Quotes about the dead
page 20

John Bunyan photo

“Gaius also proceeded, and said, I will now speak on the behalf of women, to take away their reproach. For as death and the curse came into the world by a woman, Gen. 3, so also did life and health: God sent forth his Son, made of a woman. Gal. 4:4. Yea, to show how much they that came after did abhor the act of the mother, this sex in the Old Testament coveted children, if happily this or that woman might be the mother of the Saviour of the world. I will say again, that when the Saviour was come, women rejoiced in him, before either man or angel. Luke 1:42-46. I read not that ever any man did give unto Christ so much as one groat; but the women followed him, and ministered to him of their substance. Luke 8:2,3. ‘Twas a woman that washed his feet with tears, Luke 7:37-50, and a woman that anointed his body at the burial. John 11:2; 12:3. They were women who wept when he was going to the cross, Luke 23:27, and women that followed him from the cross, Matt. 27:55,56; Luke 23:55, and sat over against his sepulchre when he was buried. Matt. 27:61. They were women that were first with him at his resurrection-morn, Luke 24:1, and women that brought tidings first to his disciples that he was risen from the dead. Luke 24:22,23. Women therefore are highly favored, and show by these things that they are sharers with us in the grace of life.”

Part II, Ch. VIII : The Guests of Gaius
The Pilgrim's Progress (1678), Part II

Thomas Cromwell, 1st Earl of Essex photo
Jim Hightower photo

“There's nothing in the middle of the road but a yellow stripe and dead armadillos.”

Jim Hightower (1943) Texas author and liberal political activist

There's Nothing in the Middle of the Road but Yellow Stripes and Dead Armadillos (1998)

George Arnold photo
Jopie Huisman photo

“I was sitting in the barn, drawing a dead bird which I had put on a box. Then the barn door opened and Kees entered [an old iron-merchant, already retired].... He came down next to me.... After a short silence he said: 'Are you painting? '.... it looks somewhat like that bird'. I said: 'To me that means a compliment Kees, because I am trying to draw that bird.' Stunned, he looked at me and asked, "Why are you doing that?" What could I answer? I said: Actually, I don't know myself'. Then he hoisted himself to his feet and said, I'll bring you the stuff next Monday' and he went to the door..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: ** Ik zat in de schuur en tekende een dode vogel, die ik op een kistje had neergelegd. Toen ging de schuurdeur open en kwam Kees binnen [een oud ijzerkoopman, al met pensioen].. ..Hij ging op zijn hurken naast me zitten.. ..Toen zei hij, na een korte stilte: 'Ben je aan het schilderen?'.. .. 'Het lijkt wel wat op die vogel'. Ik zei: 'Dat is voor mij een compliment, Kees, want die vogel probeer ik na te tekenen.' Stomverbaasd keek hij me aan en vroeg: 'Waarom doe je dat?' Wat moest ik daar nu op antwoorden? Ik zei: 'Ja, dat weet ik eigenlijk zelf ook niet'. Toen hees hij zichzelf overeind en zei 'Ik breng de rommel maandag wel bij je.' Hij liep naar de deur..
Source: Jopie de Verteller' (2010) - postumous, p. 27

Anthony Burgess photo
Rudyard Kipling photo

“E's all 'ot sand an' ginger when alive
An' 'e's generally shammin' when 'e's dead.”

Fuzzy-Wuzzy.
Barrack-Room Ballads (1892, 1896)

Thomas Tickell photo

“though every friend be fled,
Lo! Envy waits, that lover of the dead.”

Thomas Tickell (1685–1740) English poet and man of letters

On the Death of the Earl of Cadogan.

John Donne photo
George Holmes Howison photo
John Byrne photo

“I am glad this asshole is dead. Sorry for his wife and kids, but relieved they are in no further danger from his lunacy!”

John Byrne (1950) American author and artist of comic books

On the death of Steve Irwin, "The Crocodile Hunter"

Philip José Farmer photo

“His wife had held him in her arms as if she could keep death away from him.
He had cried out, "My God, I am a dead man!"”

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 1; First lines, depicting the death of Sir Richard Francis Burton).

John F. Kennedy photo

“These burdens and frustrations are accepted by most Americans with maturity and understanding. They may long for the days when war meant charging up San Juan Hill-or when our isolation was guarded by two oceans — or when the atomic bomb was ours alone — or when much of the industrialized world depended upon our resources and our aid. But they now know that those days are gone — and that gone with them are the old policies and the old complacency's. And they know, too, that we must make the best of our new problems and our new opportunities, whatever the risk and the cost.
But there are others who cannot bear the burden of a long twilight struggle. They lack confidence in our long-run capacity to survive and succeed. Hating communism, yet they see communism in the long run, perhaps, as the wave of the future. And they want some quick and easy and final and cheap solution — now.
There are two groups of these frustrated citizens, far apart in their views yet very much alike in their approach. On the one hand are those who urge upon us what I regard to be the pathway of surrender-appeasing our enemies, compromising our commitments, purchasing peace at any price, disavowing our arms, our friends, our obligations. If their view had prevailed, the world of free choice would be smaller today.
On the other hand are those who urge upon us what I regard to be the pathway of war: equating negotiations with appeasement and substituting rigidity for firmness. If their view had prevailed, we would be at war today, and in more than one place.
It is a curious fact that each of these extreme opposites resembles the other. Each believes that we have only two choices: appeasement or war, suicide or surrender, humiliation or holocaust, to be either Red or dead. Each side sees only "hard" and "soft" nations, hard and soft policies, hard and soft men. Each believes that any departure from its own course inevitably leads to the other: one group believes that any peaceful solution means appeasement; the other believes that any arms build-up means war. One group regards everyone else as warmongers, the other regards everyone else as appeasers. Neither side admits that its path will lead to disaster — but neither can tell us how or where to draw the line once we descend the slippery slopes of appeasement or constant intervention.
In short, while both extremes profess to be the true realists of our time, neither could be more unrealistic. While both claim to be doing the nation a service, they could do it no greater disservice. This kind of talk and easy solutions to difficult problems, if believed, could inspire a lack of confidence among our people when they must all — above all else — be united in recognizing the long and difficult days that lie ahead. It could inspire uncertainty among our allies when above all else they must be confident in us. And even more dangerously, it could, if believed, inspire doubt among our adversaries when they must above all be convinced that we will defend our vital interests.
The essential fact that both of these groups fail to grasp is that diplomacy and defense are not substitutes for one another. Either alone would fail. A willingness to resist force, unaccompanied by a willingness to talk, could provoke belligerence — while a willingness to talk, unaccompanied by a willingness to resist force, could invite disaster.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Address at the University of Washington

Julius Malema photo

“Our people are still staying in the same houses that were given to them by apartheid. Our people still stay in the shacks. They came and abandoned you here. They have forgotten about you. They are going to come back next year during elections and say ‘no, you must remember Nelson Mandela, this is the party of Mandela, and we have come a long way with the ANC’. Mandela is no more. He is dead, with his party.”

Julius Malema (1981) South African political activist

As quoted by Siviwe Feketha in Mandela is no more. He is dead, with his party, says Malema Mandela is no more. He is dead, with his party, says Malema https://www.iol.co.za/news/politics/mandela-is-no-more-he-is-dead-with-his-party-says-malema-16241907, www.iol.co.za (26 July 2018)

James Boswell photo

“Johnson is dead. Let us go to the next best — there is nobody; no man can be said to put you in mind of Johnson.”

Quoting William Gerard Hamilton (1784)
The Life of Samuel Johnson, LL.D. (1791)

Carole Morin photo
Robert E. Howard photo
William L. Shirer photo
Saddam Hussein photo
Hugo Chávez photo
Steve Martin photo

“All of a sudden I had to remember some words that Marlowe had told me over fifteen years ago: 'Dead men don't wear plaid.' Hmm… Dead men don't wear plaid. I still don't know what it means.”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

As "Rigby Reardon" in Dead Men Don't Wear Plaid (1982)

Joseph Strutt photo

“A number of little birds, to the amount, I believe, of twelve or fourteen, being taken from different cages, were placed upon a table in the presence of the spectators; and there they formed themselves into ranks like a company of soldiers: small cones of paper bearing some resemblance to grenadiers caps were put upon their heads, and diminutive imitations of muskets made with wood, secured under their left wings. Thus equipped, they marched to and fro several times; when a single bird was brought forward, supposed to be a deserter, and set between six of the musketeers, three in a row, who conducted him from the top to the bottom of the table, on the middle of which a small brass cannon charged with a little gunpowder had been previously placed, and the deserter was situated in the front part of the cannon; his guards then divided, three retiring on one side, and three on the other, and he was left standing by himself. Another bird was immediately produced; and, a lighted match being put into one of his claws, he hopped boldly on the other to the tail of the cannon, and, applying the match to the priming, discharged the piece without the least appearance of fear or agitation. The moment the explosion took place, the deserter fell down, and lay, apparently motionless, like a dead bird; but, at the command of his tutor he rose again; and the cages being brought, the feathered soldiers were stripped of their ornaments, and returned into them in perfect order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 250
The Sports and Pastimes of the People of England (1801), Public entertainment

Park Benjamin, Sr. photo

“Language is not a handmaiden to perception; it is perception; it gives shape to what would otherwise be inert and dead.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 4, What Is A Good Sentence?, p. 42

Pablo Neruda photo

“If you should ask me where I've been all this time
I have to say "Things happen."
I have to dwell on stones darkening the earth,
on the river ruined in its own duration:
I know nothing save things the birds have lost,
the sea I left behind, or my sister crying.
Why this abundance of places? Why does day lock
with day? Why the dark night swilling round
in our mouths? And why the dead?”

Pablo Neruda (1904–1973) Chilean poet

Si me preguntáis en dónde he estado
debo decir "Sucede."
Debo de hablar del suelo que oscurecen las piedras,
del río que durando se destruye:
no sé sino las cosas que los pájaros pierden,
el mar dejado atrás, o mi hermana llorando.
¿Por qué tantas regiones, por qué un día
se junta con un día? ¿Por qué una negra noche
se acumula en la boca? ¿Por qué muertos?
No Hay Olvido (Sonata) (There's No Forgetting (Sonata) or There is No Oblivion (Sonata)), Residencia II (Residence II), VI, stanza 1.
Alternate translation by Donald D. Walsh:
If you ask me where I have been
I must say "It so happens."
I must speak of the ground darkened by stones,
of the river that enduring is destroyed:
I know only the things that the birds lose,
the sea left behind, or my sister weeping.
Why so many regions, why does a day
join a day? Why does a black night
gather in the mouth? Why dead people?
Residencia en la Tierra (Residence on Earth) (1933)

“Seven cities claimed blind Homer, dead,
Through which blind Homer, living, begged his bread.”

Avram Davidson (1923–1993) novelist

Vergil in Averno (1987)

Marguerite Yourcenar photo

“The memory of most men is an abandoned cemetery where lie, unsung and unhonored, the dead whom they have ceased to cherish.”

La mémoire de la plupart des hommes est un cimetière abandonné, où gisent sans honneurs des morts qu'ils ont cessé de chérir.
Source: Memoirs of Hadrian (1951), p. 209

Ali Khamenei photo
Percy Bysshe Shelley photo

“It is only by softening and disguising dead flesh by culinary preparation, that it is rendered susceptible of mastication or digestion; and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.”

Notes
Queen Mab (1813)
Variant: It is only by softening and disguising dead flesh by culinary preparation, that it is rendered susceptible of mastication or digestion; and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.

Percy Bysshe Shelley photo
Ricky Williams photo

“I wouldn’t eat a chicken if it dropped dead in front of me holding up a sign that said, ‘Eat Me.”

Ricky Williams (1977) All-American college football players, professional football players, running back

About his vegetarianism. "Ricky Williams: Taking the Veggie Plunge" by Jennifer Santiago, PETAWorld.com (23 March 2006) https://archive.is/20060323231702/http://www.petaworld.com/RickyWilliams.asp#selection-803.0-803.117.

Elliott Smith photo

“This is the place where time reverses. Dead men talk to all the pretty nurses. Instruments shine on a silver trayDon't let me get carried away.”

Elliott Smith (1969–2003) American singer-songwriter

King's Crossing.
Lyrics, From a Basement on the Hill (posthumous, 2004)

Poul Anderson photo
Will Rogers photo

“I certainly know that [A] comedian can only last till he either takes himself serious or his audience takes him serious and I don't want either of those to happen to me til I am dead”

Will Rogers (1879–1935) American humorist and entertainer

if then
Daily Telegram #1538, The First Good News of the 1928 Campaign! Mr. Rogers Says He Will Not Run For Anything (28 June 1931) <ref name=telegram3>
Daily telegrams

Peter Weiss photo
George Grosz photo

“Árt is dead. Long live Tatlin's new machine art.”

George Grosz (1893–1959) German artist

Grosz and Heartfield, 1920: text on their billboard at the Dada fair in Berlin

P.G. Wodehouse photo
Philip K. Dick photo
Ray Bradbury photo
Leo Rosten photo

“Conservative: One who admires radicals a century after they're dead.”

Leo Rosten (1908–1997) American writer

As quoted in The Modern Handbook of Humor (1967) by Ralph Louis Woods
Variants:
A conservative is someone who admires radicals a century after they're dead.
A conservative is one who admires radicals centuries after they're dead.

Pat Condell photo
Paul Bourget photo

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Jan Smuts photo

“The groans of the dying and the blanched set faces of the dead … were enough to drive away all unwholesome feelings of exultation, and to remind one of the grim reality that war is. And even though these were the faces and the sufferings of our enemy, one had … a deeper sense of the common humanity which knows no racial distinctions.”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Smuts in Memoirs of the Boer War, p. 151, as cited in Antony Lentin, 2010, Jan Smuts – Man of courage and vision, p. 15. ISBN 978-1-86842-390-3

Raymond Chandler photo
Thérèse of Lisieux photo
Doug Stanhope photo

“Tradition and heritage are all dead people's baggage, stop carrying it. Move forward.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

Oslo: Burning The Bridge To Nowhere (2011)

Tony Abbott photo

“WorkChoices is dead, it's buried, it's cremated.”

Tony Abbott (1957) Australian politician

Quoted in ABC News "WorkChoices haunt Abbott" http://www.abc.net.au/7.30/content/2010/s2958284.htm on abc.net.au, July 19, 2010.
2010

Robert Falcon Scott photo
Rod Serling photo
Aimé Césaire photo
Mickey Mantle photo
Tad Williams photo

“This fellow,” he indicated the woodsman with a sweep of his stick, “will reliably not become more alive, but he may have friends or family who will be unsettled to find him so extremely dead.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 17, “Binabik” (p. 253).

Ambrose Bierce photo
Chief Seattle photo
Pentti Linkola photo
Ian McCulloch photo
Khalil Gibran photo
Russell Brand photo

“Only Boris concerns me. When I used to watch Have I Got News For You, which as a kid I was proud to watch, full stop, I loved it when Boris Johnson came on. I didn't know who he was or what he did, I didn't think about it, I just liked him. I liked his voice, his manner, his name, his vocabulary, his self-effacing charm, humour and, of course, his hair. He has catwalk hair. Vogue cover hair, Rumplestiltskin spun it out of straw, straight-out-of-bed, drop-dead, gold-thread hair. He was always at ease with Deayton, Merton and Hislop, equal to their wit and always gave a great account of himself. "This bloke is cool," I thought. As I grew up I found out that he was an old Etonian, bully-boy, Spectator-editing Tory.
"That's weird," I thought. While I was busy becoming a world-class junkie, the man from HIGNFY became mayor. People like Boris Johnson; I like the HIGNFY Boris. He is the most popular politician in the country. Well, not in the country, on the television. There is a difference. Most people, of course, haven't met him, they've seen him on the telly. When I met Boris in his office, the nucleus of his dominion, I glanced at his library. Among the Wodehouses and the Euripides there were, of course, fierce economic tomes, capitalist manuals, bibles of domination. Eye-to-eye, the bumbling bonhomie appeared to be a lacquer of likability over a living obelisk of corporate power.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

Edie Brickell photo

“The village idiots in her bed
Never cared that her eyes were red
Never cared that her brain was dead.
In the hours that her face was alive
It was a thing just to be by her side.”

Edie Brickell (1966) singer from the United States

"Little Miss S."
Shooting Rubberbands at the Stars (1988)

Abby Sunderland photo
Elton John photo
Margaret Fuller photo
Russell Brand photo
Alastair Reynolds photo

““Is he dead?” Irravel asked.
“Depends what you mean by dead.””

Galactic North (p. 366)
Short fiction, Galactic North (2006)

Robert E. Howard photo
George Eliot photo

“Perhaps the wind
Wails so in winter for the summers dead,
And all sad sounds are nature's funeral cries
For what has been and is not.”

George Eliot (1819–1880) English novelist, journalist and translator

Book 1
The Spanish Gypsy (1868)

Marsden Hartley photo
Dwight L. Moody photo

“As a dead man cannot inherit an estate, no more can a dead soul inherit heaven. The soul must be resurrected in Christ.”

Dwight L. Moody (1837–1899) American evangelist and publisher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 562.

Anthony Burgess photo
Pope Benedict XVI photo

“Charity without faith is meaningless, and faith without charity remains a dead letter.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

Quoted in Elise Harris, " Priest Swaps Clerical Hats with 'Sharp, Healthy' Benedict XVI http://www.ncregister.com/daily-news/priest-swaps-clerical-hats-with-sharp-healthy-benedict-xvi", National Catholic Register (11 February 2013)
2013

Thomas Hood photo

“Oh would I were dead now,
Or up in my bed now,
To cover my head now,
And have a good cry!”

Thomas Hood (1799–1845) British writer

A Table of Errata; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Robert Jordan photo

“The boy was dead eager, which could soon lead to plain dead.”

Robert Jordan (1948–2007) American writer

Mat, about Olver
(11 October 2005)

Willem de Kooning photo
Edward Albee photo

“American critics are like American universities. They both have dull and half-dead faculties.”

Edward Albee (1928–2016) American playwright

Address to New York Cultural League (6 May 1969)

Javier Marías photo

“However dead a past love may be, new lovers are much…upset by them.”

Javier Marías (1951) Spanish writer

Los amores pasados siempre ofenden a los amantes nuevos, por muy muertos que estén aquéllos.
Source: Todas las Almas [All Souls] (1989), p. 93

Pauline Kael photo
Ray Comfort photo

“All [atheists] have seen is the inside of a dead Catholic church or the hypocrisy of the money-hungry 'prosperity gospel' version of Christianity we find all over the airwaves and all across bookstore shelves today.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Corneliu Zelea Codreanu photo
Ursula K. Le Guin photo

“There’s nothing to fear, Lebannen,” he said gently, mockingly. “They were only the dead.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, The Farthest Shore (1972), Chapter 11, "Selidor"

H. Rider Haggard photo

“I looked down the long lines of waving black plumes and stern faces beneath them, and sighed to think that within one short hour most, if not all, of those magnificent veteran warriors, not a man of whom was under forty years of age, would be laid dead or dying in the dust. It could not be otherwise; they were being condemned, with that wise recklessness of human life which marks the great general, and often saves his forces and attains his ends, to certain slaughter, in order to give their cause and the remainder of the army a chance of success. They were foredoomed to die, and they knew the truth. It was to be their task to engage regiment after regiment of Twala’s army on the narrow strip of green beneath us, till they were exterminated or till the wings found a favourable opportunity for their onslaught. And yet they never hesitated, nor could I detect a sign of fear upon the face of a single warrior. There they were—going to certain death, about to quit the blessed light of day for ever, and yet able to contemplate their doom without a tremor. Even at that moment I could not help contrasting their state of mind with my own, which was far from comfortable, and breathing a sigh of envy and admiration. Never before had I seen such an absolute devotion to the idea of duty, and such a complete indifference to its bitter fruits.”

Source: King Solomon's Mines (1885), Chapter 14, "The Last Stand of the Greys"

Jon Courtenay Grimwood photo
Cloris Leachman photo
R. A. Salvatore photo
Jeremy Clarkson photo
Jean Paul Sartre photo

“He is dead, and my hatred has died with him.”

Electra, before the dead Aegistheus, Act 2
The Flies (1943)

J.M. Coetzee photo
Yukteswar Giri photo

“Good manners without sincerity are like a beautiful dead lady.”

Yukteswar Giri (1855–1936) Indian yogi and guru

Autobiography of a Yogi (1946)

John Dryden photo

“During my nine days' stay at Dacca, I visited most of the riot-affected areas of the city and suburbs. … The news of the killing of hundreds of innocent Hindus in trains, on railway lines between Dacca and Narayanganj, and Dacca and Chittagong gave me the rudest shock. … I reached Barisal town and was astounded to know of the happenings in Barisal. In the District town, a number of Hindu houses were burnt and a large number of Hindus killed. I visited almost all riot-affected areas in the District. … At the Madhabpasha Zamindar's house, about 200 people were killed and 40 injured. A place, called Muladi, witnessed a dreadful hell. At Muladi Bandar alone, the number killed would total more than three hundred, as was reported to me by the local Muslims including some officers. I visited Muladi village also, where I found skeletons of dead bodies at some places. I found dogs and vultures eating corpses on he river-side. I got the information there that after the whole-scale killing of all adult males, all the young girls were distributed among the ringleaders of the miscreants. At a place called Kaibartakhali under P. S. Rajapur, 63 persons were killed. Hindu houses within a stone's throw distance from the said thana office were looted, burnt and inmates killed. All Hindu shops of Babuganj Bazar were looted and then burnt and a large number of Hindus were killed. From detailed information received, the conservative estimate of casualties was placed at 2,500 killed in the District of Barisal alone. Total casualties of Dacca and East Bengal riot were estimated to be in the neighbourhood of 10,000 killed. The lamentation of women and children who had lost their all including near and dear ones melted my heart. I only asked myself "What was coming to Pakistan in the name of Islam."”

Jogendra Nath Mandal (1904–1968) Pakistani politician

Excerpted from the resignation letter of J. N. Mandal, Minister for Law and Labour, Government of Pakistan, October 8, 1950. https://en.wikisource.org/wiki/Resignation_letter_of_Jogendra_Nath_Mandal https://biblio.wiki/wiki/Resignation_letter_of_Jogendra_Nath_Mandal

Peter Greenaway photo
Bob Dylan photo

“Leave your stepping stones behind, something calls for you.
Forget the dead you've left, they will not follow you.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's All Over Now, Baby Blue