Quotes about nature
page 35

Arthur Stanley Eddington photo

“Physics has in the main contented itself with studying the abridged edition of the book of nature.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

"A Generalization of Weyl's Theory of the Electromagnetic and Gravitational Fields" in Proceedings of the Royal Society of London A99 (1921), p. 108

Johann Gottlieb Fichte photo
Carl I. Hagen photo
Thomas Hood photo

“Boughs are daily rifled
By the gusty thieves,
And the book of Nature
Getteth short of leaves.”

Thomas Hood (1799–1845) British writer

The Season; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

John Wilmot, 2nd Earl of Rochester photo

“Farewell, woman! I intend
Henceforth every night to sit
With my lewd, well-natured friend,
Drinking to engender wit.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

Love a woman! Y’are an ass, ll. 9–12.
Other

John Ruysbroeck photo

“And there you In a new embrace, with a new torrent of eternal love: all the elect, angels and men, from the last to the first are embraced It is a living and fruitful unity, which is the source and the fount of all life All creatures are there without themselves as in their eternal origin, One essence and one life with God These enlightened people are lifted up with free mind above reason…To the summit of their spirit Their naked understanding is penetrated with eternal clarity as the air is penetrated by the light of the sun. The bare elevated will is transformed and penetrated with fathomless love, just as iron is penetrated by the fire [God] gives Himself in the soul’s essence…Where the soul’s powers are unified…And undergo God’s transformation in simplicity. In this place all is full and overflowing, for the spirit feels itself as one truth and one richness. And one unity with God All spirits thus raised up Melt away and are annihilated by reason of enjoyment in God’s essence They fall away from themselves and are lost in a bottomless unknowingWith God they will ebb and flow, and will always be in repose…They are drunk with love and have passed away into God in a dark luminosity must accept that the Persons yield and lose themselves whirling in essential love, that is, in enjoyable unity; nevertheless, they always remain according to their personal properties In the working of the Trinity. You may thus understand that the divine nature is eternally at rest and without mode according to the simplicity of its essence. It is why all that God has chosen and enfolded with eternal personal love, he has possessed essentially, enjoyably in unity, with essential love.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

“Like Kant before him, Darwin insists that the source of all error is semblance. Analogy, he says again and again, is always a ‘deceitful guide’ (see pp. 61, 66, 473). As against analogy, or as I would say merely metaphorical characterizations of the facts, Darwin wishes to make a case for the existence of real ‘affinities’ genealogically construed. The establishment of these affinities will permit him to postulate the linkage of all living things to all others by the ‘laws’ or ‘principles’ of genealogical descent, variation, and natural selection. These laws and principles are the formal elements in his mechanistic explanation of why creatures are arranged in families in a time series. But this explanation could not be offered as long as the data remained encoded in the linguistic modes of either metaphor or synecdoche, the modes of qualitative connection. As long as creatures are classified in terms of either semblance or essential unity, the realm of organic things must remain either a chaos of arbitrarily affirmed connectedness or a hierarchy of higher and lower forms. Science as Darwin understood it, however, cannot deal in the categories of the ‘higher’ and ‘lower’ any more than it can deal in the categories of the ‘normal’ and ‘monstrous.’ Everything must be entertained as what it manifestly seems to be. Nothing can be regarded as ‘surprising,’ any more than anything can be regarded as ‘miraculous.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

Ernst von Glasersfeld photo

“As a metaphor - and I stress that it is intended as a metaphor - the concept of an invariant that arises out of mutually or cyclically balancing changes may help us to approach the concept of self. In cybernetics this metaphor is implemented in the ‘closed loop’, the circular arrangement of feedback mechanisms that maintain a given value within certain limits. They work toward an invariant, but the invariant is achieved not by a steady resistance, the way a rock stands unmoved in the wind, but by compensation over time. Whenever we happen to look in a feedback loop, we find the present act pitted against the immediate past, but already on the way to being compensated itself by the immediate future. The invariant the system achieves can, therefore, never be found or frozen in a single element because, by its very nature, it consists in one or more relationships - and relationships are not in things but between them.
If the self, as I suggest, is a relational entity, it cannot have a locus in the world of experiential objects. It does not reside in the heart, as Aristotle thought, nor in the brain, as we tend to think today. It resides in no place at all, but merely manifests itself in the continuity of our acts of differentiating and relating and in the intuitive certainty we have that our experience is truly ours.”

Ernst von Glasersfeld (1917–2010) German philosopher

Source: Cybernetics, Experience and the Concept of Self, 1970, pp.186-7 cited in: Vincent Kenny (2010) Remembering Ernst von Glasersfeld http://www.oikos.org/vonen.htm at oikos.org, retrieved Oct 11, 2012.

Francis Bacon photo
Thomas Chandler Haliburton photo

“We can do without any article of luxury we have never had; but when once obtained, it is not in human natur’ to surrender it voluntarily.”

Thomas Chandler Haliburton (1796–1865) Canadian-British politician, judge, and author

The Clockmaker (1836).

Robert Charles Wilson photo
Akbar Hashemi Rafsanjani photo

“I believe the main solution [referring to the nuclear issue] is to gain the trust of Europe and America and to remove their concerns over the peaceful nature of our nuclear industry and to assure them that there will never be a diversion to military use.”

Akbar Hashemi Rafsanjani (1934–2017) Iranian politician, Shi'a cleric and Writer

Remarks in an interview http://www.chinadaily.com.cn/english/doc/2005-05/19/content_444110.htm (May 5,2005)
2005

Catherine the Great photo
Pierre Louis Maupertuis photo

“Despite the disorder observed in Nature, one finds enough traces of the wisdom and power of its Author that one cannot fail to recognize Him.”

Pierre Louis Maupertuis (1698–1759) French mathematician, philosopher and man of letters

Les Loix du Mouvement et du Repos, déduites d'un Principe Métaphysique (1746)

Thomas Wolfe photo
Ernesto Che Guevara photo
Mohammed VI of Morocco photo

“We are delighted, at this moment in which we celebrate these two great memorial days, to announce to you, dear people, the good news of the discovery of Oil and Natural Gas, in good quality and abundant quantities, in the region of Talsint, in the provinces of the Oriental, which are so dear to us”

Mohammed VI of Morocco (1963) King of Morocco

Original French: Nous nous réjouissons, au moment où nous célébrons ces deux glorieux anniversaires, de t’annoncer, cher peuple, la bonne nouvelle de la découverte du pétrole et du gaz, de bonne qualité et en quantités abondantes, dans la région de Talsint dans les provinces de l’Oriental qui nous sont si chères.
Televised speech 20 August 2000 http://www.maroc.ma/fr/discours-royaux/discours-de-sm-le-roi-mohammed-vi-%C3%A0-l%E2%80%99occasion-du-47%C3%A8me-anniversaire-de-la

Jane Roberts photo
Henri Matisse photo

“An artist must possess Nature. He must identify himself with her rhythms, by effort that will prepare the mastery which will later enable him to express himself in his own language.”

Henri Matisse (1869–1954) French artist

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson , London, 1963, p. 238
1940s

Scott Jurek photo
Joseph Strutt photo
Ann Coulter photo
Norman Vincent Peale photo

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Moritz Schlick photo
Ralph Waldo Emerson photo
Northrop Frye photo

“It is of the essence of imaginative culture that is transcends the limits both of the naturally possible and of the morally acceptable.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Anagogic Phase: Symbol as Monad

Norbert Wiener photo
Ambrose photo
Jeanette Winterson photo
Edmund Burke photo

“There is nothing that God has judged good for us that He has not given us the means to accomplish, both in the natural and the moral world.”

Edmund Burke (1729–1797) Anglo-Irish statesman

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 261
Undated

Vitruvius photo
George Sarton photo

“Scientific achievements seem evanescent, because the very progress of science causes their supersedure; yet some of them are of so fundamental a nature that they are immortal in a deeper way.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.1 Ancient Science Through the Golden Age of Greece (1952)

Orison Swett Marden photo
Jane Yolen photo
André Breton photo
Yoshida Shoin photo
John F. Kennedy photo
Henry Adams photo
Paul Klee photo
Jane Roberts photo
Gloria Estefan photo
James Fenimore Cooper photo
Joseph Addison photo

“A misery is not to be measured from the nature of the evil, but from the temper of the sufferer.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 146.
The Tatler (1711–1714)

David Cameron photo

“Above all we are obstinately practical, rigorously down-to-earth, natural debunkers. We approach issues with a cast of mind rooted in common sense, we're rightly suspicious of ideology and sceptical of grand schemes and grandiose promises.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Quoted from 'British strength and security in the world' speech (9 May 2016) - 11:50 -12:00 https://www.youtube.com/watch?v=P_XSmiPezTE
2010s, 2016

Subhash Kak photo

“Modern life alienates us from Nature, even our own.”

Subhash Kak (1947) Indian computer scientist

The Wishing Tree (2015)

Hector Berlioz photo

“A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.”

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare.
À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Max Scheler photo

“The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 54-55

Elton Mayo photo
William Harvey photo

“I profess both to learn and to teach anatomy, not from books but from dissections; not from positions of philosophers but from the fabric of nature.”

William Harvey (1578–1657) English physician

"Dedication to Dr. Argent and Other Learned Physicians".
De Motu Cordis et Sanguinis (1628)

Pope John Paul II photo

“Born and nurtured when the human being first asked questions about the reason for things and their purpose, philosophy shows in different modes and forms that the desire for truth is part of human nature itself.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Encyclical Fides et Ratio, 14 September 1998
Source: www.vatican.va http://www.vatican.va/holy_father/john_paul_ii/encyclicals/documents/hf_jp-ii_enc_14091998_fides-et-ratio_en.html

Stephen Wolfram photo
Georg Christoph Lichtenberg photo
Paul Gauguin photo
Letitia Elizabeth Landon photo
Naum Gabo photo
George Eliot photo
Marshall McLuhan photo

“I neither approve nor disapprove. I merely try to understand. Sexual freedom is as natural to newly tribalized youth as drugs.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1960s, Playboy Interview (1969)

Marcus Tullius Cicero photo

“If, then, the things achieved by nature are more excellent than those achieved by art, and if art produces nothing without making use of intelligence, nature also ought not to be considered destitute of intelligence. If at the sight of a statue or painted picture you know that art has been employed, and from the distant view of the course of a ship feel sure that it is made to move by art and intelligence, and if you understand on looking at a horologe, whether one marked out with lines, or working by means of water, that the hours are indicated by art and not by chance, with what possible consistency can you suppose that the universe which contains these same products of art, and their constructors, and all things, is destitute of forethought and intelligence? Why, if any one were to carry into Scythia or Britain the globe which our friend Posidonius has lately constructed, each one of the revolutions of which brings about the same movement in the sun and moon and five wandering stars as is brought about each day and night in the heavens, no one in those barbarous countries would doubt that that globe was the work of intelligence.”
Si igitur meliora sunt ea quae natura quam illa quae arte perfecta sunt, nec ars efficit quicquam sine ratione, ne natura quidem rationis expers est habenda. Qui igitur convenit, signum aut tabulam pictam cum aspexeris, scire adhibitam esse artem, cumque procul cursum navigii videris, non dubitare, quin id ratione atque arte moveatur, aut cum solarium vel descriptum vel ex aqua contemplere, intellegere declarari horas arte, non casu, mundum autem, qui et has ipsas artes et earum artifices et cuncta conplectatur consilii et rationis esse expertem putare. [88] Quod si in Scythiam aut in Brittanniam sphaeram aliquis tulerit hanc, quam nuper familiaris noster effecit Posidonius, cuius singulae conversiones idem efficiunt in sole et in luna et in quinque stellis errantibus, quod efficitur in caelo singulis diebus et noctibus, quis in illa barbaria dubitet, quin ea sphaera sit perfecta ratione.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 34
De Natura Deorum – On the Nature of the Gods (45 BC)

Heinrich Robert Zimmer photo
Horace Bushnell photo
Stanley Baldwin photo
A.E. Housman photo
William Ellery Channing photo

“Critique in its many manifestations puts up a common opposition to instrumental rationality, because such a rationality can be linked to control in the human condition in a similar way to the idea of power in the control of the natural world.”

Robert L. Flood (1959) British organizational scientist

Robert L. Flood (1990) Liberating Systems Theory p. 204; as cited in: Trudi Cooper (2003) Critical Management, Critical Systems Theory And System Dynamics http://www.mngt.waikato.ac.nz/ejrot/cmsconference/2003/proceedings/orsystems/Cooper.pdf.

Michael Swanwick photo

“Any man, to the extent to which he is good, reveals the nature of God.”

Leslie Weatherhead (1893–1976) English theologian

Source: The Christian Agnostic (1965), p.38

Richard Feynman photo

“Nature isn't classical, dammit, and if you want to make a simulation of nature, you'd better make it quantum mechanical, and by golly it's a wonderful problem, because it doesn't look so easy.”

Richard Feynman (1918–1988) American theoretical physicist

" Simulating Physics with Computers http://www.cs.berkeley.edu/~christos/classics/Feynman.pdf", International Journal of Theoretical Physics, volume 21, 1982, p. 467-488, at p. 486 (final words)

Ben Klassen photo
Alexander Bogdanov photo

“Tektology must clarify the modes of organization that are perceived to exist in nature and human activity; then it must generalize and systematize these modes; further, it must explain them, that is, propose abstract schemes of their tendencies and laws; finally, based on these schemes, determine the direction of organizational methods and their role in the universal process. This general plan is similar to the plan of any natural science; but the objectives of tektology are basically different. Tektology deals with organizational experiences not of this or that specialized field, but of all these fields together. In other words, tektology embraces the subject matter of all other sciences, and of all human experience giving rise to these sciences, but only from the aspect of method: that is, it is interested only in the mode of organization of this subject matter.”

Alexander Bogdanov (1873–1928) Physician, philosopher, writer

Variant: Tektology must clarify the modes of organization that are perceived to exist in nature and human activity; then it must generalize and systematize these modes; further it must explain them, that is, propose abstract schemes of their tendencies and laws; finally, based on these schemes, determine the direction of organizational methods and their role in the universal process. This general plan is similar to the plan of any natural science; but the objective of tektology is basically different. Tektology deals with organizational experiences not of this or that specialized field, but of all these fields together. In other words, tektology embraces the subject matter of all the other sciences and of all the human experience giving rise to these sciences, but only from the aspect of method, that is, it is interested only in the modes of organization of this subject matter.
Source: Essays in tektology, 1980, p. iii

Mary Wollstonecraft photo
William Wordsworth photo

“Myriads of daisies have shone forth in flower
Near the lark's nest, and in their natural hour
Have passed away; less happy than the one
That by the unwilling ploughshare died to prove
The tender charm of poetry and love.”

William Wordsworth (1770–1850) English Romantic poet

Poems Composed or Suggested During a Tour in the Summer of 1833, "There!" said a Stripling, l. 10 (1833).

James Russell Lowell photo
Georges Braque photo
Harold Macmillan photo
George Croly photo

“Time has been called God's way of making sure that everything doesn't happen at once. In the same spirit, noise is Nature's way of making sure that we don't find out everything that happens. Noise, in short, is the protector of information.”

Hans Christian von Baeyer (1938) American physicist

von Baeyer did not originate the quip about time, which dates back at least as far as the 1929 book "The Man Who Mastered Time" by Ray Cummings, where it appears on p. 1 http://books.google.com/books?id=YdZEAAAAYAAJ&q=%22everything+from+happening+at+once%22#search_anchor.
Source: Information, The New Language of Science (2003), Chapter 14, Noise, Nuisance and necessity, p. 127-128

William Paley photo
Walter Benjamin photo

“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

James Anthony Froude photo

“Nature is less partial than she appears, and all situations in life have their compensations along with them.”

James Anthony Froude (1818–1894) English historian, novelist, biographer, and editor of Fraser's Magazine

Bunyan (1880), Ch. X, p. 175; a 2005 edition is also available from Kessinger Publishing ISBN 1-417-97107-X

Stephen King photo
John Buchan photo
James Thurber photo
George Hendrik Breitner photo

“What I consider to do with the new course [at The Academy of Art in The Hague] is: in the morning doing large plaster and in the afternoon painting or drawing after Nature, what I am doing already for some time, and [drawing] horses in the Municipal Horse Riding School. The Director is Sir Krüger, a very charming German who has seen of course many horses and so he knows how to show me the mistakes I make, which are not few.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat ik mij voorstel met de nieuwe cursus te doen is: 's morgens grootpleister en 's middags schilderen of naar de natuur teekenen. waarmede ik reeds eenige tijd bezig ben. en paarden in de Stadsrijschool. De Dir. daarvan is den Heer Krüger een alleraardigste duitscher, die nat. veel paarden gezien heeft en me dus de fouten weet te zeggen, die ik maak en die niet weinige zijn.
early quote of Breitner in his letter to his Maecenas A.P. van Stolk, 11 April 1878; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/585
before 1890

Ezra Pound photo
John Dryden photo

“The fool of nature stood with stupid eyes
And gaping mouth, that testified surprise.”

Source: Fables, Ancient and Modern (1700), Cymon and Iphigenia, Line 107.

Johannes Warnardus Bilders photo

“People call this beautiful? - no, they are crazy, or I am mad! – How I learned now at Oosterbeek [c. 1834-36 that I should look at Nature completely different! In the beginning I could not make anything good; I soon realized that I had to start all over again.”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Moet dat nu mooi heeten? - neen, de menschen zijn gek, of ik! - Wat leerde ik nu te Oosterbeek die Natuur gansch anders aankijken! In 't begin kon ik niets goeds maken; ik zag al gauw, dat ik weer van voren af aan moest beginnen.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)

Vitruvius photo
J.M.W. Turner photo

“To select, combine and concentrate that which is beautiful in nature and admirable in art is as much the business of the landscape painter in his line as in the other departments of art.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote of Turner, c. 1810; as quoted in: Dennis Hugh Halloran (1970) The Classical Landscape Paintings of J.M.W. Turner. p. 75
1795 - 1820

Thomas R. Marshall photo