Quotes about artificer

A collection of quotes on the topic of artificer, nature, time, use.

Quotes about artificer

Isaac Newton photo
Gabriel García Márquez photo

“He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.”

Variant: .. the heart's memory eliminates the bad and magnifies the good, and [that] thanks to this artifice we manage to endure the burden of the past
Source: Love in the Time of Cholera

W.B. Yeats photo

“Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.”

St. 3
The Tower (1928), Sailing to Byzantium http://poetry.poetryx.com/poems/1575/

Wilhelm Von Humboldt photo
Paul Valéry photo
Ovid photo

“So art lies hid by its own artifice.”

Book X, 252
Metamorphoses (Transformations)

Paul Valéry photo

“What grace of light, what pure toil goes to form
The manifold diamond of the elusive foam!
What peace I feel begotten at that source!
When sunlight rests upon a profound sea,
Time's air is sparkling, dream is certainty —
Pure artifice both of an eternal Cause.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

Novalis photo

“The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)

Cardinal Richelieu photo

“We may employ artifice to deceive a rival, anything against our enemies.”

Cardinal Richelieu (1585–1642) French clergyman, noble and statesman

Pour tromper un rival l'artifice est permis; on peut tout employer contres ses ennemis.
As quoted in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood
Variant translation: To mislead a rival, deception is permissible; one may use all means against his enemies.

Zadie Smith photo
Holly Black photo

“Life connects us, Benjamin, not artifice.”

Chaim Potok (1929–2002) American rabbi

Old Men At Midnight

Herbert Read photo
Will Eisner photo

“Maurice Joly: Your honor, I have not written a lampoon here…this book’s delineations are applicable to all governments!
Prosecutor: No, your honor.. this man has written a tract that barely conceals a horrid defamation of our emperor!!
Maurice Joly: No! No! No! This book provides a call to conscience…a perspective for citizens concerned about the harsh realities of the conditions in which they live…
Furthermore, my book shows how the despotism taught by Machiavelli in “The Prince” could, by artifice and evil ways, impose itself on our society.
Prosecutor: No, your honor. It does more than that… for by ‘’’using’’’ the despotism of Machiavelli’’’ asa comparison, Joly seeks to show that Bonaparte, our sovereign, and an evil Italian are ‘’’the same’’’ in thought and deed!
Maurice Joly: If the reader sees a relationship to the infamy of the emperor, am I to blame?
Judge: Maurice Joly, I charge you with the crime of defamation! Of suggesting through shameful means that our sovereign has led the public astray, degraded our nation and corrupted our morals! This is an infamy, sir!!
Judge: Therefore, Maurice Joly, this court sentences you to 15 months imprisonment.
Maurice Joly: This is unfair and an example of this despotic society under Louis Bonaparte!
Balif: Quiet! You’ve had your say!
Judge: The emperor’s police will immediately confiscate all copies of this book they can find!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp.16-19

Alexander Hamilton photo
William Moulton Marston photo

“The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): pp 35-44. as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

Henry Adams photo
William Hazlitt photo
Ambrose Bierce photo
William Blake photo
Muhammad bin Qasim photo

“Muhammad Kasim marched from Dhalila, and encamped on the banks of the stream of the Jalwali to the east of Brahmanabad. He sent some confidential messengers to Brahmanabad to invite its people to submission and to the Muhammadan faith, to preach to them Islam, to demand the Jizya, or poll-tax, and also to inform them that if they would not submit, they must prepare to fight…
They sent their messengers, and craved for themselves and their families exemption from death and captivity. Muhammad Kasim granted them protection on their faithful promises, but put the soldiers to death, and took all their followers and dependents prisoners. All the captives, up to about thirty years of age, who were able to work, he made slaves, and put a price upon them…
When the plunder and the prisoners of war were brought before Kasim, and enquiries were made about every captive, it was found that Ladi, the wife of Dahir, was in the fort with two daughters of his by his other wives. Veils were put on their faces, and they were delivered to a servant to keep them apart. One-fifth of all the prisoners were chosen and set aside; they were counted as amounting to twenty thousand in number, and the rest were given to the soldiers. Protection was given to the artificers, the merchants, and the common people, and those who had been seized from those classes were all liberated. But he (Kasim) sat on the seat of cruelty, and put all those who had fought to the sword. It is said that about six thousand fighting men were slain, but, according to some, sixteen thousand were killed, and the rest were pardoned.”

Muhammad bin Qasim (695–715) Umayyad general

Source: The Chach Nama, in: Elliot and Dowson, History of India as told by its own Historians, Volume I, p. 176-181. ( also quoted in Bostom, A. G. M. D., & Bostom, A. G. (2010). The Legacy of Jihad: Islamic Holy War and the Fate of Non-Muslims. Amherst: Prometheus.) note: Quotes from The Chach Nama

Propertius photo

“Love is naked, and loves not beauty gained by artifice.”
Nudus Amor formam non amat artificem.

Propertius (-47–-16 BC) Latin elegiac poet

I, ii, 8; translation by G.P. Goold
Elegies

Norman Spinrad photo

“Flaming torches arching from hand to hand, the silken rolling of flesh on flesh, tautened wire vibrating to the human word, ideogrammatic gestures of fear, love, and rage, the mathematical grace of bodies moving through space—all seemed revealed as shadows on the void, the pauvre panoply of man’s attempt to transcend the universe of space and time through the transmaterial purity of abstract form.
Yet beyond this noble dance of human art, the highest expression of our spirit’s striving to transcend the realm of time and form, lay that which could not be encompassed by the artifice of man. From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion’s final veil.
We touch that which lies beyond only in those fleeting rare moments when the reality of form dissolves—through molecule and charge, the perfection of the meditative trance, orgasmic ego-loss, transcendent peaks of art, mayhap the instant of our death.
Vraiment, is not the history of man from pigments smeared on the walls of caves to our present starflung age, our sciences and arts, our religions and our philosophies, our cultures and our noble dreams, our heroics and our darkest deeds, but the dance of spirit round this central void, the striving to transcend, and the deadly fear of same?”

Source: The Void Captain's Tale (1983), Chapter 10 (p. 117)

Percy Bysshe Shelley photo
Bono photo
Jacques-Bénigne Bossuet photo

“In the midst of the disguises and artifices that reign among men, it is only attention and vigilance that can save us from surprises.”

Jacques-Bénigne Bossuet (1627–1704) French bishop and theologian

Politics Drawn from the very words of Holy Scripture edited by Patrick Riley (1990) http://books.google.com/books?id=3jiGsoP_ExgC&pg=PA132&lpg=PA132&dq=%22In+the+midst+of+the+disguises+and+artifices+that+reign+among+men,+it+is+only+attention+and+vigilance+that+can+save+us+from+surprises.%22&source=bl&ots=4D_c7UqG_l&sig=22Djfz_VN-rbiENWgWqpn4s93KI&hl=en&ei=mDZ7S-vRHqX20wSg8t2pCQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CAcQ6AEwAA#v=onepage&q=%22In%20the%20midst%20of%20the%20disguises%20and%20artifices%20that%20reign%20among%20men%2C%20it%20is%20only%20attention%20and%20vigilance%20that%20can%20save%20us%20from%20surprises.%22&f=false
Politics Drawn from the Very Words of Holy Scripture (1709)

Washington Irving photo
Adam Smith photo
African Spir photo
Francesco Guicciardini photo
Robert Louis Stevenson photo
John Banville photo
Samuel Johnson photo
Christopher Monckton photo

“I have begun drafting a memorandum for the prosecuting authorities, together with all evidence necessary to establish not only the existence of numerous specific instances of scientific or economic fraud in relation to the official "global warming" storyline but also the connections between these instances, and the overall scheme of deception that the individual artifices appear calculated to reinforce.”

Christopher Monckton (1952) British public speaker and hereditary peer

Making the police state work for you http://www.climatedepot.com/2011/12/15/fmr-thatcher-advisor-lord-monckton-to-pursue-fraud-charges-against-climategate-scientists-will-present-to-police-the-case-for-numerous-specific-instances-of-scientific-or-economic-fraud/ climatedepot.com, December 15, 2011.

Syd Mead photo
Arthur Symons photo

“All art is a form of artifice. For in art there can be no prejudices.”

Arthur Symons (1865–1945) British poet

Preface to Silhouettes kindle ebook 2012 ASIN B0082UH208.

Vilém Flusser photo

“Although many of the artifices employed in the works before mentioned are remarkable for their elegance, it is easy to see they are adapted only to particular objects, and that some general method, capable of being employed in every case, is still wanting.”

introducing his mathematical methods for the description of electricity and magnetism, [George Green, An essay on the application of mathematical analysis to the theories of electricity and magnetism, T. Wheelhouse, 1828, vi]

Tamsin Greig photo
Joseph Conrad photo
Pope Pius X photo
Jean Metzinger photo
Charles Brockden Brown photo
James Joyce photo

“Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.”

James Joyce (1882–1941) Irish novelist and poet

"James Clarence Mangan" (1902) http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1, a lecture on Mangan delivered at the Literary and Historical Society, University College, Dublin (1 February 1902) and printed in the college magazine St. Stephen's
Context: Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.

Taliesin photo

“I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Fold of the Bards
Context: I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.
I am not a confused bard drivelling,
When songsters sing a song by memory,
They will not make wonderful cries;
May I be receiving them.
Like receiving clothes without a hand,
Like sinking in a lake without swimming
The stream boldly rises tumultuously in degree.

Michel De Montaigne photo

“I want to be seen here in my simple, natural, ordinary fashion, without straining or artifice; for it is myself that I portray…I am myself the matter of my book.”

Je veux qu'on me voit en ma façon simple, naturelle, et ordinaire, sans étude et artifice; car c'est moi que je peins...Je suis moi-même la matière de mon livre.
Book I (1580), To the Reader
Essais (1595), Book I

“The Biblical view of the law, the courts, and the state is profoundly radical. The Bible looks upon the state as a kind of rebellious artifice; it is spurious, a human creation in rebellion against God.”

Philip Berrigan (1923–2002) Priest and anti-war activist

Fighting the Lamb's War: Skirmishes with the American Empire (1996), p. 202
Context: The Biblical view of the law, the courts, and the state is profoundly radical. The Bible looks upon the state as a kind of rebellious artifice; it is spurious, a human creation in rebellion against God.
In the Old Testament, when the first state is proposed in the person of Saul, the first King of Israel, God tells the prophet Samuel that this project spells rejection of God. The state and its legislature are in rebellion against, or rejection of, God. Its courts are a human fabrication, cannot promote justice and peace; they are founded in violence, and legalize violence.
The state holds together through police power, against the citizenry.
The state, conceived in violence, and backed by violence, will never achieve true peace.

Claude Debussy photo

“I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it.”

Claude Debussy (1862–1918) French composer

As quoted in Claude Debussy: His Life and Works (1933) by Léon Vallas, p. 226
Context: I wish to write down my musical dreams in a spirit of utter self-detachment. I wish to sing of my interior visions with the naïve candour of a child. No doubt, this simple musical grammar will jar on some people. It is bound to offend the partisans of deceit and artifice. I foresee that and rejoice at it. I shall do nothing to create adversaries, but neither shall I do anything to turn enmities into friendships. I must endeavour to be a great artist so that I may dare to be myself and suffer for my faith. Those who feel as I do will only appreciate me more. The others will shun and hate me. I shall make no effort to appease them. On that distant day — I trust it is still very far off — when I shall no longer be a cause of strife, I shall feel bitter self-reproach. For that odious hypocrisy which enables one to please all mankind will inevitably have prevailed in those last works.

Madonna photo
Joseph E. Stiglitz photo
Camille Paglia photo
Charles Evans Hughes photo
Otto von Bismarck photo
Anaïs Nin photo