Quotes about music
page 13

“The subscription model of buying music is bankrupt. I think you could make available the Second Coming in a subscription model and it might not be successful.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

As quoted in "Steve Jobs: The Rolling Stone Interview" in Rolling Stone (3 December 2003)
2000s

Thinking, Success

“The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural… Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.”

Ben Nicholson (1894–1982) British painter

"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)

Painting

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Love, Women, Men, People

“Cheap music, childish images, the vulgate in language, in its crassest sense, can penetrate to the deeps of our necessities and dreams. It can assert irrevocable tenure there. The opening bars, the hammer-beat accelerando of Edith Piaf's Je ne regrette rien — the text is infantile, the tune stentorian, and the politics which enlisted the song unattractive — tempt every nerve in me, touch the bone with a cold burn and draw me into God knows what infidelities to reason, each time I hear the song, and hear it, uncalled for, recurrent inside me.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 4 (p. 183).

God, Dreams, Sense, Time

“What [Tullio Serafin] said that impressed me was: "When one wants to find a gesture, when you want to find how to act on stage, all you have to do is listen to the music. The composer has already seen to that." If you take the trouble to really listen with your soul and with your ears — and I say soul and ears because the mind must work, but not too much also — you will find every gesture there. And it is all true, you know.”

Maria Callas (1923–1977) American-born Greek operatic soprano

On advice from Tullio Serafin, in "Harewood Conversations - 1968", an interview in Paris with Lord Harewood for the BBC (April 1968) on Maria Callas : The Callas Conversations (2004) EMI Classics DVD

Soul

“This intersecting of inherently non-symmetrical diatonic elements with inherently non-diatonic symmetrical elements seems to me the defining principle of the musical language of Le Sacre and the source of the unparalleled tension and conflicted energy of the work.”

George Perle (1915–2009) American composer

Page 83
The Listening Composer

“Today, the most important is to learn to understand other people. And not only their music, but also their philosophy, their attitude, their behavior. Only then will nations can get along with each other.”

Helmut Schmidt (1918–2015) Chancellor of West Germany 1974-1982

Weggefährten - Erinnerungen und Reflexionen, Siedler-Verlag Berlin 1996, p. 58, ISBN 9783442755158, ISBN 978-3442755158

People, Behavior, Understanding, Learning

“The music of the soul is also the music of salesmanship. Exchange value, not truth value counts. On it centers the rationality of the status quo, and all alien rationality is bent to It.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 57

Truth, Soul

“The tri-coloured play with music begins' (in Deutsch: Das Drei Farben Singespiel beginnt..)
the cast is as follows
Dr. and MRS. Knarre, a married couple
Franziska and Charlotte, their daughters
Dr. Kahn, a physician
Charlotte Kahn, his daughter
Paulinka Bimbam, a singer
Dr. Singsong, a versatile person
Professor Klingklang, a famous conductor
An Art teacher
Professor and Students at an art academy
and Chorus..
.. The action takes places during the years 1913 to 1940 in Germany, later in Nice, France”

Charlotte Salomon (1917–1943) German painter

Charlotte's 3rd introduction page, related to image JHM no. 4155-3 https://charlotte.jck.nl/detail/M004155-c/part/character/theme/keyword: 'The tri-coloured play with music begins..', p. 43 the quote is written in brush, over the whole page of the painting, with a rough painted gate above Charlotte Salomon - Life? or Theater?

Art, Teachers, Personality, Daughters

“The leaf that spreads in the sunlight is the only holiness there is. I haven’t found holiness in the faiths of mortals, nor in their music, nor in their dreams: it’s out in the open field, with the green rows looking at the sky. I don’t know what it is, this holiness: but it’s there, and it looks at the sky.”

Kage Baker book In the Garden of Iden

Source: In the Garden of Iden (1997), Chapter 5 (p. 46)

Faith, Dreams

“Artists aren't necessarily business people. And they aren't necessarily aware of all the things that go on in their names. Some just want to make some music, but there is a lot of greed among artists as well. Whether or not we know it, we are all to blame. I think it's time — starting with the artist — to try to be a little more responsible and aware of what goes on in our name.”

Tom Petty (1950–2017) American musician

Rolling Stone interview (2002)

People, Business, Thinking, Time

“Sing again, with your dear voice revealing
A tone
Of some world far from ours,
Where music and moonlight and feeling
Are one.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

To Jane. The keen Stars were twinkling; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

World, Feeling, Singing

“God is pleased with no music from below so much as in the thanksgiving songs of relieved widows, of supported orphans, of rejoicing, and comforted, and thankful persons.”

Jeremy Taylor (1613–1667) English clergyman

Sermon XXV, Part IV: "The Duties of the Tongue"

God, Support, Personality

“The nice thing about an -ism, someone once observed, is how quickly it becomes a wasm. Some musical wasms—academic-wasm, for example, and its dependent varieties of modern-wasm and Serial-wasm—continue to linger on artifical life support, thought, and continue to threaten the increasingly fragile classical ecosystem.”

Richard Taruskin (1945) American writer

New York Times, March 10, 1996. Quoted in Ashby, Arved, ed. (2004). The Pleasure of Modernist Music. ISBN 1580461433.

Life, Support, Dependency

“If all the skies were sunshine,
Our faces would be fain
To feel once more upon them
The cooling splash of rain.

If all the world were music,
Our hearts would often long
For one sweet strain of silence.
To break the endless song.

If life were always merry,
Our souls would seek relief,
And rest from weary laughter
In the quiet arms of grief.”

Henry Van Dyke (1852–1933) American diplomat

If All the Skies.

Life, World, Feeling, Soul

“Most people still steal music.”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

[Andy, and Michael Parsons, McCue, http://news.zdnet.com/2100-9593_22-5397733.html, Ballmer talks tech, Application Development, ZDNet News, 5 October 2004, 2007-04-20]
2000s

People

“What had already been done for music by the end of the eighteenth century has at last been begun for the pictorial arts. Mathematics and physics furnished the means in the form of rules to be followed and to be broken. In the beginning it is wholesome to be concerned with the functions and to disregard the finished form. Studies in algebra, in geometry, in mechanics characterize teaching directed towards the essential and the functional, in contrast to apparent. One learns to look behind the façade, to grasp the root of things. One learns to recognize the undercurrents, the antecedents of the visible. One learns to dig down, to uncover, to find the cause, to analyze.”

Paul Klee (1879–1940) German Swiss painter

1921 - 1930
Source: 'Bauhaus prospectus 1929'; as quoted in Artists on Art, from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444

Art, Mathematics, Study, Learning

“Music is all about wanting to be better at it.”

Geddy Lee (1953) vocalist, bassist, and keyboardist for the Canadian rock group Rush

Global Bass interview (2000)

“[About Mozart] In relation to God he is like a child who brings everything to his father: the stones from the street and peculiar sticks and little plants and even once a ladybug; and with him all of these things are melodies, melodies that he brings to God, melodies that he suddenly knows when he is inside of prayer. And when he has finished praying, and he is no longer on his knees and no longer has his hands folded, then he sits there at the piano, or he sings with an incredible childlikeness, and in doing so he no longer has any idea whether he is playing something for God or whether it is God who is using him to play something at once for himself and for Mozart. There is a great conversation between Mozart and God that is the purest prayer, and this entire conversation is nothing but music.”

Adrienne von Speyr (1902–1967) Swiss doctor and mystic

Book of All Saints (1966)

God, Idea, Singing

“Bach is, for me, the touchstone that keeps my playing honest. Keeping the intonation pure in double stops, bringing out the various voices where the phrasing requires it, crossing the strings so that there are not inadvertent accents, presenting the structure in such a way that it's clear to the listener without being pedantic - one can't fake things in Bach, and if one gets all of them to work, the music sings in the most wonderful way.”

Hilary Hahn (1979) American violinist

Hilary Hahn on Saint Paul Sunday http://saintpaulsunday.publicradio.org/featured_artists/hahn.html

Way, Singing

“The peculiar characteristic of classical music is that it is really better than it sounds.”

Edgar Wilson Nye (1850–1896) American journalist, who later became widely known as a humorist

A stand-up line quoted in 1888.
Attributed
Variant: Wagner's music is better than it sounds (attested in an obituary; see The Quote Verifier)

“I was interning at a record label - OK, cool. I'm gonna do what my mom did, you know, work her way up in the music industry, the business side of things. I was comfortable with that. That was what I wanted to do. And then just suddenly I am thrown from that. It was super insane.”

Jack Osbourne (1985) Son of Ozzy and Sharon Osbourne

MTV.com Jack Talks About His Addiction and Recovery

Way, Moms, Business

“Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
Cornell: I don't know if I would say I was in a particularly dark or moody headspace more than other times. I feel the lyrics have to be born from the music. Or if I had a lyrical idea, separate from Soundgarden music, I knew if it would work with the band because it tended to reflect what the music was and what the feeling of the music was – which was usually somewhat dark and somber or moody, or over-the-top, visceral, aggressive angry.
Rolling Stone: So it wasn't an especially dark time?
Cornell: No, not that I remember. No more than usual. I think that I always struggled with depression and isolation, so those could come out. I think that the mood of Seattle to me, and the way that I always interpreted that mood was something that was always a little bit introspective and dark. And I wouldn't say "depressing," but introspective in a way that could be moodier and darker.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Rolling Stone, 2014 https://www.rollingstone.com/music/features/soundgardens-chris-cornell-on-superunknown-depression-w483113, On depression and suicide

Way, Feeling, Idea, Mood

“And then music. Wind chimes. And the sound of someone playing a violin. A fiddle. Or maybe just the music of a little dragon's wings. Maybe.”

Christopher Golden (1967) American writer

Page 63
Strangewood (1999)

“Right after Andy died, we [Soundgarden] went to Europe, and it was horrible, because I couldn't talk about it, and there was no one who had loved him around. I wrote two songs, "Reach Down" and "Say Hello 2 Heaven". That was pretty much how I dealt with it. When we came back, I recorded them right away. They seemed different from what Soundgarden naturally does, and they seemed to fit together. They seemed like music he would like. I got the idea to release them as a single, and to get at least Stone and Jeff, or all of Love Bone, to play on it. I had the idea for a couple days, then, with an artist's lack of self-confidence, I decided it was a stupid idea. Somehow those guys heard the tape, and they were really, really excited. Stone and Jeff and our drummer, Matt, had been working on a demo for what ended up being Pearl Jam, so we had the idea that we would make an EP or a record, and maybe even do some of Andy's solo songs.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Temple of the Dog Era

Love, Stupidity, Guy, Confidence

“When asked what kind of music and bands he enjoys”

Axl Rose (1962) American singer-songwriter and musician

Quoted in "Axl Rose: The Rolling Stone Interview" http://www.rollingstone.com/music/news/the-rolling-stone-interview-axl-rose-19890810 by Del James, Rolling Stone, (10 August 1989)

“I think faith in each other is much harder than faith in God or faith in crystals. I very rarely have faith in God; I occasionally have little spasms of it, but they go away, if I think hard enough about it. I am incandescent with rage at the idea of horoscopes and of crystals and of the nonsense of 'New Age', or indeed even more pseudo-scientific things: self-help, and the whole culture of 'searching for answers', when for me, as someone brought up in the unashamed Western tradition of music and poetry and philosophy, all the answers are there in the work that has been done by humanity before us, in literature, in art, in science, in all the marvels that have created this moment now, instead of people looking away. The image to me... is gold does exist, and for 'gold' say 'truth', say 'the answer', say 'love', say 'justice', say anything: it does exist. But the only way in this world you can achieve gold is to be incredibly intelligent about geology, to learn what mankind has learnt, to learn where it might lie, and then break your fingers and blister your skin in digging for it, and then sweat and sweat in a forge, and smelt it. And you will have gold, but you will never have it by closing your eyes and wishing for it. No angel will lean out of the bar of heaven and drop down sheets of gold for you. And we live in a society in which people believe they will. But the real answer, that there is gold, and that all you have to do is try and understand the world enough to get down into the muck of it, and you will have it, you will have truth, you will have justice, you will have understanding, but not by wishing for it.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

From Radio 4's Bookclub http://www.bbc.co.uk/programmes/p00f8l3b 2000s

Love, God, People, Truth

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Love, Life, Pleasure, Fear

“When they [N'Sync and Aerosmith] played, it wasn't music. It was the sound of chaos. I knew it was the sound of chaos because you could hear pigs being slaughtered. Women were weeping and men were gnashing their teeth, and there were sounds so horrible that I cannot repeat them to you, or you would flee from this room in horror!”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

The End of the Universe (2002)

Women, Men

“These differences can make it difficult for female musicians to enter male-dominated musical cultures.”

Holly Kruse

Holly Kruse (1999). Key Terms in Popular Music and Culture, pg. 94. Malden, Massachusetts. ISBN 0631212639.

“At the Everyman Cinema there is a season of Satyajit Ray. He watches the Apu trilogy on successive nights in a state of rapt absorption. In Apu's bitter, trapped mother, his engaging, feckless father he recognizes, with a pang of guilt, his own parents. But it is the music above all that grips him, dizzyingly complex interplays between drums and stringed instruments, long arias on the flute whose scale or mode — he does not know enough about music theory to be sure which — catches at his heart, sending him into a mood of sensual melancholy that last long after the film has ended.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Mood, Parent, Success, Heart

“When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic.”

Carlo Carrà (1881–1966) Italian painter

Quote in: The Painting of Sounds, Noises and Smells Carlo Carrà, (1913); as cited & translated in: Mary Ann Caws (2001) Manifesto: A Century of Isms. p. 203
1910's

People, Thinking

“In the spirit of enthusiasm or vanity, the prophet [Muhammad] rests the truth of his mission on the merit of his book; audaciously challenges both men and angels to imitate the beauties of a single page; and presumes to assert that God alone could dictate this incomparable performance. This argument is most powerfully addressed to a devout Arabian, whose mind is attuned to faith and rapture; whose ear is delighted by the music of sounds; and whose ignorance is incapable of comparing the productions of human genius… If the composition of the Koran exceed the faculties of a man to what superior intelligence should we ascribe the Iliad of Homer, or the Philippics of Demosthenes?”

Edward Gibbon (1737–1794) English historian and Member of Parliament

EGPaIV" Edward Gibbon, [1788], Decline and Fall of the Roman Empire http://www.sacred-texts.com/cla/gibbon/05/daf05010.htm, Vol. 5, Chapter L: Description Of Arabia And Its Inhabitants. Part IV. The Decline And Fall Of The Roman Empire: Volume 1 (1776)

Men, God, Truth, Books

“The mazurka provided him with a repertoire of motifs, rhythms, and sonorities outside the main Italian, French, and German traditions of European music: he used it to create a series of works within this tradition which are absolutely personal—marginal works which challenge the center.
They are the most eccentric and original of Chopin's works. We shall never know exactly what and how much Chopin took directly from the popular folk tradition and how much he invented, but it does not matter: his originality is revealed as much in what he selected as in what he imagined. The folk dances gave him the possibility of exploring new harmonies, of exploiting the emotional effect of obsessive repetition, and of developing a new form of rubato.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Imagination, Dance, Personality

“With your Elvis Presley and wasp-waist and swivel-hippy, show you had, and I must say it showed it first self in pictures with the rhythmic contrapole of the wobbling of the hipper, sideways with the head and tilty, gave him that expression both also with a little doggy-lublike in the eyebold which he conveyed to the smaller femailode of the specie, coupled with his music because he did trittly-how fine on the strims, helped him along the roamer […. ] I heard it first of all on a record in the early mordy: I was doing the shavit-huff with my razor blade, which of course is a safety one, and suddenly, suddenly he did a little syncopole or a drop-it and how, or something he did and caused a jerkit over a pimplode and I've been suffering ever since!”

Stanley Unwin (comedian) (1911–2002) British comedian

On Elvis
Rotatey Diskers with Unwin (1960)

Suffering, Help

“Much music marreth men's manners.”

Galén (129–216) Roman physician, surgeon and philosopher

As quoted in Garnett, Vallée, Brandl, The Universal Anthology, Vol 12 (1809), p. 192.
Latter day attributions

Men

“When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic — here on Sixth Avenue, for instance — I don't have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don't need sound to talk to me.”

John Cage (1912–1992) American avant-garde composer

Quote of Cage, in an interview with Miroslav Sebestik, 1991; in Listen, documentary by Miroslav Sebestik. ARTE France Développement, 2003; as quoted on Wikipedia, note 54
1990s

Love, Feeling, Idea

“Bush is a natural-born loser with a filthy-rich daddy who pimped his son out to rich oil-mongers. He hates music, football and sex, in no particular order, and he is no fun at all.”

Hunter S. Thompson (1937–2005) American journalist and author

"Fear and Loathing, Campaign 2004" (20 October 2004) http://www.rollingstone.com/politics/story/6562575/fear_and_loathing_campaign_2004/ 2000s

Hate, Sex, Nature, Football

“OK, let's go and explore the rest of the world, and how easy is it to put together music through found objects and stuff, and people, and ideas and certain electricity, certain environments.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Interview http://www.rollingstone.com/music/news/m-i-a-s-global-party-the-futuristic-pop-star-on-her-decades-journey-20091229#ixzz1i1EWoIDV on Kala to Rolling Stone (2009) Sourced quotes

People, World, Idea

“Though music is the chief excellence of the Neapolitans, Naples has produced some good Painters. Luca Giordano, and Salvator Rosa, were both of them born here : the latter, to judge by a ridiculous anecdote that is told of him, was a man of wit, as well as a painter.”

Peter Beckford (1643–1710) Governor of Jamaica

“This Hungarian Van Cliburn impressed me from the outset with a deep and confident involvement in the music, a capacity for both power and delicacy, and a preference for passion over absolute accuracy.”

László Gyimesi (1948) Hungarian musician

John Bennett, Calgary Herald, 1972.
About

Confidence, Passion

“Bob Wills taught me how to be a bandleader and how to be a star. […] There was no time wasted between songs. I learned from him to keep the people moving and dancing. […] The more you keep the music going, the smoother the evening will be. Another thing he taught me was people came and paid their money to hear what they wanted to hear. Even if Bob had a mediocre band that night, the people knew his records and his radio shows and they heard what they thought Bob Wills sounded like. Whether he had a good night or a bad night, every night was a good night.”

Willie Nelson (1933) American country music singer-songwriter.

[Nelson, Willie; Bud Shrake; Edwin Shrake, 2000, Willie: An Autobiography, Cooper Square Press, 67]

Money, People, Star, Learning

“We cannot turn back. We cannot choose the dreams of unknowing. We shall, I expect, open the last door in the castle, even if it leads, perhaps because it leads, on to realities which are beyond the reach of human comprehension and control. And we shall do so with that desolate clairvoyance, so marvellously rendered in Bartok's music, because opening doors is the tragic merit of our identity.”

George Steiner (1929–2020) American writer

"Tomorrow"
In Bluebeard's Castle (1971)

Dreams, Reality

“For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Chance

“Cherish your visions; cherish your ideals; cherish the music that stirs in your heart, the beauty that forms in your mind, the loveliness that drapes your purest thoughts, for out of them will grow all delightful conditions, all, heavenly environment; of these, if you but remain true to them, your world will at last be built.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

World, Beauty, Heart

“The seeing eye! It is this that discloses the inner harmony of things; what Nature meant, what musical idea Nature has wrapped up in these often rough embodiments. Something she did mean. To the seeing eye that something were discernible. Are they base, miserable things? You can laugh over them, you can weep over them; you can in some way or other genially relate yourself to them; — you can, at lowest, hold your peace about them, turn away your own and others' face from them, till the hour come for practically exterminating and extinguishing them!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Peace, Way, Idea, Nature

“Just meeting Rubinstein was a thrill for any pianist. He was a real link to tradition in western piano music. He was a friend of Rachmaninoff and he knew Debussy. The man was an inspiration to three generations of pianists.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Emanuel Ax — reported in Joseph McLellan (December 21, 1982) "Concert Pianist Arthur Rubinstein Dies at 95", The Washington Post, p. A1.
About

“We now look into history with the generous pride of the nationalist, not with the cramped prejudice of the partisan. We do homage to Irish valour, whether it conquers on the walls of Derry, or capitulates with honour before the ramparts of Limerick; and, sir, we award the laurel to Irish genius, whether it has lit its flames within the walls of old Trinity, or drawn its inspiration from the sanctuary of Saint Omer’s. Acting in this spirit, we shall repair the errors and reverse the mean condition of the past. If not, we perpetuate the evil that has for so many years consigned this Country to the calamities of war and the infirmities of vassalage, "We must tolerate each other," said Henry Grattan, the inspired preacher of Irish nationality — he whose eloquence, as Moore has described it, was the very music of Freedom — "We must tolerate each other, or we must tolerate the common enemy…"But, sir, whilst we must endeavour wisely to conciliate let us not, to the strongest foe, nor in the most tempting emergency, weakly capitulate…Let earnest truth, stern fidelity to principle, love for all who bear the name of Irishmen, sustain, ennoble and immortalise this cause. Thus shall we reverse the dark fortunes of the Irish race, and call forth here a new nation from the ruins of the old.Thus shall a Parliament moulded from the soil, pregnant with the sympathies and glowing with the genius of the soil, be here raised up. Thus shall an honourable kingdom be enabled to fulfil the great ends that a bounteous Providence hath assigned her—which ends have been signified to her in the resources of her soil and the abilities of her sons.”

Thomas Francis Meagher (1823–1867) Irish nationalist & American politician

Legislative "Union" with Greath Britain (1846)

Love, War, Truth, Error

“The public want actresses, because they think all actresses bad. They don't want music or poetry because they know that both are good. So actors and actresses thrive and poets and composers starve.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Thinking

“His mother told him, "Someday you will be a man,
And you will be the leader of a big old band.
Many people coming from miles around
To hear you play your music when the sun go down.
Maybe someday your name will be in lights
Saying 'Johnny B. Goode tonight'."”

Chuck Berry (1926–2017) American rock-and-roll musician

"Johnny B. Goode" (1958)
Song lyrics

People, Light, Sun

“[While filming 'Ashes to Ashes'] So we're on the beach shooting this scene with a giant bulldozer. The camera was on a very long lens. [The camera is along way away, but the artist fills the frame] In this video I'm dressed from head to toe in a clown suit. Why not. I hear playback and the music starts. So off I go, I start singing and walking, but as soon as I do this old geezer with an old dog walk right between me and the camera… Well, knowing this is gonna take a while I walked past the old guy and sat next to camera in my full costume waiting for him to pass. As he is walking by camera the director said, excuse me Mr do you know who this is? The old guy looks at me from bottom to top and looks back to the director and said… "Of course I do!!!! its some cunt in a clown suit."”

David Bowie (1947–2016) British musician, actor, record producer and arranger

That was a huge moment for me, It put me back in my place and made me realize, yes I'm just a cunt in a clown suit. I think about that old guy all the time.
http://tonythegigguy.com/queen-bitch-beat-city-bowie-special-sleeve-notes

Dogs, Way, Guy, Thinking

“As a tool for the activation of specific thoughts, music is as good as language. The combination of the two—as best exemplified in the love song—is the best courtship of all.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Love

“Understanding music simply means not being irritated or puzzled by it.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

Understanding

“The essence of what I have learned about writing and performing music is the authenticity you are faced with in your day-to-day work. No matter what other people or even critics will say, you have to follow your own direction which not necessarily has to be a straight line to success; sometimes it will be a curly, dramatic curve you have to go, but that’s the only way to leave a little landmark of brave respect to others and to the dimensions of your own capability.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

People, Way, Learning, Success

“When someone asks me where MP3 Newswire stands with regards to file trading (or piracy as some try to call it) I tell them that we support the growth of this notion of an online music industry. One that uses technology to bring us more music, broadening our pallettes while leveraging the Net to reduce distribution costs. The music can be paid for like CDs and tape or it can be free to its audience and supported by advertising like radio and MTV are. Whatever the model, the point is online music easily can and does supplement what we already purchase in the stores.”

Richard Menta American journalist

Source Three Lawsuits and a Funeral http://web.archive.org/web/20031217142538/www.mp3newswire.net/stories/2001/funeral.html - 11/30/2001 Quotes from the MP3 Newswire

Support

“I suppose there's a certain way I like the music to be performed, and I feel I can capture it better than anyone else. I know every note in every song, the whole history of it, even parts that were there and are gone.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)

Way, Feeling, History, Parting

“Music has its existence on the borderline between meaning and nonsense. That is why most attempts to attribute a specific meaning to a piece of music seem to be beside the point—even when the attribution is authoritative, even when it is made by the composer himself.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 3 : Explaining the Obvious

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

Louis-ferdinand Céline book Journey to the End of the Night

27
Journey to the End of the Night (1932)

Hunger, War, People, Cars

“Nevertheless, music will not acknowledge a context greater than itself—social, cultural, or biographical—to which it is conveniently subservient. To paraphrase Goethe's grandiose warning to the scientist: do not look behind the notes, they themselves are the doctrine.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 3 : Explaining the Obvious

“Character is the product of daily, hourly actions, and words, and thoughts; daily forgivenesses, unselfishness, kindnesses, sympathies, charities, sacrifices for the good of others, struggles against temptation, submissiveness under trial. Oh, it is these, like the blending colors in a picture, or the blending notes of music, which constitute the man.”

John Ross Macduff (1818–1895) Scottish religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 46.

Color, Forgiveness

“Classical music has struggled to keep up. Unlike any other art form, it keeps on looking backwards all the time. It used to have a real museum culture. Then it went: "Oh my God, what are we going to do? Call for Nigel Kennedy. Quick!" Classical musicians have got to change or die,' she asserts strongly, 'but they just don't know how to. Audiences for classical music have dropped. The old blue rinse audience is dying out, and young people aren't coming in.”

Joanna MacGregor (1959) British musician

On Classical Music

God, People, Art, Change

“If you turn up the volume to your computer, and set the the little microphone inside to maximum level it will feed back, just like any other type of microphone. I just put it through some filters and add some white noise or pink noise. For me, the thing was to use elements that were marginal in other types of music, take something of no real value and use it.”

Mattin (1977) Spanish musician

Interview by Dan Warburton (July 2009)

“I usually do field work before I sit down to play with somebody; in other words I go listen to them play in a concert, listen to their music, tapes, whatever, so that when I sit down with them, I have a vague idea what their temperament is about and what kind of musical patterns they enjoy playing. Solo, I am the captain of the ship, and I decide what I will play and dictate the pace of the show.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

in The ring from Lata was like a blessing from Saraswati, 12 December 2013, Rediff.com http://www.rediff.com/chat/trans/0111zaki.htm, Quote

Idea

“If the statistics are right, the Jews constitute but one percent of the human race. It suggests a nebulous dim puff of star dust lost in the blaze of the Milky Way. Properly the Jew ought hardly to be heard of, but he is heard of, has always been heard of. He is as prominent on the planet as any other people, and his commercial importance is extravagantly out of proportion to the smallness of his bulk. His contributions to the world's list of great names in literature, science, art, music, finance, medicine, and abstruse learning are also away out of proportion to the weakness of his numbers. He has made a marvellous fight in the world, in all the ages; and has done it with his hands tied behind him. He could be vain of himself, and be excused for it. The Egyptian, the Babylonian, and the Persian rose, filled the planet with sound and splendor, then faded to dream-stuff and passed away; the Greek and the Roman followed, and made a vast noise, and they are gone; other peoples have sprung up and held their torch high for a time, but it burned out, and they sit in twilight now, or have vanished. The Jew saw them all, beat them all, and is now what he always was, exhibiting no decadence, no infirmities of age, no weakening of his parts, no slowing of his energies, no dulling of his alert and aggressive mind. All things are mortal but the Jew; all other forces pass, but he remains. What is the secret of his immortality?”

Mark Twain book Concerning the Jews

Concerning the Jews (Harper's Magazine, Sept. 1899)

People, Secret, Age, World

“These facts make the creator of music a being like the gods, and make music itself the supreme mystery of human knowledge.”

Claude Lévi-Strauss book The Raw and the Cooked

Mythologiques I: Le cru et le cuit (1964)

God, Knowledge

“Well there is a lot of great music out there but sometimes you have to dig a little deeper to find it.”

Pete Yorn (1974) American musician

" Suicide Girls Interview http://suicidegirls.com/interviews/Pete+Yorn/" (2003)

“Careful listening to current country and western and rock music with the help of an interpreter for coded phrases shows that young people are hearing a constant stream of messages about getting high, feeling good, going on trips, and using drugs of all kinds with all methods.”

Virgil Miller Newton (1938) American priest

Miller Newton (1983). The Teenage Drug Epidemic, El Paso Physician, vol 6, pp. 5-6.
On Teenage Drug Use

People, Feeling, Help, Country

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Life, Women, Men, Children

“To impact someone emotionally, [a musical piece] has to contain "interesting" melodic, harmonic, or rhythmic content, and what defines "interesting" is up to the listener.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

“Playing that music delivered me from the pressures of my life. I played with my eyes closed and found that my backaches ceased and my headaches would go. The response to that rhythm was "My God, this makes me feel good." I never really remembered having that much fun with it before or thought about jazz making me feel good. But, at 46, it suddenly dawned on me that my body had priorities that my mind didn't allow, and I decided to (play Latin/jazz)✱ for myself and started having a helluva fine time.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "He Arranges, Composes, Performs: Fischer: A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer. <center>✱ The parenthetical addition is Zan Stewart's; exactly what it's replacing – whether simply filling a space, or replacing an unintelligible word or two – is not revealed.</center>

Life, God, Feeling, Time

“You open London Times and you find reviews of Western classical music concerts finding pride of place even if the concerts themselves have less than 200 people in a hall meant for 1,500. They do this because they want to highlight what they see as their socio-cultural legacy.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

People, Time

“I try to solve my problems by writing music and recording albums, but you know what's really funny about that? Once the album becomes a success, it doesn't solve your problems. It just gets harder to write the next album.”

Chris Cornell (1964–2017) American singer-songwriter, musician

NYROCK: Interview with Chris Cornell, 1999-10-01 https://web.archive.org/web/20030919022841/http://www.nyrock.com/interviews/1999/cornell_int.asp, Euphoria Morning Era

Problem, Success

“Sound poetry is a fusion of music and literature.”

Dick Higgins (1938–1998) English composer and poet

The Origin of Happenings (1976)
Variant: Concrete poetry is a fusion of visual art and poetry.

Literature

“When I first heard the songs of Mario Ruiz Armengol I responded in awe at the totality of their musical expression. Mario's harmonic sense was one that I had never encountered in most Latin music; melodies which in themselves were distinctive and lingered in your mind after only one hearing; profound emotional content without being hyper-romantic in conception. Some of them seemed almost brooding in character, filled with a feeling of melancholia and reflecting the depth of his personality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From the liner notes for Cal Tjader Plays the Contemporary Music of Mexico and Brazil (September 1962)

Feeling, Sense, Personality

“Music moves us because it serves as a metaphor for emotional life. It has peaks and valleys of tension and release. It mimics the dynamics of our emotional life.”

Daniel Levitin (1957) American psychologist

Australian Broadcasting Corporation http://www.abc.net.au/radionational/programs/allinthemind/5009818 (October 11, 2013)

Life

“A French Author has found out that the French music is for the heart; Italian music, for the ear only: but I do not know how it is to get at the one but by means of the other, and I fancy that which does not please the ear, will never find its way to the heart. I think it is Confucius who says, that the state of music is a proof of the good or bad customs of a country. The French nation would lose by such a judgment and the Italian gain more than it deserves.”

Peter Beckford (1643–1710) Governor of Jamaica

Way, Thinking, Heart, Country

“Musical instruments are among the oldest human-made artifacts we have found. …Music predates agriculture in the history of our species.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

History

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Way, Travel, Feeling, Reading

“Music is the universal language of mankind.”

John Wilson (1785–1854) Scottish advocate, literary critic and author (1785-1854)

Nocted Ambrosianae (1822-5).

Universe

“[The hardest thing about '90 Millas' was the concept of] combining the old and the new without losing the authenticity. The simple solution, of course, would have been to record covers. [But] emotionally it wouldn't have been the same We left Cuba as children: Gloria was 1, I was 14. So, there ia a part that does exist in nostalgia, but a the same [time] there is another part that is contemporary music that we've made all over the world.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Emilio Estefan, Reuters (July 23, 2007)
2007, 2008

Children, World, Nostalgia, Time

“As with any collaboration, you have to find someone that's in your 'mode' of making music.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

“When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head.”

Maryanne Amacher (1938–2009) Composer and installation artist

Amacher, 1999, cited in: Franziska Schroeder (2006). Bodily instruments and instrumental bodies. Vol. 25. p. 74:
Description of how "ears act as instruments and emit sounds as well as receive them (Amacher, 1999)... [and] the way these 'otoacoustic emissions' might function."

“Music means harmony, harmony means love. Love means God.”

Sidney Lanier (1842–1881) American musician, poet

Tiger Lilies a novel, Hurd & Houghton , New York 1867

Love, God

“Simple motion strikes us as banal. The time element must be eliminated. Yesterday and tomorrow as simultaneous. In music, polyphony helped to some extent to satisfy this need. A quintet as in 'Don Giovanni' is closer to us than the epic motion in 'Tristan [und Isolde]'. Mozart and Bach are more modern than the [music of the] nineteenth century.”

Paul Klee (1879–1940) German Swiss painter

Quote (July 1917), # 1081, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920

Time, Help

“It's really tough to make a name for yourself without compromising and without fitting yourself into a real specific mold. When I made the choice that I would be involved in every aspect of music and not necessarily make music for radio or MTV, I was saying, 'OK, this is me. You decide who it is.”

Josh Groban (1981) American musician and actor

"
Inside Connection, February 2004

“I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.”

John Cage (1912–1992) American avant-garde composer

1952, quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
1950s

Way, Imagination, Idea, Thinking

“Hymn tunes are the nearest we've got to English folk music.”

John Betjeman (1906–1984) English poet, writer and broadcaster

citation needed

“[Alvine] ’Tis one of those bright fictions that have made
The name of Greece only another word
For love and poetry; with a green earth—
Groves of the graceful myrtle — summer skies,
Whose stars are mirror'd in ten thousand streams—
Winds that move but in perfume and in music,
And, more than all, the gift of woman's beauty.
What marvel that the earth, the sky, the sea,
Were filled with all those fine imaginings
That love creates, and that the lyre preserves!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Bacchus and Ariadne from The London Literary Gazette (2nd November 1822) Dramatic Scene - II.
The Vow of the Peacock (1835)

Love, Beauty, Imagination, Star

“We are able to speak for ourselves through our music rather than being defined and put into the spotlight in a very male kind of groomed way for an obviously predominantly male audience.”

Shingai Shoniwa (1981) British musician

On being compared to compared to Karen O and Billie Holiday. http://venuszine.com/stories/music/4102.php

Way

“People today are still living off the table scraps of the sixties. They are still being passed around — the music and the ideas.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

The Guardian (13 February 1992)

People, Idea

“No matter how good your music is, if someone loops it 20 times in the wrong place, it won't sound good.”

Jesper Kyd (1972) musician

Electronic Musician interview, 2005

Time

“Architecture is treated as crystallisation; sculpture, as the organic modelling of the material in its sensuous and spatial totality; painting, as the coloured surface and line; while in music, space, as such, passes into the point of time possessed of content within itself, until finally the external medium is in poetry depressed into complete insignificance.”

Georg Wilhelm Friedrich Hegel book Lectures on Aesthetics

Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist. Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm Lectures on Aesthetics (1835)

Time, Painting

“A thought that has found a plastic expression must continue to expand in keeping with its own plastic idiom. A plastic idea must be expressed with plastic means just as a musical idea is expressed with musical means, or a literary idea with verbal means. Neither music nor literature are wholly translatable into other art forms; and so a plastic art cannot be created through a superimposed literary meaning. The artist who attempts to do so produces nothing more than a show-booth. He contents himself with visual story-telling. He subjects himself to a mechanistic kind of thinking which disintegrates into fragments.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 40-46
Search for the Real and Other Essays (1948)

Art, Literature, Idea, Thinking

“The human heart is a band playing in a park at a distance; we see the crowds listening, but we catch but fragments of the music now and again, and cannot make out the tune.”

Frank Crane (1861–1928) American Presbyterian minister

Four Minute Essays Vol. 5 (1919), The Human Heart

Heart

“More positively, taking pleasure in music is the most obvious sign of comprehension, the proof that we understand it, and we may extend that to sympathy with other listeners' enjoyment …”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense