artist.”

Kara Walker (1969) African American artist

On becoming an artist in “‘There’s No Diploma in the World That Declares You an Artist’: Watch Kara Walker Lay Out Her Advice for Art Students” https://news.artnet.com/art-world/watch-kara-walker-art-21-1316030 in artnetnews (2018 Jul 12)

World

“I hear so many complaints to the effect that Negroes do not take advantage of the educational opportunities offered them. Well, one of the reasons why more of my race do not go in for higher education is that as soon as one of us gets his head above the crowd there are millions of feet ready to crush it back again to that dead level of commonplace thus creating a racial deadline of culture in our Republic. For how am I to compete with other American artists if I am not to be given the same opportunity?”

Augusta Savage (1892–1962) American sculptor

On being denied a scholarship due to her race in “Sculptor Augusta Savage’s Towering Impact on the Harlem Renaissance” https://www.artsy.net/article/artsy-editorial-sculptor-augusta-savages-towering-impact-harlem-renaissance in Artnet (2019 Apr 5)

Education , Dead

“I am simply M. Tanner, an American artist. Nobody knows or cares what was the complexion of my forebears. I live and work there in terms of absolute social equality.”

Henry Ossawa Tanner (1859–1937) American painter

On settling in Paris, France (as quoted in “Henry Ossawa Tanner: Modern Spirit” http://www.title-magazine.com/2012/03/henry-ossawa-tanner-modern-spirit/ in Title Magazine; 2012)

“I always felt that, as a musician, we show up for one day for a cause and we really believe in what we’re talking about, but then the next day we have our own concerns. I want to try to have a more long-term relationship between artists and people who are really trying to affect change in the world.”

Chris Martin (1977) musician, co-founder of Coldplay

On his job as the curator of Global Citizen Festival. source http://www.rollingstone.com/music/music-news/chris-martin-will-curate-global-citizen-festival-for-next-15-years-164240/

World , People , Change

“I can only respond as an artist, because that’s what I am. I’m not going to become a politician all of a sudden. I am a politician in terms of the plays that I write, the way I embrace culture, the way I embrace characters that, in my particular case, have to do with the Latino world. And I embrace the Latino experience…”

Nilo Cruz (1960) American playwright

On whether he feels pressured to represent the Latino community after winning a Pulitzer in “Nilo Cruz by Emily Mann” https://bombmagazine.org/articles/nilo-cruz/ in BOMB Magazine (2004 Jan 1)

World , Way

“The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.”

Jack Kirby (1917–1994) American comic book artist, writer and editor

"Jack Kirby Interview" http://www.tcj.com/jack-kirby-interview/6/, Gary Groth, The Comics Journal, #134, (February 1990, posted May 23, 2011).

Life , People

“To become great, whether an artist, a musician, a writer, a philosopher or creator or scientist, even as one great in sport, the secret lies, assuming there is some native ability in the first place, in one factor above all others – emotion.”

Percy Cerutty (1895–1975) Australian athletics coach

On Greatness; as quoted in "Unrequited obsession" https://www.smh.com.au/national/unrequited-obsession-20081011-gdsydo.html by Chris Jefferis, The Sydney Morning Herald (11 October 2008).

Sport , Secret

“Jack Chick was a graphic artist who lived his delusional life in lies, prejudice and paranoia, promoting racist, sexist credo-specific bigotry against everyone smarter than him, or who understood things better than he did: which is pretty much everyone since he was really impressively fucking stupid -even compared to other creationists. He was so bad that Chick Publications is recognized as a hate group by the Southern Poverty Law Center. So now I hear that this creepy old dogmatic fucktard has finally stopped breathing at 92 years old. I’m unapologetically glad about that. His death makes our world a better place. I think that everyone who believes the way that he did should show solidarity by burying their faces in the sand and holding their breath until Jack Chick breathes again. Because our world just doesn’t need anyone like that -making life irritating for everyone capable of rational or compassionate thought.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"Rest in oblivion, Jack Chick" http://www.patheos.com/blogs/reasonadvocates/2016/10/25/rest-oblivion-jack-chick/, Patheos (October 25, 2016)
Patheos

Hate , Law , Making love , Bad luck

“It is the rare society that does not abuse its artists.”

Samuel R. Delany book Flight from Nevèrÿon

Section 7.2 (p. 216)
Flight from Nevèrÿon (1985)

“The American two-party electoral system, with its ballyhoo and hoopla, its impresarios and stunt artists, is the greatest show on earth. Campaign time is show time, a veritable circus brought into our living rooms via television as a form of entertainment. The important thing is that the show must go on - because it is more than just a show. The two-party system electoral social order. It channels and limits political expression, and blunts class grievances. It often leaves little time for the real issues because it gives so much attention to the contest per se who will run? who is ahead? who will win the primaries? who will win the election? It provides the form of republican government with little of the substance. It fives the plutocratic system of appearance of popular participation while being run by and for a select handful of affluent contestants.”

Michael Parenti (1933) American academic

Source: Democracy for the Few (2010 [1974]), sixth edition, Chapter 11, p. 179

Appearance , Time

“But Begum Akhtar who had trained long and hard under various Ustads is I think, and forgive the opinion of a rank amateur, in point of classical technique the more consummate artist.”

Begum Akhtar (1914–1974) Indian musician

Begum Akhtar the Undisputed Malika of Ghazals

Forgiveness , Training , Thinking

“Art possesses the formidable tool of pietas. Take, for instance, theatre. Theatre, by convention, agrees to be fake; thanks to this convention, which is innocuous, it can tell the truth. Art can tell the truth, because it is a transfigured language which doesn’t claim to possess divine truth; with its ability to transform relationships, it can address even the most terrible issues, exploring them without being destroyed by them. But artists have to be conscious of their role.”

Moni Ovadia (1946) Italian actor, musician, singer and theatrical author

"Uncomfortable culture – Interview with Moni Ovadia – part two" https://www.inkroci.com/culture_movie/interviews/uncomfortable-culture-interview-with-moni-ovadia-part-two.html, Inkroci (2014).

Truth , Art

“Each of us is descended from poetry ancestors. It’s the same for any art, any occupation. There is a lineage of style, knowledge and culture passed from generation to generation, one artist to another. Ultimately all poetry is related in the family tree of poetry…”

Joy Harjo (1951) American writer

On her poetic lineage in “An Interview with Joy Harjo, U.S. Poet Laureate” https://poets.org/text/interview-joy-harjo-us-poet-laureate?gclid=EAIaIQobChMIiJP5naHW5QIV0Rx9Ch0tGgkkEAAYASAAEgIJD_D_BwE in Poets.org (2019 Mar 31)

Family , Tree , Art , Knowledge

“The new artist-society will consist of painters, sculptors and architects. The founders don’t intend that the character of the union will be determined by one single art movement. They believe that there is room for every important expression of this period and they intend the new union as a gathering place for the best young artists, who will collectively determine the character of the society.”

Charley Toorop (1891–1955) Dutch painter

translation from original Dutch: Fons Heijnsbroek
(original Dutch: tekst in circulaire van Charley Toorop, in het Nederlands:) De nieuwe vereeniging zal bestaan uit schilders, beeldhouwers en architecten. De oprichters stellen zich niet op het standpunt, dat het karakter der vereeniging door één enkele kunstrichting bepaald wordt. Zy gelooven dat voor iedere belangrijke uiting van deze tyd plaats is en bedoelen de nieuwe vereeniging als verzamelplaats voor de beste jonge kunstenaars, die gezamenlyk het karakter van de vereeniging bepalen.
text of Charley Toorop, in a circular for possible members of the new artist-society 'A.S.B.', Amsterdam 8 Dec. 1926; in the Archive J.J.P. Oud, Nederlands Architectuur museum, Rotterdam
before 1930

Art

“He’s one of the greatest artists and songwriters of all time, not only in my small town, but worldwide, and that always made me really proud. He set an example of how to do shit and set an example of what not to do, and I respected that, too. Chris had a part in steering a direction there; you don’t need this shit, you don’t need miscellaneous bullshit – you need the music. He was a very deep and emotional writer, and I feel like I have an affinity with writers like Chris. He didn’t pull any fucking punches at all and that’s never been my style, either.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Jerry Cantrell quoted in ** Interview with Metal Hammer, July 19, 2018 https://www.pressreader.com/uk/metal-hammer-uk/20180719/283978948146853,

Music , Time , Feeling , Parting

“Looking at these men, and realizing how high they stand among humanity, how far they have gone in human evolution, is it not logical to say that we cannot see the bounds of human attainment, and that there may well have been, and even now may be, men far further developed even than they, men great in spirituality as well as knowledge or artistic power, men complete as regards human perfections—men precisely such as the Adepts or Supermen whom some of us have had the inestimable privilege to encounter? This galaxy of human genius that enriches and beautifies the pages of history is at the same time the glory and the hope of all mankind, for we know that these Greater Ones are the forerunners of the rest, and that they flash out as beacons, as veritable light-bearers to show us the path which we must tread if we wish to reach the glory which shall presently be revealed.”

Charles Webster Leadbeater (1854–1934) English theosophist

Source: The Masters and the Path (1925), Ch. 1

Time , History , Light , Hope

“Did you not tell me once that patronage of the artist was the only valuable vocation to which a prince might aspire?”

Michael Moorcock (1939) English writer, editor, critic

Book 2 “Esbern Snare: The Northern Werewolf,” Chapter 1 “Consequences of Ill-Considered Dealings With the Supernatural” (p. 218)
The Elric Cycle, The Revenge of the Rose (1991)

“I can see the evidence of that when I listen to music or hear young artists talk and they’re not shy at all about telling me thank you for the things I’ve contributed to them.”

Erykah Badu (1971) American neo-soul singer

On her influence on younger artists in “'I'm not sorry I said it': Erykah Badu on music, motherhood and wildly unpopular opinions” https://www.theguardian.com/music/2018/may/24/erykah-badu-interview in The Guardian (2018 May 24)

Music

“In the early twenty-first century, perhaps the most important artistic genre is science fiction. Very few people read the latest articles in the fields of machine learning or genetic engineering. Instead, movies such as The Matrix and Her and TV series such as Westworld and Black Mirror shape how people understand the most important technological, social and economic developments of our time.”

Yuval Noah Harari book 21 Lessons for the 21st Century

21 Lessons for the 21st Century

Time , Reading , Understanding , People

“Broader than reform, deeper than revolution, this benign conspiracy for a new human agenda has triggered the most rapid cultural realignment in history. The great shuddering, irrevocable shift overtaking us is not a new political, religious, or philosophical system. It is a new mind — the ascendance of a startling worldview that gathers into its framework breakthrough science and insights from earliest recorded thought. The Aquarian Conspirators range across all levels of income and education, from the humblest to the highest. The Aquarian Conspirators range across all levels of income and education, from the humblest to the highest. There are schoolteachers and office workers, famous scientists, government officials and lawmakers, artists and millionaires, taxi drivers and celebrities, leaders in medicine, education, law, psychology. Some are open in their advocacy, and their names may be familiar. Others are quiet about their involvement, believing they can be more effective if they are not identified with ideas that have all too often been misunderstood.”

Marilyn Ferguson (1938–2008) American writer

The Aquarian Conspiracy (1980), Chapter One, The Conspiracy

Science , History , Law , Education

“I look forward to an America which will reward achievement in the arts as we reward achievement in business or statecraft. I look forward to an America which will steadily raise the standards of artistic accomplishment and which will steadily enlarge cultural opportunities for all of our citizens. And I look forward to an America which commands respect throughout the world not only for its strength but for its civilization as well. And I look forward to a world which will be safe not only for democracy and diversity but also for personal distinction.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College

Democracy , Business , Personality , Art

“He was really successful, he had very many concerts in Paris. In music circles everyone knew him. I believe that in about five years he would have become a hugely famous singer, because he was getting more and more invitations as an artist. I never saw him in a bad mood, he radiated positive emotions even if things were not going best. Meanwhile, it was not always easy for him, there were various situations concerning his career or money. When we were working on concert programs, he acted very professionally. We had a great relationship as colleagues. We knew and sensed each other well. Also, sometimes we had very personal conversations.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Nicolas Krauze, conductor, the Orchestre de Chambre Nouvelle Europe (France). “He loved Ukraine above all”. The Day. Кyiv.ua. - 2017. - 7 March. https://day.kyiv.ua/en/article/culture/he-loved-ukraine-above-all

Money , Success , Personality , Bad luck

“Art is long, life short, judgment difficult, opportunity transient. To act is easy, to think is hard; to act according to our thought is troublesome. Every beginning is cheerful: the threshold is the place of expectation. The boy stands astonished, his impressions guide him: he learns sportfully, seriousness comes on him by surprise. Imitation is born with us: what should be imitated is not easy to discover. The excellent is rarely found, more rarely valued. The height charms us, the steps to it do not: with the summit in our eye, we love to walk along the plain. It is but a part of art that can be taught: the artist needs it all. Who knows it half, speaks much, and is always wrong: who knows it wholly, inclines to act, and speaks seldom or late. The former have no secrets and no force : the instruction they can give is like baked bread, savory and satisfying for a single day; but flour cannot be sown, and seed-corn ought not to be ground. Words are good, but they are not the best. The best is not to be explained by words. The spirit in which we act is the highest matter. Action can be understood and again represented by the spirit alone. No one knows what he is doing while he acts aright, but of what is wrong we are always conscious. Whoever works with symbols only is a pedant, a hypocrite, or a bungler. There are many such, and they like to be together. Their babbling detains the scholar: their obstinate mediocrity vexes even the best. The instruction which the true artist gives us opens the mind; for, where words fail him, deeds speak. The true scholar learns from the known to unfold the unknown, and approaches more and more to being a master.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Book VII Chapter IX
Wilhelm Meister's Wanderjahre (Journeyman Years) (1821–1829)

Learning , Boy , Art , Thinking

“After sticking up the picture I took five minutes to watch what happened next. A sea of people walked up, stared and left looking confused and slightly cheated. I felt like a true modern artist.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Wall and Piece (2007)

Sea , People , Cheating

“Indeed, I scarcely comprehend how one can be a poet without revering and loving Spinoza and becoming completely his. Your own fantasy is rich enough for the invention of the particular: nothing is better suited to entice your fantasy, to stimulate and nourish it, than the poetic creations of other artists. But in Spinoza you find the beginning and the end of all fantasy, the universal ground on which your particularity rests — and you should welcome precisely this separation of that which is originary and eternal in fantasy from everything particular and specific.”

Baruch Spinoza (1632–1677) Dutch philosopher

Original in German: In der Tat, ich begreife kaum, wie man ein Dichter sein kann, ohne den Spinosa zu verehren, zu lieben und ganz der seinige zu werden. In Erfindung des Einzelnen ist Eure eigne Fantasie reich genug; sie anzuregen, zur Tätigkeit zu reizen und ihr Nahrung zu geben, nichts geschickter als die Dichtungen andrer Künstler. Im Spinosa aber findet Ihr den Anfang und das Ende aller Fantasie, den allgemeinen Grund und Boden, auf dem Euer Einzelnes ruht und eben diese Absonderung des Ursprünglichen, Ewigen der Fantasie von allem Einzelnen und Besondern muß Euch sehr willkommen sein.
Friedrich Schlegel, Rede über die Mythologie, in Friedrich Schlegels Gespräch über die Poesie (1800)
S - Z

Universe , Love , Making love

“The attention that literary artists have lavished on Spinoza is remarkable. Writers have not only shaped their aesthetics by reflection on Spinoza, have not only inserted his views into the inner lives and dialogues of their characters, but have molded the man himself into a protagonist in their novels, poems, and plays. This last aspect of the literary fascination with Spinoza is particularly noteworthy. The person of Benedictus Spinoza has drawn, over the centuries, unusual attention, and not only from literary writers.”

Baruch Spinoza (1632–1677) Dutch philosopher

Rebecca Goldstein, in her article 'Literary Spinoza,'. In: The Oxford Handbook of Spinoza, edited by Michael Della Rocca (Oxford: Oxford University Press, 2017)
G - L

Personality

“Despite countless hours of practice, dozens of auditions, many artistic disputes, seven demo CDs, and two radical changes in hairstyle, Arrival never arrived. It wasn’t that they were bad; it was just that, as they reluctantly came to understand, they really weren’t anything special. They were competent. The problem was, there were competent bands everywhere. Competence wasn’t the key to stardom; you needed something else. Whatever it was, Arrival didn’t have it.”

Dave Barry (1947) American writer

Source: Novels, Tricky Business (2002), Chapter 3

Problem , Bad luck , Understanding , Change

Quotes about artist page 24

Quotes about artist
page 24