Quotes about arm
page 10

Sören Kierkegaard photo
Jimmy John Liautaud photo

“I was at this fancy school and I felt out of place, so I rebelled. But Jim Lyons put his arm around me. He cared about me.”

Jimmy John Liautaud (1964) Jimmy John's Owner, Founder, & Chairman

Interview with New York Times https://www.nytimes.com/2008/12/31/education/31jimmy.html

Bill Maher photo
Nikos Kazantzakis photo
Gregor Strasser photo
Jef Raskin photo
Donald J. Trump photo

“Hillary said that guns don't keep you safe. If she really believes that she should demand that her heavily armed bodyguards quickly disarm!”

Donald J. Trump (1946) 45th President of the United States of America

Facebook post https://www.facebook.com/DonaldTrump/posts/10156490246225725
2010s, 2016, January

Mickey Spillane photo
Aldo Capitini photo
William Morley Punshon photo
Stafford Cripps photo
Alberto Giacometti photo
Winston S. Churchill photo
David Morrison photo

“The problem is that this 'being identified with the victim' can come to be used as an arm with which to club others. The victims become the group of the 'righteous just' in order to exclude the poor Pharisees, who are never in short supply as the butts of easy mockery.”

James Alison (1959) Christian theologian, priest

Source: Faith Beyond Resentment: Fragments Catholic and Gay (2001), " The man blind from birth and the Creator's subversion of sin http://girardianlectionary.net/res/fbr_ch-1_john9.htm", p. 18.

Hubert H. Humphrey photo
Marc Chagall photo

“For me, Christ has always symbolized the true type of the Jewish martyr. That is how I understood him in 1908 when I used this figure for the first time... It was under the influence of the pogroms. Then I painted and drew him in pictures about ghettos, surrounded by Jewish troubles, by Jewish mothers, running terrified with little children in their arms.”

Marc Chagall (1887–1985) French artist and painter

quote from: From Rebel to Rabbi: Reclaiming Jesus and the Making of Modern Jewish Culture, Matthew B. Hoffman; Stanford University Press, 2007, p. 218
Chagall started in 1912 (in Paris) to paint his 'Golgotha' https://en.wikipedia.org/wiki/File:Marc_Chagall,_1912,_Calvary_(Golgotha)_Christus_gewidmet,_oil_on_canvas,_174.6_x_192.4_cm,_Museum_of_Modern_Art,_New_York.jpg and later more Crucifixions. In this (later! quote) Chagall looks back on this question.
1910's

Oswald Spengler photo

“I gave you my arms, my lips, my heart,
My love, my life, my all,
But the best that I had to offer you
I found was all too small.”

Eddie DeLange (1904–1949) American bandleader and lyricist

Song Shake Down The Stars

Gardiner Spring photo
Jack Valenti photo
Phillis Wheatley photo
Winston S. Churchill photo
Louis Hémon photo
Frank Bainimarama photo
Robert E. Howard photo
Oliver Wendell Holmes photo
Peter Greenaway photo

“Perhaps. I need writing. Don't ask me why -- just take out your pen and write your name on my arm -- go on.”

Peter Greenaway (1942) British film director

Jerome and Nagiko
The Pillow Book

“…today everything is commercialized--politics, religion, education, ideology, belief, the armed services. …Everything has its price.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

William Westmoreland photo
Corneliu Zelea Codreanu photo
Annette Kellerman photo

“The men, who started from different points along the coast, wore no clothes, but I was compelled to put on a bathing suit. Small as it was, it chafed me. When I finished, my flesh under the arms was raw and hurt fearfully.”

Annette Kellerman (1886–1975) Australian swimmer, vaudeville star, film actress and writer

"Into Fame and Fortune", in The American Magazine, Vol. 83 (1917), p. 34

Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Michael Swanwick photo
Robert G. Ingersoll photo
James A. Garfield photo
Tim Buck photo
Kate Bush photo

“Touch me, hold me.
How my open arms ache!
Try to fall for me.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Richard Henry Lee photo

“The military forces of a free country may be considered under three general descriptions — 1. The militia. 2. the navy — and 3. the regular troops — and the whole ought ever to be, and understood to be, in strict subordination to the civil authority; and that regular troops, and select corps, ought not to be kept up without evident necessity. Stipulations in the constitution to this effect, are perhaps, too general to be of much service, except merely to impress on the minds of the people and soldiery, that the military ought ever to be subject to the civil authority, &c. But particular attention, and many more definite stipulations, are highly necessary to render the military safe, and yet useful in a free government; and in a federal republic, where the people meet in distinct assemblies, many stipulations are necessary to keep a part from transgressing, which would be unnecessary checks against the whole met in one legislature, in one entire government. — A militia, when properly formed, are in fact the people themselves, and render regular troops in a great measure unnecessary. The powers to form and arm the militia, to appoint their officers, and to command their services, are very important; nor ought they in a confederated republic to be lodged, solely, in any one member of the government. First, the constitution ought to secure a genuine and guard against a select militia, by providing that the militia shall always be kept well organized, armed, and disciplined, and include, according to the past and general usuage of the states, all men capable of bearing arms; and that all regulations tending to render this general militia useless and defenceless, by establishing select corps of militia, or distinct bodies of military men, not having permanent interests and attachments in the community to be avoided. I am persuaded, I need not multiply words to convince you of the value and solidity of this principle, as it respects general liberty, and the duration of a free and mild government: having this principle well fixed by the constitution, then the federal head may prescribe a general uniform plan, on which the respective states shall form and train the militia, appoint their officers and solely manage them, except when called into the service of the union, and when called into that service, they may be commanded and governed by the union. This arrangement combines energy and safety in it; it places the sword in the hands of the solid interest of the community, and not in the hands of men destitute of property, of principle, or of attachment to the society and government, who often form the select corps of peace or ordinary establishments: by it, the militia are the people, immediately under the management of the state governments, but on a uniform federal plan, and called into the service, command, and government of the union, when necessary for the common defence and general tranquility. But, say gentlemen, the general militia are for the most part employed at home in their private concerns, cannot well be called out, or be depended upon; that we must have a select militia; that is, as I understand it, particular corps or bodies of young men, and of men who have but little to do at home, particularly armed and disciplined in some measure, at the public expence, and always ready to take the field. These corps, not much unlike regular troops, will ever produce an inattention to the general militia; and the consequence has ever been, and always must be, that the substantial men, having families and property, will generally be without arms, without knowing the use of them, and defenceless; whereas, to preserve liberty, it is essential that the whole body of the people always possess arms, and be taught alike, especially when young, how to use them; nor does it follow from this, that all promiscuously must go into actual service on every occasion. The mind that aims at a select militia, must be influenced by a truly anti-republican principle; and when we see many men disposed to practice upon it, whenever they can prevail, no wonder true republicans are for carefully guarding against it. As a farther check, it may be proper to add, that the militia of any state shall not remain in the service of the union, beyond a given period, without the express consent of the state legislature.”

Richard Henry Lee (1732–1794) American statesman

Additional Letters From The Federal Farmer, 169 (1788)

Ernest King photo
Nick Cave photo
Joseph Story photo

“The militia is the natural defence of a free country against sudden foreign invasions, domestic insurrections, and domestic usurpations of power by rulers. It is against sound policy for a free people to keep up large military establishments and standing armies in time of peace, both from the enormous expenses, with which they are attended, and the facile means, which they afford to ambitious and unprincipled rulers, to subvert the government, or trample upon the rights of the people. The right of the citizens to keep and bear arms has justly been considered, as the palladium of the liberties of a republic; since it offers a strong moral check against the usurpation and arbitrary power of rulers; and will generally, even if these are successful in the first instance, enable the people to resist and triumph over them. And yet, though this truth would seem so clear, and the importance of a well regulated militia would seem so undeniable, it cannot be disguised, that among the American people there is a growing indifference to any system of militia discipline, and a strong disposition, from a sense of its burthens, to be rid of all regulations. How it is practicable to keep the people duly armed without some organization, it is difficult to see. There is certainly no small danger, that indifference may lead to disgust, and disgust to contempt; and thus gradually undermine all the protection intended by this clause of our national bill of rights.”

Commentaries on the Constitution of the United States (1833), p. 708 http://books.google.com/books?id=Ennw5lvHmcoC&pg=PA708&dq=%22The+right+of+the+citizens+to+keep%22.

William Tappan Thompson photo

“Such a flag would be a suitable emblem of our young confederacy, and sustained by the brave hearts and strong arms of the south, it would soon take rank among the proudest ensigns of the nations, and be hailed by the civilized world as THE WHITE MAN'S FLAG.”

William Tappan Thompson (1812–1882) American humorist

Savannah Morning News (28 April 1863); As quoted in Our Flag: Origin and Progress of the Flag of the United States of America https://books.google.com/books?id=vuRCAAAAIAAJ&pg=PA417 (1872), by George Henry Preble, Albany: Joel Munsell, pp. 417–418

Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Erich Heckel photo

“We saw your [ Cuno Amiet's ] work with feelings of admiration and enthusiasm... Our group [ Die Brücke ] would be exceedingly glad to find in you a comrade in arms and a champion of its cause.”

Erich Heckel (1883–1970) German artist

Quote of Heckel, in a letter of 1 September 1906, to the Swiss artist Amiet; as cited by Günter Krüger, in Die Künstlergemeinschaft Brücke und die Schweiz; as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; by Museum Associates, California & Prestel-Verlag, Germany, 1986, p. 70
Amiet's radically simplified art-style obviously attracted the younger artists of Die Brücke

James Comey photo
Rosa Luxemburg photo
Alan Clark photo

“I am confirmed in my opinion that it is hopeless here. All we can do is arm the Orangemen – to the teeth – and get out.”

Alan Clark (1928–1999) British politician

January 30, 1991; page 395.
On the Troubles in Northern Ireland.
Diaries: In Power (1993)

“Faith in armed might paralyzes international action.”

Kirby Page (1890–1957) American clergyman

Now is the Time to Prevent a Third World War (1950)

George W. Bush photo
George W. Bush photo
Vasily Chuikov photo
Donald Barthelme photo
James Bryce, 1st Viscount Bryce photo
Anne Sexton photo
Oliver Wendell Holmes photo

“Faith loves to lean on time's destroying arm,
And age, like distance, lends a double charm.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Urania: A Rhymed Lesson (1846), p. 11.

Tom Clancy photo
John Fante photo
Daniel Abraham photo

“It was as easy as keying in a door code. Somehow he felt that arming fusion bombs to detonate around him should have been more difficult.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Leviathan Wakes (2011), Chapter 50 (p. 504)

Calvin Coolidge photo

“The magnitude of the service which you rendered to your country and to humanity is beyond estimation. Sharp outlines here and there we know, but the whole account of the World War would be on a scale so stupendous that it could never be recorded. In the victory which was finally gained by you and your foreign comrades, you represented on the battle field the united efforts of our whole people. You were there as the result of a great resurgence of the old American spirit, which manifested itself in a thousand ways, by the pouring out of vast sums of money in credits and charities, by the organization and quickening of every hand in our extended industries, by the expansion of agriculture until it met the demands of famishing continents, by the manufacture of an unending stream of munitions and supplies, by the creation of vast fleets of war and transport ships, and, finally, when the tide of battle was turning against our associates, by bringing into action a great armed force on sea and land of a character that the world had never seen before, which, when it finally took its place in the line, never ceased to advance, carrying the cause of liberty to a triumphant conclusion. You reaffirmed the position of this Nation in the estimation of mankind. You saved civilization from a gigantic reverse. Nobody says now that Americans can not fight.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Harry Truman photo
Jozef Israëls photo

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

Lucy Parsons photo

“Let every dirty, lousy tramp arm himself with a revolver or a knife, and lay in wait on the steps of the palaces of the rich and stab or shoot the owners as they come out. Let us kill them without mercy, and let it be a war of extermination.”

Lucy Parsons (1853–1942) American communist anarchist labor organizer

Statement appearing in the Chicago Tribune in 1885, as quoted in "What’s Missing From Black History Month" by Jon Hochshartner in The Red Phoenix (10 February 2012) http://theredphoenixapl.org/2012/02/10/whats-missing-from-black-history-month/

Winston S. Churchill photo
Tom Stoppard photo

“Some women love only what they can hold in their arms; others, only what they can't.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Women & men

Eliza Cook photo

“I love it, I love it, and who shall dare
To chide me for loving that old arm-chair?”

Eliza Cook (1818–1889) British writer

The old Arm-Chair, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Marianne von Werefkin photo
G. K. Chesterton photo

“It is a quaint comment on the notion that the English are practical and the French merely visionary, that we were rebels in arts while they were rebels in arms.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Ch I: The Victorian Compromise and Its Enemies (p. 8)
The Victorian Age in Literature (1913)

Werner von Blomberg photo
Yevgeniy Chazov photo
Gordon B. Hinckley photo
John Jay photo
Colum McCann photo

“If every man lays down his arms and refuses to pick them up, the first man to pick up can do whatever he wants.”

Jack Donovan (1974) American activist, editor and writer

Violence is Golden
A Sky Without Eagles (2014)

Janusz Korwin-Mikke photo
Imre Kertész photo
John F. Kennedy photo
Johnnie Ray photo

“I just felt like God picked me up in his arms [and said], 'Johnnie Ray, I love you', and kissed me. I'm very humble and grateful for this elevation to the big time. But we all have to come down, and it won't leave me with a complex if I do. I know this thing might go over like a lead balloon, but I can always go back to that movie extra deal.”

Johnnie Ray (1927–1990) American singer, actor, songwriter and composer

On his success as a singer, The Chicago Tribune http://archives.chicagotribune.com/1952/03/16/page/85/article/johnnie-ray-their-darling-cry-baby (16 March 1952)

Janet Jackson photo
Calvin Coolidge photo
Bryan Adams photo

“To really love a woman,
To understand her, you gotta know her deep inside.
Hear every thought, see every dream.
And give her wings, when she wants to fly.
Then when you find yourself lyin' helpless in her arms,
You know you really love a woman.”

Bryan Adams (1959) Canadian singer-songwriter

Have You Ever Really Loved a Woman?, written by Bryan Adams, Mutt Lange, and Michael Kamen
Song lyrics, 18 til I Die (1996)

Isaac Watts photo
Robin Williams photo

“The Second Amendment! It says you have the right to bear arms, or the right to arm bears, whatever the hell you want to do!”

Robin Williams (1951–2014) American actor and stand-up comedian

A Night at the Met (1986)

Theodore L. Cuyler photo
Paul Simon photo
Donovan photo
Colley Cibber photo
Thomas Francis Meagher photo
Cristoforo Colombo photo
Caterina Davinio photo

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

Wolfram von Eschenbach photo

“Day thrust its brightness through the window-pane.
They, locked together, strove to keep Day out
And could not, whence they grew aware of dread.
She, his beloved, casting her arms about
Her loved one, caught him close to her again.
Her eyes drenched both their cheeks. She said:
"One body and two hearts are we."”

Wolfram von Eschenbach (1170–1220) German knight and poet

Der tac mit kraft al durh diu venster dranc.
vil slôze sie besluzzen.
daz half niht: des wart in sorge kunt.
diu vriundîn den vriunt vast an sich twanc.
ir ougen diu beguzzen
ir beider wangel. sus sprach zim ir munt:
"zwei herze und einen lîp hân wir."
"Den Morgenblic bî Wahtærs Sange Erkôs", line 11; translation in Margaret F. Richey Essays on Mediæval German Poetry (Oxford: Basil Blackwell, 1969) p. 99.

George Carlin photo
Philip José Farmer photo