“Graphic work as the expressive movement of the hand holding the recording pencil.... is so fundamentally different from dealing with tone and color that one can use this technique quite well in the dark, even in the blackest night. On the other hand, tone (movement from light to dark) presupposes some light, and color presupposes a great deal of light.”

— Paul Klee

Quote (1912), # 928, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

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Paul Klee104

German Swiss painter 1879–1940

Allan Bloom (1930–1992) American philosopher, classicist, and academician

“There can be no transforming of darkness into light and of apathy into movement without emotion”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

“…strictly speaking, tone is the relative lightness and darkness due to the effect of light governed by atmosphere, and has nothing to do with the relative lightness and darkness or relative value with which various colours appear when compared with each other.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 47

“The means of expression is the optical mixture of tones, of tints (of local color and the illuminating color: sun, oil lamp, gas, etc.), that is, of the lights and of their reactions (shadows) following the laws of contrast, of gradation, of irradiation.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

“Before you can see the Light, you have to deal with the darkness.”

Dan Millman (1946) American self help writer

Source: Sacred Journey of the Peaceful Warrior

“Since light is best expressed through differences in color quality, color should not be handled as a tonal gradation, to produce the effect of light.”

Hans Hofmann (1880–1966) American artist

'Terms' p. 74
Search for the Real and Other Essays (1948)

“Light is the left hand of darkness
and darkness the right hand of light.
Two are one, life and death, lying
together like lovers in kemmer,
like hands joined together,
like the end and the way.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 16 “Between Drumner and Dremegole” (p. 233)

“Value differences in painting always cut in; color differences always go side by side. Laterally. Color differences can illustrate three dimensional form, but using color in terms of hue belongs more properly to painting than modelling with dark and light [as in sculpting] does.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 22
Conversation with Karen Wilkin' (1986-1988)

“Light came into the darkness, but the darkness didn't understand it," Susan said. "Look to the light. Only the light can save you from yourself.”

Ted Dekker book House

Variant: The light came into the darkness, and the darkness did not understand it, but that no longer mattered because the light was now obliteration the darkness.
Source: House

“Gaiety of tone is the luminous dominant, of tint, the warm dominant, of line, lines above the horizontal
Calmness of tone is the equality of dark and light; of tint, of warm and cool, and the horizontal for line.
Sadness of tone is the dark dominant; of tint, the cool dominant, and of line, downward directions.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

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