Quotes about imagination
page 35

Francis Escudero photo

“I leave it to those concerned the launching of a hate campaign against me based on imagined and manufactured allegations. Please get the facts straight and don’t try to put words in my mouth.”

Francis Escudero (1969) Filipino politician

The Official Website of the Senate of the Philippines http://www.senate.gov.ph/press_release/2013/0410_escudero1.asp
2013, Mid-Term Campaign Trail

Albert Einstein photo

“I cannot imagine a God who rewards and punishes the objects of his creation, whose purposes are modeled after our own — a God, in short, who is but a reflection of human frailty. Neither can I believe that the individual survives the death of his body, although feeble souls harbor such thoughts through fear or ridiculous egotisms.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

As quoted in European Civilization and Politics Since 1815 (1938) by Erik Achorn, p. 723. amd in his obituary in The New York Times (19 April 1955)
Variant translation: I cannot conceive of a God who rewards and punishes his creatures, or has a will of the type of which we are conscious in ourselves. An individual who should survive his physical death is also beyond my comprehension, nor do I wish it otherwise; such notions are for the fears or absurd egoism of feeble souls.
As quoted in The Heretic's Handbook of Quotations: Cutting Comments on Burning Issues (1992) by Charles Bufe, p. 186
1930s, Mein Weltbild (My World-view) (1931)

Yolanda King photo

“In time, it became increasingly apparent to me that my presence in Arizona would be misconstructed by some to be contrary to the goals and tactics of proponents of the King holiday. I believe that the greater good would be served by my support of this boycott as it represents a growing national conscience…Because of my agreement with the goals of these efforts and my wish to avoid even the appearance of any difference, however much imagined, I have decided not to appear in Arizona at this time.”

Yolanda King (1955–2007) American actress

Regarding her choice to not go to Arizona for a play at the time of her father's holiday being rejected by voters. http://books.google.com/books?id=d7sDAAAAMBAJ&pg=PA18&dq=yolanda+king+attallah+shabazz&hl=en&sa=X&ei=Feu5Uv_lAdjgoAS314GYCQ&ved=0CDEQ6AEwAQ#v=onepage&q=yolanda%20king%20attallah%20shabazz&f=false
1990s

Zygmunt Vetulani photo
Mark Tobey photo
Lewis Black photo
William Foote Whyte photo

“Bereavement is a darkness impenetrable to the imagination of the unbereaved.”

The Sacred and Profane Love Machine (1974) p. 37.

Halldór Laxness photo
Henri-Frédéric Amiel photo
Aron Brand Auraban photo
Richard Blackmore photo

“Homer excels in Genius, Virgil in Judgment. Homer as conscious of his great Riches and Fullness entertains the Reader with great Splendor and Magnificent Profusion. Virgil's Dishes are well chosen, and tho not Rich and Numerous, yet serv'd up in great Order and Decency. Homer's Imagination is Strong, Vast and Boundless, an unexhausted Treasure of all kinds of Images; which made his Admirers and Commentators in all Ages affirm, that all sorts of Learning were to be found in his Poems. Virgil's Imagination is not so Capacious, tho' his Ideas are Clear, Noble, and of great Conformity to their Objects. Homer has more of the Poetical Inspiration. His Fire burns with extraordinary Heat and Vehemence, and often breaks out in Flashes, which Surprise, Dazle and Astonish the Reader: Virgil's is a clearer and a chaster Flame, which pleases and delights, but never blazes in that extraordinary and surprising manner. Methinks there is the same Difference between these two great Poets, as there is between their Heros. Homer's Hero, Achilles, is Vehement, Raging and Impetuous. He is always on Fire, and transported with an immoderate and resistless Fury, performs every where Miraculous Atchievements, and like a rapid Torrent overturns all things in his way. Æneas, the Hero of the Latine Poet, is a calm, Sedate Warriour. He do's not want Courage, neither has he any to spare: and the Poet might have allowed him a little more Fire, without overheating him. As for Invention, 'tis evident the Greek Poet has mightily the advantage. Nothing is more Rich and Fertile than Homer's Fancy. He is Full, Abundant, and Diffusive above all others. Virgil on the other hand is rather dry, than fruitful. 'Tis plain the Latin Poet in all his famous Æneis, has very little, if any Design of his own …”

Richard Blackmore (1654–1729) English poet and physician

Preface to King Arthur http://d.lib.rochester.edu/camelot/text/blackmore-king-arthur-I (1697)

Daniel Negreanu photo

“As I learned more about veganism, and animal farms and the way animals were treated, it just disgusted me to the point where I could never imagine eating animals again.”

Daniel Negreanu (1974) Canadian poker player

“Kid Poker – Vegan Daniel Negeanu Dominates the Card Scene,” interview with Sophie Jackson of PokerListings.com, reported in VeganLifeMag.com (7 August 2016) https://www.veganlifemag.com/daniel-negeanu-vegan-poker/.

Samuel Johnson photo

“Were it not for imagination, Sir, a man would be as happy in the arms of a chambermaid as of a Duchess.”

Samuel Johnson (1709–1784) English writer

May 9, 1778, p. 409
Life of Samuel Johnson (1791), Vol III

H. G. Wells photo
Georg Brandes photo
Eugene J. Martin photo
George Sand photo

“His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

On Chopin's Preludes in Histoire de Ma Vie (1902-04), Vo. IV, p. 439
Context: It was there he composed these most beautiful of short pages which he modestly entitled the Preludes. They are masterpieces. Several bring to mind visions of deceased monks and the sound of funeral chants; others are melancholy and fragrant; they came to him in times of sun and health, in the clamor of laughing children under he window, the faraway sound of guitars, birdsongs from the moist leaves, in the sight of the small pale roses coming in bloom on the snow. … Still others are of a mournful sadness, and while charming your ear, they break your heart. There is one that came to him through an evening of dismal rain — it casts the soul into a terrible dejection. Maurice and I had left him in good health one morning to go shopping in Palma for things we needed at out "encampment." The rain came in overflowing torrents. We made three leagues in six hours, only to return in the middle of a flood. We got back in absolute dark, shoeless, having been abandoned by our driver to cross unheard of perils. We hurried, knowing how our sick one would worry. Indeed he had, but now was as though congealed in a kind of quiet desperation, and, weeping, he was playing his wonderful Prelude. Seeing us come in, he got up with a cry, then said with a bewildered air and a strange tone, "Ah, I was sure that you were dead." When he recovered his spirits and saw the state we were in, he was ill, picturing the dangers we had been through, but he confessed to me that while waiting for us he had seen it all in a dream, and no longer distinguished the dream from reality, he became calm and drowsy while playing the piano, persuaded that he was dead himself. He saw himself drowned in a lake. Heavy drops of icy water fell in a regular rhythm on his breast, and when I made him listen to the sound of the drops of water indeed falling in rhythm on the roof, he denied having heard it. He was even angry that I should intepret this in terms of imitative sounds. He protested with all his might — and he was right to — against the childishness of such aural imitations. His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. … The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.

Francis Pharcellus Church photo

“Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.”

Yes, Virginia, there is a Santa Claus (1897)
Context: Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that's no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.
You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah,, in all this world there is nothing else real and abiding.
No Santa Claus! Thank, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.

John Stuart Mill photo

“What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings; which had no connexion with struggle or imperfection, but would be made richer by every improvement in the physical or social condition of mankind.”

Autobiography (1873)
Context: Scott does this still better than Wordsworth, and a very second-rate landscape does it more effectually than any poet. What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings; which had no connexion with struggle or imperfection, but would be made richer by every improvement in the physical or social condition of mankind. From them I seemed to learn what would be the perennial sources of happiness, when all the greater evils of life shall have been removed. And I felt myself at once better and happier as I came under their influence.

Peggy Noonan photo

“Wit penetrates; humor envelops. Wit is a function of verbal intelligence; humor is imagination operating on good nature.”

Peggy Noonan (1950) American author and journalist

What I Saw at the Revolution : A Political Life in the Reagan Era (1990), p. 179
Context: Wit penetrates; humor envelops. Wit is a function of verbal intelligence; humor is imagination operating on good nature. John Kennedy had wit, and so did Lincoln, who also had abundant humor; Reagan was mostly humor.

William Kingdon Clifford photo

“He who makes use of its results to stifle his own doubts, or to hamper the inquiry of others, is guilty of a sacrilege which centuries shall never be able to blot out. When the labours and questionings of honest and brave men shall have built up the fabric of known truth to a glory which we in this generation can neither hope for nor imagine, in that pure and holy temple he shall have no part nor lot, but his name and his works shall be cast out into the darkness of oblivion for ever.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

The Ethics of Belief (1877), The Weight Of Authority
Context: In regard, then, to the sacred tradition of humanity, we learn that it consists, not in propositions or statements which are to be accepted and believed on the authority of the tradition, but in questions rightly asked, in conceptions which enable us to ask further questions, and in methods of answering questions. The value of all these things depends on their being tested day by day. The very sacredness of the precious deposit imposes upon us the duty and the responsibility of testing it, of purifying and enlarging it to the utmost of our power. He who makes use of its results to stifle his own doubts, or to hamper the inquiry of others, is guilty of a sacrilege which centuries shall never be able to blot out. When the labours and questionings of honest and brave men shall have built up the fabric of known truth to a glory which we in this generation can neither hope for nor imagine, in that pure and holy temple he shall have no part nor lot, but his name and his works shall be cast out into the darkness of oblivion for ever.

Julian (emperor) photo

“I had imagined that the prelates of the Galilaeans were under greater obligations to me than to my predecessor. For in his reign many of them were banished, persecuted, and imprisoned, and many of the so-called heretics were executed … all of this has been reversed in my reign; the banished are allowed to return, and confiscated goods have been returned to the owners.”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Edict to the people of Bostra, as quoted in Documents of the Christian Church (1957) by Henry Bettenson <!-- Oxford University Press -->
General sources
Context: I had imagined that the prelates of the Galilaeans were under greater obligations to me than to my predecessor. For in his reign many of them were banished, persecuted, and imprisoned, and many of the so-called heretics were executed … all of this has been reversed in my reign; the banished are allowed to return, and confiscated goods have been returned to the owners. But such is their folly and madness that, just because they can no longer be despots, … or carry out their designs first against their brethren, and then against us, the worshippers of the gods, they are inflamed with fury and stop at nothing in their unprincipled attempts to alarm and enrage the people.

“Somewhere in each man, we imagine, there lies an ultimatum, to be backed by all his energies from all reservoirs, ordinary and extraordinary,”

William Ernest Hocking (1873–1966) American philosopher

Source: The Meaning of God in Human Experience (1912), Ch. IX : The Retreat into Subjectivity, p. 105.
Context: Nothing can stir the "depths" of mind, but total out-of-doors. We call "depth," last dregs, etc., that in man which only ultimate facts and happenings can interest; that which the near and usual can neither rouse nor ruffle. Somewhere in each man, we imagine, there lies an ultimatum, to be backed by all his energies from all reservoirs, ordinary and extraordinary,--what can elicit from any man such ultimatum and ultimatum-backing?--nothing that has not somewhere in it the word All! There are such things, we think, as ruling passions, "deepest desires," in any man some nameable or unnameable last ambition--what can set such a depth on fire?--nothing but some total opportunity (real or believed real), discovered in the wide world beyond the self.

Harry V. Jaffa photo

“If a Southerner came across from Virginia to Pennsylvania and saw a black man that he thought he would like to have as a slave, he had to say, 'Well, that’s my runaway slave', and this runaway slave would then be arrested and confined, and then there would be a hearing before a federal commissioner. And the would-be slave owner could summon witnesses—as many as he wanted. The man accused of being a slave could summon no witnesses, had no counsel. And if the federal commissioner decided he was a slave, he was paid $10, and if he decided he was a free man, he was paid $5. It’s hard to imagine any law passed in either Nazi Germany or Stalin's Russia that was more inconsistent with the principles of civil liberty than the Fugitive Slave Act.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, The Real Abraham Lincoln: A Debate (2002), The South was a Closed Society
Context: There were eight of them that had laws trying to protect black people who were free from being kidnapped as slaves, because under the law of 1850, the Fugitive Slave Act. If a Southerner came across from Virginia to Pennsylvania and saw a black man that he thought he would like to have as a slave, he had to say, 'Well, that’s my runaway slave', and this runaway slave would then be arrested and confined, and then there would be a hearing before a federal commissioner. And the would-be slave owner could summon witnesses—as many as he wanted. The man accused of being a slave could summon no witnesses, had no counsel. And if the federal commissioner decided he was a slave, he was paid $10, and if he decided he was a free man, he was paid $5. It’s hard to imagine any law passed in either Nazi Germany or Stalin's Russia that was more inconsistent with the principles of civil liberty than the Fugitive Slave Act.

Murray N. Rothbard photo

“A less conservative work could hardly be imagined; in fact, Burke’s Vindication was perhaps the first modern expression of rationalistic and individualistic anarchism.”

Murray N. Rothbard (1926–1995) American economist of the Austrian School, libertarian political theorist, and historian

"Edmund Burke, Anarchist" http://archive.lewrockwell.com/rothbard/rothbard11.html, first published as "A Note on Burke’s Vindication of Natural Society" in the Journal of the History of Ideas, 19, 1 (January 1958), p. 114.
Context: In 1756 Edmund Burke published his first work: Vindication of Natural Society. Curiously enough it has been almost completely ignored in the current Burke revival. This work contrasts sharply with Burke’s other writings, for it is hardly in keeping with the current image of the Father of the New Conservatism. A less conservative work could hardly be imagined; in fact, Burke’s Vindication was perhaps the first modern expression of rationalistic and individualistic anarchism. … "Anarchism" is an extreme term, but no other can adequately describe Burke’s thesis. Again and again, he emphatically denounces any and all government, and not just specific forms of government. … All government, Burke adds, is founded on one "grand error." It was observed that men sometimes commit violence against one another, and that it is therefore necessary to guard against such violence. As a result, men appoint governors among them. But who is to defend the people against the governors? … The anarchism of Burke’s Vindication is negative, rather than positive. It consists of an attack on the State rather than a positive blueprint of the type of society which Burke would regard as ideal. Consequently, both the communist and the individualist wings of anarchism have drawn sustenance from this work.

“It was not easy to have the imagination to foresee that computers were to become one of the most important developments of the century.”

James H. Wilkinson (1919–1986) English mathematician

Oral history interview http://history.siam.org/wilkinson.htm by John C. Nash, SIAM History of Numerical Analysis and Scientific Computing Project http://history.siam.org/,13 July 1984
Context: Very belatedly in 1947, Darwin [Sir Charles Darwin, great-grandson of the famous Charles Darwin] agreed to set up a very small electronics group [... ] It was not easy to have the imagination to foresee that computers were to become one of the most important developments of the century.

Jacob Bronowski photo

“Science takes its coherence, its intellectual and imaginative strength together, from the concepts at which its laws cross, like knots in a mesh.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 3: "The Sense of Human Dignity", §1 (p. 52)
Science and Human Values (1956, 1965)
Context: No fact in the world is instant, infinitesimal and ultimate, a single mark. There are, I hold, no atomic facts. In the language of science, every fact is a field — a crisscross of implications, those that lead to it and those that lead from it. … We condense the laws around concepts. Science takes its coherence, its intellectual and imaginative strength together, from the concepts at which its laws cross, like knots in a mesh.

Robert M. Pirsig photo

“Since the One is the source of all things and includes all things in it, it cannot be defined in terms of those things, since no matter what thing you use to define it, the thing will always describe something less than the One itself. The One can only be described allegorically, through the use of analogy, of figures of imagination and speech.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 30
Context: It is an immortal dialogue, strange and puzzling at first, but then hitting you harder and harder, like truth itself. What Phædrus has been talking about as Quality, Socrates appears to have described as the soul, self-moving, the source of all things. There is no contradiction. There never really can be between the core terms of monistic philosophies. The One in India has got to be the same as the One in Greece. If it's not, you've got two. The only disagreements among the monists concern the attributes of the One, not the One itself. Since the One is the source of all things and includes all things in it, it cannot be defined in terms of those things, since no matter what thing you use to define it, the thing will always describe something less than the One itself. The One can only be described allegorically, through the use of analogy, of figures of imagination and speech. Socrates chooses a heaven-and-earth analogy, showing how individuals are drawn toward the One by a chariot drawn by two horses.

Maimónides photo

“It is of great advantage that man should know his station, and not imagine that the whole universe exists only for him.”

Source: Guide for the Perplexed (c. 1190), Part III, Ch.12
Context: It is of great advantage that man should know his station, and not imagine that the whole universe exists only for him. We hold that the universe exists because the Creator wills it so; that mankind is low in rank as compared with the uppermost portion of the universe, viz., with the spheres and the stars; but, as regards the angels, there cannot be any real comparison between man and angels, although man is the highest of all beings on earth; i. e., of all the beings formed of the four elements.

Ellen Willis photo

“To imagine that trauma casts out fantasy is a dangerous mistake.”

Ellen Willis (1941–2006) writer, activist

"Dreaming of War," The Nation (15 October 2001)
Context: For a decade Americans have been steeped in the rhetoric of "zero tolerance" and the faith that virtually all problems from drug addiction to lousy teaching can be solved by pouring on the punishment. Even without a Commander in Chief who pledges to rid the world of evildoers, smoke them out of their holes and the like, we would be vulnerable to the temptation to brush aside frustrating complexities and relieve intolerable fear (at least for the moment) by settling on one or more scapegoats to crush. To imagine that trauma casts out fantasy is a dangerous mistake.

Charlotte Brontë photo

“I feel that this also is true; but, dear Sir, is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles?”

Charlotte Brontë (1816–1855) English novelist and poet

Letter to G. H. Lewes, 6 November 1847
Context: You advise me, too, not to stray far from the ground of experience, as I become weak when I enter the region of fiction; and you say, "real experience is perennially interesting, and to all men."I feel that this also is true; but, dear Sir, is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?

Albert Camus photo

“Myths are made for the imagination to breathe life into them.”

The Myth of Sisyphus (1942), The Myth of Sisyphus
Context: You have already grasped that Sisyphus is the absurd hero. He is, as much through his passions as through his torture. His scorn of the gods, his hatred of death, and his passion for life won him that unspeakable penalty in which the whole being is exerted toward accomplishing nothing. This is the price that must be paid for the passions of this earth. Nothing is told us about Sisyphus in the underworld. Myths are made for the imagination to breathe life into them.

Ethan Allen photo

“Who would imagine that the Deity conducts his providence similar to the detestable despots of this world? Oh horrible? most horrible impeachment of Divine Goodness!”

Ethan Allen (1738–1789) American general

Source: Reason: The Only Oracle Of Man (1784), Ch. III Section II - The Moral Government of God as Incompatible With Eternal Punishment
Context: Who would imagine that the Deity conducts his providence similar to the detestable despots of this world? Oh horrible? most horrible impeachment of Divine Goodness! Rather let us exaltedly suppose that God eternally had the ultimate best good of beings generally and individually in his view, with the reward of the virtuous and the punishment of the vicious, and that no other punishment will ever be inflicted, merely by the divine administration, but that will finally terminate in the best good of the punished, and thereby subserve the great and important ends of the divine government, and be productive of the restoration and felicity of all finite rational nature.

Cory Doctorow photo

“I’d seen how Imagineering worked when they were on their own, building prototypes and conceptual mockups—I knew that the real bottleneck was the constant review and revisions, the ever-fluctuating groupmind consensus of the ad-hoc that commissioned their work.”

Down and Out in the Magic Kingdom (2003)
Context: I’d seen how Imagineering worked when they were on their own, building prototypes and conceptual mockups—I knew that the real bottleneck was the constant review and revisions, the ever-fluctuating groupmind consensus of the ad-hoc that commissioned their work.
Suneep looked sheepish. “Well, if all I have to do is satisfy myself that my plans are good and my buildings won’t fall down, I can make it happen very fast. Of course, my plans aren’t perfect. Sometimes, I’ll be halfway through a project when someone suggests a new flourish or approach that makes the whole thing immeasurably better.

Gustave Moreau photo

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

Carol Ann Duffy photo
Richard Wright photo
Northrop Frye photo

“We are now dealing with the imaginative, not the existential, with the "let this be," not with "this is," and no work of literature is better by virtue of what it says than any other work”

The Well-Tempered Critic, p. 140
"Quotes"
Context: The fundamental act of criticism is a disinterested response to a work of literature in which all one's beliefs, engagements, commitments, prejudices, stampedings of pity and terror, are ordered to be quiet. We are now dealing with the imaginative, not the existential, with the "let this be," not with "this is," and no work of literature is better by virtue of what it says than any other work.

Adam Smith photo

“But whoever imagines, upon this account, that masters rarely combine, is as”

Adam Smith (1723–1790) Scottish moral philosopher and political economist

Source: The Wealth of Nations (1776), Book I, Chapter VIII, p. 80.
Context: We rarely hear, it has been said, of the combinations of masters, though frequently of those of the workman. But whoever imagines, upon this account, that masters rarely combine, is as ignorant of the world as of the subject.

Roger Shepard photo

“It may not be premature to propose that spatial imagination has evolved as a reflection of the physics and geometry of the external world.”

Roger Shepard (1929) American psychologist

L.A. Cooper and R.N. Shepard (1984). "Turning something over in the mind." Scientific American 251(6), 106-114; p. 114.
Context: In spite of some unresolved issues, the close match we have found between mental rotation and their counterparts in the physical world leads inevitably to speculations about the functions and origin of human spatial imagination. It may not be premature to propose that spatial imagination has evolved as a reflection of the physics and geometry of the external world. The rules that govern structures and motions in the physical world may, over evolutionary history, have been incorporated into human perceptual machinery, giving rise to demonstrable correspondences between mental imagery and its physical analogues.

Martin Luther King, Jr. photo

“Any religion that is completely earthbound sells its birthright for a mess of naturalistic pottage. Religion at its best, deals not only with man's preliminary concerns but with his inescapable ultimate concern. When religion overlooks this basic fact it is reduced to a mere ethical system in which eternity is absorbed into time and God is relegated to a sort of meaningless figment of the human imagination. But a religion true to its nature must also be concerned about man's social conditions. Religion deals with both earth and heaven, both time and eternity. Religion operates not only on the vertical plane but also on the horizontal. It seeks not only to integrate men with God but to integrate men with men and each man with himself.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Source: Stride Toward Freedom (1958), pp. 28-29, New York: Ballantine Books,
Context: "The apparent apathy of the Negro ministers presented a special problem. A faithful few had always shown a deep concern for social problems, but too many had remained aloof from the area of social responsibility. Much of this indifference, it is true, stemmed from a sincere feeling that ministers were not supposed to get mixed up in such earthly, temporal matters as social and economic improvement; they were to "preach the gospel" and keep men's minds centered on "the heavenly." But however sincere, this view of religion, I felt, was too confined.
Certainly, otherworldly concerns have a deep and significant place in all religions worthy of the name. Any religion that is completely earthbound sells its birthright for a mess of naturalistic pottage. Religion at its best, deals not only with man's preliminary concerns but with his inescapable ultimate concern. When religion overlooks this basic fact it is reduced to a mere ethical system in which eternity is absorbed into time and God is relegated to a sort of meaningless figment of the human imagination. But a religion true to its nature must also be concerned about man's social conditions. Religion deals with both earth and heaven, both time and eternity. Religion operates not only on the vertical plane but also on the horizontal. It seeks not only to integrate men with God but to integrate men with men and each man with himself.
This means, at bottom, that the Christian Gospel is a two-way road. On the one hand, it seeks to change the souls of men, and thereby unite them with God; on the other hand, it seek to change the environmental conditions of men so that soul will have a chance after it is changed.
Any religion that professes to be concerned with the souls of men and is not concerned with the slums that damn them, the economic conditions that strangle them, and the social conditions that cripple them is a dry-as-dust religion. Such a religion is the kind the Marxists like to see - an opiate of the people.

Richard Stallman photo

“I didn't receive the DEC message, but I can't imagine I would have been bothered if I have. I get tons of uninteresting mail, and system announcements about babies born, etc.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

First reaction to reports of the first commercial "spam" email, sent by DEC salesman, Gary Thuerk (8 May 1978), as quoted in "Reaction to the DEC Spam of 1978" http://www.templetons.com/brad/spamreact.html#msg<!-- also only partially quoted in "Damn Spam", by Michael Specter, in The New Yorker (6 August 2007) http://www.newyorker.com/magazine/2007/08/06/damn-spam -->
1970s
Context: I didn't receive the DEC message, but I can't imagine I would have been bothered if I have. I get tons of uninteresting mail, and system announcements about babies born, etc. At least a demo MIGHT have been interesting. … The amount of harm done by any of the cited "unfair" things the net has been used for is clearly very small. And if they have found any people any jobs, clearly they have done good. If I had a job to offer, I would offer it to my friends first. Is this "evil"? … Would a dating service for people on the net be "frowned upon" by DCA? I hope not. But even if it is, don't let that stop you from notifying me via net mail if you start one.

Peter Kropotkin photo

“It seeks the most complete development of individuality combined with the highest development of voluntary association in all its aspects, in all possible degrees, for all imaginable aims”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)
Context: A different conception of society, very different from that which now prevails, is in process of formation. Under the name of Anarchy, a new interpretation of the past and present life of society arises, giving at the same time a forecast as regards its future, both conceived in the same spirit as the above-mentioned interpretation in natural sciences. Anarchy, therefore, appears as a constituent part of the new philosophy, and that is why Anarchists come in contact, on so many points, with the greatest thinkers and poets of the present day.
In fact, it is certain that in proportion as the human mind frees itself from ideas inculcated by minorities of priests, military chiefs and judges, all striving to establish their domination, and of scientists paid to perpetuate it, a conception of society arises, in which conception there is no longer room for those dominating minorities. A society entering into possession of the social capital accumulated by the labor of preceding generations, organizing itself so as to make use of this capital in the interests of all, and constituting itself without reconstituting the power of the ruling minorities. It comprises in its midst an infinite variety of capacities, temperaments and individual energies: it excludes none. It even calls for struggles and contentions; because we know that periods of contests, so long as they were freely fought out, without the weight of constituted authority being thrown on the one side of the balance, were periods when human genius took its mightiest flight and achieved the greatest aims. Acknowledging, as a fact, the equal rights of all its members to the treasures accumulated in the past, it no longer recognizes a division between exploited and exploiters, governed and governors, dominated and dominators, and it seeks to establish a certain harmonious compatibility in its midst — not by subjecting all its members to an authority that is fictitiously supposed to represent society, not by trying to establish uniformity, but by urging all men to develop free initiative, free action, free association.
It seeks the most complete development of individuality combined with the highest development of voluntary association in all its aspects, in all possible degrees, for all imaginable aims; ever changing, ever modified associations which carry in themselves the elements of their durability and constantly assume new forms, which answer best to the multiple aspirations of all.

George Henry Lewes photo

“Every one who has seriously investigated a novel question, who has really interrogated Nature with a view to a distinct answer, will bear me out in saying that it requires intense and sustained effort of imagination.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: Every one who has seriously investigated a novel question, who has really interrogated Nature with a view to a distinct answer, will bear me out in saying that it requires intense and sustained effort of imagination. The relations of sequence among the phenomena must be seen; they are hidden; they can only be seen mentally; a thousand suggestions rise before the mind, but they are recognised as old suggestions, or as inadequate to reveal what is sought; the experiments by which the problem may be solved have to be imagined; and to imagine a good experiment is as difficult as to invent a good fable, for we must have distinctly present — clear mental vision — the known qualities and relations of all the objects, and must see what will be the effect of introducing some new qualifying agent. If any one thinks this is easy, let him try it: the trial will teach him a lesson respecting the methods of intellectual activity not without its use.

Erwin Schrödinger photo

“If I say that there cannot be more than one consciousness in the same mind, this seems a blunt tautology — we are quite unable to imagine the contrary…”

Erwin Schrödinger (1887–1961) Austrian physicist

"The Oneness of Mind", as translated in Quantum Questions: Mystical Writings of the World's Great Physicists (1984) edited by Ken Wilber
Context: Consciousness is never experienced in the plural, only in the singular. Not only has none of us ever experienced more than one consciousness, but there is also no trace of circumstantial evidence of this ever happening anywhere in the world. If I say that there cannot be more than one consciousness in the same mind, this seems a blunt tautology — we are quite unable to imagine the contrary...

Mark Steyn photo

“For Americans, the quickest way to understand modern Britain is to look at what LBJ’s Great Society did to the black family and imagine it applied to the general population.”

Mark Steyn (1959) Canadian writer

After America: Get Ready for Armageddon (2011), Steyn, Regnery Publishing, pp. 206-206
After America: Get Ready for Armageddon (2011)
Context: Churchill called his book The History of the English-Speaking Peoples – not the English-Speaking Nations. The extraordinary role played by those nations in the creation and maintenance of the modern world derived from their human capital. What happens when, as a matter of state policy, you debauch your human capital? The United Kingdom has the highest drug use in Europe, the highest incidence of sexually transmitted disease, the highest number of single mothers, the highest abortion rate; marriage is all but defunct, except for toffs, upscale gays, and Muslims. A couple of years ago, the papers reported that stabbings are so rampant in British schoolyards that a company that specializes in military body armor is now manufacturing school blazers lined with Kevlar. For Americans, the quickest way to understand modern Britain is to look at what LBJ’s Great Society did to the black family and imagine it applied to the general population.

Richard Wright photo
Milan Kundera photo

“You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.”

Milan Kundera (1929–2023) Czech author of Czech and French literature

Interview with Christian Salmon (Fall 1983), Writers at Work: The Paris Review Interviews, Series Seven [Viking, 1988, ], pp. 217-218
Context: Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories — and come up with nothing but clichés: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.

Ann Coulter photo

“I just can't imagine anyone not seeing 9/11 as a really good reason for wiping out Islamic totalitarians.”

Ann Coulter (1961) author, political commentator

As quoted in "An appalling magic" in The Guardian (17 May 2003) http://www.guardian.co.uk/weekend/story/0,3605,956452,00.html.
2003
Context: I was not enthusiastic about the last Gulf war. Of course, it goes without saying, I rooted for our team once the shooting started. But I wasn't for that war. I was also against sending Americans to the Balkans. My point is, I'm genuinely against America deploying troops without a really, really good reason. I just can't imagine anyone not seeing 9/11 as a really good reason for wiping out Islamic totalitarians.

Richard Rodríguez photo

“But the academic is brought closer to lower-class culture because of his very distance from it. Leisured, and skilled at abstracting from immediate experience, the scholar is able to see how aspects of individual experience constitute a culture. By contrast, the poor have neither the inclination nor the skill to imagine their lives so abstractly.”

Richard Rodríguez (1944) American journalist and essayist

Hunger of Memory: The Education of Richard Rodriguez (1982)
Context: Courses were offered in such fields as nineteenth-century black history and Hispanic-American folk art. The activists made a peculiar claim for these classes. They insisted that the courses would alleviate the cultural anxiety of nonwhite students by permitting them to stay in touch with their home culture. The perspective gained in the classroom or the library does indeed permit an academic to draw nearer to and understand better the culture of the alien poor. But the academic is brought closer to lower-class culture because of his very distance from it. Leisured, and skilled at abstracting from immediate experience, the scholar is able to see how aspects of individual experience constitute a culture. By contrast, the poor have neither the inclination nor the skill to imagine their lives so abstractly.

“At a high level of universality, to write anything well, whether it be intellectual or imaginative, is to assume at least two obligations: to be intelligible and to be interesting.”

Norman Maclean (1902–1990) American author and scholar

"Episode, Scene, Speech, and Word : The Madness of Lear" http://www.press.uchicago.edu/books/maclean/nmr_lear.html, in Critics and Criticism : Ancient and Modern (1952), edited by R.S. Crane
Context: At a high level of universality, to write anything well, whether it be intellectual or imaginative, is to assume at least two obligations: to be intelligible and to be interesting. Intelligibility, too, has its levels of obligation, on the lowest of individual statements, and even on this level the obligation is never easy to fulfill and perhaps even to genius could be a nightmare if what the genius sought to represent was “madness.” Only to a limited degree, however, can individual statements be intelligible — and in many instances and for a variety of reasons the individual statements are meant to be obscure, as in “mad” speeches. Since full intelligibility depends upon the relations of individual statement to individual statement, the concept of intelligibility, fully expanded, includes order and completeness; for a fully intelligible exposition or poem having relations has parts, and all the parts ought to be there and add up to a whole. The second major obligation, that of being “interesting,” includes unexpectedness and suspense, for expository as well as imaginative writing should not be merely what the reader expected it would be — or why should it be written or read? — and the unexpected should not be immediately and totally announced (in other words, expository and imaginative writing should have suspense), for, if the whole is immediately known, why should the writer or reader proceed farther?
But the accomplished writer gives his selected material more than shape — he gives it proper size. For a piece of writing to have its proper size is an excellent thing, or otherwise it would be lacking in intelligibility or interest or both.

Muhammad ibn Zakariya al-Razi photo

“I imagine and feel deeply in my heart that Galen has chosen me to undertake this task, and if he were alive, he would have congratulated me on what I am doing. I say this because Galen's aim was to seek and find the truth and bring light out of darkness. I wish indeed he were alive to read what I have published.”

Muhammad ibn Zakariya al-Razi (865–925) Persian polymath, physician, alchemist and chemist, philosopher

Introduction of Doubts about Galen, as quoted in Bashar Saad, Omar Said, Greco-Arab and Islamic Herbal Medicine: Traditional System, Ethics, Safety, Efficacy, and Regulatory Issues, John Wiley & Sons, 2011. , page https://books.google.com/books?id=-WQVF8nhKf4C&pg=PT33
Context: I prayed to God to direct and lead me to the truth in writing this book. It grieves me to oppose and criticize the man Galen from whose sea of knowledge I have drawn much. Indeed, he is the Master and I am the disciple. Although this reverence and appreciation will and should not prevent me from doubting, as I did, what is erroneous in his theories. I imagine and feel deeply in my heart that Galen has chosen me to undertake this task, and if he were alive, he would have congratulated me on what I am doing. I say this because Galen's aim was to seek and find the truth and bring light out of darkness. I wish indeed he were alive to read what I have published.

Edward Sapir photo

“It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language.”

Edward Sapir (1884–1939) American linguist and anthropologist

"American Indian Grammatical Categories", edited by Morris Swadesh in Word, 2 (1946)
Context: It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language. Any concept, whether or not it forms part of the system of grammatical categories, can be conveyed in any language. If a notion is lacking in a given series, it implies a different configuration and not a lack of expressive power.

“I say the entities that are named as gods by Earthians are imagined into being by Earthians as personal helper-buddies, justifiers, threateners (my god can beat up your god). They don't "run on" anything any more than a mirror image "runs on" anything. They merely reflect what people want them to be.”

Sheri S. Tepper (1929–2016) American fiction writer

Strange Horizons interview (2008)
Context: I say the entities that are named as gods by Earthians are imagined into being by Earthians as personal helper-buddies, justifiers, threateners (my god can beat up your god). They don't "run on" anything any more than a mirror image "runs on" anything. They merely reflect what people want them to be. "I want to have more children than my brother does, thus proving I'm a better man than he is, so my god tells me I should have a big family." "I want to screw women, so my god is going to give me seventy virgins I can screw for all eternity." The "gods" in The Margarets who could really do anything were actually an old, highly evolved race of real people. The others were only reflections. The real God, who may really exist, is outside all that, perhaps watching closely, perhaps merely asleep for a few trillion years while the experiment runs out.
We — thee and me as individuals — will never know that God, though after a few trillion years, the universe as a whole may come to understand that God.

William Tyndale photo

“To have a faith, therefore, or a trust in any thing, where God hath not promised, is plain idolatry, and a worshipping of thine own imagination instead of God.”

William Tyndale (1494–1536) Bible translator and agitator from England

The Obedience of A Christian Man (1528)
Context: Where no promise of God is, there can be no faith, nor justifying, nor forgiveness of sins: for it is more than madness to look for any thing of God, save that he hath promised. How far he hath promised, so far is he bound to them that believe; and further not. To have a faith, therefore, or a trust in any thing, where God hath not promised, is plain idolatry, and a worshipping of thine own imagination instead of God. Let us see the pith of a ceremony or two, to judge the rest by. In conjuring of holy water, they pray that whosoever be sprinkled therewith may receive health as well of body as of soul: and likewise in making holy bread, and so forth in the conjurations of other ceremonies. Now we see by daily experience, that half their prayer is unheard. For no man receiveth health of body thereby.
No more, of likelihood, do they of soul. Yea, we see also by experience, that no man receiveth health of soul thereby. For no man by sprinkling himself with holy water, and with eating holy bread, is more merciful than before, or forgiveth wrong, or becometh at one with his enemy, or is more patient, and less covetous, and so forth; which are the sure tokens of the soul-health.

“Imperialist powers are blinded by tradition, prestige and self-interest, and vainly imagine that it is for the good of humanity that they should perpetuate their rule”

Kirby Page (1890–1957) American clergyman

The Personality of Jesus (1932)
Context: Imperialist powers are blinded by tradition, prestige and self-interest, and vainly imagine that it is for the good of humanity that they should perpetuate their rule and continue to bear "the white man's burden." Their assumption of superiority and the contemptuous way in which they often treat the "natives" is humiliating and degrading.

Cyrano de Bergerac photo

“To believe something, one must imagine that it is more probable than not. Unless you show him what is probable or he realizes it himself, he may tell you that he believes and yet he will not believe.”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

Sun-being to the court
The Other World (1657)
Context: O just ones, hear me! You cannot condemn this man, monkey or parrot for saying that the moon is the world he comes from. If he is a man, all men are free. Is he then not free to imagine what he wants, even if he does not come from the moon? Can you force him to have only your visions? Impossible! You may make him say that he believes that the moon is not a world, but still he will not believe it. To believe something, one must imagine that it is more probable than not. Unless you show him what is probable or he realizes it himself, he may tell you that he believes and yet he will not believe.

William Crookes photo

“Science has trained and fashioned the average mind into habits of exactitude and disciplined perception, and in so doing has fortified itself for tasks higher, wider, and incomparably more wonderful than even the wisest among our ancestors imagined.”

William Crookes (1832–1919) British chemist and physicist

Address to the British Association for the Advancement of Science (1898)
Context: It has been said that "Nothing worth the proving can be proved, nor yet disproved." True though this may have been in the past, it is true no longer. The science of our century has forged weapons of observation and analysis by which the veriest tyro may profit. Science has trained and fashioned the average mind into habits of exactitude and disciplined perception, and in so doing has fortified itself for tasks higher, wider, and incomparably more wonderful than even the wisest among our ancestors imagined. Like the souls in Plato's myth that follow the chariot of Zeus, it has ascended to a point of vision far above the earth. It is henceforth open to science to transcend all we now think we know of matter and to gain new glimpses of a profounder scheme of Cosmic law.

“How fortunate is this generation to live at a time when the sources of our culture—sacred and profane—are illuminated in a brighter light of history than our forefathers imagined possible!”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
Adventures in the Nearest East (1957)
Context: While Ugarit is revolutionizing the problem of Old Testament origins, the Dead Sea scrolls are doing the same for the New Testament. How fortunate is this generation to live at a time when the sources of our culture—sacred and profane—are illuminated in a brighter light of history than our forefathers imagined possible!

John Galsworthy photo

“Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)
Context: Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothecated perfect human being.

Mohamed ElBaradei photo

“Imagine what would happen if the nations of the world spent as much on development as on building the machines of war. Imagine a world where every human being would live in freedom and dignity.”

Mohamed ElBaradei (1942) Egyptian law scholar and diplomat, former Director General of the International Atomic Energy Agency, and Nobel …

Nobel lecture (2005)
Context: Imagine what would happen if the nations of the world spent as much on development as on building the machines of war. Imagine a world where every human being would live in freedom and dignity. Imagine a world in which we would shed the same tears when a child dies in Darfur or Vancouver. Imagine a world where we would settle our differences through diplomacy and dialogue and not through bombs or bullets. Imagine if the only nuclear weapons remaining were the relics in our museums. Imagine the legacy we could leave to our children.
Imagine that such a world is within our grasp.

Sri Aurobindo photo

“To listen to some devout people, one would imagine that God never laughs”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Sri Aurobindo : The Hour of God, and Other Writings (1970); variant "To listen to some devout people, one would imagine that God never laughed; Heine was nearer the mark when he found in Him the divine Aristophanes" in Mother India (1957)
Context: To listen to some devout people, one would imagine that God never laughs; Heine was nearer the mark when he found in Him the divine Aristophanes. God's laughter is sometimes very coarse and unfit for polite ears; He is not satisfied with being Molière, He must needs also be Aristophanes and Rabelais.

David Hume photo

“Nothing is more dangerous to reason than the flights of the imagination, and nothing has been the occasion of more mistakes among philosophers.”

Part 4, Section 7
A Treatise of Human Nature (1739-40), Book 1: Of the understanding
Context: This deficiency in our ideas is not, indeed, perceived in common life, nor are we sensible, that in the most usual conjunctions of cause and effect we are as ignorant of the ultimate principle, which binds them together, as in the most unusual and extraordinary. But this proceeds merely from an illusion of the imagination; and the question is, how far we ought to yield to these illusions. This question is very difficult, and reduces us to a very dangerous dilemma, whichever way we answer it. For if we assent to every trivial suggestion of the fancy; beside that these suggestions are often contrary to each other; they lead us into such errors, absurdities, and obscurities, that we must at last become asham'd of our credulity. Nothing is more dangerous to reason than the flights of the imagination, and nothing has been the occasion of more mistakes among philosophers. Men of bright fancies may in this respect be compar'd to those angels, whom the scripture represents as covering their eyes with their wings. This has already appear'd in so many instances, that we may spare ourselves the trouble of enlarging upon it any farther.

Wallace Stevens photo

“What light requires a day to do, and by day I mean a kind of Biblical revolution of time, the imagination does in the twinkling of an eye.”

Wallace Stevens (1879–1955) American poet

The Necessary Angel (1951), Imagination as Value
Context: The best definition of true imagination is that it is the sum of our faculties. Poetry is the scholar's art. The acute intelligence of the imagination, the illimitable resources of its memory, its power to possess the moment it perceives — if we were speaking of light itself, and thinking of the relationship between objects and light, no further demonstration would be necessary... What light requires a day to do, and by day I mean a kind of Biblical revolution of time, the imagination does in the twinkling of an eye. It colors, increases, brings to a beginning and end, invents languages, crushes men, and, for that matter, gods in its hands, it says to women more than it is possible to say, it rescues all of us from what we have called absolute fact...

Northrop Frye photo

“But in the imagination anything goes that can be imagined, and the limit of the imagination is a totally human world.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html
Context: At the level of ordinary consciousness the individual man is the centre of everything, surrounded on all sides by what he isn't. At the level of practical sense, or civilization, there's a human circumference, a little cultivated world with a human shape, fenced off from the jungle and inside the sea and the sky. But in the imagination anything goes that can be imagined, and the limit of the imagination is a totally human world.

Heloise photo

“I own, to my confusion, I fear more the offending of man than the provoking of God, and study less to please him than you. Yes, it was your command only, and not a sincere vocation, as is imagined, that shut me up in these cloisters.”

Heloise (1101–1164) French nun, writer, scholar, and abbess

Letter IV : Heloise to Abelard
Letters of Abelard and Heloise
Context: I own, to my confusion, I fear more the offending of man than the provoking of God, and study less to please him than you. Yes, it was your command only, and not a sincere vocation, as is imagined, that shut me up in these cloisters. I fought to give you ease, and not to sanctify myself. How unhappy am I? I tear myself from all that pleases me? I bury myself here alive, I exercise my self in the most rigid fastings; and such severities as cruel laws impose on us; I feed myself with tears and sorrows, and, notwithstanding this, I deserve nothing for all the hardships I suffer. My false piety has long deceived you as well as others. You have thought me easy, and yet I was more disturbed than ever. You persuaded yourself I was wholly taken up with my duty, yet I had no business but love. Under this mistake you desire my prayers; alas! I must expect yours. Do not presume upon my virtue and my care. I am wavering, and you must fix me by your advice. I am yet feeble, you must sustain and guide me by your counsel.

Alan Watts photo

“Now it is symptomatic of our rusty-beer-can type of sanity that our culture produces very few magical objects. Jewelry is slick and uninteresting. Architecture is almost totally bereft of exuberance, obsessed with erecting glass boxes. Children's books are written by serious ladies with three names and no imagination, and as for comics, have you ever looked at the furniture in Dagwood's home? The potentially magical ceremonies of the Catholic Church are either gabbled away at top speed, or rationalized with the aid of a commentator. Drama or ritual in everyday behavior is considered affectation and bad form, and manners have become indistinguishable from manerisms—where they exist at all. We produce nothing comparable to the great Oriental carpets, Persian glass, tiles, and illuminated books, Arabian leatherwork, Spanish marquetry, Hindu textiles, Chinese porcelain and embroidery, Japanese lacquer and brocade, French tapestries, or Inca jewelry. (Though, incidentally, there are certain rather small electronic devices that come unwittingly close to fine jewels.)
The reason is not just that we are too much in a hurry and have no sense of the present; not just that we cannot afford the type of labor that such things would now involve, nor just that we prefer money to materials. The reason is that we have scrubbed the world clean of magic. We have lost even the vision of paradise, so that our artists and craftsmen can no longer discern its forms. This is the price that must be paid for attempting to control the world from the standpoint of an "I" for whom everything that can be experienced is a foreign object and a nothing-but.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 84-85

Frances Wright photo

“Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.”

Frances Wright (1795–1852) American activist

Lecture II: Of Free Inquiry, considered as a Means for obtaining Just Knowledge
A Course of Popular Lectures (1829)
Context: How many, how omnipotent are the interests which engage men to break the mental chains of women! How many, how dear are the interests which engage them to exalt rather than lower their condition, to multiply their solid acquirements, to respect their liberties, to make them their equals, to wish them even their superiors! Let them inquire into these things. Let them examine the relation in which the two sexes stand, and ever must stand, to each other. Let them perceive that, mutually dependent, they must ever be giving and receiving, or they must be losing — receiving or losing in knowledge, in virtue, in enjoyment. Let them perceive how immense the loss, or how immense the gain. Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.

John D. Barrow photo

“Gradually, over the last twenty years, the vacuum has turned out to be more unusual, more fluid, less empty, and less intangible than even Einstein could have imagined.”

John D. Barrow (1952–2020) British scientist

Preface
The Book of Nothing (2009)
Context: The spooky ether was persistent. It took an Einstein to remove it from the Universe.... Gradually, over the last twenty years, the vacuum has turned out to be more unusual, more fluid, less empty, and less intangible than even Einstein could have imagined. Its presence is felt on the very smallest and largest dimensions over which the forces of Nature act.

Siegfried Sassoon photo

“I believe that I may help to destroy the callous complacency with which the majority of those at home regard the contrivance of agonies which they do not share, and which they have not sufficient imagination to realize.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

A Soldier's Declaration (July 1917)
Context: I have seen and endured the sufferings of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust.
I am not protesting against the conduct of the war, but against the political errors and insincerities for which the fighting men are being sacrificed.
On behalf of those who are suffering now I make this protest against the deception which is being practised on them; also I believe that I may help to destroy the callous complacency with which the majority of those at home regard the contrivance of agonies which they do not share, and which they have not sufficient imagination to realize.

R. A. Lafferty photo

“They are the possessed men who do much of the running of the world, and theirs is the most frightening story that can be imagined. But those who watch the great men do not know that they are shells inhabited by ghosts.”

R. A. Lafferty (1914–2002) American writer

Source: Archipelago (1979), Chapter Three, Pt. 5, A "ghost story" as narrated in its entirety by a character in the novel in a small ward gathering.
Context: "The perfect ghost story is the story of Possession," he said, "and that is hypnotism from beyond the grave. This is possible since hypnotism is by the will, and the will is immortal. A number of notable men have been possessed, and all of their lives seem to fit a pattern: the inconsequential early years, the hiatus when they stood where Faust stood, and the decision. And then the rise to power and influence and almost universal honor after they have made the deal. But it is not themselves, it is the devils within them that gain these things. They are the possessed men who do much of the running of the world, and theirs is the most frightening story that can be imagined. But those who watch the great men do not know that they are shells inhabited by ghosts."

“It has already become easier to imagine Seoul with a Kim Il Sung statue than to imagine Pyongyang without one”

Brian Reynolds Myers (1963) American professor of international studies

2010s, League Confederation Goes Outer-Track (September 2018)
Context: While watching Moon and Kim disport themselves on Mount Paektu — the modern nationalist myth of the ancient iconicity of which mountain our media swallowed hook, line and sinker — I was struck by a sobering thought: It has already become easier to imagine Seoul with a Kim Il Sung statue than to imagine Pyongyang without one. Not a lot easier, but easier. We may all disagree about what exactly a North-South league will mean, or even whether it will come to pass. But let’s stop the denials — the old-fashioned denials — that this is what the two Koreas are working on.

Kate Bush photo

“David Bowie had everything. He was intelligent, imaginative, brave, charismatic, cool, sexy and truly inspirational both visually and musically.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Tribute to David Bowie, in "David Bowie, as remembered by…" in The Guardian (17 January 2016) https://www.theguardian.com/music/2016/jan/17/david-bowie-as-seen-by-deborah-harry-chris-kate-bush-stein-carlos-alomar-julien-temple-edwyn-collins
Context: David Bowie had everything. He was intelligent, imaginative, brave, charismatic, cool, sexy and truly inspirational both visually and musically. He created such staggeringly brilliant work, yes, but so much of it and it was so good. There are great people who make great work but who else has left a mark like his? No one like him.

Richard Matheson photo

“Something black and of the night had come crawling out of the Middle Ages. Something with no framework or credulity, something that had been consigned, fact and figure, to the pages of imaginative literature.”

Source: I Am Legend (1954), Ch. 3
Context: Something black and of the night had come crawling out of the Middle Ages. Something with no framework or credulity, something that had been consigned, fact and figure, to the pages of imaginative literature. Vampires were passé; Summers’ idylls or Stoker’s melodramatics or a brief inclusion in the Britannica or grist for the pulp writer’s mill or raw material for the B-film factories. A tenuous legend passed from century to century.
Well, it was true.

Wisława Szymborska photo

“In Heraclitus' river
a fish has imagined the fish of all fish”

Wisława Szymborska (1923–2012) Polish writer

"In Heraclitus' River"
Poems New and Collected (1998), Salt (1962)
Context: In Heraclitus' river
a fish has imagined the fish of all fish,
a fish kneels to the fish, a fish sings to the fish,
a fish begs the fish to ease its fishy lot.

George William Russell photo

“When I first discovered for myself how near was the King in His beauty I thought I would be the singer of the happiest songs. Forgive me, Spirit of my spirit, for this, that I have found it easier to read the mystery told in tears and understood Thee better in sorrow than in joy; that, though I would not, I have made the way seem thorny, and have wandered in too many byways, imagining myself into moods which held Thee not.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

Preface to Collected Poems (1913)
Context: When I first discovered for myself how near was the King in His beauty I thought I would be the singer of the happiest songs. Forgive me, Spirit of my spirit, for this, that I have found it easier to read the mystery told in tears and understood Thee better in sorrow than in joy; that, though I would not, I have made the way seem thorny, and have wandered in too many byways, imagining myself into moods which held Thee not. I should have parted the true from the false, but I have not yet passed away from myself who am in the words of this book. Time is a swift winnower, and that he will do quickly for me.

Clive Staples Lewis photo

“The imagined beings have their insides on the outside; they are visible souls. And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Source: Tolkien's The Lord of the Rings, p. 89
Context: But why,' (some ask), 'why, if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own?' Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality. One can see the principle at work in his characterization. Much that in a realistic work would be done by 'character delineation' is here done simply by making the character an elf, a dwarf, or a hobbit. The imagined beings have their insides on the outside; they are visible souls. And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?

Thomas Carlyle photo

“For what imaginable purpose was man made, if not to be "happy"?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Pt. I, Bk. II, ch. 1.
1830s, The French Revolution. A History (1837)
Context: For what imaginable purpose was man made, if not to be "happy"? By victorious Analysis, and Progress of the Species, happiness enough now awaits him. Kings can become philosophers; or else philosophers Kings. Let but Society be once rightly constituted,—by victorious Analysis. The stomach that is empty shall be filled; the throat that is dry shall be wetted with wine. Labour itself shall be all one as rest; not grievous, but joyous Wheat-fields, one would think, cannot come to grow untilled; no man made clayey, or made weary thereby;—unless indeed machinery will do it? Gratuitous Tailors and Restaurateurs may start up, at fit intervals, one as yet sees not how. But if each will, according to rule of Benevolence, have a care for all, then surely—no one will be uncared for. Nay, who knows but by sufficiently victorious Analysis, "human life may be indefinitely lengthened," and men get rid of Death, as they have already done of the Devil? We shall then be happy in spite of Death and the Devil.

Alan Watts photo

“No matter how much the space program you actually have has achieved, whether it’s first contact with aliens or trips to nearby stars, it can never have achieved as much as the space programs you can imagine would have achieved in its place, given that imaginary programs aren’t limited by issues of politics, funding, or engineering.”

James Nicoll (1961) Canadian fiction reviewer

Review of “Eyes of Amber”, by Joan D. Vinge (as anthologized in New Women of Wonder, edited by Pamela Sargent http://jamesdavisnicoll.com/review/yet-more-sf-about-women-by-women, 2015
2010s
Context: There’s a rule I used to call The Niven Rule but which I just now have decided to call the Rusting Bridges rule. It came to me after reading Niven’s “All The Bridges Rusting.” In this story, humans have by the early 21st century explored the Solar System and sent not just one but two crewed ships to Alpha Centauri … despite which the characters moan endlessly about the dire state of the space program. “Eyes of Amber” would be another example of the Rusting Bridges [Rule]: No matter how much the space program you actually have has achieved, whether it’s first contact with aliens or trips to nearby stars, it can never have achieved as much as the space programs you can imagine would have achieved in its place, given that imaginary programs aren’t limited by issues of politics, funding, or engineering.

Oliver Wendell Holmes Jr. photo

“Our test of truth is a reference to either a present or an imagined future majority in favor of our view.”

Oliver Wendell Holmes Jr. (1841–1935) United States Supreme Court justice

1910s, "Natural Law", 32 Harvard Law Review 40, 41 (1918)

Ray Bradbury photo

“I stopped my inner time clock at the age of 14. Another reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination.”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)
Context: I was madly in love with Hollywood. … I was so blindly and madly in love with the film and radio business in Hollywood that I didn't realize what a pest I was. George no doubt thought he could get me off his back by using my words for one of the eight-line vignettes he had Gracie close their broadcasts with. I wanted to live that special life forever. When that summer was over, I stopped my inner time clock at the age of 14. Another reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination. … And strangely enough, my parents never protested. They just figured I was crazy and that God would protect me. Of course back then you could go around town at night and never risk getting mugged or beaten up.

Lois McMaster Bujold photo

“Leadership is mostly a power over imagination, and never more so than in combat.”

Vorkosigan Saga, Shards of Honor (1986)
Context: Leadership is mostly a power over imagination, and never more so than in combat. The bravest man alone can only be an armed lunatic. The real strength lies in the ability to get others to do your work.

P. J. O'Rourke photo
Vachel Lindsay photo

“Whenever I begin to write a poem or draw a picture I am, in imagination, if not in reality, back in my room where I began to draw pen-and-ink pictures and write verses in my seventeenth year.”

Vachel Lindsay (1879–1931) American poet

What It Means to Be a Poet in America (1926)
Context: Whenever I begin to write a poem or draw a picture I am, in imagination, if not in reality, back in my room where I began to draw pen-and-ink pictures and write verses in my seventeenth year. Both windows of the room look down on the great Governor’s Yard of Illinois. This yard is a square block, a beautiful park. Our house is on so high a hill I can always look down upon the governor. Among my very earliest memories are those of seeing old Governor Oglesby leaning on his cane, marching about, calling his children about him.

“It shouldn't be hard to imagine just what most of the crew must have thought when they first looked across the open hill-side and saw their boss seemingly playing with a matchbook in dry grass.”

Young Men and Fire (1992)
Context: It shouldn't be hard to imagine just what most of the crew must have thought when they first looked across the open hill-side and saw their boss seemingly playing with a matchbook in dry grass. Although the Mann Gulch fire occurred early in the history of the Smokejumpers, it is still their special tragedy, the one in which their crew suffered almost a total loss and the only one in which their loss came from the fire itself. It is also the only fire any member of the Forest Service had ever seen or heard of in which the foreman got out ahead of his crew only to light a fire in advance of the fire he and his crew were trying to escape. In case I hadn't understood him the first time, Sallee repeated, "We thought he must have gone nuts." A few minutes later his fire became more spectacular still, when Sallee, having reached the top of the ridge, looked back and saw the foreman enter his own fire and lie down in its hot ashes to let the main fire pass over him.

John Galsworthy photo

“Raise up the banner of forlorn defence —
A jest to the complacency of crowds —
Bright-haloed with the one diviner sense:
To hold itself as nothing to itself;
And in the quest of its imagined star
To lose all thought of after-recompense!”

John Galsworthy (1867–1933) English novelist and playwright

Errantry, St. 4 - 5
Moods, Songs and Doggerels (1912)
Context: p>God save the pennon, ragged to the dawn,
That signs to moon to stand, and sun to fly;
And flutters when the weak is overborne
To stem the tide of fate and certainty.
That knows not reason, and that seeks no fame —So! Undismayed beneath the serried clouds,
Raise up the banner of forlorn defence —
A jest to the complacency of crowds —
Bright-haloed with the one diviner sense:
To hold itself as nothing to itself;
And in the quest of its imagined star
To lose all thought of after-recompense!</p

Patrick Swift photo

“It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.”

Patrick Swift (1927–1983) British artist

"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.

P. J. O'Rourke photo
William Gibson photo

“If not for our excessive vanity and our over-active imaginations, novelists might be unusually difficult to deceive.”

William Gibson (1948) American-Canadian speculative fiction novelist and founder of the cyberpunk subgenre

Twitter tweet (31 May 2009) http://twitter.com/GreatDismal/status/1986617191<!-- also (1 June 2009) http://twitter.com/GreatDismal/status/1986630272 -->
Context: The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length. If not for our excessive vanity and our over-active imaginations, novelists might be unusually difficult to deceive.

Wallace Stevens photo

“What the poet has in mind . . . is that poetic value is an intrinsic value. It is not the value of knowledge. It is not the value of faith. It is the value of imagination.”

Wallace Stevens (1879–1955) American poet

The Necessary Angel (1951), Imagination as Value
Context: What the poet has in mind... is that poetic value is an intrinsic value. It is not the value of knowledge. It is not the value of faith. It is the value of imagination. The poet tries to exemplify it, in part as I have tried to exemplify it here, by identifying it with an imaginative activity that diffuses itself throughout our lives.

“The great advances in mathematics have not been made by logic but by creative imagination.”

George Frederick James Temple (1901–1992) British mathematician

100 Years of Mathematics: a Personal Viewpoint (1981)
Context: Logical analysis is indispensable for an examination of the strength of a mathematical structure, but it is useless for its conception and design. The great advances in mathematics have not been made by logic but by creative imagination.

Terence McKenna photo

“We humans may be released into a realm of pure self-engineering. The imagination is everything.”

Terence McKenna (1946–2000) American ethnobotanist

"New Maps of Hyperspace" (1989); originally published in Magical Blend magazine, also in The Archaic Revival: Speculations on Psychedelic Mushrooms, the Amazon, Virtual Reality, UFOs, Evolution, Shamanism, the Rebirth of the Goddess, and the End of History (1992) http://www.erowid.org/culture/characters/mckenna_terence/mckenna_terence_maps_hyperspace.shtml
Context: There is a spiritual obligation, there is a task to be done. It is not, however, something as simple as following a set of somebody else's rules. The noetic enterprise is a primary obligation toward being. Our salvation is linked to it. Not everyone has to read alchemical texts or study superconducting biomolecules to make the transition. Most people make it naively by thinking clearly about the present at hand, but we intellectuals are trapped in a world of too much information. Innocence is gone for us. We cannot expect to cross the rainbow bridge through a good act of contrition; that will not be sufficient.
We have to understand. Whitehead said, "Understanding is the apperception of pattern as such"; to fear death is to misunderstand life. Cognitive activity is the defining act of humanness. Language, thought, analysis, art, dance, poetry, mythmaking: these are the things that point the way toward the realm of the eschaton. We humans may be released into a realm of pure self-engineering. The imagination is everything. This was Blake's perception. This is where we came from. This is where we are going. And it is only to be approached through cognitive activity.

Freeman Dyson photo

“I am saying to modern scientists and theologians: don't imagine that our latest ideas about the Big Bang or the human genome have solved the mysteries of the universe or the mysteries of life. Here are Bacon's words again: "The subtlety of nature is greater many times over than the subtlety of the senses and understanding".”

Freeman Dyson (1923) theoretical physicist and mathematician

Progress In Religion (2000)
Context: I am saying to modern scientists and theologians: don't imagine that our latest ideas about the Big Bang or the human genome have solved the mysteries of the universe or the mysteries of life. Here are Bacon's words again: "The subtlety of nature is greater many times over than the subtlety of the senses and understanding". In the last four hundred years, science has fulfilled many of Bacon's dreams, but it still does not come close to capturing the full subtlety of nature.

Noam Chomsky photo

“Sectors of the doctrinal system serve to divert the unwashed masses and reinforce the basic social values: passivity, submissiveness to authority, the overriding virtue of greed and personal gain, lack of concern for others, fear of real or imagined enemies, etc. The goal is to keep the bewildered herd bewildered.”

Noam Chomsky (1928) american linguist, philosopher and activist

Source: Quotes 1990s, 1990-1994, What Uncle Sam Really Wants, 1993, p. 69
Context: Sectors of the doctrinal system serve to divert the unwashed masses and reinforce the basic social values: passivity, submissiveness to authority, the overriding virtue of greed and personal gain, lack of concern for others, fear of real or imagined enemies, etc. The goal is to keep the bewildered herd bewildered. It's unnecessary for them to trouble themselves with what's happening in the world. In fact, it's undesirable -- if they see too much of reality they may set themselves to change it.

Thomas Carlyle photo

“We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet
Context: We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish. The yellow wheat is growing there; the good Earth is silent about all the rest, — has silently turned all the rest to some benefit too, and makes no complaint about it! So everywhere in Nature! She is true and not a lie; and yet so great, and just, and motherly in her truth. She requires of a thing only that it be genuine of heart; she will protect it if so; will not, if not so. There is a soul of truth in all the things she ever gave harbor to. Alas, is not this the history of all highest Truth that comes or ever came into the world?

P. J. O'Rourke photo