Quotes about light
page 38

“I have been to [gallery] Hagen, saw two Matisses, which enchanted me. A large collection of Japanese masks. Sublime! 'Neue [Künstler] Vereinigung' were hung in a bad light.... Kandinsky, Jawlensky, Bechteleff and Erbslöh have immense artistic sensibility. But the means of expression are to big for what they have to say. The sound of their voice is so good, so fine, that what is being said get lost. Consequently a human element is missing. They concentrate, too much, I think, on form. There is much to be learnt from their efforts. But early things by Kandinsky, and a few by Jawlensky too, seem a little empty to me. And Jawlensky's heads looked at me a little bit too much with colors. With blue and green. I hope you understand what I mean.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

in a letter to Franz Marc, 26 December 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 137

Hope, Color, Understanding, Thinking

“This volume is an analysis of the American party system, an account of the structure, processes and significance of the political party, designed to show as clearly as possible within compact limits what the function of the political party is in the community. My purpose is to make this, as far as possible, an objective study of the organization and behavior of our political parties. It is hoped that this volume may serve as an introduction to students and others who wish to find a concise account of the party system; and also that it may serve to stimulate more intensive study of the important features and processes of the party. From time to time in the course of this discussion significant fields of inquiry have been indicated where it is believed that research would bear rich fruit. In the light of broader statistical information than we now have and with the aid of a thorough-going social and political psychology than we now have, it will be possible in the future to make much more exhaustive and conclusive studies of political parties than we are able to do at present. The objective, detailed study of political behavior will unquestionably enlarge our knowledge of the system of social and political control under which we now operate. But such inquiries will call for funds and personnel not now available to me.”

Charles Edward Merriam (1874–1953) American political scientist

Source: The American Party System, 1922, p. v; Preface lead paragraph

Hope, Behavior, Communication, Knowledge

“As a general rule, those truths which we highly relish, and which shed a degree of practical light upon the things which we are required to give up for God, are leadings of Divine grace, which we should follow without hesitation.”

François Fénelon (1651–1715) Catholic bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 264.

God, Truth

“Out-of-doors there is a greater variety of light than in the studio, where the light is always the same. But that is just the trouble; one is carried away by the light, and besides, one can't see what one is doing.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 176 : to Vollard. Renoir was referring to two of his landscapes, painted in the open air, having a different look in the studio light.

“I love to think of Him in the world of light to-day, my brother; mine though angels bow before Him, and archangels veil their faces; mine though I am very far from heaven's holiness and heaven's joy; yet He is my brother, and every beating of His heart is a brother's love for me, and though high and lifted up, H'sarm, a brother's, is around me, and will keep me and uphold me, until He gives me a brother's welcome to His and my home in the better land.”

Abbott Eliot Kittredge (1834–1912) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 93.

Love, World, Angels, Home

“Every situation that Indian person finds himself in is extremely complex. We have to deal with the red lights. As young leaders here have to deal with senior leaders, suddenly someone disrupts your entire life. Everything happens, sort of, according to your karma; it’s all random.”

Rahul Gandhi (1970) Indian politician

Rahul Gandhi says 'Stop asking politicians, do things on your own', Rahul Gandhi http://www.youtube.com/watch?v=rWw86SJj_SQ

Life, Personality

“Bohr's investigation had typified what had become a standard procedure in problems of theoretical physics. The first step was to discover the mathematical laws governing certain groups of phenomena; the second was to devise hypothetical models or pictures to interpret these laws in terms of motion or mechanism; the third was to examine in what way these models would behave in other respects, and this would lead to prediction of other phenomena-predictions which might or might not be confirmed when put to the test of experiment. For instance, Newton had explained the phenomena of gravitation in terms of a force of gravitation; a later age had seen the luminiferous ether introduced to explain the propagation of light and, subsequently, the general phenomena of electricity and magnetism; finally Bohr had introduced electronic jumps in an attempt to explain atomic spectra. In each case the models had fulfilled their primary purpose, but had failed to predict further phenomena with accuracy.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Age, Law, Way, Mathematics

“A community of Jesus which seeks to hide itself has ceased to follow him. “Neither do men light a lamp and put it under a bushel, but on the stand.” … The bushel may be the fear of men, or perhaps deliberate conformity to the world for some ulterior motive.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

exegesis of Matthew 5:13, p. 118.
Discipleship (1937), The Visible Community

Men, World, Fear, Communication

“The highest part of the human soul, which is called the intelligence and which is not the act of any body and does not need for its proper operation a corporeal instrument—this intelligence, if it were not obscured and weighed down by the mass of the body, would itself have complete knowledge from the irradiation received from the superior light without the help of sense, just as it will have when the soul is drawn forth from the body, and as perhaps those people have who are free from the love and the imaginings of corporeal things.”

Robert Grosseteste (1175–1253) English bishop and philosopher

Commentarius in Posteriorum Analyticorum Libros (c. 1217-1220)

Love, People, Soul, Imagination

“I have also cleared the electromagnetic theory of light from all unwarrantable assumption, so that we may safely determine the velocity of light by measuring the attraction between bodies kept at a given difference of potential, the value of which is known in electromagnetic measure.”

James Clerk Maxwell (1831–1879) Scottish physicist

Letter to C. Hockin, Esq. (Sept 7, 1864) as quoted by Lewis Campbell, William Garnett, The Life of James Clerk Maxwell: With Selections from His Correspondence and Occasional Writings https://books.google.com/books?id=B7gEAAAAYAAJ (1884)

“For some time now it has been clear that intermedia art is trending toward that point at which all the phenomena of life on earth will constitute the artist’s palette. It is the purpose of this chapter to illuminate the direction of that trend and to cite a few pertinent examples. As with all other Paleocybernetic phenomena, the direction is simultaneously toward inner and outer space, the microcosm and the macrocosm. On the one hand, intermedia environments turn the participant inward upon himself, providing a matrix for psychic exploration, perceptual, censorial, and intellectual awareness; on the other hand technology has advanced to the point at which the whole earth itself becomes the “content” of aesthetic activity. The term “light show” must now be expanded virtually to include the aurora borealis, since hemispherical lumia displays are possible in the creation of artificial plasma clouds in space (see color plates), the launching of rockets to generate atmospherical events, or urban environmental generators such as Nicholas Schoffer’s monumental Cybernetic Light Tower, which transforms the skies of Paris into panoramic fantasias of color.”

Gene Youngblood book Expanded Cinema

Source: Expanded Cinema, 1970, p. 348; The Artist as Ecologist http://www.screeningthepast.com/2011/11/the-artist-as-ecologist/

Life, Art, Color, Time

“Having discovered the true principle, I then derived all the laws that govern the motion of light, those concerning its direct propagation, its reflection and its refraction. I reserve for particular members of our Assembly the geometrical demonstration of my theory.
I know the distaste that many mathematicians have for final causes applied to physics, a distaste that I share up to some point. I admit, it is risky to introduce such elements; their use is dangerous, as shown by the errors made by Fermat and Leibniz in following them. Nevertheless, it is perhaps not the principle that is dangerous, but rather the hastiness in taking as a basic principle that which is merely a consequence of a basic principle.”

Pierre Louis Maupertuis (1698–1759) French mathematician, philosopher and man of letters

Accord de différentes loix de la nature qui avoient jusqu’ici paru incompatibles (1744)

Law, Error

“Let us suppose that an explosion occurs on Mars, which is observed by an astronomer on earth, who records the instant when he sees the flash. If light travelled instantaneously with an infinite velocity, this instant would coincide with the time… recorded by the… observer on Mars. In this way a meaning could be attached automatically to absolute time and the simultaneity of events at different places; indeed, the classical theory is now regarded as the limiting form of Einstein's theory when the velocity of light becomes infinite. But as there is a mass of experimental evidence supporting the view that light takes a finite time to travel… the terrestrial observer must correct the time recorded on his watch. This correction… will depend on assumptions concerning the velocity of light and the measurement of distance. Thus the concept of a world-wide simultaneity ceases to be a primitive idea.”

Gerald James Whitrow (1912–2000) British mathematician

p, 125
The Structure of the Universe: An Introduction to Cosmology (1949)

World, Way, Travel, Idea

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview 
Bergman on Bergman (1970)

God, Dreams, Music, Way

“Sister, awake! close not your eyes,
The day her light discloses;
And the bright morning doth arise
Out of her bed of roses.

See the clear sun, the world's bright eye,
In at our window peeping;
Lo, how he blusheth to espy
Us idle wenches sleeping!

Therefore awake, make haste I say,
And let us without staying
All in our gowns of green so gay
Into the park a maying.”

Thomas Bateson

Sister, awake! close not your eyes

World, Sister, Sleep, Sun

“Thou art my life, my way, my light”

Francis Quarles (1592–1644) English poet

Why dost thou Shade thy Lovely Face? (1635).

Life, Art, Way

“Can I forget that beam of light, the white-handed daughter of kings?”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Cath-Loda", Duan I
The Poems of Ossian

Daughters, Forgetting

“'World' is a large term, but man must enlarge his allegiance, considering himself in the light of a world citizen," I continued "A person who truly feels: 'The world is my homeland; it is my America, my India, my Philippines, my England, my Africa,' will never lack scope for a useful and happy life. His natural local pride will know limitless expansion; he will be in touch with creative universal currents.”

Paramahansa Yogananda book Autobiography of a Yogi

Source: Autobiography of a Yogi, Chapter 48 - "At Encinitas In California"

Life, Happiness, World, Feeling

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

Fate, Happiness, World, Color

“The light that never was, on sea or land,
The consecration, and the poet's dream.”

William Wordsworth (1770–1850) English Romantic poet

Elegiac Stanzas. Suggested by a Picture of Peele Castle in a Storm, st. 4 (1805).

Dreams, Sea

“O Bells of San Blas in vain
Ye call back the Past again;
The Past is deaf to your prayer!
Out of the shadows of night
The world rolls into light;
It is daybreak everywhere.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Bells of San Blas, st. 11 (March 15, 1882).

World, Past, Night

“This is what happens, unquestionably – I am positive: an optical sensation is produced in our visual organ, which leads us classify as light, half-tone or quarter-tone, the planes represented by sensations of color. [Thus the light does not exist for the painter]. As long as, inevitably, one proceeds from black to white, the former of these abstractions being a kind of point of rest both for eye and brain, we flounder about, we cannot achieve self-mastery, get possession of ourselves. During this period (I tend to repeat myself, inevitably) we turn to the admirable works [of the five great Venetian painters a. o. Titian and Tintoretto] handed down to us through the ages, in which we find comfort and support…”

Paul Cézanne (1839–1906) French painter

Quote from Cézanne's letter to Émile Bernard, 23 December 1904; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 184
Quotes of Paul Cezanne, after 1900

Age, Color, Support

“It’s clear that male human beings should never have been left in control of the world all these centuries. Many of you are wonderful beyond belief, but too many others will always be bloody lunatics.
Your sex is simply built that way. Its better side gave us power and light, science and reason, medicine and philosophy. Meanwhile the dark half spent its time dreaming up unimaginable hells and putting them into practice.”

David Brin book The Postman

Source: The Postman (1985), Section 3, “Cincinnatus”, Chapter 9 (p. 225)

World, Dreams, Sex, Way

“As truly as the mystic, the scientist is following a light; and it is not a false or an inferior light.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

IV, p.41
Science and the Unseen World (1929)

Falseness

“The same influences have persisted throughout my career: Stan Brakhage, Warhol, John Ford, Chaplin. Toxie's blind girlfriend is straight out of City Lights. And Preston Sturges's Sullivan's Travels; the school for the blind in Toxic Avenger Part II, that's from Sullivan's Travels. Most of what influenced me were classic American movies. I like Renoir a lot; I like Fritz Lang's American movies. In fact, I tried to re-enact the first shot of The Big Heat in Terror Firmer, where the guy blows his brains.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 <br class="br">2014

School, Travel, Guy, Parting

“This book will not take as its province all kinds of cultural growth — artistic, philosophical, military — but will try to shed some light on a narrower problem, namely, the reasons for economic growth and decline. The way wealth is distributed is a matter of special interest, partly because it may well be basic to growth in other cultural areas and partly because it has become so uneven in the past century that curiosity has been aroused.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1

Books, Way, Problem, Past

“My talent lies in the expression of my life and creative power through light, colour and form. As a painter I can convey the essence of life.”

László Moholy-Nagy (1895–1946) Hungarian artist

Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 178.

Life

“The sensation of colour cannot be accounted for by the physicist's objective picture of light-waves.”

Erwin Schrödinger (1887–1961) Austrian physicist

Mind and Matter (1958)

“Opposite my studio a huge factory — its black walls scarred with red stigmas of mysterious battles — was towering with the gloom of a prison. At night fires gave to innumerable windows menacing blazing looks of demons — while at other times vivid blue-green lights rang sharply in harmony with the radiant yellow-green alertness of cats enjewelling the obscurity around.”

Joseph Stella (1877–1946) American artist

Source: "The Brooklyn Bridge (A page of my life)," 1929, p. 87

Cats, Time, Night

“I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.”

Percy Bysshe Shelley The Cloud

St. 1
The Cloud (1820)

Dreams, Flowers, Sun, Dance

“Her feet beneath her petticoat
Like little mice stole in and out,
As if they feared the light;
But oh, she dances such a way!
No sun upon an Easter-day
Is half so fine a sight.”

John Suckling (1609–1642) English poet

Ballad upon a Wedding. Compare: "Her pretty feet, like snails, did creep A little out, and then, As if they played at bo-peep, Did soon draw in again", Robert Herrick, To Mistress Susanna Southwell.
Other poems

Fear, Way, Sun, Dance

“The need for a new subject has inspired the poets, launching them onto a fresh path and bringing to their attention to poetry of la Tour [the Eiffel tower in Paris], which communicates mysteriously with the whole world. Rays of light, waves of symphonic sounds. Factories, bridges, iron structures, airships, the numberless gyrations of aeroplanes, windows seen by crowd simultaneously.”

Robert Delaunay (1885–1941) French painter

Quote in: 'Les Soirées de Paris'; republished in 'Sturm' [German art-magazine edited by Walden]; as cited in a document, published by Francastel op. cit. October 1913 11 bis p. 111
1910 - 1915

World, Communication

“We should make it a rule never to have half confidences. They always embarrass those who give them, and dissatisfy those who receive them. They shed an uncertain light on what we want hidden, increase curiosity, entitling the recipients to know more, giving them leave to consider themselves free to talk of what they have guessed. It is far safer and more honest to tell nothing than to be silent when we have begun to tell.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), I. On Confidence

Confidence

“Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull. Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)

Color, Sense

“I knew that I had made my last journey in the Empty Quarter and that a phase in my life was ended. Here in the desert I had found all that I asked; I knew that I should never find it again. But it was not only this personal sorrow that distressed me. I realized that the Bedu with whom I had lived and travelled, and in whose company I had found contentment, were doomed. Some people maintain that they will be better off when they have exchanged the hardship and poverty of the desert for the security of a materialistic world. This I do not believe. I shall always remember how often I was humbled by those illiterate herdsmen who possessed, in so much greater measure than I, generosity and courage, endurance, patience, and light-hearted gallantry. Among no other people have I felt the same sense of personal inferiority.”

Wilfred Thesiger book Arabian Sands

Source: Arabian Sands (1959), p. 310.

Life, People, World, Travel

“Science is unreasonably effective, it's generated knowledge beyond all expectation. It's also delivered perspective. Yes, we are an insignificant speck in an infinite universe, but we're also rare. And because we're rare, we're valuable. So what are we to do to secure our future? Well, we must learn to value the acquisition of knowledge for its own sake, and not just because it grows our economy or allows us to build better bombs. We must also learn to value the human race and take responsibility for our own survival. Why? Because there's nobody else out there to value us or to look after us. And finally, most important of all, we must educate the next generation in the great discoveries of science and we must teach them to use the light of reason to banish the darkness of superstition, because if we do that, then at least there's a chance that this universe will remain a human one.”

Brian Cox (physicist) (1968) English physicist and former musician

Human Universe, episode 5

Education, Knowledge, Learning, Universe

“I have not built any theory. I have only tried to build up sensitive eyes, as my book says. And I have tried to achieve that by aiming at very distinct color relationships again – like how do they influence each other? Change each other in light and in intensity, in transparency, opacity? How do they change each other in all different directions? That we make all the students aware, through experience, that color is the most relative medium in art, and that we never really see what we see. All neighboring means which occur every minute different, not only in changing light but also by our changing moods. And in the end, the study of color again is a study of ourselves.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Books, Art, Color, Mood

“I belong to the Great Church which holds the world within its starlit aisles; that claims the great and good of every race and clime; that finds with joy the grain of gold in every creed, and floods with light and love the germs of good in every soul.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Robert G. Ingersoll, a declaration in discussion with Rev. Henry M. Field on Faith and Agnosticism, quoted in Vol. VI of Farrell's edition of his works, also in Hoyt's New Cyclopedia Of Practical Quotations (1922) edited by Kate Louise Roberts, p. 663.

Love, World, Soul, Joy

“The history of the human race is a continual struggle from darkness towards light. It is, therefore, to no purpose to discuss the use of knowledge; man wants to know, and when he ceases to do so, he is no longer man.”

Fridtjof Nansen (1861–1930) Norwegian polar explorer and Nobel Peace Prize laureate

[Nansen, Fridtjof, A New Route to the North Pole, https://books.google.com/books?id=KPoLAAAAMAAJ&pg=PA693, 11, August 1891, The Forum, 693–709]

History, Knowledge

“Can the man say, Fiat lux, Let there be light; and out of chaos make a world? Precisely as there is light in himself, will he accomplish this.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

World

“People ask where writers get ideas.
Take my advice. Some cool, clear night, drive to a country place where city lights don’t block your view. Turn off the car lights. Get out and look up. And see our real neighborhood.”

C. J. Cherryh book Downbelow Station

Author’s introduction (p. 3)
Downbelow Station (1981)

People, Cars, Idea, Night

“Did I bid thee
Mock, and forget me for thy friend — I say not,
King? Is thy heart so light and lean a thing,
So loose in faith and faint in love? I bade thee
Stand to me, help me, hold my hand in thine
And give my heart back answer. This it is,
Old friend and fool, that gnaws my life in twain —
The worm that writhes and feeds about my heart —
The devil and God are crying in either ear
One murderous word for ever, night and day,
Dark day and deadly night and deadly day,
Can she love thee who slewest her father? I
Love her.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Alboine, Act 1, Scene 1.
Rosamund, Queen of the Lombards (1899)

Love, Life, God, Faith

“I recall an endless desert of infinite and flaming matter. I am burning! I pass through immeasurable, unorganized time, completely done, despairing, crying in the wilderness.
And slowly the flame subsides, the womb of matter grows cool, the stone comes alive, breaks open, and a small green leaf uncurls into the air, trembling. It clutches the soil, steadies itself, raises its head and hands, grasps the air, the water, the light, and sucks at the Universe.”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)

Universe, Water, Time, Cry

“There were many mystical phenomena in Adrienne's life—stigmata, transferences, the radiating of light, levitation, speaking with tongues, and other things of that kind, but they all occurred in a totally unemphatic way. They were mere accompaniments to show forth the heart of the matter: what was to be passed on to the Church, invisibly through prayer and strenuous penance, visibly through the dictated works. The criterion of her mysticism's authenticity lies primarily, if not exclusively, in the quality of what she did and what she had and has to say.”

Hans Urs Von Balthasar (1905–1988) Swedish Catholic theologian

Our Task: A Report and a Plan (1984)

Life, Way, Heart

“Your honesty is not to be based either on religion or policy. Both your religion and policy must be based on it. Your honesty must be based, as the sun is, in vacant heaven; poised, as the lights in the firmament, which have rule over the day and over the night.”

John Ruskin (1819–1900) English writer and art critic

Time and Tide, letter VIII (1867).

Religion, Sun, Night

“I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.”

Patrick White (1912–1990) English-born Australian writer

In The Making (1970)

Books, Confidence, Sense

“Hartenstraat - the air is strong light - houses, illuminated from the top, left - flags translucent (translation from the original Dutch, Fons Heijnsbroek)”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch / werk-notities van Breitner, in het Nederlands:
Hartenstraat - 1 uur 's middags - de vlaggen werpen schaduw op de huizen
Hartenstraat - de lucht is sterk licht - huizen, links van boven verlicht - vlaggen doorschijnend
two working-notes, (1890-1895) from his sketch-books; as cited in George Hendrik Breitner in Amsterdam, J. F. Heijbroek, Erik Schmitz; uitgeverij THOTH, Bussum, 2014, p. 38
1890 - 1900

Strong, Housing

“The Grateful Dead are faster than light drive.”

Ken Kesey (1935–2001) novelist

Inside cover of "The Grateful Dead" LP (1967)

Dead

“I know the moment isn't right
To tell the girl a comical line
To keep the conversation light
I guess I'm just frightened out of my mind.
But if that's how I feel
Then it's the best feeling I've ever known
It's undeniably real
Leave a tender moment alone.”

Billy Joel (1949) American singer-songwriter and pianist

Leave a Tender Moment Alone.
Song lyrics, An Innocent Man (1983)

Feeling, Girl

“In his malodorous brain what slugs and mire,
Lanthorned in his oblique eyes, guttering burned!
His body lodged a rat where men nursed souls
The world flashed grape-green eyes of a foiled cat
To him. On fragments of an old shrunk power,
On shy and maimed, on women wrung awry
He lay, a bullying hulk, to crush them more.
But when one, fearless, turned and clawed like bronze,
Cringing was easy to blunt these stern paws,
And he would weigh the heavier on those after.
Who rests in God's mean flattery now? Your wealth
Is but his cunning to make death more hard.
Your iron sinews take more pain in breaking.
And he has made the market for your beauty
Too poor to buy, although you die to sell.
Only that he has never heard of sleep;
And when the cats come out the rats are sly.
Here we are safe till he slinks in at dawn.
But he has gnawed a fibre from strange roots,
And in the morning some pale wonder ceases.
Things are not strange and strange things are forgetful.
Ah! if the day were arid, somehow lost
Out of us, but it is as hair of us,
And only in the hush no wind stirs it.
And in the light vague trouble lifts and breathes,
And restlessness still shadows the lost ways.
The fingers shut on voices that pass through,
Where blind farewells are taken easily...
Ah! this miasma of a rotting God!”

Isaac Rosenberg (1890–1918) English poet

written 1916 or before
On Receiving News of the War (1914), God

Death, Women, Men, God

“Nannie Bruce, a tall, gangling light-heavyweight with a suggestion in her appearance of a private in the Grenadiers dressed up to play the title role in Charley’s Aunt, was one of those doggedly faithful retainers who adhere to almost all old families like barnacles to the hulls of ships…She was as much a fixture as the stone lions or the funny smell in the attic.”

P.G. Wodehouse book Cocktail Time

Cocktail Time (1958)

Family, Faith, Appearance

“You ask how it is possible
To be your own father and son.

You should seek answers,
Although it is better to anticipate some,
To be the light and dream.”

Dejan Stojanovic (1959) poet, writer, and businessman

"Father and Son," p. 13
The Shape (2000), Sequence: “Home of the Shape”

Dreams

“Make me like a little child,
Simple, teachable, and mild;
Seeing only in Thy light;
Walking only in Thy might!”

John Berridge (1716–1793) British priest

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 334.

“You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.”

Adam Zagajewski (1945) Poet

Try to Praise the Mutilated World, Try to Praise the Mutilated World, September 11, 2011, Adam Zagajewski, The New Yorker, September 24, 2001 http://www.newyorker.com/archive/2001/09/24/010924po_poem_zagajewski,

World, Music, Autumn, Singing

“Let us not forget that the sunlight is God's smile of benediction; that the sunshine is Heaven's light and life and glory, the true Shekinah, the real presence with which the temple needs most to be filled; that the cooling breeze is the breath of heaven, a veritable messenger of life, carrying healing on its wings.”

John Harvey Kellogg (1852–1943) American physician

Source: The Living Temple, p. 412

Life, God, Smile, Forgetting

“Oh baby you're the only thing in this whole world
That's pure and good and right
And wherever you are and wherever you go
There's always gonna be some light.”

Jim Steinman (1947) American musician

Bat out of Hell (1977), Bat out of Hell (song)

World, Baby

“The American ash from which bats are made has an unusually high strength-to-weight ratio. Ash was celebrated in medieval times as the only proper wood from which to construct the lances of knights errant; an ash lance was light enough to carry and wield and strong enough to impale the opposition.”

Robert Adair (physicist) (1924) Physicist and author

Source: The Physics Of Baseball (Second Edition - Revised), Chapter 6, Properties Of Bats, p. 134

Strong, Time

“One day, while I was painting a landscape in the neighbourhood of Algiers [March 1881] I saw a man approaching who seemed to be dressed in purple and cloth-of-gold... When the traveler reached me, my illusion vanished; my emir was nothing but a flea-bitten beggar. The sun, the divine sun had enriched him with its light... It's always the same in Algeria. The magic of the sun transmutes the palm-trees into gold, the water seems full of diamonds and men become the Kings from the East.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: 1880's, Renoir – his life and work, 1975, pp. 156-157 : quote, 1881 on the illusion by sunlight, from Renoir et ses amis, Georges Riviere.

Men, Travel, Tree, Water

“Conflict, not progress, is the word that defines man's path from darkness into light. No holiness is won by any other means than this, that wickedness should be slain day by day, and hour by hour.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 108.

“What are we first? First, animals; and next
Intelligences at a leap; on whom
Pale lies the distant shadow of the tomb,
And all that draweth on the tomb for text.
Into which state comes Love, the crowning sun:
Beneath whose light the shadow loses form.
We are the lords of life, and life is warm.
Intelligence and instinct now are one.
But nature says: 'My children most they seem
When they least know me: therefore I decree
That they shall suffer.' Swift doth young Love flee,
And we stand wakened, shivering from our dream.
Then if we study Nature we are wise.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

St. 30. <br class="br"> Modern Love http://www.ev90481.dial.pipex.com/Meredith/modern_love.htm (1862)

Love, Life, Children, Dreams

“It is often said that all the conditions for the first production of a living organism are now present, which could ever have been present. But if (and oh! what a big if!) we could conceive in some warm little pond, with all sorts of ammonia and phosphoric salts, light, heat, electricity, &c., present, that a proteine compound was chemically formed ready to undergo stillmore complex changes, at the present day such matter would be instantly devoured or absorbed, which would not have been the case before living creatures were formed.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

volume III, chapter I: "The Spread of Evolution", page 18 http://darwin-online.org.uk/content/frameset?pageseq=30&itemID=F1452.3&viewtype=image; letter to Joseph Hooker (1871) <br class="br">The Life and Letters of Charles Darwin (1887)

Change

“You are an eternal being of love
you are the light of the world.”

Mike Scott (1958) songwriter, musician

"E.B.O.L."
Universal Hall (2003)

Love, World

“Like a fiend in a cloud,
With howling woe,
After night I do crowd,
And with night will go;
I turn my back to the east,
From whence comforts have increased;
For light doth seize my brain
With frantic pain.”

William Blake (1757–1827) English Romantic poet and artist

Mad Song, st. 3
1780s, Poetical Sketches (1783)

Pain, Night

“Thinking is most mysterious, and by far the greatest light upon it that we have is thrown by the study of language. This study shows that the forms of a person's thoughts are controlled by inexorable laws of pattern of which he is unconscious. These patterns are the unperceived intricate systematizations of his own language--shown readily enough by a candid comparison and contrast with other languages, especially those of a different linguistic family. His thinking itself is in a language—in English, in Sanskrit, in Chinese. And every language is a vast pattern-system, different from others, in which are culturally ordained the forms and categories by which the personality not only communicates, but also analyzes nature, notices or neglects types of relationship and phenomena, channels his reasoning, and builds the house of his consciousness.”

Benjamin Lee Whorf (1897–1941) American linguist

Source: Language, thought and reality (1956), p. 252.

Family, Law, Communication, Nature

“Were we really more advanced than the alchemists of Carmona? We had brought to light certain facts that they were not aware of, we had organised them into the right order; but had we advanced even a step nearer to the mysterious heart of the universe?”

Simone de Beauvoir (1908–1986) French writer, intellectual, existentialist philosopher, political activist, feminist, and social theorist

All Men are Mortal (1946)

Universe, Heart

“Truth, 'tis suppos'd, may bear all Lights: and one of those principal Lights or natural Mediums, by which Things are to be view'd, in order to a thorow Recognition, is Ridicule it-self, or that Manner of Proof by which we discern whatever is liable to just Raillery in any Subject.”

Anthony Ashley-Cooper, 3rd Earl of Shaftesbury (1671–1713) English politician and Earl

Vol. 1, p. 38; "Sensus Communis".
Characteristicks of Men, Manners, Opinions, Times (1711)

Truth, Nature

“On May 17, 1969, a show which was to become the seminal exhibition of video art in the U. S. opened at the Howard Wise Gallery in New York City. That exhibition, "TV as a Creative Medium," effectively pointed to the diverse potential of a new art form and social tool. Subsequently, the show became renowned for the inspiration it provided for many artists and future advocates of video. The artists represented in the show, a few of whom are still involved in the medium today, came from varied backgrounds-painting, filmmaking, nuclear physics, avant-garde music and performance, kinetic and light sculpture-and their approaches presented a primer of the directions which video would soon take. Theoretically, they variously saw video as viewer participation, a spiritual and meditative experience, a mirror, an electronic palette, a kinetic sculpture, or acultural machine to be deconstructed. Ripe with ideas and armed with a heady optimism about the future of communications, these artists used video as an information tool and as a means of gaining understanding and control of television, not solely as an art form. In "TV as a Creative Medium" alternative television was presented as a stepping stone to the promised communications utopia.”

Marita Sturken (1957) American academic

Marita Sturken. " TV as a Creative Medium: Howard Wise and Video Art http://www.vasulka.org/archive/4-30c/AfterImageMay84(1004).pdf," in: Afterimage, May 1984

Art, Music, Communication, Idea

“To the great Greek teachers, even to Socrates, as it still is practically to us all, this one and only truth of living religion was more or less but a distant thought, summoned into direct consciousness at intervals by a reflective effort, and brought to bear upon conduct amid the clamours of our animal being. To Jesus, on the contrary, it is an ever-present perception, like light to vision, like space to our movements, like time to our projects in life.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Right Relation of Reason to Religion, p.244

Life, Truth, Religion, Effort

“While Mona Lisas and Mad Hatters,
Sons of bankers, sons of lawyers
Turn around and say good morning to the night.
For unless they see the sky,
But they can't and that is why
They know not if it's dark outside or light.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Mona Lisas and Mad Hatters
Song lyrics, Honky Château (1972)

Madness, Night

“We'll all turn black
So who's to know?
As a matter of fact,
Color, creed and breed must go.
There will be no light,
So there can be no sight.
And you'll judge your fellow man;
Understand bout what is right.
A million music, a million sound
There's neutral thoughts
For the underground.”

Curtis Mayfield (1942–1999) American singer, songwriter, and record producer

Underground, from Roots (1971).
Song lyrics

Music, Color, Understanding

“Why faintest thou! I wander’d till I died.
Roam on! The light we sought is shining still.
Dost thou ask proof? Our tree yet crowns the hill,
Our Scholar travels yet the loved hillside.”

Matthew Arnold Thyrsis

St, 24
Thyrsis (1866)

Love, Travel, Tree

“Glories, like glowworms, afar off shine bright,
But looked to near have neither heat nor light.”

John Webster (1578–1634) English dramatist

Act IV, scene ii.
Duchess of Malfi (1623)

“When, where, and how were you, Joseph Smith, first called? How old were you? and what were you qualifications? I was between fourteen and fifteen years of age. Had you been to college? No. Had you studied in any seminary of learning? No. Did you know how to read? Yes. How to write? Yes. Did you understand much about arithmetic? No. About grammar? No. Did you understand all the branches of education which are generally taught in our common schools? No. But yet you say the Lord called you when you were but fourteen or fifteen years of age? How did he call you? I will give you a brief history as it came from his own mouth. I have often heard him relate it. He was wrought upon by the Spirit of God, and felt the necessity of repenting of his sins and serving God. He retired from his father's house a little way, and bowed himself down in the wilderness, and called upon the name of the Lord. He was inexperienced, and in great anxiety and trouble of mind in regard to what church he should join. He had been solicited by many churches to join with them, and he was in great anxiety to know which was right. He pleaded with the Lord to give him wisdom on the subject; and while he was thus praying, he beheld a vision, and saw a light approaching him from the heavens; and as it came down and rested on the tops of the trees, it became more glorious; and as it surrounded him, his mind was immediately caught away from beholding surrounding objects. In this cloud of light he saw two glorious personages; and one, pointing to the other, said, "Behold my beloved son! hear ye him."”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 7:220 (August 14, 1859).
Joseph Smith Jr.'s First Vision

Wisdom, God, Age, Education

“In selecting our subject then we have two things to consider. First, is it as good as the conditions will let it be - that is, have we chosen the point of view which, with the present conditions, shows at its best pictorially, and secondly, if taken from this point now, are the alterations we would like, weather or light, to make for us of such a kind that we can introduce them for ourselves when printing, and, if so, what are those alterations.”

Alfred Horsley Hinton (1863–1908) British photographer

Part II : Practical Pictorial Photography, Some practical suggestions on the selection of the subject and a note on the subject of motive

Weather

“The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated soul.”

Joseph Campbell book The Hero with a Thousand Faces

Epilogue
The Hero with a Thousand Faces (1949)

Soul

“We are grateful to The Washington Post, The New York Times, Time magazine and other great publications whose directors have attended our meetings and respected their promises of discretion for almost forty years. … It would have been impossible for us to develop our plan for the world if we had been subject to the bright lights of publicity during those years. But, the world is now much more sophisticated and prepared to march towards a world government. The supranational sovereignty of an intellectual elite and world bankers is surely preferable to the national auto-determination practiced in past centuries.”

David Rockefeller (1915–2017) American banker and philanthropist

Purported remarks at a Bilderberg Group meeting in Baden-Baden, Germany in June 1991, as quoted in Programming, Pitfalls and Puppy-Dog Tales (1993) by Gyeorgos C. Hatonn, p. 65 and various nationalist tracts. The ultimate source for the quotation (i.e. the person who passed it on to the public) is never identified.
Disputed

World, Time, Past

“Take a man who has failed at everything, give him a final chance, show him trust, lead him to one success, and there is a sudden confidence that will lead to the next success. Soon they will believe they are unbeatable, and become unbeatable, but the trick was to have officers like Sharpe who kept on offering trust. Of course the Light Company missed him! He had expected great things of them and trusted them to win.”

Bernard Cornwell (1944) British writer

Sergeant Patrick Harper, p. 122
Sharpe (Novel Series), Sharpe's Company (1982)

Confidence, Chance, Success

“She is not fair to outward view
As many maidens be;
Her loveliness I never knew
Until she smiled on me:
Oh! then I saw her eye was bright,
A well of love, a spring of light.”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

"Song. She is not fair"
Poems (1851)

Love, Smile, Spring

“If you make the light dominate too much, the breadth of the planes leads to the absence of half tints, and consequently to discoloration; the opposite abuse is harmful above all in big compositions destined to be seen from a distance, like ceilings, etc. In the latter form of painting, Paul Veronese goes beyond Rubens through the simplicity of his local color and his breadth in handling the light... Veronese had greatly to strengthen his local color in order that it should not appear discolored when immunized by the very broad light he threw on it.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 1850; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863

Color, Appearance, Painting

“By the time I came to England at the age of sixteen I'd seen a great variety of landscapes. I think the English landscape was the only landscape I'd come across which didn't mean anything, particularly the urban landscape. England seemed to be very dull, because I'd been brought up at a much lower latitude — the same latitude as the places which are my real spiritual home as I sometimes think: Los Angeles and Casablanca. I'm sure this is something one perceives — I mean the angle of light, density of light. I'm always much happier in the south — Spain, Greece — than I am anywhere else. The English one, oddly enough, didn't mean anything. I didn't like it, it seemed odd. England was a place that was totally exhausted.”

J. G. Ballard (1930–2009) British writer

Interviewed by James Goddard and David Pringle (1975)

Age, Angels, Home, Thinking