Quotes about the night
page 31

Taylor Swift photo
William Cullen Bryant photo
Leo Tolstoy photo
Sarah McLachlan photo
Matthew Arnold photo

“Still nursing the unconquerable hope,
Still clutching the inviolable shade,
With a free, onward impulse brushing through,
By night, the silver’d branches of the glade.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 22
The Scholar Gypsy (1853)

Ursula Goodenough photo
Barbara Ehrenreich photo
John Hennigan photo

“You're dying to spend a night with me in the Palace of Wisdom. (to Kelly Kelly)”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom

Kate Bush photo

“You came out of the night,
Wearing a mask in white colour.
My eyes were shining
On the wine, and your aura.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Octavio Paz photo

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

Henry Wadsworth Longfellow photo
Anton Chekhov photo
Nathanael Greene photo
Amy Tan photo
Kate Bush photo

“To be sung of a summer night on the water.
Ooh, on the water.
"Ta, ta-ta!
Hmm.
Ta, ta-ta!
In B, Fenby!"”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Jeremy Corbyn photo
Iain Banks photo

“Here, in the bare dark face of night
A calm unhurried eye draws sight
—We see in what we think we fear
The cloudings of our thought made clear”

Source: Culture series, Excession (1996), Chapter 3 “Uninvited Guests” section IV (p. 104).

Georgia O'Keeffe photo

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Joseph Stella photo
Nathanael Greene photo
John Bright photo

“You say the right hon. baronet [Peel] is a traitor. It would ill become me to attempt his defence after the speech which he delivered last night—a speech, I will venture to say, more powerful and more to be admired than any speech which has been delivered within the memory of any man in this House. I watched the right hon. baronet as he went home last night, and for the first time I envied him his feelings. That speech was circulated by scores of thousands throughout the kingdom and throughout the world; and wherever a man is to be found who loves justice, and wherever there is a labourer whom you have trampled under foot, that speech will bring joy to the heart of the one, and hope to the breast of the other. You chose the right hon. baronet—why? Because he was the ablest man of your party. You always said so, and you will not deny it now. Why was he the ablest? Because he had great experience, profound attainments, and an honest regard for the good of the country. You placed him in office. When a man is in office he is not the same man as when in opposition. The present generation, or posterity, does not deal as mildly with men in government as with those in opposition. There are such things as the responsibilities of office. Look at the population of Lancashire and Yorkshire, and there is not a man among you who would have the valour to take office and raise the standard of Protection, and cry, "Down with the Anti-Corn Law League, and Protection for ever!" There is not a man in your ranks who would dare to sit on that bench as the Prime Minister of England pledged to maintain the existing law. The right hon. baronet took the only, the truest course—he resigned. He told you by that act: "I will no longer do your work. I will not defend your cause. The experience I have had since I came into office renders it impossible for me at once to maintain office and the Corn Laws."”

John Bright (1811–1889) British Radical and Liberal statesman

The right hon. baronet resigned—he was then no longer your Minister. He came back to office as the Minister of his Sovereign and of the people.
Speech in the House of Commons (17 February 1846), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 148.
1840s

Ono no Komachi photo

“Following the roads
Of dream to you, my feet
Never rest. But one glimpse of you
In reality would be
Worth all these many nights of love.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, One Hundred More Poems from the Japanese (1976), p. 33

Emily Brontë photo
Anatole France photo
C. J. Cherryh photo
Algernon Charles Swinburne photo
Robert Louis Stevenson photo
Plutarch photo
Ron White photo
Dejan Stojanovic photo

“Will the day tell its secret before it disappears, becomes timeless night.”

“Suns and the Night,” p. 45
Circling: 1978-1987 (1993), Sequence: “A Grain”

Gary Player photo

“An old friend once told me, you don't go fill up your car with gas at night and then park it in the garage.”

Gary Player (1935) South African golfer

Gary Player – Great Golfer, Better Human Being, WorldGolf.com, Kyle Dalton, 2008-12-09 http://www.worldgolf.com/course-design/gary-player-profile.htm,

John Ruskin photo
Clive Staples Lewis photo
Hoyt Axton photo

“I'm a high night flier and a rainbow rider
And a straight-shooting son of a gun.”

Hoyt Axton (1938–1999) American country singer

Joy to the World
Joy To The World (1971)

Herbert Giles photo
Dylan Moran photo

“We wake in the night, to stereophonic silence.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Kurt Student photo
Owen Lovejoy photo

“The Republican Party is for positive intervention. They propose, as our fathers did, to erect a wall of intervention, of prohibition, and station an angel of liberty at the gates in that wall, who shall keep watch and ward there day and night, and guard the territories against the entrance of slavery, as the cherubim of God kept sin out of Eden.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838–64 https://web.archive.org/web/20160319082926/https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA233#v=onepage&q&f=false (2004), edited by William Frederick Moore and Jane Ann Moore, p. 233
1860s, Speech (October 1860)

William Ewart Gladstone photo

“They are not your friends, but they are your enemies in fact, though not in intention, who teach you to look to the Legislature for the radical removal of the evils that afflict human life…It is the individual mind and conscience, it is the individual character, on which mainly human happiness or misery depends. (Cheers.) The social problems that confront us are many and formidable. Let the Government labour to its utmost, let the Legislature labour days and nights in your service; but, after the very best has been attained and achieved, the question whether the English father is to be the father of a happy family and the centre of a united home is a question which must depend mainly upon himself. (Cheers.) And those who…promise to the dwellers in towns that every one of them shall have a house and garden in free air, with ample space; those who tell you that there shall be markets for selling at wholesale prices retail quantities—I won't say are imposters, because I have no doubt they are sincere; but I will say they are quacks (cheers); they are deluded and beguiled by a spurious philanthropy, and when they ought to give you substantial, even if they are humble and modest boons, they are endeavouring, perhaps without their own consciousness, to delude you with fanaticism, and offering to you a fruit which, when you attempt to taste it, will prove to be but ashes in your mouths.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Cheers.
Speech at Blackheath (28 October 1871), quoted in The Times (30 October 1871), p. 3.
1870s

Mel Gibson photo
M.I.A. photo
Robert G. Ingersoll photo
Tim McGraw photo
William Blake photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Jean Paul Sartre photo
Elton John photo
Stephen L. Carter photo

“A cemetery is an affront to the rational mind. One reason is its eerily wasted space, this tribute to the dead that inevitably degenerates into ancestor worship as, on birthdays and anniversaries, humans of every faith and no faith at all brave whatever weather may that day threaten, in order to stand before these rows of silent stone markers, praying, yes, and remembering, of course, but very often actually speaking to the deceased, an oddly pagan ritual in which we engage, this shared pretense that the rotted corpses in warped wooden boxes are able to hear and understand us if we stand before their graves.The other reason a cemetery appeals to the irrational side is its obtrusive, irresistible habit of sneaking past the civilized veneer with which we cover the primitive planks of our childhood fears. When we are children, we know that what our parents insist is merely a tree branch blowing in the wind is really the gnarled fingertip of some horrific creature of the night, waiting outside the window, tapping, tapping, tapping, to let us know that, as soon as our parents close the door and sentence us to the gloom which they insist builds character, he will lift the sash and dart inside and…And there childhood imagination usually runs out, unable to give shape to the precise fears that have kept us awake and that will, in a few months, be forgotten entirely. Until we next visit a cemetery, that is, when, suddenly, the possibility of some terrifying creature of the night seems remarkably real.”

Source: The Emperor of Ocean Park (2002), Ch. 50, Again Old Town, I

Anita Pallenberg photo
Isaac Rosenberg photo

“Faith allows us to enter peacefully into the dark night which faces everyone of us at one time or another.”

Catherine Doherty (1896–1985) Religious order founder; Servant of God

Source: Poustinia (1975), Ch. 12

Fernand Léger photo

“.. a yellow square, a red and blue avenue, an Eiffel tower with a camouflaged silhouette…. that would all be lit up at night, instead of fireworks. [a proposal to Trotsky of a 'polychrome Moscow', for the 1937 exhibition].”

Fernand Léger (1881–1955) French painter

Quote from Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988; p. 60
Quotes of Fernand Leger, 1930's

Robert Louis Stevenson photo

“Many's a long night I've dreamed of cheese — toasted mostly.”

Source: Treasure Island (1883), Ch. 15, The Man of the Island.

Malala Yousafzai photo
Dejan Stojanovic photo

“Before the first before and after the last after, there is night waiting.”

Dejan Stojanovic (1959) poet, writer, and businessman

Before and After http://www.poetrysoup.com/famous/poem/21375/Before_and_After
From the poems written in English

Thomas Moore photo

“Oh stay! oh stay!
Joy so seldom weaves a chain
Like this to-night, that oh 't is pain
To break its links so soon.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Fly not yet.
Bartlett's Familiar Quotations, 10th ed. (1919)

Eddie Mair photo

“… and if you want to hear more of that interview, fly to America and watch TV on Sunday night.”

Eddie Mair (1965) Scottish broadcaster

Mair (2003) cited in: " Eddie Mair again http://quernstone.com/archives/2003/06/eddie-mair-agai.html" in: The Daily Grind, Jonathan Sanderson’s weblog June 5, 2003.
From PM and Broadcasting House

Rumi photo

“All day I think about it, then at night I say it. Where did I come from, and what am I supposed to be doing? I have no idea. My soul is from elsewhere, I'm sure of that, and I intend to end up there.”

Rumi (1207–1273) Iranian poet

"Who says words with my mouth?" in Ch. 1 : The Tavern, p. 2
Disputed, The Essential Rumi (1995)

Bruce Springsteen photo
Joanna Baillie photo

“Sweet sleep be with us, one and all!
And if upon its stillness fall
The visions of a busy brain,
We'll have our pleasure o'er again,
To warm the heart, to charm the sight,
Gay dreams to all! good night, good night.”

Joanna Baillie (1762–1851) Scottish poet and dramatist

The Phantom, song (1836); reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 201.

John Keble photo

“Sun of my soul, Thou Saviour dear,
It is not night if Thou be near;
Oh, may no earth-born cloud arise
To hide Thee from Thy servant's eyes.”

John Keble (1792–1866) English churchman and poet, a leader of the Oxford Movement

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 90.

Calvin Coolidge photo

“One of the most natural of reactions during the war was intolerance. But the inevitable disregard for the opinions and feelings of minorities is none the less a disturbing product of war psychology. The slow and difficult advances which tolerance and liberalism have made through long periods of development are dissipated almost in a night when the necessary war-time habits of thought hold the minds of the people. The necessity for a common purpose and a united intellectual front becomes paramount to everything else. But when the need for such a solidarity is past there should be a quick and generous readiness to revert to the old and normal habits of thought. There should be an intellectual demobilization as well as a military demobilization. Progress depends very largely on the encouragement of variety. Whatever tends to standardize the community, to establish fixed and rigid modes of thought, tends to fossilize society. If we all believed the same thing and thought the same thoughts and applied the same valuations to all the occurrences about us, we should reach a state of equilibrium closely akin to an intellectual and spiritual paralysis. It is the ferment of ideas, the clash of disagreeing judgments, the privilege of the individual to develop his own thoughts and shape his own character, that makes progress possible. It is not possible to learn much from those who uniformly agree with us. But many useful things are learned from those who disagree with us; and even when we can gain nothing our differences are likely to do us no harm. In this period of after-war rigidity, suspicion, and intolerance our own country has not been exempt from unfortunate experiences. Thanks to our comparative isolation, we have known less of the international frictions and rivalries than some other countries less fortunately situated. But among some of the varying racial, religious, and social groups of our people there have been manifestations of an intolerance of opinion, a narrowness to outlook, a fixity of judgment, against which we may well be warned. It is not easy to conceive of anything that would be more unfortunate in a community based upon the ideals of which Americans boast than any considerable development of intolerance as regards religion. To a great extent this country owes its beginnings to the determination of our hardy ancestors to maintain complete freedom in religion. Instead of a state church we have decreed that every citizen shall be free to follow the dictates of his own conscience as to his religious beliefs and affiliations. Under that guaranty we have erected a system which certainly is justified by its fruits. Under no other could we have dared to invite the peoples of all countries and creeds to come here and unite with us in creating the State of which we are all citizens.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Michelle Obama photo
Van Morrison photo
Berthe Morisot photo

“Night by night I will lie down and sleep in the thought of God, and in the thought, too, that my waking may be in the bosom of the Father; and some time it will be, so I trust.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 406.

Sara Teasdale photo

“But I will turn my eyes from you
As women turn to put away
The jewels they have worn at night
And cannot wear in sober day.”

Sara Teasdale (1884–1933) American writer and poet

"Jewels"
Love Songs (1917)

Edgar Guest photo
John Muir photo
Travis Barker photo
William Cullen Bryant photo
Jean-François Millet photo
Ono no Komachi photo

“Autumn nights, it seems,
are long by repute alone:
scarcely had we met
when morning's first light appeared,
leaving everything unsaid.”

Ono no Komachi (825–900) Japanese poet

Source: Helen Craig McCullough's translations, Kokin Wakashū: The First Imperial Anthology of Japanese Poetry (1985), p. 142

Akira Ifukube photo
Nathanael Greene photo
Christopher Pitt photo
James Inhofe photo
Whittaker Chambers photo
Pete Doherty photo

“New York City's very pretty in the night-time
But oh, don't you miss Soho?”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"The Boy Looked at Johnny"(with Carl Barat)
Lyrics and poetry

Paul Klee photo
Hugh Laurie photo
George Carlin photo
Jay-Z photo
Gioachino Rossini photo

“Wait until the evening before opening night. Nothing primes inspiration more than necessity, whether it be the presence of a copyist waiting for your work or the prodding of an impresario tearing his hair. In my time, all the impresarios in Italy were bald at thirty.”

Gioachino Rossini (1792–1868) Italian composer

Aspettate fino alla sera prima del giorno fissato per la rappresentazione. Nessuna cosa eccita più l'estro come la necessità, la presenza d'un copista, che aspetta il vostro lavoro e la ressa d'un impresario in angustie, che si strappa a ciocche i capelli. A tempo mio in Italia tutti gli impresari erano calvi a trent'anni.
From an undated letter, published in Luigi Rognoni Gioacchino Rossini (1968) p. 337. Translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (1997) p. 67.
On the right time to write an overture.

Chevy Chase photo

“[Chevy falls down, and gets up]LIVE FROM NEW YORK, IT'S SATURDAY NIGHT!”

Chevy Chase (1943) American comedian, writer, and television and film actor

Attributed

Sara Teasdale photo
Charles Brockden Brown photo
Brad Paisley photo
Paul Manafort photo
Vytautas Juozapaitis photo

“Last night's fierce-eyed Don Giovanni, sung by Vytautas Juozapaitis, was a lean and hungry predator (…) Mozart's dark comedy has been realised with grandeur.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Peter Palmer, "The secret is out… so don't miss out". Evening Post (July 22, 2004)

Ernst Ludwig Kirchner photo

“There was such a wonderful setting of the moon this morning, the yellow moon against little pink clouds, and the mountains a pure deep blue [viewed from his Swiss farmhouse], quite glorious, I would so have liked to paint. But it was cold, even my window was frozen, although I had kept the fire in all night.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter from Frauenkirch, Jan. 1919; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 48
Some time later Kirchner would made a colored wood-cut: 'Moonlit Winter Night' https://upload.wikimedia.org/wikipedia/commons/2/25/Kirchner_-_Wintermondnacht.jpg
1916 - 1919

James Thomson (B.V.) photo

“For life is but a dream whose shapes return,
Some frequently, some seldom, some by night
And some by day.”

James Thomson (B.V.) (1834–1882) Scottish writer (1834-1882)

Part I
The City of Dreadful Night (1870–74)

Norah Jones photo

“I want to wake up with the rain
Falling on a tin roof
While I'm safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me”

Norah Jones (1979) American singer-songwriter and multi-instrumentalist

"Come Away With Me", Come Away With Me (2002)
Song lyrics

“There are no stars to-night
But those of memory.
Yet how much room for memory there is
In the loose girdle of soft rain.”

Hart Crane (1899–1932) American writer

My Grandmother's Love Letters (l. 1-4). In The Norton Anthology of Modern Poetry, by Richard Ellmann and Robert O'Clair (1988)

Jeremy Corbyn photo