Quotes about music
page 23

“There is one thing I don't understand about Astral Weeks. Of all the records I have ever made that one is definitely not rock. You could throw that record at the wall, take it to music colleges, analyze it to death. Nobody is going to tell me that it is a rock album. Why they keep calling it one I have no idea.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

An Oral History of Popular Music (1989)

Death, Idea, Understanding

“Poetry which has decided to do without music, to divorce itself from song, has thrown away much of its reason for being…”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Reading (1990)

“Lord but I dislike poetry. How can anyone remember words that aren’t put to music?”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 14, “The Name of the Wind” (p. 112)

“When we think of the crowded tenements, with hard asphalt pavements and never a blade of grass or a tree; of the ghettos and colonies in cities; of the unsightly industrial towns; of the labor shacks along our great construction works; of the derailed box cars; of the immigrant section across the railroad track; of the small towns without parks or playgrounds or music or books; and then turn to the villages from which most of the immigrants come friendly in their associations and restful in their relationship to the wider life outside the longing of the immigrant to return is understood. Even the crowded cities of their native countries have places where one may rest the spirit and satisfy the hunger for beauty, by the expenditure of a carfare or the effort of a short walk. The grim beauty of our cities, their vitality, their ambition and determination, and that crude joy of living through which many currents of our life flow, will not always keep the immigrants from returning even to the poverty of some of their native towns.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Life, Hunger, Books, Beauty

“She had never known before how much the country meant to her. The chirping of the insects in the long grass had been like the sweetest music. She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun. Under the long shaggy ridges, she felt the future stirring.”

Willa Cather book O Pioneers!

Part I, Ch. 5
O Pioneers! (1913)

Grass, Sun, Future, Heart

“I can not draw or paint worth a damn, because I can't see it in my head before I do it. I can sculpt and I do crafts but I can not draw. When it comes to music I can hear it before it happens, which most people can't do.”

Blackie Lawless (1956) musician, songwriter and actor

Music America Interview

People, Drawing, Painting

“Trying to command life without studying one's own mind is like trying to play the piano without studying music.”

Vernon Howard (1918–1992) American writer

Treasury of Positive Answers

Life, Study

“So turn it on, turn it up, and sing a long
This is real; this is your life in a song.
Yeah this is country music.”

Brad Paisley (1972) American country music singer

This Is Country Music.
Song lyrics, This Is Country Music (2011)

Life, Singing, Country

“Thy voice is sweet, as if it took
Its music from thy face.
And word and mien, and step and look,
Are perfect in their grace.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Poetical Portrait V
The Venetian Bracelet (1829)

Perfection

“Happenings are a fusion of visual art, music and theatre.”

Dick Higgins (1938–1998) English composer and poet

The Origin of Happenings (1976)

Art

“Well let me tell you like this, the rap scene right now has taken its own course and its own direction because you have so many rap records of all different calibers coming out. And me, I favor everybody, I like everybody and the reason why is because I want everyone to Favor Flav. If I favor one certain rapper or one certain singer then only one certain singer/rappers are going to favor Flav. So me, I'm just a friendly ghost and not only that I'm a musician. I like all kinds of music. And everybody making records right now is definitely respected by Flav and for all you new comers just starting to make records: welcome aboard.”

Flavor Flav (1959) American rapper

[Casey, Cisneros, http://media.www.collegian.com/media/storage/paper864/news/2005/01/27/VervetheDishLive/Flavor.Flav.Interview-1705943.shtml, Flavor Flav interview, The Rocky Mountain Collegian, Colorado State University, 27 January 2005, 2008-03-05]

“When you hear music, after it's over, it's gone in the air. You can never capture it again.”

Eric Dolphy (1928–1964) American jazz musician

Said to an audience, as quoted in John Steinbeck Holiday, Vol. 58 (1977), p. 13

“Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way”

Howard S. Becker (1928) American sociologist

Becker (1978) cited in: Peter Hamilton (2006) Visual Research Methods'. Volume 1. p. 214.

Way, Understanding, Learning, Time

“Reason alone cannot prove the existence of God. Faith is reason plus revelation, and the revelation part requires one to think with the spirit as well as with the mind. You have to hear the music, not just read the notes on the page.”

Francis S. Collins (1950) Geneticist; Director of the National Institutes of Health

cnn.com http://edition.cnn.com/2007/US/04/03/collins.commentary/

God, Faith, Thinking, Reading

“Jazz was my passion for a little while. I felt that all other kinds of music were stupid when I was into jazz. But I got over the addiction very soon”

A. R. Rahman (1966) Indian singer and composer

The A R Rahman Chat

Stupidity, Passion

“I borrow some subject or other from life or from nature, and, using it as a pretext, I arrange lines and colors so as to obtain symphonies, harmonies that do not represent a thing that is real, in the vulgar sense of the word, and do not directly express any idea, but are supposed to make you think the way music is supposed to make you think, unaided by ideas or images, simply through the mysterious affinities that exist between our brains and such arrangements of colors and lines.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), p. 109

Life, Color, Way, Idea

“I can't speak or write German, but I'am overjoyed because I have bought one of your pictures. Now it is in me. I write music. You are my teacher.”

John Cage (1912–1992) American avant-garde composer

Quote from his letter to Jawlensky, early Februari 1935; as cited in 'The shape of the Future 3: Art' in Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists, by Kay Larson, Penguin 2012, p. unknown
Cage bought one of the small 'Head' paintings of Jawlensky, via his art-agent Galka E. Scheyer who showed Cage some paintings of Jawlensky early 1935, and sold his choice very cheap for 25 dollars; Cage was then 25 years old and strongly inspired by images, as he told Scheyer and wrote Jawlensky
1930s

Teachers

“Is God happy with your music? You see God loves music. God invented music. But Satan has invented some ungodly music you shouldn't listen to. Someone asked me one time Hovind, do you know what you get when you get when you play country music backwards? I said, "No." You get your wife back, you get your dog back, your pickup truck back, and you get out of jail. God created them male and female. Did you know that God invented marriage and the family and sex? He invented the whole thing, and he wants it to be wonderful? So He put some rules down; boys don't touch the girls until you are married to them. Now if you don't want to touch them then stay away from me. I saw your kind at San Francisco. God put the rules down. He put the rules down, because he wants the best for you.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

Love, God, Marriage, Happiness

“If [music] has that tag on it, regardless if it sounds like that or not they’ll never go and find out what it really sounds like. To be labeled “emo” is sometimes very apropos, because there are a bunch of bands that actually sound like carbon copies of each other. But again, that’s music, so.”

Joe Trohman (1984) American musician

My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)

“Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire—the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening."
"I wonder," said our young composer dreamily, "if my music will be played a hundred years from now."
"It certainly will be," said the bitter Levant,"if you are still around."”

Alexander Woollcott (1887–1943) American critic

"George the Ingenuous" in Cosmopolitan (November 1933); reprinted in Ch. IV: "'...A Young Colossus...'" https://books.google.com/books?id=ATcjgQTx0uIC&pg=PA45#v=onepage&q&f=false from Gershwin Remembered (1992) by Edward Jablonski, pp. 44-45

Love, Books, Way, Appearance

“Music is my love. And because it is my love, music has become my religion.”

Hariprasad Chaurasia (1938) Indian bansuri player

Music is a Prayer:An interview with Hariprasad Chaurasia by Ian Gottstein

Love, Religion

“Much of the music is a Merzbild, put together from whatever came to hand. I mean, for example…the Alberti-bass horn solo accompanying the Messenger. I also mean the fusion of such widely divergent types of music as the Folies Bergeres tune at No. 40 ('The girls enter, kicking') and the Wagnerian 7th-chords at Nos. 58 and 74.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Source: Themes and Conclusions (1982), p. 27: Dialogues.

Girl

“I think we will see personalized music stations in the next few years… controlled by computer algorithms… I think it will be important that… listeners have an "adventuresomeness" knob that will control the mix of old and new, or the mix of how far out the new music is from what they usually listen to.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Thinking, Personality

“Your thoughts about life and music have changed within the 45 years of the existence as a band and so it still can be seen as a burning process in order to transform the entire picture of everything you came in touch with.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

Life, Change

“It's because they want to sound like Americans. I'd like to see them develop our music and sing it their way, but they think sounding American is going to take them higher, but it is not. They have beautiful voices, but they want to sound like Whitney Houston. You can't beat people like that at their own game. And they can't beat me at mine, either!”

Miriam Makeba (1932–2008) South African singer and civil rights activist

Interview with Robin Denselow (May 2008)
Source: Denselow, Robin, http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 2010

People, Beauty, Way, Game

“Half-a-century ago, I came to Odisha to embark on my musical journey. This land has nourished my soul and nurtured my spirit. Through this Gurukul I wish to give back a small part of what I received from here.”

Hariprasad Chaurasia (1938) Indian bansuri player

During the launching of his “Vrindaban Gurukul”, an institution for training in Indian classical music in Orissa. Quoted in A step forward in promotion of classical music, 22 March 2010, 19 December 2013, The Hindu http://www.hindu.com/2010/03/22/stories/2010032258300200.htm,

Soul, Parting

“By the time of his Fourth String Quartet, inversional symmetry had become as fundamental a premise of Bartók's harmonic language as it is of the twelve-tone music of Schoenberg, Berg, and Webern. Neither he nor they ever realized that this connection establishes a profound affinity between them in spite of the stylistic features that so obviously distinguish his music from theirs…Nowhere does he [Bartók] recognize the communality of his harmonic language with that of the twelve-tone composers that is implied in their shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations.”

George Perle (1915–2009) American composer

Pages 46-47
The Listening Composer

Communication, Time

“Now, I should like to say something else to you about the connection with music, primarily that of Bach, i. e. the Fugue or, put more simply, the canon... It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour..”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): 'Nu wou ik je nog wat zeggen over het verband met muziek, en wel in hoofdzaak met die van Bach, d.w.z. de Fuga, of eenvoudiger canon.. .Het heeft heel veel van mijn motieven, die ik ook om verschillende assen laat draaien. Ik heb dat gevoel van relatie, verwantschap, tegenwoordig zoo sterk, dat ik tijdens het luisteren naar Bach, dikwijls geïnspireerd word en een sterke drang naar zijn dwingende ritme voel, een cadans die iets van de eindeloosheid zoekt. In de Fuga is alles gebaseerd op een enkel motief, dikwijls maar van enkele noten. Bij mij draait ook alles om een enkele gesloten contour.. <br class="br">Quote from Escher’s letter, 1940 to his friend Hein 's-Gravezande; as cited (and translated!) on the website of museum 'Escher in the Palace', The Hague: dutch original text https://www.escherinhetpaleis.nl/escher-vandaag and english translation https://www.escherinhetpaleis.nl/escher-today/?lang=en <br class="br">1940's

Feeling, Sense

“There be none of Beauty's daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Stanzas for Music http://readytogoebooks.com/LB-StanzM-beautysd.htm, st. 1 (1816).

Beauty, Water, Daughters

“No, absolutely not, I have never been what one calls a gifted child, never a dreamer. I didn't think of making fantasies with the pencil on the paper, although at school we learned to draw and play music of course. But in those days the piano was actually what I preferred most... But until my eighteenth year I have been hesitating long between both [painting and playing piano]..”

Suze Robertson (1855–1922) Dutch painter

version in original Dutch / origineel citaat van Suze Robertson: Nee, ik ben volstrekt nooit wat men noemt een begaafd kind geweest, nooit een droomster. Aan fantasie met 't potlood op 't papier dacht ik niet, al leerden we op school natuurlijk ook teekenen en muziek. Maar in dien tijd was de piano eigenlijk meer mijn fort.. .Toch heb ik tot mijn achttiende jaar tussen die beide lang gewankeld.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 30

School, Thinking, Learning, Drawing

“And because the breath of flowers is far sweeter in the air (where it comes and goes, like the warbling of music) than in the hand, therefore nothing is more fit for that delight than to know what be the flowers and plants that do best perfume the air.”

Francis Bacon book Essays

Of Gardens
Essays (1625)

Flowers

“[Bandleader Hartley] apparently believed that music could be more powerful that physical force in bringing order to chaos.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 141

“Scenario: In the summer of 1977 The Human League was formed due to the members finding no conventional channels for their immense talents.
Background: None of The Human League have any orthodox musical training, but prefer to regard compositions as an extension of logic, inspiration and luck. Therefore, unlike conventional musicians, their influences are not so obvious.
Conclusion/Manifesto: Interested in combining the best of all worlds, The League would like to positively affect the future by close attention to the present, allying technology with humanity and humour. They have been described as 'Later Twentieth Century Boys' and 'Intelligent, Innovatory and Immodest.”

Philip Oakey (1955) English pop singer

Press release by Philip Oakey about the The Human League's first single "Being Boiled" (April 1978), quoted in "Blind Youth - The Way It Was : Fast Product" http://home.freeuk.net/blindyouth/Product.htm

World, Intelligence, Boy, Future

“Music is the art of sounds in the movement of time.”

Ferruccio Busoni (1866–1924) Italian composer, pianist, conductor, editor, writer, and piano teacher

The Essence of Music (1923)

Art, Time

“Music’s playin’ up and down the block
Mostly Christian, Blues, Country, Folk, and Southern Rock
It’s our little piece of paradise way out here in the woods
There is always somethin’ goin’ on down in the trailerhood.”

Toby Keith (1961) American country music singer and actor

Trailerhood.
Song lyrics, Bullets in the Gun (2010)

Way, Country

“Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Early Letters of Robert Schumann (1888), p. 82

“I am delighted, one more time, by the daring of my species and the audacity of our flying machines. There is poetry and music in our technology, a beauty as touching as that of eagle, moss campion, raven or yonder limestone boulder shining under the Arctic sun.”

Edward Abbey (1927–1989) American author and essayist

"Gather at the River", page 164
Beyond the Wall: Essays from the Outside (1984)

Beauty, Time, Sun, Flying

“[Is "90 Millas" another crossover -- into World Music? ] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

People, World, Family, Question

“The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From "Clare Fischer on Bossa Nova" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#3f6344g3cshffpj in Downbeat (November 8, 1962), p. 23

Light

“So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen.”

John Cage (1912–1992) American avant-garde composer

Quote in: 'Silence: lectures and writings by John Cage'; publisher Middletown, Conn. Wesleyan University Press, June 1961, Foreword/ix
1960s

Love, Way, Question, Sleep

“Knowledge of instrumentation should be acquired through experience. Instrumental composition should be conceived instrumentally, imagining and hearing a particular orchestra for each particular and diverse musical condition of the mind.”

Francesco Balilla Pratella (1880–1955) Italian composer

Source: Technical Manifesto of Futurist Music (1911), p. 82

Imagination, Knowledge

“The monastic man is an artist.The philosopher
Appoints man’s place in music, say, today.
But the priest desires. The philosopher desires.

And not to have is the beginning of desire.
To have what is not is its ancient cycle.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“Writing music for a picture means you have to compromise with a given reference to a movie or the advice coming from the director and producer. Working on your own material, you have to be just authentic with yourself, following your subjective perspectives and ideas. There is no-one who will judge what you are doing as long as you are in the composing process. Both ways are very different but can support your input learning about the musical universe immensely.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

Way, Idea, Support, Learning

“The dissection of words into sounds is contrary to the purpose of language and applies musical principles to an independent realm whose symbolism is aimed at a logical comprehension of one’s environment.... the value of language depends on comprehensibility rather than musicality”

Richard Huelsenbeck (1892–1974) German poet

as quoted in The Sound of Poetry / The poetry of Sound, ed. Marjorie Perloff & Craig Dworkin; University of Chicago Press, 2009, p. 310, note 22
a critic on the sound-poetry of Dadaist Hugo Ball

Dependency

“Regarding my childhood, my grandmother could play by ear and she loved to hear me practice and would say after every piece, "That was pretty. Play that one again." She was a booster. I had two women piano teachers who encouraged me to compose--Margie Murphy and Helen Lipscomb. Helen was also a composer and we used part of my lessons for composition.
When I was in high school, I read John Cage's books and fell in love with the ideas and the excitement of the avant garde. My music, as a result, moved over to what has been called post-Cagian, non-academic. That lasted until about 1979 at which point I changed. My music is now quite lyrical, sometimes called neo-Romantic, and full of cut-ups/collage of newly composed materials. Since 1985 I have been composing mostly swales for various instrumental combinations.
A swale is a meadow or a marsh where there is nourishment and moisture and therefore, a rich diversity of plant life. My work, since 1984, has been made from swatches (of newly composed music, rather than found music) which are reminiscent of this diversity…”

Beth Anderson (1950) American neo-romantic composer

Anderson (1996-2011) "Beth Anderson, Composer, Miscellany From The Dark Past" at beand.com http://www.beand.com/, Last Updated January 3, 2011

Love, Life, Women, Books

“The music that of common speech
but slanted so that each detail
sounds unexpected as a sharp
inserted in a simple scale.”

Dana Gioia (1950) American writer

"The Next Poem" http://www.danagioia.net/poems/thenextpoem.htm <br class="br">Poetry, The Gods of Winter (1991)

“It taught me that I had a lot more discipline than I thought; a lot more patience. [I became] more expressive, not only personally with my family, but in my music and my way of communicating.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Gayle King XM satellite radio program (October 23, 2006)
2007, 2008

Family, Way, Communication, Personality

“I Shall Sing No Song That Is Not A Country Song.
I Shall Make No Record That Is Not A Country Record.
I Refuse To be Known As Anything But A Country Singer.
I Am Proud To be Associated With Country Music.
Country Music And Country Music Fans Made Me What I Am Today.
And I Shall Not Forget It.”

Buck Owens (1929–2006) American country singer-songwriter

"Pledge To Country Music" in Music City News (March 1965)

Singing, Country, Forgetting

“Tonight there was music in the saloon, a piano and a violin; two fat women with hard masculine faces and short haircuts. Their song was Over the Waves. Ta de da da, and I watched Camilla dancing with her beer tray. Her hair was so black, so deep and clustered, like grapes hiding her neck. This was a sacred place, this saloon. Everything here was holy, the chairs, the tables, that rag in her hand, that sawdust under her feet. She was a Mayan princess and this was her castle. I watched the tattered huaraches glide across the floor, and I wanted those huaraches. I would like them to hold in my hands against my chest when I fell asleep. I would like to hold them and breathe the odor of them.”

John Fante book Ask the Dust

Ask the Dust (1939)

Women, Beer, Dance, Princess

“Now to fit in on the Seattle scene
You had to show people something that they'd never seen
So thinkin' up a gimmick one day
We decided to be the only band that wouldn't play a note
Under any circumstance
We called it silence…
Music's original alternative
Root's grunge”

Todd Snider (1966) American singer

Talkin' Seattle Grunge Rock Blues.
Near Truths and Hotel Rooms (2003)

People, Silence

“I've always believed that any instrumentalist is basically just an accompanist to the singer and the words. That's born out of being a fan of records before I was a fan of guitar players -- I'm interested in melody, lyrics, and the overall song. I don't like to waste notes, not even one. Who was it that said, "The reason why all those guitar players play so many notes is because they can't find the right one"? I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgren's soloing, because he's so melodic. I love John Lennon's rhythm playing, and George Harrison was an incredible guitarist.
There's a lot of guitar culture that I don't like at all. I find the traditional idea of the guitar hero to be really irrelevant to the 1990s. I don't think that young people are that impressed with some guy brandishing Spandex trousers and a hideously shaped guitar, playing that kind of masturbatory, egotistical noise. Being a soloist who wants to just display virtuosity is a dated philosophy, and I don't think there's any room for it in pop music. It's the last stand of late-'60s/early-'70s rockism, and it should have gone a long time ago.”

Johnny Marr (1963) musician

from an interview by Joe Gore, Guitar Player(January 1990).

Love, People, Guy, Idea

“Edward Smith: Why is it more of a pleasure to do 30 or 40 pictures than to do just one?
Andy Warhol: Then I can, uh, listen to my soundabout which looks just like the thing that I'm wearing now, and you can listen to opera and stuff like that.
Edward Smith: Does that mean you don't have to think when you're painting?
Andy Warhol: No, you can listen to really good music.
Edward Smith: So, what, painting is an excuse to listen to really good music?
Andy Warhol: Oh, yeah.”

Andy Warhol (1928–1987) American artist

1975 - 1987, BBC interview (1981)

Pleasure, Thinking, Painting

“Gloria Estefan was a huge influence for me. Of course, she was one of the few Latina women around who had this major international success. She sang in Spanish and English, and she was very much the sort of woman I recognised from my culture. I go to her home, and I think that she is a woman who has got it just right. She has her music, she has her family, she has her relationship. I admire her so much because she has always put her family before everything. All her priorities are in place and she is still an amazingly creative artist.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment by "close friend" Jennifer Lopez, arts.guardian.co.uk (March 30, 2007)
2007, 2008

Women, Family, Home, Thinking

“I don't think the music is all that different, actually. It is produced and presented in a different way. I don't favour one type of music over another. I like music that is melodic, so I like what I am doing now. I haven't abandoned guitars, I am just a little less angry than I was then. I am still proud of Eve's Plum, and I think they could be Vitamin C songs, and some Vitamin C songs could be Eve's Plum songs. I really like this one, it is the best one of all.”

Colleen Fitzpatrick (1972) American singer and actress

Attributed

Way, Thinking

“Sexual activity is driven by the same aims and motives as reading poetry or listening to music: to escape the limitations imposed by the need for particularity in the consciousness.”

Colin Wilson (1931–2013) author

Source: The Origins of the Sexual Impulse (1963), p. 75

Motivation, Reading

“The interpretation reflects my deepest respect for the major composition of the musical literature.”

Burkard Schliessmann classical pianist

Talkings on Bach

Literature

“Life is dull, but it could be worse and it could be better. We accept that a corporation determines our life’s routines. It’s the trade-off so that we don’t have to be chronically unemployed creative types, and we know it. When we were younger, we’d at least make a show of not being fooled and leave copies of Adbusters on our desktops. After a few years it just doesn’t matter. You trawl for jokes or amusingly diversionary. wav files. You download music. A new project comes along, then endures a slow-motion smothering at the hands of meetings. All ideas feel stillborn. The air smells like five hundred sheets of paper.
And then it’s another day.”

Douglas Coupland book JPod

JPod (2006)

Life, Fools, Feeling, Idea

“Classifying rock music is an easy way for kids to identify with it. A band like Finch screams and sings, so they classify that with the Used because I scream and sing. But at the same time, we are worlds different. When I was listening to Nirvana, I never got involved in the fact that they were grunge-rock or whatever people were starting to call it at the time. I was raised listening to many different things. But everything has to be put into a category. That's fine with me. The music says enough.”

Bert McCracken (1982) American musician

G. Brown (January 3, 2003) "Screams catapult Utah's The Used", The Denver Post, The Denver Post Corp., p. FF-02.

People, World, Way, Singing

“The beat must not be like a tyrannical hammer, impeding or urging on, but must be to the music what the pulse-beat is to the life of man. There is no slow tempo in which passages do not occur that demand a quicker motion, so as to obviate the impression of dragging. Conversely there is no presto that does not need a quiet delivery by many places, so as not to throw away the chance of expressiveness by hurrying… Neither the quickening nor the slowing of the tempo should ever give the impression of the spasmodic or the violent. The changes, to have a musical-poetic significance, must come in an orderly way in periods and phrases, conditioned by the varying warmth of the expression. We have in music no signs for all this. They exist only in the sentient soul. If they are not there, then there is no help to be had from the metronome – which obviates only the grosser errors – nor from these extremely imperfect precepts of mine.”

Carl Maria von Weber (1786–1826) German composer

quoted in Harold C. Schonberg, The Great Conductors (1981) ISBN 0671208349

Life, Way, Error, Soul

“Most artists, whether in religion, music, literature, painting, or what not, are shopkeepers in disguise. They hide their shop as much as they can, and keep pretending that it does not exist, but they are essentially shopkeepers and nothing else.”

Samuel Butler (1835–1902) novelist

The Artist and the Shopkeeper
The Note-Books of Samuel Butler (1912), Part XI - Cash and Credit

Religion, Literature, Painting

“Our first appreciation of music comes through the sounds of the mother, especially her voice and her lullaby. Our earliest musical expression, of which speech is a part, is in a sense a duet with her. And later in life we should still be able to discern the voice of love in the music.”

John Diamond (doctor) (1934) Australian doctor

Source: The Life Energy in Music, Vol. 1 (1981), p. 25

Love, Life, Sense, Parting

“I'm never going to stop making music. I couldn't.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

eluniversal.com.mx (December 9, 2005)
2005

“(about concerts)"I love the adrenaline rush you get from having a live audience in front of you. There's nothing like performing live. I like to categorize classical music as one of those really beautiful, glamorous gems from the old era. The men are in tails onstage, the women are in beautiful dresses and the soloist comes out in a gorgeous evening gown. I really, really love that old-school glamour. For me, concert days are always exciting. It doesn't matter if I give 100 concerts or 150 concerts that season. Every concert is magical. Every concert has a sparkle to it. The challenge is to keep myself fresh and to give a spontaneous performance every single night while maturing and growing as a musician every day. The whole art form of being onstage is so mysterious and magical, it fascinates me. "”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Love, Women, Men, School

“WARNING: This album contains country & western music and may cause offence to narrow minded listeners.”

Elvis Costello (1954) English singer-songwriter

Warning label on Almost Blue (1981)

Country

“For me the music is a vehicle for my lyrics. It's a chance to get some really good words across.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

As quoted in [Coon, Caroline, w:en:Caroline Coon, 1988: The New Wave Punk Rock Explosion, http://homepage.mac.com/blackmarketclash/Bands/Clash/Clash%20gigography/1976%20DATES.html, 2011-09-21, 1977, Hawthorn, London, 0801561299., 79262599, http://web.archive.org/20071026052834/homepage.mac.com/blackmarketclash/Bands/Clash/Clash%20gigography/1976%20DATES.html, 2007-10-26]

Chance

“This commitment to end world hunger, and my music and story songs, are ways of dealing with the world as I see it. I'm playing 200 concerts per year-- half of them benefits-- all of them attempts at getting across the footlights to people I would enjoy spending time with in non-concert situations. And over the past 4 years of musical fun, millions of dollars have been raised for things I believe in. Telling stories of our time, building a lasting body of work, new songs, new records, new audiences, new challenges, and still that painfully exciting process of growth that can make one's life into a richly woven tapestry.”

Harry Chapin (1942–1981) American musician

All My Life's a Circle, Autobiographical statement on a concert program, circa 1980 http://harrychapin.com/articles/bio.shtml

Life, Hunger, People, World

“But it is not alone the harmony of music which has such a power over the mind. The harmony of colors, every art and science, has the same power. Even the most common craft, and the most prosaic of all prose, the chase after the dollar, may take possession of a man’s soul and prostrate him in adoration before its idol.”

Joseph Dietzgen (1828–1888) german philosopher

Letter 3
Letters on Logic: Especially Democratic-Proletarian Logic (1906)

Art, Color, Soul, Science

“I have always had severe problems with Austrians. … Musical, churchy, uptight… nice legs… hypocritical… authoritarian… always insist their dustbins are very clean.”

Peter Greenaway (1942) British film director

Philip
8 1/2 Women

Problem

“Prokofiev’s music is usually based on a firm sense of tonality. Whatever tonal uncertainty and ambiguity one experiences, mainly in developmental passages, they are mostly short-lived.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Sense

“This morning the music of a brass band which had stopped under my windows moved me almost to tears. It exercised an indefinable, nostalgic power over me; it set me dreaming of another world, of infinite passion and supreme happiness. Such impressions are the echoes of Paradise in the soul; memories of ideal spheres whose sad sweetness ravishes and intoxicates the heart. O Plato! O Pythagoras! ages ago you heard these harmonies, surprised these moments of inward ecstasy, — knew these divine transports! If music thus carries us to heaven, it is because music is harmony, harmony is perfection, perfection is our dream, and our dream is heaven.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

17 March 1870
Source: Journal Intime (1882), Journal entries

Happiness, Age, World, Sadness

“I had no idea how much music and singing really means to people, and in my own tiny way to be a part of that is very humbling and very sweet, and and I feel very honored. … I have a great appreciation for this, in every ways and a new understanding, and I'm just as amazed as anyone else.”

Ysabella Brave (1979) American singer

Response to a question on whether her increasing fame has changed her in any way. "ysabellabravetalk #1" (9 March 2007)

People, Way, Feeling, Idea

“It always saddens me to think that after all I am not yet a proper musician; but I have more aptitude for the calling than probably many of the younger generation have as a rule. It gets knocked out of you. Boys should be allowed to indulge themselves in jolly music; the serious kind comes of its own accord, although the lovesick does not. How lucky is the man who, like Mozart and others, goes to the tavern of an evening and writes some fresh music. For he lives while he is creating.”

Johannes Brahms (1833–1897) German composer and pianist

Letter to Clara Schumann (12 February 1856) as quoted in Johannes Brahms : A Biography (1997) by Jan Swafford, p. 153

Boy, Thinking

“Only once in Chopin's music is there a direct reference to Bach, and that is, appropriately, at the beginning of his only educational work, the two sets of Etudes, Op. 10 and 25, and the three Nouvelles Etudes for Moscheles. In the first Etude, Op. 10, in C major, we find a modernized version of the Prelude no. 1 of the Well-Tempered Keyboard…”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Education

“Whereas the conception of space and time as a four-dimensional manifold has been very fruitful for mathematical physicists, its effect in the field of epistemology has been only to confuse the issue. Calling time the fourth dimension gives it an air of mystery. One might think that time can now be conceived as a kind of space and try in vain to add visually a fourth dimension to the three dimensions of space. It is essential to guard against such a misunderstanding of mathematical concepts. If we add time to space as a fourth dimension it does not lose any of its peculiar character as time. …Musical tones can be ordered according to volume and pitch and are thus brought into a two dimensional manifold. Similarly colors can be determined by the three basic colors red, green and blue… Such an ordering does not change either tones or colors; it is merely a mathematical expression of something that we have known and visualized for a long time. Our schematization of time as a fourth dimension therefore does not imply any changes in the conception of time. …the space of visualization is only one of many possible forms that add content to the conceptual frame. We would therefore not call the representation of the tone manifold by a plane the visual representation of the two dimensional tone manifold.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Color, Mathematics, Thinking, Change

“I tend to write in patterned arrangement with rhymes.. I try to secure an effect of flowing continuity and the correspondence between verse and music.”

Marianne Moore (1887–1972) American poet and writer

Oxford Anthology of American Literature 1938
Prose

“Don't come into the music industry. It's almost inevitable that you'll psychologically be quite screwed up. Fame isn't a natural, human, behavioural thing. You get alienated. You're not really surrounded by truth.”

Katie Melua (1984) British singer-songwriter

[Bernard Perusse, A private path to fame, http://www.canada.com/cityguides/montreal/story.html?id=cb6fe4fc-01ef-4d0b-ad86-7ad091135e1b, The Gazette, canada.com, 2008-06-26]

Truth, Nature

“Inaudible music may seem an odd notion, even a foolishly Romantic one—although it is partly the Romantic prejudice in favor of sensuous experience that makes it seem odd. Still, there are details of music which cannot be heard but only imagined, and even certain aspects of musical form which cannot be realized in sound even by the imagination.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Imagination

“A surprising proportion of mathematicians are accomplished musicians. Is it because music and mathematics share patterns that are beautiful?”

Martin Gardner (1914–2010) recreational mathematician and philosopher

The Dover Math and Science Newsletter http://www.doverpublications.com/mathsci/0516/d/ May 16, 2011

Beauty, Mathematics

“Most Christians would say that the music should in some way glorify God. Obviously, one assortment of notes on the scale can't glorify God more than another. Neither can certain assortments of words. -Appalachian Melody.”

Mark Heard (1951–1992) American musician and record producer

Liner Notes

God, Way

“Everything I did was deprecated by the media and others. I think I derived my strength from it. There was brouhaha over my singing my own compositions. I wondered why I cannot choose words to express myself. That’s what Tyagaraja did. He described Rama the way he saw him. Ironically many of my works are now being used by musicians and dancers. It’s heartening though. I never expected to reach where I am today. I learned music without knowing it will one day become my calling.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan "He defines ‘style’ as tradition".

Way, Thinking, Learning, Singing

“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”

Thomas Beecham (1879–1961) British conductor and impresario

[Beecham admitted to Neville Cardus that he had made this up on the spur of the moment to satisfy an importunate journalist; he acknowledged that it was an oversimplification. (Neville Cardus: 'Sir Thomas Beecham, A Memoir', 1961)]

Memory

“Had my eye never on the beauty dwelt
Of human face, and my ear never drank
The music of a human voice; I feel
My spirit would have pour'd itself in song,
Have learn'd a language from the rustling leaves,
The singing of the birds, and of the tide.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

Beauty, Feeling, Bird, Singing

“Cosimo: It is only a play… with music? Does God say the same at every death? It is only a play… with music? When I die, will someone say the same? He was only a prince. He died. It was only a play… with music.”

Peter Greenaway (1942) British film director

The Baby of Mâcon

Death, God

“This sad reality, To know it couldn't be,
That's Portugal and love in April!
The music and the wine convinced me you were mine,
But it was just the spring fooling me.”

Jimmy Kennedy (1902–1984) Irish songwriter

Song April in Portugal
Song lyrics

Love, Sadness, Fools, Spring

“It's the spirit of Dominicans coming out and the pride that we have in our music and our baseball players. Dominicans love two things: politics and baseball. When we're not talking politics, we're talking baseball.”

Jose Peralta (1971–2018) American politician

Love

“Beethoven’s sonatas, whether show so much variety that one has to ask oneself the fundamental question of what the much vilified word ‘sonata means. Perhaps Beethoven applied the word to entities that are not even sonatas in the strict sense of the term. One has to perceive new law in the highly dramatic musical form. Often in the sonata, feeling eludes form. In Beethoven, that is not the case, for here the two go hand in hand; feeling makes form aware of a hole in the ground and vice versa.”

Elfriede Jelinek book The Piano Teacher

P 151
The Piano Teacher (1988)

Law, Feeling, Question, Sense

“We all sing about the things we're thinking; musicals are about expressing those emotions that you can't talk about.”

Anthony Stewart Head (1954) English actor

Giles Ahead Time Out - London's Living Guide January 9-16 2002 http://www.gilesfanfic.de/default.php?url=artikel_11_oton

Thinking, Singing

“I was totally star-struck as a youngster and incredibly shy, but I loved the theatre – especially pantomimes. After a failed audition for RADA, I worked as a trainee fashion buyer at Harrods, where they had an entertainments society and I performed in several of its productions. I took singing lessons and my teacher encouraged me to read The Stage, where I saw that chorus singers were needed for the musical The Belle Of New York. I got the job – much to my parents’ horror, who wanted me to keep my respectable job, but I was determined to become an actress.”

Valerie Leon (1943) English actress

Whatever happened to Bond Girl Valerie Leon? http://www.express.co.uk/life-style/life/614933/Bond-Girl-Valerie-Leon-career-life (November 2, 2015)

Love, Star, Fashion, Parent

“Music completely overpowers me. Love it when I can experience it with my live audience.”

Shreya Ghoshal (1984) Indian playback singer

Concert at Auckland Sydney New Jersey Dallas https://www.facebook.com/shreyaghoshal/photos/a.10150127795216484.302690.11541726483/10154457107311484/

Love

“She gets rock n roll, a rock n roll station
And a rock n roll dream.
She's making movies on location.
She don't know what it means.
But the music make her wanna be the story.
And the story was whatever was the song, what it was.
Rollergirl don't worry.
D. J. plays the movies all night long.”

Mark Knopfler (1949) English guitarist

Skateaway
Song lyrics, Making Movies (1980)

Dreams, Night

“I am not shooting at immortality through my books, no. Nor do I think Chopin was shooting at immortality through his music. That strikes me as a very selfish goal, and I don't think Chopin was particularly selfish. I would also say that I think that music comes much closer to capturing the essence of a composer's soul than do a writer's ideas capture the writer's soul. Perhaps some very emotional ideas that I express in my books can get across a bit of the essence of my soul to some readers, but I think that Chopin's music probably does a lot better job”

Douglas Hofstadter (1945) American professor of cognitive science

and the same holds, of course, for many composers

Books, Soul, Idea, Thinking

“Hayley: I know what kind of music that I like, I love to sing. Bands like George and Missy Higgins are the guys that I like and that's the kind of music that I'd like to make.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 6

Love, Guy, Singing

“In poetry there are two giants, rough Homer and fine Shakespere. In music likewise we have two giants, Beethoven, the thinker, and the superthinker Berlioz.”

Modest Mussorgsky (1839–1881) Russian composer

Letter to Vladimir Stassov, October 18, 1872; Oskar von Riesemann (trans. Paul England) Moussorgsky (1929) p. 107.

“My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

John Rubinstein — reported in Kevin Kelly (February 22, 1981) "Rubinstein a Chip Off Rubinstein: John Says His Father's Music Shaped His Approach to Acting", Boston Globe.
About

People, Truth, Heart

“Those evening bells! those evening bells!
How many a tale their music tells
Of youth and home, and that sweet time
When last I heard their soothing chime!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Those evening Bells.
Bartlett's Familiar Quotations, 10th ed. (1919)

Youth, Home, Time

“The physicist … engages in complex and difficult calculations, involving the manipulating of ideal, mathematical quantities that, at first glance, are wholly lacking in the music of the living world and the beauty of the resplendent cosmos. It would seem as if there exists no relationship between these quantities and reality. Yet these ideal numbers that cannot be grasped by one's senses, these numbers that only are meaningful from within the system itself, only meaningful as part of abstract mathematical functions, symbolize the image of existence.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), p. 83

World, Beauty, Mathematics, Reality

“I was on the football team because I wanted to experience the different iconic social classes of high school. So football for me was an attempt to socially integrate in an interesting way. And then I didn’t like it anymore and stopped doing it and focused more on drama and science and other forms of art and music.”

Reggie Watts (1972) singer, musician and comedian

Cited in: " Comedy Bang! Bang! sidekick extraordinaire Reggie Watts sits down to talk at SXSW 2013 http://www.ifc.com/fix/2013/03/sxsw-2013-reggie-watts-on-music-high-school-and-hair" ifc.com. Posted March 10th, 2013, 8:03 PM by Melissa Locker: Watts reply to the question "You were on the football team!"

School, Art, Way, Science

“We have 6,000 kids every day drop out in this country. And they don't drop out because they're dumb. They drop out because they're bored to death. They're in a 19th century education system in a 21st century world. If we really are serious, then, first of all, we make sure that we build the curriculum around their interests, rather than just push them into something they don't care. Second thing, unleash weapons of mass instruction. I'm a passionate, ardent supporter of having music and art in every school for every student at every grade level.”

Mike Huckabee (1955) Arkansas politician

Republican presidential candidate debate, Johnston, Iowa, 2007-12-12
Republican Debates

Death, World, Education, School

“I'd like to see people try to sample the sound less and try to sample the style a bit more. Some people see this sort of 'copying' as offensive… I'm inclined to think the opposite - all music is built on imitation and expansion.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

People, Thinking

“The main thing is not to lose your identity and to continue working … You have a quartet. That is such joy! You can forget everything else in the world. I'm playing a lot of chamber music these days. Tomorrow we were going to give the first performance of two trios, but because of the mourning, all concerts have been canceled.”

David Oistrakh (1908–1974) Soviet violinist

The Night Stalin Died http://www.nytimes.com/1989/03/05/magazine/the-night-stalin-died.html?module=Search&mabReward=relbias:r&pagewanted=2, New York Times (March 5, 1989).

World, Joy, Forgetting

Quotes about music page 23

Quotes about music
page 23