Quotes about the night
page 29

Ben Gibbard photo
Georgia O'Keeffe photo
Leonard Cohen photo

“We're drinking and we're dancing
but there's nothing really happening.
The place is dead as Heaven on a Saturday night.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

"Closing Time"
The Future (1992)

Jozef Israëls photo

“As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right…. There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each…. [with] standing light and the paintings positioned on an easel or standard behind…. I just want to add here, that my own studio can serve as a very special model…. concerning the sizes and the lighting.”

Jozef Israëls (1824–1911) Dutch painter

Quote from Israëls' letter to the Dutch Minister S. van Houten, 4 Nov. 1894; as cited in In het Rijksmuseum, Jan Veth (translation from the original Dutch: Fons Heijnsbroek); Holkema's Boekhandel http://docplayer.nl/42488824-In-het-rijksmuseum-door-jan-veth-met-twee-brieven-van-jozef-israels-holkema-s-boekhandel-i-4-november-mdcccxciv.html, Amsterdam, 1894, p. 10
During Israel's whole artistic life Rembrandt was his inspiration and had a strong impact on his own painting-style
Quotes of Jozef Israels, 1871 - 1900

George Noory photo
Nathanael Greene photo
Phil Brooks photo

“Look at you people. Look at what's become of the mighty United Kingdom. This land used to be filled with kings and knights and noblemen. You used to rule half the planet, and now you're just as sad and pathetic as the Americans. You can pretend you're not, you can pretend you don't spend your days tucked away in some little pub downing your pints of ale; you can pretend you don't spend every single night filling your lungs and those around you with carcinogens and poisons from your fancy cigarettes and trendy cigars; you can pretend you don't knowingly stuff chewing tobacco in your mouth in one of the most disgusting habits I've ever seen in my life—something that will give you cancer inside of two years. You people are weak-minded. You have no heart, your spirit is broken. You're practically decomposing right before my very eyes as I talk to you, and the only thing you can do is boo or wave a crooked little finger at me and accuse me of being preachy. You people need somebody as righteous as myself to preach to you the proper way to live. You should all aspire to be as great as I am. Do I think I'm better than you? Absolutely, and it's not that hard because my mind is clear; my body, free of poison. Look at me—I am perfect in every way. My strength comes from within, and I don't need a crutch to get through my everyday life like you people, and I certainly don't need a crooked official like Scott Armstrong to fight my battles for me. I filed a formal complaint with the Board of Directors; and as far as tonight goes, I will beat R-Truth just like I'll beat him at Survivor Series, and just like I can easily beat up everybody here in this arena today. Because I am the Choice of a New Generation, and R-Truth's gonna come out here and ask you people, "What's Up?"”

Phil Brooks (1978) American professional wrestler and mixed martial artist

I'll answer that little riddle for you right now. I tell you "what's up" Straight-edge—that is what's up. No narcotics, no drugs, no alcohol, no cigarettes, no prescription medication, and that, you sad, sad people, can save your entire pathetic country and the entire world.
November 13, 2009
Friday Night SmackDown

Meat Loaf photo

“You gotta understand that people attach me and Jim Steinman. But you really have to attach Todd Rundgren to that. … you really have to credit Todd Rundgren for the initial mark. Yes, Steinman had things in his head. And, yes, I had some things in my head; I had how “All Revved Up with No Place to Go” should sound in my head. Jim had how “You Took the Words Right Out of My Mouth (Hot Summer Night)” should sound in his head. But pulling things out of your head and accomplishing them, and somebody else trying to accomplish them, is a remarkable feat. … So not taking anything away from Jim, ‘cause Jim is an absolute genius and one of the smartest people that I’ve ever known, and I consider him one of my best friends. But, y’know, sometimes, people just… they pigeonhole things, and they go, “Jim Steinman and Meat Loaf.” And my thing is, no, stop it! Because the Bat Out of Hell records are this: it’s a big wheel, and everybody is a spoke in that wheel… and, at different times as that wheel’s turning, different people have more input than others. It’s, like, as a wheel turns, the bottom spokes take more than the top spokes…but, pretty soon, those are gonna be the bottom spokes, and their import is more. And, so, that’s how that goes with the Bat Out of Hell records… and that’s exactly Bat Out of Hell III.”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On credit for the Bat out of Hell albums.
A chat with Meat Loaf (2006)

Bryan Adams photo

“I'm gonna run to you.
Yeah - I'm gonna run to you.
Cause when the feelin's right, I'm gonna stay all night.”

Bryan Adams (1959) Canadian singer-songwriter

Run to You
Song lyrics, Reckless (1984)

Richard Stallman photo
Hilaire Belloc photo

“That I grow sour, who only lack delight;
That I descend to sneer, who only grieve:
That from my depth I should contemn your height;
That with my blame my mockery you receive;
Huntress and splendour of the woodland night,
Diana of this world, do not believe.”

Hilaire Belloc (1870–1953) writer

"Sonnet: Do not believe when lovely lips report"
To Lady Diana Cooper. See her memoir, The Light of Common Day (Boston: Houghton, 1959), pp. 27–28
Sonnets and Verse (1938)

Mark Knopfler photo
A.E. Housman photo
Cesare Pavese photo

“How can you have confidence in a woman who will not risk entrusting her whole life to you, day and night?”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Mark Knopfler photo
Charles Lamb photo
Erasmus Darwin photo
Thomas Haynes Bayly photo

“Oh pilot, 't is a fearful night!
There's danger on the deep.”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

The Pilot, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Ryan Adams photo
Toby Keith photo
Will Eisner photo
Pauline Kael photo
John Fante photo
Harry Harrison photo

“What finally decided me was what happened in that village in Tibet; we had airdropped in during the night to get between the Indians and the Chinese. I had never seen poverty or disease like that and I wondered why guns were the only thing we could bring them.”

Harry Harrison (1925–2012) American science fiction author

Source: Plague from Space (1965), Chapter 3 (p. 25; the character is explaining why he left the army to go into medicine)

Ono no Komachi photo

“You do not come
On this moonless night.
I wake wanting you.
My breasts heave and blaze.
My heart burns up.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, One Hundred More Poems from the Japanese (1976), p. 34

Elie Wiesel photo
Samuel Beckett photo

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

An explanation of the universe outside the room of Endgame
Endgame (1957)

Fannie Lou Hamer photo

“It is only when we speak what is right that we stand a chance at night of being blown to bits in our homes. Can we call this a free country, when I am afraid to go to sleep in my own home in Mississippi?… I might not live two hours after I get back home, but I want to be a part of setting the Negro free in Mississippi.”

Fannie Lou Hamer (1917–1977) American civil rights activist (October 6, 1917 – March 14, 1977)

As quoted in This Little Light of Mine, ch. 8, by Hay Mills (1993). Said on September 13, 1965, in a hearing before the United States House of Representatives' Subcommittee on Elections.

“For the happiest life, days should he rigorously planned, nights left open to chance.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“I hope, my lord, if you ever come within a mile of my house that you will stay there all night.”

Boyle Roche (1736–1807) Irish politician

In a letter.
[Falkiner, C. Litton, Studies in Irish History and Biography, mainly of the Eighteenth Century, 1902, Longmans, Green, and Co., New York, Sir Boyle Roche, p.230]

Jack Benny photo

“Jack Benny: We're a little late, so good night, folks.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Thomas De Witt Talmage photo
Gregory Colbert photo

“The stars you see at night are the unblinking eyes of sleeping elephants, who sleep with one eye open to best keep watch over us.”

Gregory Colbert (1960) Canadian photographer

Ashes and Snow : A Novel in Letters (2005) Flying Elephants Press

Scott Lynch photo

“Time went by with all the speed of a sleepless night.”

Source: Red Seas Under Red Skies (2007), Chapter 3 “Warm Hospitality” section 3 (p. 124)

Tom Wolfe photo
Phil Brooks photo

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Harun Yahya photo
Saki photo
Percy Bysshe Shelley photo
Dorothy Wordsworth photo
Al Gore photo

“I'm very familiar with the importance of dairy farming in Wisconsin. I've spent the night on a dairy farm here in Wisconsin. If I'm entrusted with the presidency, you'll have someone who is very familiar with what the Wisconsin dairy industry is all about.”

Al Gore (1948) 45th Vice President of the United States

As quoted in "Chatter at 40,000 Feet" by Howard Kurtz in The Washington Post (14 June 2000) http://pqasb.pqarchiver.com/washingtonpost/access/55152830.html?dids=55152830:55152830&FMT=ABS&FMTS=ABS:FT&date=JUN+15%2C+2000&author=Howard+Kurtz&pub=The+Washington+Post&desc=Chatter+at+40%2C000+Feet%3B+Next+to+Bush%2C+a+First-Class+Schmoozer%2C+Gore's+in+Coach&pqatl=google.

Margrethe II of Denmark photo
Mike Huckabee photo

“I may not be the expert as some people on foreign policy, but I did stay at a Holiday Inn Express last night.”

Mike Huckabee (1955) Arkansas politician

Huckabee Says What His Opponents Won’t
Niall
Stanage
2007-12-18
http://www.observer.com/2007/huckabee-says-what-his-opponents-won-t
New York Observer
2007-12-15

Bob Dylan photo
Liam Gallagher photo
Agatha Christie photo

“Out of night has come the day
Out of night, our small earth.
Our words drift away.
Our words journey
to find those who will listen.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Iain Banks photo
Matthew Stover photo
William Morris photo
Jeanette Winterson photo
John Ruskin photo

“The silence of a winter's night
brings memories I hold inside;
remembering a blue moonlight
upon the fallen snow.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

“I think I know what you did last night. If you send me a thousand dollars, I won't tell your wife.”

Ted Haggard (1956) American minister

Jesus Camp http://www.torontoist.com/archives/2007/01/at_five_i_got_s_1.php, retrieve January 12, 2007.

William Wordsworth photo

“But an old age serene and bright,
And lovely as a Lapland night,
Shall lead thee to thy grave.”

William Wordsworth (1770–1850) English Romantic poet

To a Young Lady, st. 3 (1805).

Percy Bysshe Shelley photo

“A Sensitive Plant in a garden grew,
And the young winds fed it with silver dew,
And it opened its fan-like leaves to the light.
And closed them beneath the kisses of Night.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

The Sensitive Plant http://www.kalliope.org/digt.pl?longdid=shelley2003060601 (1820), Pt. I, st. 1

Luis de Góngora photo

“Longer than a winter's night for a man who is ill-wed.”

Luis de Góngora (1561–1627) Spanish Baroque lyric poet

Más largo
que una noche de Diciembre
para un hombre mal casado.
"Murmuraban los rocines", line 94, cited from Poesias de D. Luis de Gongora y Argote (Madrid: Imprenta Nacional, 1820) p. 83. Translation from Henry Baerlein The House of the Fighting-cocks (London: Leonard Parsons, 1922) p. 92.

Mark Sanford photo

“I could digress and say that you have the ability to give magnificent gentle kisses, or that I love your tan lines or that I love the curve of your hips, the erotic beauty of you holding yourself (or two magnificent parts of yourself) in the faded glow of the night's light. but hey, that would be going into sexual details…”

Mark Sanford (1960) 115th Governor of South Carolina

From emails to Argentine mistress; reported in " Sanford-Maria e-mails shed light on governor's affair http://www.thestate.com/sanford/story/839350.html", The State (June 25, 2009).

James Macpherson photo

“You ask when I'm coming: alas, not just yet……
How the rain filled the pools on that night when we met!
Ah, when shall we ever snuff candles again,
And recall the glad hours of that evening of rain?”

"Souvenirs" (《夜雨寄北》), in Gems of Chinese Literature, trans. Herbert A. Giles
Variant translation:
You ask me when I am coming. I do not know.
I dream of your mountains and autumn pools brimming all night with the rain.
Oh, when shall we be trimming wicks again together in your western window?
When shall I be hearing your voice again all night in the rain?
"A Note on a Rainy Night", in Three Hundred Poems of the Tang Dynasty, trans. Witter Bynner

George Boole photo

“The last subject to which I am desirous to direct your attention as to a means of self-improvement, is that of philanthropic exertion for the good of others. I allude here more particularly to the efforts which you may be able to make for the benefit of those whose social position is inferior to your own. It is my deliberate conviction, founded on long and anxious consideration of the subject, that not only might great positive good be effected by an association of earnest young men, working together under judicious arrangements for this common end, but that its reflected advantages would overpay the toil of effort, and more than indemnify the cost of personal sacrifice. And how wide a field is now open before you! It would be unjust to pass over unnoticed the shining examples of virtues, that are found among tho poor and indigent There are dwellings so consecrated by patience, by self-denial, by filial piety, that it is not in the power of any physical deprivation to render them otherwise than happy. But sometimes in close contiguity with these, what a deep contrast of guilt and woe! On the darker features of the prospect we would not dwell, and that they are less prominent here than in larger cities we would with gratitude acknowledge; but we cannot shut our eyes to their existence. We cannot put out of sight that improvidence that never looks beyond the present hour; that insensibility that deadens the heart to the claims of duty and affection; or that recklessness which in the pursuit of some short-lived gratification, sets all regard for consequences aside. Evils such as these, although they may present themselves in any class of society, and under every variety of circumstances, are undoubtedly fostered by that ignorance to which the condition of poverty is most exposed; and of which it has been truly said, that it is the night of the spirit,—and a night without moon and without stars. It is to associated efforts for its removal, and for the raising of the physical condition of its subjects, that philanthropy must henceforth direct her regards. And is not such an object great 1 Are not such efforts personally elevating and ennobling? Would that some part of the youthful energy of this present assembly might thus expend itself in labours of benevolence! Would that we could all feel the deep weight and truth of the Divine sentiment that " No man liveth to himself, and no man dieth to himself.”

George Boole (1815–1864) English mathematician, philosopher and logician

George Boole, "Right Use of Leisure," cited in: James Hogg Titan Hogg's weekly instructor, (1847) p. 250; Also cited in: R. H. Hutton, " Professor Boole http://books.google.com/books?id=pfMEAAAAQAAJ&pg=PA153," (1866), p. 153
1840s

Kris Kristofferson photo

“He said, we'll take us into town, lay our money down
I'll bring you the sweetest thing that grows
Because the fairest ones in sight are bloomin every night
At a tavern called the Sabre and the Rose..”

Kris Kristofferson (1936) American country music singer, songwriter, musician, and film actor

Sabre and the Rose
Song lyrics, Easter Island (1978)

Ann Coulter photo
Winston S. Churchill photo
Samuel Adams photo

“If you, or Colonel Dalrymple under you, have the power to remove one regiment you have the power to remove both. It is at your peril if you refuse. The meeting is composed of three thousand people. They have become impatient. A thousand men are already arrived from the neighborhood, and the whole country is in motion. Night is approaching. An immediate answer is expected. Both regiments or none!”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Address to acting governor Thomas Hutchinson, 6 March 1770, the day following the Boston Massacre. Hutchinson had offered to remove one of the two British regiments stationed in Boston. http://books.google.com/books?vid=ISBN0395825105&id=EQriRekKKPMC&pg=PA68&lpg=PA68&dq=%22Night+is+approaching.+An+immediate+answer+is+expected.+Both+regiments+or+none%22&sig=P3liJRs37lVSpjUrLHv7bPdEuXk

Max Beerbohm photo
Halldór Laxness photo
John Fante photo
Roger Ebert photo
James Thomas Fields photo
Henry Moore photo
Chuck Palahniuk photo
Eldridge Cleaver photo
Sepp Dietrich photo
Bruce Springsteen photo
Sarah Helen Whitman photo
W. Somerset Maugham photo
Common (rapper) photo

“The chosen one from the land of the frozen sun, where drunk nights get remembered more than sober ones”

Common (rapper) (1972) American rapper, actor and author from Illinois

"Be (Intro)" (Track 1)
Albums, Be (2005)

Nikos Kazantzakis photo
Karl Pilkington photo

“Whats good with a holiday right.. say if you work in a factory from 8 in the morning till 8 at night, packin socks into a rubber bag right.. between 8 and.. what time did i say he finishes?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast - Bonus Hour
On Work

Walter Scott photo
Walter de la Mare photo
Bill Maher photo
Fred Weatherly photo
John Milton photo
Charles Dickens photo
Robert Herrick photo
Victor Villaseñor photo
M. R. James photo

“I heard one cry in the night, and I heard one laugh afterwards. If I cannot forget that, I shall not be able to sleep again.”

M. R. James (1862–1936) British writer

"Count Magnus", from Ghost Stories of an Antiquary (1904); The Collected Ghost Stories of M. R. James (London: Edward Arnold, 1947) p. 111.

Gangubai Hangal photo
Georges Rouault photo

“Painting for me is merely a means of forgetting life. It is a cry in the night. A sob broken off. A strangled laugh.”

Georges Rouault (1871–1958) French painter

quoted by Henri Perruchot, in T-Lautrec, transl. Humphrey Hare; The World Publishing Company, Cleveland, Ohio, 1960/61, p. 51
Quotes, undated
Source: https://ia800500.us.archive.org/20/items/tlautrec00perr/tlautrec00perr_bw.pdf