Quotes about music
page 2

“If a composer could say what he had to say in words he would not bother trying to say it in music.”

“My music fights against the system that teaches to live and die.”

“Music is indeed the mediator between the spiritual and sensual life.”
Attributed to Beethoven by Bettina von Arnim in a letter to Goethe (28 May 1810); Goethe's Correspondence with a Child http://books.google.pt/books?id=UC8HAAAAQAAJ&pg=PA210&dq=%22+music+is+indeed+the+mediator+between+%22&hl=pt-PT&sa=X&ei=sF40VL3AIILwaIThgNgL&ved=0CEgQ6AEwBjgK#v=onepage&q=%22%20music%20is%20indeed%20the%20mediator%20between%20%22&f=false (1837)

“Next to the Word of God, the noble art of music is the greatest treasure in the world.”

“I haven't understood a bar of music in my life, but I have felt it.”

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60

Source: Real Frank Zappa Book


dies slowly…
Muere lentamente quien no viaja, quien no lee,
quien no oye música,
quien no encuentra gracia en sí mismo.
Muere lentamente
quien destruye su amor propio,
quien no se deja ayudar...
Poem "Muere lentamente" (Dying Slowly), wrongly attributed to Pablo Neruda. See "Fake Pablo Neruda Poem Spreads on Internet" http://www.laht.com/article.asp?ArticleId=325275&CategoryId=14094 by Ana Mendoza, Latin American Herald Tribune (12 January 2009).
Misattributed
Source: Selected Poems

In his letter to Theo, from The Hague, 21 July 1882, http://www.vggallery.com/letters/245_V-T_218.pdf
1880s, 1882
Context: What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low. All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion.
Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.

“Life is for the living.
Death is for the dead.
Let life be like music.
And death a note unsaid.”
Source: The Collected Poems

“Music is my mother and my father; it is my work and my rest… my blood… my compass… my love…”

Said to one of his students, according to "Chopin: Pianist and Teacher: As Seen by His Pupils" by Jean-Jacques Eigeldinger

http://dan-radcliffe.net/index.php/information/facts-favorites/

“When I play music, that is my best yoga, the best meditation, the best prayer.”
Music is a Prayer:An interview with Hariprasad Chaurasia by Ian Gottstein

http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.

John Guinn (December 22, 1982) "Rubinstein Was His Music", Detroit Free Press, p. 8D.
Attributed

Eric Blom (ed.) Grove's Dictionary of Music and Musicians, 5th edn. (London: Macmillan, 1954) vol. 7, p. 27.
Criticism

On how he creates memorable music
Ebony interview (2007)

Spoken in Prague, 1787, to conductor Kucharz, who led the rehearsals for Don Giovanni, from Mozart: The Man and the Artist, as Revealed in his own Words by Friedrich Kerst, trans. Henry Edward Krehbiel (1906).

About his second piano concerto. Masterworks of the Orchestral Repertoire: A Guide for Listeners by Donald N. Ferguson.

in "Visit with Alfred Cortot" by Alexander Kosloff, Music Educators Journal (Feb.-Mar., 1962)

"On the Life of Man" (1612)
Attributed

Billboard Interview, January 28, 2013, as quoted in Elite Daily http://elitedaily.com/elite/2013/justin-bieber-feels-entitled-winning-grammy/, 'Justin Bieber Feels That He Is Entitled To Winning A Grammy'.

Pop Chronicles, Show 7 - The All American Boy: Enter Elvis and the rock-a-billies. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19754/m1/, interview recorded 1956 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

Original text:
Tutti gli innovatori sono stati logicamente futuristi, in relazione ai loro tempi. Palestrina avrebbe giudicato pazzo Bach, e così Bach avrebbe giudicato Beethoven, e così Beethoven avrebbe giudicato Wagner.
Rossini si vantava di aver finalmente capito la musica di Wagner leggendola a rovescio! Verdi, dopo un’audizione dell’ouverture del Tannhäuser, in una lettera a un suo amico chiamava Wagner matto.
Siamo dunque alla finestra di un manicomio glorioso, mentre dichiariamo, senza esitare, che il contrappunto e la fuga, ancor oggi considerati come il ramo più importante dell’insegnamento musicale...
Source: Technical Manifesto of Futurist Music (1911), p. 80

On the writing process of Mark Morton and Wille Adler, the guitarists of Lamb of God.
Making of Sacrament DVD

Connections (1979), 10 - Yesterday, Tomorrow and You

On musical influences
Ebony interview (2007)

Quoted in DeLone et. al. (Eds.) (1975). Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0130493465, Ch. 3. from Igor Stravinsky' Autobiography (1962). New York: W.W. Norton & Co., Inc., p. 54.
1970s and later

Letter by Mozart, as quoted in a journal entry (12 December 1856) The Journal of Eugene Delacroix as translated by Walter Pach (1937), p. 521. The quote is not found in any authentic letter by Mozart.

As quoted in The NIRVANA Reader: 1988 – 1992 (Published December 2008).
Interviews (1989-1994), Print

The Cambridge Companion to Conducting p. 16.

Interview with V Magazine, as quoted in UsMagazine: Justin Bieber Talks Sex, Drugs and Turning 18 http://www.usmagazine.com/celebrity-news/news/justin-bieber-talks-sex-drugs-and-turning-18-2012101, January 2012

Io…vorrei che il giovane quando si mette a scrivere, non pensasse mai ad essere né melodista, né realista, né idealista, né avvenirista, né tutti i diavoli che si portino queste pedanterie. La melodia e l’armonia non devono essere che mezzi nella mano dell'artista per fare della Musica, e se verrà un giorno in cui non si parlerà più né di melodia né di armonia né di scuole tedesche, italiane, né di passato né di avvenire ecc. ecc. ecc. allora forse comincierà il regno dell'arte.
Letter to Opprandino Arrivabene, July 14, 1875, cited from Julian Budden Le opere di Verdi (Torino: E.D.T., 1986) vol. 2, p. 60; translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston: Northeastern University Press, 1997) p. 126

“Even if the world ends, the Music will still survive…. Music has no caste.”
Quoted in [Ekbal, Nikhat, Great Muslims of undivided India, http://books.google.com/books?id=JsDNDeHkb8AC&pg=PA45, 2009, Gyan Publishing House, 978-81-7835-756-0, 45–]
Quote

“And without music there can be no perfect knowledge, for there is nothing without it. For even the universe itself is said to have been put together with a certain harmony of sounds, and the very heavens revolve under the guidance of harmony.”
Itaque sine Musica nulla disciplina potest esse perfecta, nihil enim sine illa. Nam et ipse mundus quadam harmonia sonorum fertur esse conpositus, et coelum ipsud sub harmoniae modulatione revolvi.
Bk. 3, ch. 17, sect. 1; p. 137.
Etymologiae

Page 7.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Henry Flynt: "Essay: Concept Art." (1961) In: La Monte Young (ed.) An Anthology, 1963.

Neville Cardus The Delights of Music (London: Victor Gollancz, 1966) p. 90.
Criticism

"Sie wird das nothwendigste und härteste und die hauptsache in der Musique niemahlen bekommen, nämlich das tempo, weil sie sich vom jugend auf völlig befliessen hat, nicht auf den tact zu spiellen."
Letter to Leopold Mozart (24 October 1777), from Mozart: The Man and the Artist, as Revealed in his own Words by Friedrich Kerst, trans. Henry Edward Krehbiel (1906) http://www.gutenberg.org/dirs/etext03/wamma11.txt

“The only thing black people can do for me is shine my shoes and buy my music.”
Misattributed in "He wasn't my king" by Helen Kolawole http://www.guardian.co.uk/arts/elvis/story/0,12333,774842,00.html in The Guardian (15 August 2002) apparently citing an unsourced anecdote, that has been debunked in Counterpunch (29 August 2002) http://www.counterpunch.org/cockburn0829.html which cites an article in Jet magazine (1 August 1957):
"Tracing that rumored racial slur to its source was like running a gopher to earth", Jet wrote. Some said Presley had said it in in Boston, which Elvis had never visited. Some said it was on Edward Murrow's on which Elvis had never appeared. Jet sent Louie Robinson to the set of Jailhouse Rock "When asked if he ever made the remark, Missisissippi-born Elvis declared: 'I never said anything like that, and people who know me know I wouldn't have said it.'"
More on this misattribution at Snopes.com http://www.snopes.com/music/artists/presley1.asp
Misattributed

“The music industry can make you feel like a prostitute.”

jackgibbons.com http://www.jackgibbons.com/writings/alkanmyths.htm

"Portugal's Eurovision triumph", Euronews (14 May 2017) http://www.euronews.com/2017/05/14/portugal-has-won-the-2017-eurovision-song-contest

From "Home thoughts from abroad", article by Frank Owen, Melody Maker (27 Sep 1986)
In interviews etc., About other artists

“I want to grow as an artist and I'm taking a step out, I want my music to mature.”
Radio interview to Power 106, as quoted in Daily Mail, 'I'm retiring man': Justin Bieber announces that he's quitting his career as a singer during interview on national radio http://www.dailymail.co.uk/tvshowbiz/article-2525612/Justin-Bieber-announces-hes-quitting-career-singer-interview-national-radio.html, 18 December, 2013

Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s

“You just pick a chord, go twang, and you've got music.”
Reported in Jon Savage, England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond (2001), p. 220.

As quoted "Words of the Week" in Jet magazine, Vol. 64, No. 6 (25 April 1983), p. 40
Context: Music has been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.

As quoted in The Harvard Biographical Dictionary of Music (1996) by Don Michael Randel
Context: Music is a mysterious mathematical process whose elements are part of Infinity. … There is nothing more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little — the book of Nature.

Jokes and their Relation to the Cognitive Unconscious (1980)
Context: All intelligent persons also possess some larger-scale frame-systems whose members seemed at first impossibly different — like water with electricity, or poetry with music. Yet many such analogies — along with the knowledge of how to apply them — are among our most powerful tools of thought. They explain our ability sometimes to see one thing — or idea — as though it were another, and thus to apply knowledge and experience gathered in one domain to solve problems in another. It is thus that we transfer knowledge via the paradigms of Science. We learn to see gases and fluids as particles, particles as waves, and waves as envelopes of growing spheres.

Letter to Camille Pleyel.
Context: My piano has not yet arrived. How did you send it? By Marseilles or by Perpignan? I dream music but I cannot make any because here there are not any pianos... in this respect this is a savage country.

“It is necessary to abandon yourself completely, and let the music do as it will with you.”
As quoted in The Cambridge Companion to Debussy (2003) by Simon Trezise, p. 120
Context: It is necessary to abandon yourself completely, and let the music do as it will with you. All people come to music to seek oblivion.

Letter to Paul Dukas (1901)
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map.

Gramophone
Context: I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can't think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that -- its humanity.

"The Work of Christmas" in The Mood of Christmas & Other Celebrations (1985)
Context: When the song of the angels is stilled,
When the star in the sky is gone,
When the kings and princes are home,
When the shepherds are back with their flock,
The work of Christmas begins:
To find the lost,
To heal the broken,
To feed the hungry,
To release the prisoner,
To rebuild the nations,
To bring peace among people,
To make music in the heart.

“So why do so many of us try to explain the beauty of music, thus depriving it of its mystery?”
The Unanswered Question (1976)
Context: Einstein said that "the most beautiful experience we can have is the mysterious." So why do so many of us try to explain the beauty of music, thus depriving it of its mystery?

“There isn’t anything weird about my music.”
Oui interview (1979)
Context: There isn’t anything weird about my music. Weird is a skeleton in the closet, wearing a rubber mask with warts all over its nose, and all that kind of shit. That’s not what I do. The thing that makes my music unusual is that people only hear one kind of music all the time over the radio. It’s wallpaper to their lives. Audile wallpaper. There’s one acceptable beat and there are three acceptable chord progressions. There are five acceptable words: baby, love, tears, yat yat. Just because I don’t deal in those terms doesn’t mean I’m weird. So tell these people: I ain’t weird; I’m rational. I’m a person who can choose to write stuff like that, or choose to write stuff that includes all the notes on the piano played at once, followed by a cement truck driving over the piano, followed by a small atomic explosion. Nothing weird about that as long as you do it in a meaningful way.

When asked if music has a meaning
Dick Cavett interview (1969)
Context: Definitely, and it's getting more spiritual. Pretty soon I believe people will have to rely on music to get some kind of peace of mind, or satisfaction, or direction, actually. More so than politics, the big ego scene. You know it's an art of words... Meaning nothing. Therefore you will have to get an earthier substance, like music or the arts.

“You grow with music, or the music outgrows you.”
attributed to Lennon, but no verifiable source found
Disputed

Read from his musical diaries while speaking at St. Vladimir’s Seminary https://vimeo.com/221011528/

Christopher Callahan (October 2000), Music in Medieval Medical Practice: Speculations and Certainties https://symposium.music.org/index.php/40/item/2168-music-in-medieval-medical-practice-speculations-and-certainties#16
De Institutione Musica
“"Music is everything in life, not more; not even less!"
— Alireza Kohany”
Source: https://www.facebook.com/alirezakohany.music

Source: Letter to Isaac Disraeli (c. 8 September 1826), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume. I. 1804–1859 (1929), p. 108

Through the Wire
Lyrics, The College Dropout (2004)
“Don’t just write words. Write music.”
Context: This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety.
Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.
So write with a combination of short, medium, and long sentences. Create a sound that pleases the reader’s ear. Don’t just write words. Write music.
Source: Requiem for a Dream

“If music be the food of love, play on.”
Orsino, Act I, scene i.
Variant: Music, moody food
Of us that trade in love.
Source: Twelfth Night (1601)
