Quotes about music
page 22

“The most likely reason for the adoption of a relatively small number of discrete intervals as the tonal material for music is that discretization or categorization is a typical, if not universal, strategy used by animals in order to reduce information overload and facilitate processing when subjected to the high-information-conetent signals and/or high information rates from a highly developed sensory system (e. g., Estes, 1972; Terhardt, 1991). An obvious example is the processing of speech information by humans, wherein each language selects a relatively small portion of the available timbral-differences that can be produced by the vocal tract as information-carrying units (phonemes) in the language. A related reason for discrete scales, and another obvious analogy with speech perception, lies in the social aspect of music. Music first developed as, and still largely remains, a social phenomenon associated with religious or other rituals that, like language, necessitated an easily remembered common framework.”

Edward Burns (1968) American actor and director

Burns, Edward M. (1999). "Intervals, Scales, and Tuning", 'The Psychology of Music second edition, p. 218. Deutsch, Diana, ed. San Diego: Academic Press. ISBN 0122135644

Universe, Animals

“He was dancing to some music
No one else had ever heard
He'd speak in unknown languages
She would translate every word
And then when the world was laughing
At his castles in the sky
She'd hold him in her body
Till he once again could fly.”

Harry Chapin (1942–1981) American musician

Shooting Star
Song lyrics, Verities & Balderdash (1974)

World, Dance, Flying

“But she just stood there, scared that I might snap
I looked in her eyes and there were years of disappointment starin' right back
And I was scared too, scared of what she would say
But I was embarassed like I, like I sat through three Madea plays
Before she walked away, Misery stopped
And she said 'look at your music career, you're in the same spot'
'Nah,' I said, 'don't even try me
Because you used to stand beside me
But I moved so far ahead you're ninety feet behind me”

Danny! (1983) American rapper

"Misery"
Albums, And I Love H.E.R. (2008)

Disappointment

“Notes don't make music until you learn to insert silence between them.”

Ben Folds (1966) American musician

Studio http://www.benfolds.com/studio Song lyrics, BenFolds.com

Silence, Learning

“Given my present belief in the much greater range of variability as to both order and kind of complexity in the world's musics versus the world's languages, I can hardly imagine how a model developed really satisfactorily for the detailed structureal explanation of one musical language is so easiy modified to another, and all the more so if the original model be evolved from linguistics rather than from the musical disciplines.”

Harold Powers (1928–2007) American academic

Harold Powers, "Language Models and Musical Analysis", p.48.

World, Imagination

“Yes, in the sense that the negative is like the composer’s score. Then, using that musical analogy, the print is the performance. (Paraphrased as "Film is the score and the print is the performance.")”

Ansel Adams (1902–1984) American photographer and environmentalist

Sense

“I really thought I could give it up… But I really love music, and having a creative outlet is really the best thing you can do for yourself.”

Edie Brickell (1966) singer from the United States

"Whatever happened to Edie Brickell?" CNN.com (7 January 2004) http://www.cnn.com/2004/SHOWBIZ/Music/01/07/music.edie.brickell.ap/

Love

“Modern European composers…have very largely received their stimulus, their rhythms and impulses from Machine Age America. They have a much older tradition of musical technique which has helped them put into musical terms a little more clearly the thoughts that originated here. They can express themselves more glibly.”

George Gershwin (1898–1937) American composer and pianist

Page 386
The Composer in the Machine Age (1933)

Age, Help

“To work on stage these days with all the advanced tools developed by the electronic industry, you can’t sit down like in the old days and start noodling around on a three-chord basis. Today you need a kind of structure or even a very complex composition for communicating properly between a bunch of people. Nevertheless, there is still room for musical freedom and even improvisation.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

People, Communication, Freedom

“Let me put it another way. Most people are what they sense and if all you see day after day is a mat on a floor that belongs to the rats and four walls with tiny piles of plaster at the bottom, and all you eat is starch, and all you hear is continuous music, you smell garbage and piss which drips through the walls continually, and all the people you know live like you, it's not horrible, it's just… Who they are.”

Kathy Acker book Blood and Guts in High School

Blood and Guts in High School (1978)

People, Way, Sense

“Punk: I'm not gonna have you sit here and belittle me. Say I've lost sight? I've lost sight of things, John? The reason I say I'm gonna take that and walk out is because I don't fit a certain mold. Because I am the underdog, and that's exactly what you've lost sight of. Earlier in this ring, you mentioned great wrestlers like Eddie Guerrero and you said they used to look at you and say that the kid couldn't hang. And now you stand here and look at me as the kid that can't hang. John, I was hanging off of your gangster car, WrestleMania 22, as it rolled down in Chicago, Illinois, and I stood there in a suit looking as ridiculous as [points to Vince McMahon] that man looks right now in his suit, holding a phony Tommy gun, and I said to myself someday, I'm not gonna be standing out there watching you in the ring; I was gonna be in the ring watching you go down to CM Punk. And now here we are in your hometown of Boston. And now next week, we'll be back there in my hometown—Chicago, Illinois. And this… this is the part where I talk 'em into the building. See, you are the one that's lost sight, and I apologize for raising my voice because I'm not that guy. But when you stand here and tell me that I've lost sight, when you, the 10-time Champion who stands for hustle, loyalty and respect; who, from Boston, Massachusetts, lives and breathes these red colors, the same colors as your beloved Red Sox, who also portray themselves as the underdog, I'm sure just like the Bruins portray themselves as the underdog. Just like the Patriots think they're the underdog! Hey, how about those Celtics? Are they the underdogs too? Here's what you've lost sight of, John, and I'm really happy that your father and your wife are sitting in the front row so they can hear it!
John Cena: That's the last time I'm gonna tell you, man, ease up.
Punk: What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees! [John immediately punches Punk, who scoots out of the ring, grabs the contract, and goes up the ramp. Points respectively to Vince and John] You're Steinbrenner, and you might as well be Jeter! Mr. 3000, I'm the underdog! [John's music plays for fourteen seconds] Turn it off! Turn the music off because I have something to say, and I'm positive that everybody here wants to hear it, and everybody sitting at home has their DVRs fired up because they wanna hear it! I'm glad you just punched me in the face, John. I'm glad it went down this way because it hit me like a bolt of lightning—exactly why I no longer wanna be here, why I wanna leave. It's because I'm tired of this. I'm tired of you. I'm just tired. So ladies and gentlemen of the WWE Universe, Vince, John, Sunday night, say goodbye to the WWE Title, say goodbye to John Cena, and say goodbye to CM Punk! [Rips up the contract] I'll go be the best in the world somewhere else.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 11, 2011
WWE Raw

Hate, Happiness, World, Cars

“Any artist worth his salt thinks music far more than he practices. Practice divides the mind between music and the mechanics of managing hands and feet. Inward hearing has its roots in musical thought.”

Benno Moiseiwitsch (1890–1963) British musician

Playing in the Grand Style (1950)

Thinking

“We are the same. There is no difference anywhere in the world. People are people. They laugh, cry, feel, and love, and music seems to be the commons denomination that brings us all together. Music cuts through all boundaries and goes right to the soul.”

Willie Nelson (1933) American country music singer-songwriter.

[The Facts of Life: And Other Dirty Jokes, 119, Random House Digital, 2003, 9780375758607, Nelson, Willie; McMurtry, Larry]

Love, People, World, Feeling

“As time passes I become more and more afraid of my growing love of music. I don’t understand myself. I play solo sonatas by Bach: next to them, what is Böcklin? It makes me smile.”

Paul Klee (1879–1940) German Swiss painter

Quote (November 1897), # 52, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
reflecting on his youth and on the uncertainty about the future of choice to make
1895 - 1902

Love, Smile, Understanding, Time

“I have a love for cheesy music. I don't want to list any bands and embarrass myself; D”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Love

“I have come to use the pan-Celtic history, which spans from 500 BC to the present, as a creative springboard. The music I am creating is a result of traveling down that road and picking up all manner of themes and influences, which may or may not be overtly Celtic in nature.”

Loreena McKennitt (1957) Canadian musician and composer

Website notes to The Mask And Mirror http://www.quinlanroad.com/explorethemusic/maskandmirror.asp

Travel, History, Nature

“I try to avoid categorizing music as much as I can, though. Everyone steals so much from everyone else these days, the lines between genres are very washed-out.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

“Hitherto he has found in Western music, in Bach above all, everything he needs. Now he encounters something that is not in Bach, though there are intimations of it: a joyous yielding of the reasoning, comprehending mind to the dance of the fingers. He hunts through record shops, and in one of them finds an LP of a sitar player named Ustad Vilayat Khan, with his brother — a younger brother, to judge from the picture — on a veena, and an unnamed tabla player. He does not have a gramophone of this own, but he is able to listen to the first ten minutes in the shop. It is all there: the hovering exploration of tone-sequences, the quivering emotion, the ecstatic rushes. He cannot believe his good fortune. A new continent and all for a mere nine shillings! He takes the record back to his room, packs it away between sleeves of cardboard till the day he will able to listen to it again.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Dance

“Everybody enjoys arguing about the current state of music because it feels as if you are talking about something incredibly important, yet it requires little understanding of the subject matter at hand. It's like world politics meets the pink questions in Trivial Pursuit. Points are made but nothing gets accomplished.”

John Mayer (1977) guitarist and singer/songwriter

Esquire, in the column "The Resident Rock Star: JOHN MAYER" http://www.keepmedia.com/pubs/Esquire/2004/07/01/484084?from=search&criteria=john+mayer (July 1, 2004)

World, Feeling, Understanding, Question

“We have lost the old love of work, of work which kept itself company, which was fair weather and music in the heart, which found its reward in the doing, craving neither the flattery of vulgar eyes nor the gold of vulgar men.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 21

Love, Men, Heart, Weather

“The career of Marian Anderson, the world-class contralto who was denied permission to sing in Constitution Hall because of her race, symbolizes the achievements of so many black American musicians. Performing instead at the Lincoln Memorial in 1939, she drew an audience of 75,000 and inspired the world not only with her rich musical gifts, but also with her determination and courage.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

World, Courage, Memory, Singing

“October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 — the night Le Sacre du Printemps was first performed — in music history. There was no riot, and no one threw anything at the screen, but I think it’s fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. […] Bertolucci and Brando have altered the face of an art form. Who was prepared for that?”

Pauline Kael (1919–2001) American film critic

From "The Current Cinema" http://www.criterion.com/current/posts/834-last-tango-in-paris. The New Yorker. October 28, 1972.

Art, History, Thinking, Night

“But by way of consolation: it is valueless to paint premature things, what counts is to be a personality, or at least to become one. The domination of life is one of the basic conditions of productive expression. For me this is surely the case; when I am depressed I am unable even to think about it – and this holds true for painting, sculpture, tragedy, or music. But I believe that pictures alone will abundantly fill out this one life.”

Paul Klee (1879–1940) German Swiss painter

Quote (Bern, April 1902), as cited in Artists on Art, from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 442
1895 - 1902

Life, Way, Thinking, Painting

“I lived with them on Montague Street
In a basement down the stairs
There was music in the cafes at night
And revolution in the air.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blood on the Tracks (1975), Tangled Up In Blue

Night

“Jivamukti Yoga is a path to enlightenment through compassion for all beings. Jivamukti is a Sanskrit word that means to live liberated in joyful, musical harmony with the Earth. The Earth does not belong to us—we belong to the Earth. Let us celebrate our connection to life by not enslaving animals and exploiting the Earth, and attain freedom and happiness for ourselves in the process. For surely, the best way to uplift our own lives is to do all we can to uplift the lives of others. Go vegan!”

Sharon Gannon (1951) American yoga teacher

Simple Recipes for Joy (2014)

Life, Happiness, Way, Freedom

“I find a lot of club music extremely boring.”

Andrew Sega (1975) musician from America

Gothtronic interview with Iris http://www.gothtronic.com/?page=23&interviews=899

“If music is what can be called my strategy, then every singer should be trying that.”

Shreya Ghoshal (1984) Indian playback singer

About strategy http://indianexpress.com/article/entertainment/play/indias-idol-shreya-ghoshal/

“Color is to the eye what music is to the ear.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Color

“I think when something's over, events have a way of conspiring to make you realise that it's over. As cryptic as that sounds, it's true. Things would happen and I'd be like, Am I going to have to deal with this for the rest of my life? And it was a very, very emotional band. It's in the music. The relationship between me and Morrissey was very emotional. It wasn't volatile in that we would row or anything like that, but it was so intense that if rocked slightly it would be a big deal. Was the lack of a manager important? Massively, I think. I was nursemaiding people when I needed nursemaiding myself. And I couldn't see where we were going to go in the near future musically without repeating ourselves and not being as good.”

Johnny Marr (1963) musician

from "Trouble at Mill" by John Harris, Mojo (April 2001).

Life, People, Way, Thinking

“One of those gifted ones that walk the earth,
Like angels in their beauty, and the while
The air is filled with music from their wings.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(31st January 1829) Lines to the Author after Reading the Sorrows of Rosalie
The London Literary Gazette, 1829

Beauty, Angels

“If it weren’t for the masters we wouldn’t have audiences for Indian classical music across the world. As for taking their mission forward, we have a long way to go.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

World, Way

“I should get a weekend show where all I do is play country music.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

Springer On The Radio for Air America Radio, July 22nd 2005

Country

“The effect of music is so very much more powerful and penetrating than is that of the other arts, for these others speak only of the shadow, but music of the essence.”

Arthur Schopenhauer book The World as Will and Representation

Vol. I, Ch. II
The World as Will and Representation (1819; 1844; 1859)

Art

“Music changed more between 1963 and 1969 than it has in the 37 years since, with the Beatles among the architects of that change.”

Daniel Levitin (1957) American psychologist

The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)

Change

“In different hours, a man represents each of several of his ancestors, as if there were seven or eight of us rolled up in each man's skin, — seven or eight ancestors at least, — and they constitute the variety of notes for that new piece of music which his life is.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Fate
1860s, The Conduct of Life (1860)

Life

“Prokofiev was not alone among the leading composers of the twentieth century in changing his style repeatedly in the course of his career: Stravinsky, Schoenberg, Bartók, and others modified their musical language drastically at various stages of their creative lives. In Prokofiev’s case, he always maintained certain stylistic facets throughout the transformations of his musical language.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Change

“He took their facts for granted. He knew no more than a firefly about rays — or about race or sex — or ennui — or a bar of music — or a pang of love — or a grain of musk — or of phosphorus — or conscience — or duty — or the force of Euclidian geometry — or non-Euclidian — or heat — or light — or osmosis — or electrolysis — or the magnet — or ether — or vis inertiae — or gravitation — or cohesion — or elasticity — or surface tension — or capillary attraction — or Brownian motion — or of some scores, or thousands, or millions of chemical attractions, repulsions or indifferences which were busy within and without him; or, in brief, of Force itself, which, he was credibly informed, bore some dozen definitions in the textbooks, mostly contradictory, and all, as he was assured, beyond his intelligence.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Love, Sex, Intelligence, Business

“Meyerbeer's approach to opera may seem cynical. His music is not, like Donizetti's, an immediate expression of the sentiments of his characters but a calculated manipulation of the audience.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 11 : Romantic Opera: Politics, Trash, and High Art

“In church, sacred music would make believers of us all—but preachers can be counted on to restore the balance.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“I never feel quite complete unless I'm doing all the arts-visual, musical, literary.”

Dick Higgins (1938–1998) English composer and poet

The Ruud Jansson Mail Interview 1995

Art, Feeling

“I am out of humanity's reach.
I must finish my journey alone,
Never hear the sweet music of speech;
I start at the sound of my own.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 9.

“Many pages of Prokofiev’s oeuvre continue the important tradition of Russian music based on fairy tale–inspired imagery.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

“I have always heard in the music what I am finding out from the books: the man was a tyrant who beat his musicians with insults and temper tantrums. He never smiled when conducting (not even in rehearsals!) never thanked or complimented his men, never made them feel they were valuable partners or had even done a creditable job. He would fail to give them cues, then blame them with curses and insults for needing them! Besides being a compulsive perfectionist, he was childish, petulant, inconsiderate, monomaniacal, and monstrously self-centered. His technique was fear, and I always heard that fear in his music…Reading about him - especially books by people who worked with him - strongly confirmed what I had felt in my bones”

Donald Vroon (1942) American music critic

On the subject of Toscanini - from Vroon's foreword to The mystery of Leopold Stokowski, By William Ander Smith, Fairleigh Dickinson Univ Press, 1990, ISBN 0838633625

Men, People, Books, Fear

“Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.”

Truman Capote (1924–1984) American author

From a 1957 interview
Truman Capote: Conversations (1987)

Law, Light, Learning, Painting

“Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Discussing "Piece for Soft Brass, Woodwinds and Percussion"; from the liner notes for Jazz Corps

World, Angels, Tear, Change

“Presently, however, we came to a small clearing and there, squatting at the mouth of its burrow was the musician responsible for the ringing, flute-like cry — a fat ground squirrel, wearing a tasteful suit of rust-red and grey fur. He sat as upright as a guardsman at the entrance to his home and his ribcage pumped in and out as he gave his musical warning cry. His big, liquid eyes stared at us with that intense, slightly inane expression that most squirrels wear, and his little paws trembled with his vocal efforts.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

How to Shoot an Amateur Naturalist (1984)

Home, Effort, Cry

“Every sound perceived by the acute ear in the rhythm of the world about us can be represented musically. Some people wish above all to conform to the rules, I wish only to render what I can hear.”

Claude Debussy (1862–1918) French composer

Statement of 1910, as quoted in Debussy on Music (1977) edited and translated by Françoise Lesure and Richard Langham Smith, p. 243

People, World

“Hollywood is about playing the game, and I can't think of any successful actresses who didn't play the game. there's a lot more renegades in the music business, from Patti Smith to Janis Joplin.”

Madonna (1958) American singer, songwriter, and actress

Aperture Magazine 1999 http://allaboutmadonna.com/madonna-interviews-articles/aperture-magazine-summer-1999

Game, Business, Thinking, Success

“One should write not unskillfully in the running hand, be able to sing in a pleasing voice and keep good time to music; and lastly, a man should not refuse a little wine when it is pressed upon him.”

Yoshida Kenkō (1283–1350) japanese writer

Tsurezure-Gusa (Essays in Idleness)

Wine, Singing, Time

“Music and painting should never be literary, a very subtle distinction according to Renoir. As soon as I try to represent an individual, their physiognomy and attitudes, I become a literary artist.”

Berthe Morisot (1841–1895) painter from France

Quote in a notebook, after having visited Renoir; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 54
undated quotes

Painting

“To analyse graphic representation precisely, it is helpful to distinguish it from musical, verbal and mathematical notations, all of which are perceived in a linear or temporal sequence. The graphic image also differs from figurative representation essentially polysemic, and from the animated image, governed by the laws of cinematographic time. Within the boundaries of graphics fall the fields of networks, diagrams and maps. The domain of graphic imagery ranges from the depiction of atomic structures to the representation of galaxies and extends into the spheres of topography and cartography.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 2

Law, Mathematics, Time, Help

“Now, there is a genuine social justice which proceeds not from the principle of equality, but from the principle: Suum cuique — to each his own. It is true that to deprive the workman of his just wage is not only a sin, but a sin that cries to heaven for vengeance. When one hinders social advance by putting barriers in the way of the diligent and the talented, one not only commits a personal injustice, but damages the common good of the whole nation, which always requires a genuine elite of ability and the contribution of extraordinary brainpower in every walk of life. And it would be socially unjust if a few individuals or certain groups had so much material wealth that, in consequence of this concentration of property and income, other classes had to live not only in povery, but in misery. Whoever lives in real abundance has a Christian duty to assist those living in wrechedness. Before we proceed, however, let us affirm that the notion of misery is different from that of poverty. Péguy has already drawn the distinction between pauvreté and misère. To live in misery means to suffer genuine physical privation: to know cold and hunger, to have no proper dwelling, to be dressed in rags, to be unable to secure medical attention. The poor, by contrast, have the necessities of life, but scarcely any more. They can borrow books, no doubt, but cannot buy them; they can hear music on the radio, but cannot afford a ticket to a concert; they cannot indulge in little extras of food and drink, but should, by self-discipline, be able to save a little. The poor have, therefore, the normal material preconditions for happiness — unless plagued by acquisitiveness or even envy, which has become a political force in the same measure as people have lost their faith. The fact that there are happy poor (alongside unhappy rich people) is beside the point. Demagogues know how to stir up terrible and murderous unrest even among the happy poor, as has been demonstrated clearly by the history of the left from Marat to Marx to Lenin to Hitler.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Pgs 53-54
The Timeless Christian (1969)

Life, Hunger, Happiness, People

“And I thought to myself: I actually have a conection to this place, it's part of my musical legacy. [Hammett talking about Scorpions]”

Kirk Hammett (1962) American musician

Germany's Radio (November 2016)

Parting

“kummel and have deep conversations about Plato and Kant while listening to classical music. Or she would spend the entire morning in the bathtub, with bubble-bath up to her chin, reading Proust. If you wanted to talk to her you had to do it in the bathroom.”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

Joan's idea of a good time was to go to Child's at 110th Street and Broadway and sip
About

Reading

“The opportunity to perform my music for billions of people around the globe will be the greatest highlight of my life, I am honoured to be part of the biggest sports event in the world.”

Tiësto (1969) Dutch DJ and record producer

Tiësto said about the ATHOC.
Source: [Dutch Top DJ Tiësto to rock opening Olympics 2004 Greece this Friday at Kennisland, http://blog.kennisland.nl/kennisland/2004/08/12/dutch_top_dj_ti/, Kennisland.nl, 2008-04-17]

Life, People, World, Sport

“The distance between folk society and literate society is ever decreasing, and Teresa Brewer will yet shake hands with Mrs. Texas Gladden. But until that happens—until my own culture, and Teresa Brewer's, develops a folk tradition of its own—If I want to learn something about real folk music, I'll stick with Mrs. Gladden.”

Sam Hinton (1917–2009) folk singer, artist, marine biologist

"Last Words", Journal of American Folklore 71, (Jan–Mar 1958), p. 75

Learning

“The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M. I. A.... was really fresh ground for me.”

A. R. Rahman (1966) Indian singer and composer

Quoted in Slumdog' Composer Competes for Oscars, 19 February 2009, 16 December 2013, Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2009/02/18/AR2009021803790.html,

Love, People, World, Feeling

“[On "grunge"] Music's music, and the weird thing is Brant [Bjork] has said this before; Soundgarden and those bands and Nirvana, those are great bands, but they did not create rock and roll. This whole "grunge" bullshit that everyone's talking about. "Oh my gosh, it's amazing!", they did not create rock and roll! It is rock and roll music. It's good rock and roll, that's all it is. They did not start something, they don't corner the market on anything. […] I think it's a shame, because it's a great media tool and it worked. Like, whoever thought of the word "grunge" should be rich by now because it's a great media trip, you know? But it's just all good rock and roll; Soundgarden, Nirvana, all these bands are just good rock and roll bands. People spend too much time categorizing what everything is. Just throw it on your turntable, throw it on you CD player or whatever you have and listen to it. Don't worry about what it is - no one cares, it doesn't matter anymore, you know? That's what should have happened, it shouldn't matter anymore what you are. There's so many, like, "fusion" everything and whatever that it shouldn't matter anymore, you know?”

Josh Homme (1973) American musician

Kyuss interview http://www.youtube.com/watch?v=Bqai2XYiFyI, The Rivoli, Toronto (December 13, 1992)

People, Thinking, Time

“[.. but he had] a record with the music of the dwarfes on it, and quite often play it.”

Piet Mondrian (1872–1944) Peintre Néerlandais

short quotes, from post-cards to his brother Carel, from London autumn, 1938; as quoted in 'Artist Piet Mondrian in London: the forgotten years', Thomasine, Sweden; The Guardian International https://www.theguardian.com/artanddesign/2010/jun/25/artist-piet-mondrian-london-years Mondrian's short quotes are referring to the Disney animation-movie 'Snow White and the Seven Dwarfs (1937 film), which he visited early 1938 with his brother Carel. His brother he named in the postcards "Sneezy". 1930's

“Let's take the people who have latent thoughts about maybe the United States isn't always right. They hear a song like "Give a Damn" and maybe it'll awaken them. If it makes you cross that bridge between apathy and effective participation, that's great. There's so much talk about the Drug Generation and songs about drugs. That's stupid. They aren't songs about drugs; they're about life. Music can play a huge part, because it's the international communicative force.”

Cass Elliot (1941–1974) American singer

The reference to "Give a Damn" could be to a song by Spanky & Our Gang or a subsequent song of the same title http://www.noelpaulstookey.com/01-06.html by Paul Stookey. Rolling Stone interview (1968)

Life, People, Stupidity, Communication

“On a Clear Day: Art work that is completely abstract - free from any expression of the environment is like music and can be responded to in the same way. Our response to line and tone and color is the same as our response to sounds... It holds meaning for us that is beyond expression in words.
These prints [title, 'On a Clear Day'] express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognize your feelings at the same time you will realize your full response to this work.”

Agnes Martin (1912–2004) American artist

a passage Martin wrote in 1975 'On a Clear Day', 15 Oct. 1975. Printed in Agnes Martin, eds. Morris and Bell, p. 124
1970's

Art, Color, Way, Feeling

“I feel that most illusionists, magicians and prestidigitators have lost their sense of magic. A movie, a painting, a sunset or a piece of music are sometimes more magical than many 'magic tricks'. Most of our contemporary magicians arouse pity or compassion and don't allow the spectators to dream about other worlds. Magic is not the trick you're doing. Magic is a certain mood, an atmosphere; the absolute beauty of the instant when Man meets the sacred; where the walls of our reality open and, beyond them, infinity appears. The magicians are guides who may, at their will, travel from one universe to another, bringing you with them.”

Christian Chelman (1957) magician

Christian Chelman, 1993, Capricornian Tales, L & L Publishing, p. 6

World, Beauty, Dreams, Travel

“One could say my life itself has been one long soundtrack. Music was my life, music brought me to life, and music is how I will be remembered long after I leave this life. When I die there will be a final waltz playing in my head that only I can hear.”

Maurice Jarre (1924–2009) French composer

This quote was actually crafted by University College Dublin student Shane Fitzgerald. Shortly after Jarre's death, Fitzgerald uploaded https://en.wikipedia.org/w/index.php?title=Maurice_Jarre&type=revision&diff=280558491&oldid=280527998 the false quote to Wikipedia to test "how our globalised, increasingly internet-dependent media was upholding accuracy and accountability in an age of instant news," according to the Associated Press. "The sociology major's made-up quote…flew straight on to dozens of US blogs and newspaper websites in Britain, Australia and India. They used the fabricated material, Fitzgerald said, even though administrators at the free online encyclopedia quickly caught the quote's lack of attribution and removed it, but not quickly enough to keep some journalists from cutting and pasting it first. A full month went by and nobody noticed the editorial fraud. So Fitzgerald told several media outlets in an email and the corrections began." The Guardian and The Herald "are among the only publications to make a public mea culpa," the Associated Press continues. See " Student hoaxes world's media with fake Wiki quote http://www.smh.com.au/news/technology/web/student-hoaxes-worlds-media-with-fake-wiki-quote/2009/05/12/1241893953955.html," The Sydney Morning Herald (12 May 2009). Misattributed

Life

“A few weeks ago I read, in Sacheverell Sitwell, two impressives sentences: “It is my belief that I have informed myself of nearly all works of art in the known world…. I have heard most of the music of the world, and seen nearly all the paintings.” It was hard for me to believe these sentences, but I wanted Sitwell to be able to say them, liked him for having said them—I believed.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Collected Poems of Wallace Stevens”, p. 71
The Third Book of Criticism (1969)

World, Art, Reading, Painting

“Although it must be said it would be really nice if people listened to us because they like our music and not because we come from Finland.”

Jaani Peuhu (1978) Finnish musician

Iconcrash: Interview with Jaani Peuhu, 2007-04-06, 2008-02-12 http://www.eurobands.us/2007/04/06/iconcrash-506/,

People

“I want to move away from complexity. I've done my time as far as virtuosity and piles of notes are concerned. It's what puts me off a lot of contemporary classical music - there are so many notes. In fact, I think I'm moving away from classical music altogether. I'm not sure that in 10 years' time I'll be playing it at all.”

Joanna MacGregor (1959) British musician

The Daily Telegraph, 18/11/2003
Musician's life

Thinking, Time

“Schnabel said that Beethoven's late piano sonatas are music better than could be played. Larkin's best poems are poetry better than can be said, but sayability they sumptuously offer. Larkin demands to be read aloud. His big, intricately formed stanzas, often bridging from one to the next, defeat the single breath but always invite it. As you read, the ideal human voice speaks in your head. It isn't his: as his gramophone records prove, he sounded like someone who expects to be interrupted. It isn't yours, either. It's ours.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Philip Larkin: Somewhere becoming rain'
Essays and reviews, The Dreaming Swimmer (1993)

Reading

“I frequently hear music in the heart of noise.”

George Gershwin (1898–1937) American composer and pianist

Letter to Isaac Goldberg; published in Joan Peyser The Memory of All That (New York: Simon and Schuster, 1993) p. 80.

Heart

“Herbert von Karajan always rolled out a magic carpet for us, the singers. With him, our musical work took on another dimension.”

Jessye Norman (1945–2019) American opera singer

Quoted in Hohn Rockwell (1989) " Herbert von Karajan Is Dead; Musical Perfectionist Was 81 http://www.nytimes.com/1989/07/17/obituaries/herbert-von-karajan-is-dead-musical-perfectionist-was-81.html?pagewanted=all&src=pm" in New York Times, July 17, 1989

“I'm about as Nordic and Germanic looking as they come. It doesn't matter whther I'm skinny or fat. I'm just that way. So, there have been dates: for instance, the date that I first met Alex Acuna, Luis Conte, Alfredo Rey, Sr., Alfredo Rey, Jr., Cachao, the Cuban bass player. I mean, all of these people. The night I met them, on a recording date, I was there with a bunch of Cubans and I walked in, and at first, before we recorded the music, they were all standing around, hanging out. And of course I wanted to join, so I went over and started joining in. Now my Spanish certainly is not street Spanish, it's book-learned Spanish. And Cubans speak a patois all their own, and I could tell, when I first was speaking there, you know, they kept saying, "Well, he's speaking our language, but he certainly doesn't sound like us; he's still an outsider. Maybe not as much an outsider as he was before." And yet, what really happens is that, by the time we start playing, then I felt like somebody gives my visa a stamp. You know, on the passport. Because at that point, suddenly I start getting smiles from people, and different things, and that's an experience which happens over and over and over.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22there's+no+way+you+can+cut+it+any+different%22&source=bl&ots=vkOwylF67i&sig=RdKDS4QiEbLIoTYKWEL4j103DPM&hl=en&sa=X&ved=0ahUKEwizzcm_38bRAhXF4yYKHWktCS8Q6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

People, Books, Smile, Way

“I think being ‘alternative,’ which most people think holds me back, actually helps [in the music industry]. If I'd been an ordinary singer, I'd still be trying to get noticed in Canada. I'm an alternative in every way. I'm a country singer who's a vegetarian for health reasons and because of compassion for animals. I'm also alternative because of Canada — there's something romantic about being Canadian. I always push the fact that I'm Canadian. I'm not self-righteous enough to think I'm unique and I'm not being overly rebellious. But I've learned that to go your own way and be yourself, which is what I'm trying to do, is alternative to a lot of people.”

K.d. lang (1961) Canadian singer-songwriter

In 1988, upon becoming Miss Chatelaine (Chatelaine magazine's woman of the year); as quoted in Have Not Been the Same: The CanRock Renaissance 1985-1995 by Michael Barclay, Ian A.D. Jack, Jason Schneider (Toronto: ECW Press, 2011 ebook edition), p. 539 https://books.google.it/books?id=xLIiOE_jCpAC&pg=PT539.

People, Health, Way, Thinking

“People will say "there's no money in music", that's not true, there's no money in music to people who aren't educated on how to make money.”

Marcus Orelias (1993) American actor, rapper, songwriter, author and entrepreneur

Money, People, Education

“Proceeding on the assumption that the reader of this preface is interested in the development of my musical talent, I will try to explain, as concisely as I can, how, in this respect, my personal wheels go round. To begin with, I have only had two music lessons in my life. These were the first steps of what was to have been a full course at the Guildhall School of Music, and they faltered and stopped when I was told by my instructor that I could not use consecutive fifths. He went on to explain that a gentleman called Ebenezer Prout had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed. At that time Ebenezer Prout was merely a name to me (as a matter of fact he still is, and a very funny one at that) and I was unimpressed by his Victorian dicta. I argued back that Debussy and Ravel had used consecutive fifths like mad. My instructor waved aside this triviality with a pudgy hand, and I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me. This outburst of rugged individualism deprived me of much valuable knowledge, and I have never deeply regretted it for a moment.”

Noel Coward (1899–1973) English playwright, composer, director, actor and singer

Preface, The Noël Coward Song Book, pp. 12–13.

Life, School, Knowledge, Time

“Music is the best means we have of digesting time.”

W. H. Auden (1907–1973) Anglo-American poet

A quotation from Igor Stravinsky, not Auden. Cited as Auden's through a misreading of a paragraph in Stravinsky: Chronicle of a Friendship, by Robert Craft (New York: Alfred A. Knopf, 1972), p. 6. (The antecedent of "he" is unmistakably "Mr. S." in Craft's sentence: "He also makes a marvelous remark to the effect that 'Music is the best means we have of digesting time'"; and in the sentence that follows "he" is again Stravinsky, not Auden.)
Misattributed

Time

“I think it tells the truth and it cuts to the heart of so many profound aspects of human experience unlike many musicals, which cover more frivolous topics.”

Anthony Rapp (1971) American actor

Of the musical Rent One on one with Anthony Rapp on his return to "Rent": Livewire, April 7, 2009 http://www.concertlivewire.com/rentint.htm

Truth, Thinking, Heart

“The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/04/15/EDG8D64JFR1.DTL, San Francisco Chronicle (April 15, 2004)

Love, Books, Art, Imagination

“In your [ composer Schönberg's ] works, you have realized what I, albeit in uncertain form, have so greatly longed for in music. The independent progress through their own destinies, the independent life of the individual voices in your compositions, is exactly what I am trying to find in my painting.”

Wassily Kandinsky (1866–1944) Russian painter

in his letter to Arnold Schönberg, 18 Jan. 1911; as cited in Schonberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 9
Kandinsky visited a concert with music of Schönberg on 11 Jan. 1911 with Franz Marc, Alexej von Jawlensky, Gabriele Münter and others; they played compositions, Schönberg wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1910 - 1915

Life, Painting

“My voice likes rock music. My problem is, I can do a lot of things, but I have to find my own voice.”

Lucy Lawless (1968) New Zealand actress

Jamie Sotonoff (October 5, 2007) "The soulful side of a warrior princess", Daily Herald, p. 18.

Problem

“Imagine presenting a Nirvana or BT track to someone from the 1850's, they would probably see it as noise and not much else. Society as a whole has a much more nuanced and wide view of what music can be now. It still usually contains various rhythmic, melodic, and vocal components, but they can be combined in so many interesting ways now.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Way, Imagination

“I was brought up on Music, and being near Tiruvaiyaru for sometime during childhood, I got several opportunities to listen to great Music.”

Rukmini Devi Arundale (1904–1986) Indian Bharatnatyam dancer

[Meduri, Avanthi, Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts, http://books.google.com/books?id=uNYZ1vp-xFIC, 1 January 2005, Motilal Banarsidass Publishe, 978-81-208-2740, 8, 10]

Childhood

“I had been doing the same kind of stuff for 15-16 years and was desperately seeking a change. But there was no opportunity to reinterpret Indian music. With Roja, we wanted to strike a new note. Mani's amazing visuals, Mutthu's romantic lyrics, relatively unknown singers… we wanted to impart to Roja an international flavour — and we succeeded.”

A. R. Rahman (1966) Indian singer and composer

A R Rahman: In tune with life

Change