Quotes about imagination

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The Pursuit of Simplicity (1981), p. 151
Variant: Total security has never been available to anyone. To expect it is unrealistic; to imagine that it can exist is to invite disaster. I believe the most important aim for humanity at present is to avoid war, dictatorship, and their awful consequences.
Better a Shield Than A Sword : Perspectives On Defense And Technology (1987), p. 241
Context: The preservation of peace and the improvement of the lot of all people require us to have faith in the rationality of humans. If we have this faith and if we pursue understanding, we have not the promise but at least the possibility of success. We should not be misled by promises. Humanity in all its history has repeatedly escaped disaster by a hair's breadth. Total security has never been available to anyone. To expect it is unrealistic; to imagine that it can exist is to invite disaster. What we do have in our technological capacities is an opportunity to use our inventiveness, our creativity, our wisdom and our understanding of our fellow beings to create a future world that is a little better than the one in which we live today.

The Unbearable Lightness of Being (1984), Part Two: Soul and Body, p. 59

Playboy interview (1996)
Context: The way to teach in this world is to pretend you're not teaching. Science fiction offers the chance to pretend to look the other way while teaching. Science fiction is also a great way to pretend you are writing about the future when in reality you are attacking the recent past and the present. You can criticize communists, racists, fascists or any other clear and present danger, and they can't imagine you are writing about them.

they are not wounds and blood and fever, spotted and low, or dysentery, chronic and acute, cold and heat and famine — they are intoxication, drunken brutality, demoralization and disorder on the part of the inferior, jealousies, meanness, indifference, selfish brutality on the part of the superior.
Letter (5 May 1855), published in Florence Nightingale : An Introduction to Her Life and Family (2001), edited by Lynn McDonald, p. 141

Quotes, The Assault on Reason (2007)
Context: It is well documented that humans are especially fearful of threats that can be easily pictured or imagined. For example, one study found that people are willing to spend significantly more for flight insurance that covers "death by terrorism" than for flight insurance that covers "death by any cause." Now, logically, flight insurance for death by any cause would cover terrorism in addition to a number of other potential problems. But something about the buzzword terrorism creates a vivid impression that generates excessive fear.

Interview in The Japan Times Online, (24 June 2007) https://archive.is/20121219091415/search.japantimes.co.jp/cgi-bin/fb20070624a1.html
Context: What is this thing, "imagination?" A muscle that can be "forced" or "stretched"? Or something immune to the ethos of ganbaru [grit it out, or strive for one's best]? Like the relativist's view of light, it is both wave and particle, depending on what you want it to be. The verb "to imagine" is both active and passive, as in "Steve imagined his future," and "Such a future was never imagined." So, I work on my novel by imagining the world of 18th-century Nagasaki and its people and their fears and desires, as an act of will, and a lot of will is involved, believe me. However, I could ganbaru until I'm blue in the face. If my imagination doesn't work "passively" or even "intransitively," at its own behest rather than mine, and come up with cliche-demolishing twists of phrase and turns of plot and happy accidents and unexpected reactions from characters, then the book will be sterile. Well-written with luck, and even intelligent, but sterile. (...) Imagination is what makes art fertile.

I Am A Dancer (1952)

Nobel lecture (2005)
Context: Imagine what would happen if the nations of the world spent as much on development as on building the machines of war. Imagine a world where every human being would live in freedom and dignity. Imagine a world in which we would shed the same tears when a child dies in Darfur or Vancouver. Imagine a world where we would settle our differences through diplomacy and dialogue and not through bombs or bullets. Imagine if the only nuclear weapons remaining were the relics in our museums. Imagine the legacy we could leave to our children.
Imagine that such a world is within our grasp.

Source: Social Problems (1883), Ch. 21 : Conclusion
Context: Many there are, too depressed, too embruted with hard toil and the struggle for animal existence, to think for themselves. Therefore the obligation devolves with all the more force on those who can. If thinking men are few, they are for that reason all the more powerful. Let no man imagine that he has no influence. Whoever he may be, and wherever he may be placed, the man who thinks becomes a light and a power. That for every idle word men may speak they shall give an account at the day of judgment, seems a hard saying. But what more clear than that the theory of the persistence of force, which teaches us that every movement continues to act and react, must apply as well to the universe of mind as to that of matter? Whoever becomes imbued with a noble idea kindles a flame from which other torches are lit, and influences those with whom he comes in contact, be they few or many. How far that influence, thus perpetuated, may extend, it is not given to him here to see. But it may be that the Lord of the Vineyard will know.

Cemetery World (1973)
Context: I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened... I have tried to imagine... the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before...

"A Time for Moral Courage", Reader’s Digest (July 1964)<!-- Reprinted in The Virgin Island Daily News (29 October 1964) http://news.google.com/newspapers?nid=757&dat=19641029&id=rIcwAAAAIBAJ&sjid=lEQDAAAAIBAJ&pg=6379,1764784 with the permission of Reader's Digest -->
Context: I feel sorry for the man who has never known the bracing thrill of taking a stand and sticking to it fearlessly. Moral courage has rewards that timidity can never imagine. Like a shot of adrenaline, it floods the spirit with vitality.

The Other World (1657)
Context: I established myself in a fairly remote country house and entertained my imagination with various means of transport. Here is how I betook myself to heaven.
I attached to myself a number of bottles of dew, and the heat of the sun, which attracted it, drew me so high that I finally emerged above the highest clouds. But the sun's attraction of the dew drew me upwards so rapidly that instead of approaching the Moon, as I intended, I seemed to be farther from it than when I started. I broke open some of the bottles and felt my weight overcome the attraction and bring me back towards the earth.

The Garden of Forking Paths (1942), The Garden of Forking Paths
Context: Ts'ui Pe must have said once: I am withdrawing to write a book. And another time: I am withdrawing to construct a labyrinth. Every one imagined two works; to no one did it occur that the book and the maze were one and the same thing.

R. S. Thomas : Priest and Poet, BBC TV (2 April 1972)
Context: Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry. The message of the New Testament is poetry. Christ was a poet, the New Testament is metaphor, the Resurrection is a metaphor; and I feel perfectly within my rights in approaching my whole vocation as priest and preacher as one who is to present poetry; and when I preach poetry I am preaching Christianity, and when one discusses Christianity one is discussing poetry in its imaginative aspects. … My work as a poet has to deal with the presentation of imaginative truth.

As quoted in "Age of unreason" by Jeannette Baxter in The Guardian (22 June 2004)
Context: Twenty years ago no one could have imagined the effects the Internet would have: entire relationships flourish, friendships prosper…there’s a vast new intimacy and accidental poetry, not to mention the weirdest porn. The entire human experience seems to unveil itself like the surface of a new planet.

The Necessary Angel (1951), Imagination as Value
Context: The imagination loses vitality as it ceases to adhere to what is real. When it adheres to the unreal and intensifies what is unreal, while its first effect may be extraordinary, that effect is the maximum effect that it will ever have.

From An Insight, An Idea with Tim Berners-Lee http://www.weforum.org/sessions/summary/insight-idea-tim-berners-lee at 27:27 (25 January 2013)
Context: When somebody has learned how to program a computer … You're joining a group of people who can do incredible things. They can make the computer do anything they can imagine.

Just As I Am : The Autobiography of Billy Graham (1997) co-written with Cliff Barrows
Context: I don’t know the future, but I do know this: the best is yet to be! Heaven awaits us, and that will be far, far more glorious than anything we can ever imagine. I know that soon my life will be over. I thank God for it, and for all He has given me in this life. But I look forward to Heaven. I look forward to the reunion with friends and loved ones who have gone on before. I look forward to Heaven’s freedom from sorrow and pain. I also look forward to serving God in ways we can’t begin to imagine, for the Bible makes it clear that Heaven is not a place of idleness. And most of all, I look forward to seeing Christ and bowing before Him in praise and gratitude for all He has done for us, and for using me on this earth by His grace — just as I am.

Martin Pippin in the Apple Orchard (1922)
Context: The world never knows, and cannot for the life of it imagine, what this man sees in that maid and that maid in this man. The world cannot think why they fell in love with each other. But they have their reason, their beautiful secret, that never gets told to more than one person; and what they see in each other is what they show to each other; and it is the truth. Only they kept it hidden in their hearts until the time came. And though you and I may never know why this lane is called Shelley's, to us both it will always be the greenest lane in Sussex, because it leads to the special secret I spoke of.

John F. Kennedy: "Television and Radio Interview: "After Two Years — a Conversation With the President" (17 December 1962) http://www.presidency.ucsb.edu/ws/?pid=9060<!-- Online by Gerhard Peters and John T. Woolley, The American Presidency Project -->
1962
Context: There is a limitation, in other words, upon the power of the United States to bring about solutions. I think our people get awfully impatient and maybe fatigued and tired, and saying "We have been carrying this burden for 17 years; can we lay it down?" We can't lay it down, and I don't see how we are going to lay it down in this century. So that I would say that the problems are more difficult than I had imagined them to be. The responsibilities placed on the United States are greater than I imagined them to be, and there are greater limitations upon our ability to bring about a favorable result than I had imagined them to be. And I think that is probably true of anyone who becomes President, because there is such a difference between those who advise or speak or legislate, and between the man who must select from the various alternatives proposed and say that this shall be the policy of the United States. It is much easier to make the speeches than it is to finally make the judgments, because unfortunately your advisers are frequently divided. If you take the wrong course, and on occasion I have, the President bears the burden of the responsibility quite rightly. The advisers may move on to new advice.

Source: The Roving Mind (1983), Ch. 25
Context: How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.

Context: Years later, when "Dilbert" was in thousands of newspapers, people often asked me if I ever imagined being so lucky. I usually said no, because that's the answer people expected. The truth is that I imagined every bit of good fortune that has come my way. But in my imagination I also invented a belt that would allow me to fly and had special permission from Congress to urinate like a bird wherever I wanted. I wake up every morning disappointed that I have to wear pants and walk. Imagination has a way of breeding disappointment.

Letter to Revd. Dr. Trusler (1799)
Context: To the Eyes of a Miser a Guinea is more beautiful than the Sun & and a bag worn with the use of Money has more beautiful proportions than a Vine filled with Grapes. The tree which moves some to tears of joy is in the Eyes of others only a Green thing that stands in the way. Some see Nature all Ridicule and Deformity, and by these I shall not regulate my proportions; and some scarce see Nature at all. But to the Eyes of the Man of Imagination, Nature is Imagination itself. As a man is, So he Sees. As the Eye is formed, such are its Powers..

As quoted in "Terry Gilliam reflects to Dreams about the making of Dr Parnassus" by Phil Stubbs http://www.smart.co.uk/dreams/parntgrf.htm
Context: We read Dover Books, because you can steal from them. The medieval imagery and iconography is so good for the imagination. Trying to describe the world, trying to describe the cosmos, trying to put it down in neat orderly fashion, unlike reality. And it always seems to stick in one's mind more than reality does.

2010s, Democratic National Convention speech (2012)
Context: Those are the values that Barack and I and so many of you are trying to pass on to our own children. That's who we are. And standing before you four years ago, I knew that I did not want any of that to change if Barack became president. Well today, after so many struggles and triumphs and moments that have tested my husband in ways I never could have imagined, and I have seen firsthand that being president does not change who you are. No, it reveals the you are.

A Prescription for Hope (1985)
Context: Throughout human history, when confronted with what was deemed a deadly enemy, the fixed human response has been to gather more rocks, muskets, cannons, and now nuclear bombs. While nuclear weapons have no military utility — indeed they are not weapons but instruments of genocide-this essential truth is obscured by the notion of an "evil enemy". The "myth of the other", the stereotyping and demonizing of human beings beyond recognition, is still pervasive and now exacts inordinate economic, psychologic, and moral costs. The British physicist P. M. S. Blackett anticipated this state of paranoia: "Once a nation bases its security on an absolute weapon, such as the atom bomb, it becomes psychologically necessary to believe in an absolute enemy". The imagined enemy is eventually banished from the human family and reduced to an inanimate object whose annihilation loses all moral dimension.

volume I; lecture 3, "The Relation of Physics to Other Sciences"; section 3-4, "Astronomy"; p. 3-6
The Feynman Lectures on Physics (1964)
Context: Poets say science takes away from the beauty of the stars — mere globs of gas atoms. Nothing is "mere". I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern — of which I am a part... What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

The Necessary Angel (1951), Imagination as Value
Context: The truth seems to be that we live in concepts of the imagination before the reason has established them. If this is true, then reason is simply the methodizer of the imagination.

"Karen Armstrong Joins Pangea Day!" (2008) http://www.youtube.com/watch?v=lJ5ZmB2kdo0
Context: A project like Pangea, which enables us to enter in to the situations of others, imaginatively, is fulfilling what the religions call the Golden Rule... going into one's own experience, and going into other's experience, and seeing the world from another perspective — that's what we desperately need in our dangerously polarized world.

The General History of Polybius as translated by James Hampton' (1762), Vol. II, pp. 177-178
The Histories

The trial of Charles B. Reynolds for blasphemy (1887)
Context: Imagination, like the atmosphere of spring, woos every seed of earth to seek the blue of heaven, and whispers of bud and flower and fruit. Imagination gathers from every field of thought and pours the wealth of many lives into the lap of one.

"William McDonough: Godfather of Green", WNYC Studio 360 (18 March 2008).
Context: I can't imagine something being beautiful at this point in history if it's destroying the planet or causing children to get sick. How can anything be beautiful if it's not ecologically intelligent at this point?

Address http://www.ted.com/talks/james_cameron_before_avatar_a_curious_boy.html/ to the 2010 TED conference (13 February 2010)
Context: Imagination is a force that can actually manifest a reality. … Don’t put limitations on yourself. Other people will do that for you. Don’t do that to yourself. Don’t bet against yourself. And take risk. NASA has this phrase that they like, "Failure is not an option." But failure has to be an option. In art and exploration, failure has to be an option. Because it is a leap of faith. And no important endeavour that required innovation was done without risk. You have to be willing to take those risks. … In whatever you are doing, failure is an option. But fear is not.

Source: The Spirits' Book, p. 105.
Context: If demons existed, they would be the work of God; but would it he just on the part of God to have created beings condemned eternally to evil and to misery? If demons exist, it is in your low world, and in other worlds of similar degree that they are to be found. They are the human hypocrites who represent a just God as being cruel and vindictive, and who imagine that they make themselves agreeable to Him by the abominations they commit in His name.

A Prescription for Hope (1985)

Part 4, Section 7
A Treatise of Human Nature (1739-40), Book 1: Of the understanding
Context: I am first affrighted and confounded with that forelorn solitude, in which I am plac'd in my philosophy, and fancy myself some strange uncouth monster, who not being able to mingle and unite in society, has been expell'd all human commerce, and left utterly abandon'd and disconsolate. Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer? I have declar'd my disapprobation of their systems; and can I be surpriz'd, if they shou'd express a hatred of mine and of my person? When I look abroad, I foresee on every side, dispute, contradiction, anger, calumny and detraction. When I turn my eye inward, I find nothing but doubt and ignorance. All the world conspires to oppose and contradict me; tho' such is my weakness, that I feel all my opinions loosen and fall of themselves, when unsupported by the approbation of others. Every step I take is with hesitation, and every new reflection makes me dread an error and absurdity in my reasoning.
For with what confidence can I venture upon such bold enterprises, when beside those numberless infirmities peculiar to myself, I find so many which are common to human nature? Can I be sure, that in leaving all established opinions I am following truth; and by what criterion shall I distinguish her, even if fortune shou'd at last guide me on her foot-steps? After the most accurate and exact of my reasonings, I can give no reason why I shou'd assent to it; and feel nothing but a strong propensity to consider objects strongly in that view, under which they appear to me. Experience is a principle, which instructs me in the several conjunctions of objects for the past. Habit is another principle, which determines me to expect the same for the future; and both of them conspiring to operate upon the imagination, make me form certain ideas in a more intense and lively manner, than others, which are not attended with the same advantages. Without this quality, by which the mind enlivens some ideas beyond others (which seemingly is so trivial, and so little founded on reason) we cou'd never assent to any argument, nor carry our view beyond those few objects, which are present to our senses. Nay, even to these objects we cou'd never attribute any existence, but what was dependent on the senses; and must comprehend them entirely in that succession of perceptions, which constitutes our self or person. Nay farther, even with relation to that succession, we cou'd only admit of those perceptions, which are immediately present to our consciousness, nor cou'd those lively images, with which the memory presents us, be ever receiv'd as true pictures of past perceptions. The memory, senses, and understanding are, therefore, all of them founded on the imagination, or the vivacity of our ideas.

As quoted in Who Controls the Internet? : Illusions of a Borderless World (2006) by Jack Goldsmith and Tim Wu
Context: Imagine discovering a continent so vast that it may have no end to its dimensions. Imagine a new world with more resources than all our future greed might exhaust, more opportunities than there will ever be entrepreneurs enough to exploit, and a peculiar kind of real estate that expands with development. Imagine a place where trespassers leave no footprints, where goods can be stolen infinite number of times and yet remain in the possession of their original owners, where business you never heard of can own the history of your personal affairs...

5 min 15 sec
Cosmos: A Personal Voyage (1990 Update), The Shores of the Cosmic Ocean [Episode 1]
Context: We wish to pursue the truth no matter where it leads — but to find the truth, we need imagination and skepticism both. We will not be afraid to speculate, but we will be careful to distinguish speculation from fact. The cosmos is full beyond measure of elegant truths; of exquisite interrelationships; of the awesome machinery of nature. The surface of the Earth is the shore of the cosmic ocean. On this shore we've learned most of what we know. Recently we've waded a little way out, maybe ankle deep, and the water seems inviting. Some part of our being knows this is where we came from. We long to return. And we can. Because the cosmos is also within us. We're made of star-stuff. We are a way for the cosmos to know itself.

Preface
The History and Present State of Electricity (1767)
Context: The history of philosophy enjoys, in some measure, the advantages both of civil and natural history, whereby it is relieved from what is most tedious and disgusting in both. Philosophy exhibits the powers of nature, discovered and directed by human art. It has, therefore, in some measure, the boundless variety with the amazing uniformity of the one, and likewise every thing that is pleasing and interesting in the other. And the idea of continual rise and improvement is conspicuous in the whole study, whether we be attentive to the part which nature, or that which men are acting in the great scene.
It is here that we see the human understanding to its greatest advantage, grasping at the noblest objects, and increasing its own powers, by acquiring to itself the powers of nature, and directing them to the accomplishment of its own views; whereby the security, and happiness of mankind are daily improved. Human abilities are chiefly conspicuous in adapting means to ends, and in deducing one thing from another by the method of analogy; and where may we find instances of greater sagacity, than in philosophers diversifying the situations of things, in order to give them an opportunity of showing their mutual relations, affections, and influences; deducing one truth and one discovery from another, and applying them all to the useful purposes of human life.
If the exertion of human abilities, which cannot but form a delightful spectacle for the human imagination, give us pleasure, we enjoy it here in a higher degree than while we are contemplating the schemes of warriors, and the stratagems of their bloody art.

90th Birthday Reflections (2007)
Context: I'm sometimes asked how I would like to be remembered. I've had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer — one who entertained readers, and, hopefully, stretched their imagination as well.

Progress In Religion (2000)
Context: I have five minutes left to give you a message to take home. The message is simple. "God forbid that we should give out a dream of our own imagination for a pattern of the world". This was said by Francis Bacon, one of the founding fathers of modern science, almost four hundred years ago. Bacon was the smartest man of his time, with the possible exception of William Shakespeare.

The Paris Review interview (1984)
Context: I let characters and symbols emerge from me, as if I were dreaming. I always use what remains of my dreams of the night before. Dreams are reality at its most profound, and what you invent is truth because invention, by its nature, can’t be a lie. Writers who try to prove something are unattractive to me, because there is nothing to prove and everything to imagine. So I let words and images emerge from within. If you do that, you might prove something in the process.

Afterword to The Dud Avocado (2006)
Context: I look back in wonder at The Dud Avocado: in wonder at its initial reception and at the many times it’s been reissued — for years it was even republished alongside of every new book of mine that came out. I look back in wonder at the 1950s. The dull conformity of those years as they are generally imagined is something I don’t recognize. I look back in wonder at London in particular, where whole areas destroyed during the Second World War still lay in rubble. But London was in the midst of a renaissance for artists. In literature and playwriting the Angry Young Men were making their splash and new young actors like Richard Burton, Peter O Toole, Albert Finney, and Peter Finch were coming into their own. London was an orderly place where it was safe to take risks. Optimism was the rule of the day and I was there.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. II : The Fellow-Craft, p. 41
Context: Let no Fellow-Craft imagine that the work of the lowly and uninfluential is not worth the doing. There is no legal limit to the possible influences of a good deed or a wise word or a generous effort. Nothing is really small. Whoever is open to the deep penetration of nature knows this. Although, indeed, no absolute satisfaction may be vouchsafed to philosophy, any more in circumscribing the cause than in limiting the effect, the man of thought and contemplation falls into unfathomable ecstacies in view of all the decompositions of forces resulting in unity. All works for all. Destruction is not annihilation, but regeneration.

Source: Way Station (1963), Ch. 11
Context: There was so much knowledge in the galaxy and he knew so little of it, understood so little of the little that he knew.
There were men on Earth who could make sense of it. Men who would give anything short of their very lives to know the little that he knew, and could put it all to use.
Out among the stars lay a massive body of knowledge, some of it an extension of what mankind knew, some of it concerning matters which Man had not yet suspected, and used in ways and for purposes that Man had not as yet imagined. And never might imagine, if left on his own.

[1] Will your questions increase the learner's will as well as capacity to learn? Will they help to give him a sense of joy in learning? Will they help to provide the learner with confidence in his ability to learn?
[2] In order to get answers, will the learner be required to make inquiries? (Ask further questions, clarify terms, make observations, classify data, etc?)
[3] Does each question allow for alternative answers (which implies alternative modes of inquiry)?
[4] Will the process of answering the questions tend to stress the uniqueness of the learner?
[6] Would the answers help the learner to sense and understand the universals in the human condition and so enhance his ability to draw closer to other people?
Teaching as a Subversive Activity (1969)
Context: These questions are not intended to represent a catechism for the new education. These are samples and illustrations of the kind of questions we think worth answering. Our set of questions is best regarded as a metaphor of our sense of relevance. If you took the trouble to list your own questions, it is quite possible that you prefer many or them to ours. Good enough. The new education is a process and will not suffer from the applied imaginations of all who wish to be a part of it. But in evaluating your own questions, as well as ours, bear in mind that there are certain standards that must be used. These standards must also be stated in the form of questions:

Dedication to Emma Goldman
Context: Now my education, life and consciousness are talked about by those who cannot understand what I wrote, what I think, what is my life. They make me up from their subjective imagination and attack me publicly as well as secretly. Because my novels completely obscure my behaviour and ideas, and result in a lot of misunderstandings, my name is related to nihilism or humanism, although I have written a book of over three hundred pages to explain my ideas (this book is very easy to understand and without a metaphysical term). Those who talk about me never read it. They judged my ideas according to one of my short stories, then deduced a variety of strange conclusions and decided which doctrine I belong to. I have been caught in this predicament all these years and cannot get rid of it...

Cassandra (1860)

Guide for the Perplexed (c. 1190), Introduction
Context: Do not imagine that these most difficult problems can be thoroughly understood by any one of us. This is not the case. At times the truth shines so brilliantly that we perceive it as clear as day. Our nature and habit then draw a veil over our perception, and we return to a darkness almost as dense as before. We are like those who, though beholding frequent flashes of lightning, still find themselves in the thickest darkness of the night. On some the lightning flashes in rapid succession, and they seem to be in continuous light, and their night is as clear as the day. This was the degree of prophetic excellence attained by (Moses) the greatest of prophets, to whom God said," But as for thee, stand thou here by Me" (Deut. v. 31), and of whom it is written" the skin of his face shone," etc. (Exod. xxxiv. 29). [Some perceive the prophetic flash at long intervals; this is the degree of most prophets. ] By others only once during the whole night is a flash of lightning perceived. This is the case with those of whom we are informed," They prophesied, and did not prophesy again" (Num. xi. 25). There are some to whom the flashes of lightning appear with varying intervals; others are in the condition of men, whose darkness is illumined not by lightning, but by some kind of crystal or similar stone, or other substances that possess the property of shining during the night; and to them even this small amount of light is not continuous, but now it shines and now it vanishes, as if it were" the flame of the rotating sword."

"Reflections on 'A Conversation With Einstein's Brain'" in The Mind's I (1981), edited by Douglas R. Hofstadter and Daniel C. Dennett
Context: In fact, of course, science is an unparalleled playground of the imagination, populated by unlikely characters with wonderful names (messenger RNA, black holes, quarks) and capable of performing the most amazing deeds: sub-atomic whirling dervishes that can be in several places — everywhere and nowhere — at the same time; molecular hoop-snakes biting their own tails; self-copying spiral staircases bearing coded instructions; miniature keys searching for the locks in which they fit, on floating odysseys in a trillion synaptic gulfs.

Letter (21 February 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
Context: I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F. B. I.-men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.

Train for honor
A Sky Without Eagles (2014)
Context: 'I train for honor'... I train because somewhere in my DNA there's a memory of a more ferocious world, a world where men could become what they are and reach the most terrifyingly magnificent state of their nature. I don't train to impress the majority of modern slobs. I train to be worthy enough to be worthy enough to 'carry water' for my barbarian fathers, and to be worthy of the company of the men most like them today. I train because I imagine the disgust and contempt out ancestors would have for us all if they lined up modern men on the street. I train to be less of an embarrassment to their memory. I train because most modern men dishonor all of the men who came before them. I train "as if" they were watching and judging us... I train because it is better to imagine oneself as a soldier in a spiritual army training for a war that may never come than it is to shrug, slouch and shuffle forward into a dysgenic and dystopian future.

Strange Horizons interview (2008)
Context: Every villain or villainous activity I have ever written about is a person or an activity that has actually lived or taken place. I invent nothing. When I wrote in Raising the Stones about the slavery practiced by one race and their reasons for it, those reasons were taken verbatim from arguments written in defense of Negro slavery by southern slave owners. Watch bullies at school. See how they delight in causing pain. See how little is done to change them. Imagine them grown, elected, put into power. They do grow, they are elected, they are put into power.

Speech to the Society of Professional Journalists (11 September 2004)
Context: This "zeal for secrecy" I am talking about — and I have barely touched the surface — adds up to a victory for the terrorists. When they plunged those hijacked planes into the World Trade Center and the Pentagon three years ago this morning, they were out to hijack our Gross National Psychology. If they could fill our psyche with fear — as if the imagination of each one of us were Afghanistan and they were the Taliban — they could deprive us of the trust and confidence required for a free society to work. They could prevent us from ever again believing in a safe, decent or just world and from working to bring it about. By pillaging and plundering our peace of mind they could panic us into abandoning those unique freedoms — freedom of speech, freedom of the press — that constitute the ability of democracy to self-correct and turn the ship of state before it hits the iceberg.

The Final Declaration (1954)
Context: Whether it manifests as creation or disappears into Oneness of Reality, whether it is experienced as existing and real, or is perceived to be false and nonexistent, illusion throughout is illusion. There is no end to it, just as there is no end to imagination.

Vol. 2 "On Philosophy and the Intellect" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.

First published in the "Movie Answer Man" column (25 July 2004) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040725/ANSWERMAN/407250305
Context: Many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.
Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.
I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

Lewes here quotes from Paracelsus by Robert Browning
The Principles of Success in Literature (1865)

Source: 1910's, The Art of Noise', 1913, p. 6
Context: Each sound carries with it a nucleus of foreknown and foregone sensations predisposing the auditor to boredom, in spite of all the efforts of innovating composers. All of us have liked and enjoyed the harmonies of the great masters. For years, Beethoven and Wagner have deliciously shaken our hearts. Now we are fed up with them. This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.

Surprised by Joy (1955)
Context: I do not think the resemblance between the Christian and the merely imaginative experience is accidental. I think that all things, in their own way, reflect heavenly truth, the imagination not least. "Reflect" is the important word. This lower life of the imagination is not a beginning of, nor a step toward, the higher life of the spirit, merely an image.

Source: The Story of My Life (1932), Ch. 1 "Before The Beginning"
Context: Autobiography is never entirely true. No one can get the right perspective on himself. Every fact is colored by imagination and dream. The young look forth across the sea to a mirage of fairylands filled with hidden treasures; the aged turn to the fading past, and through the mist and haze that veils once familiar scenes, bygone events assume weird and fanciful proportions.

"Einstein's Reply to Criticisms" (1949), The World As I See It (1949)
Context: I am absolutely convinced that no wealth in the world can help humanity forward, even in the hands of the most devoted worker in this cause. The example of great and pure characters is the only thing that can produce fine ideas and noble deeds. Money only appeals to selfishness and always tempts its owners irresistibly to abuse it.
Can anyone imagine Moses, Jesus, or Gandhi armed with the money-bags of Carnegie?

All the Pretty Horses (1992)
Context: He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world and as he lay there the agony in his heart was like a stake. He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and he thought he knew what made one liable to its visitations. What he had not known was that it was mindless and so had no way to know the limits of those souls and what he feared was that there might be no limits.

My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)
Context: The next gentleman who has endeavored to answer what I have said, is the Rev. Samuel Robinson. This he has done in his sermon entitled “Ghosts against God or Ingersoll against Honesty.” I presume he imagines himself to be the defendant in both cases.

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Context: What am I to believe? If the angel in his cloud,
Serenely gazing at the violent abyss,
Plucks on his strings to pluck abysmal glory, Leaps downward through evening’s revelations, and
On his spredden wings, needs nothing but deep space,
Forgets the gold centre, the golden destiny,Grows warm in the motionless motion of his flight,
Am I that imagine this angel less-satisfied?
Are the wings his, the lapis-haunted air?

Small Houses: Their Economic Design and Construction (1922)
Context: Imagination... implies originality. It results in a reflection... of the working mind of the designer.... Imagination may be called the dynamic force in art.... It is the quality which distinguishes the artistic from the photographic representation of nature.

Introduction, p. 28
Electric Waves: Being Researches on the Propagation of Electric Action with Finite Velocity Through Space (1893)
Context: It is not particularly satisfactory to see equations set forth as direct results of observation and experiment, where we used to get long mathematical deductions as apparent proofs of them. Nevertheless, I believe that we cannot, without deceiving ourselves, extract much more from known facts than is asserted in the papers referred to. If we wish to lend more color to the theory, there is nothing to prevent us from supplementing all this and aiding our powers of imagination by concrete representations of the various conceptions as to the nature of electric polarisation, the electric current, etc.

"Science Fiction and a World in Crisis" in Science Fiction: Today and Tomorrow (1974) edited by Reginald Bretnor
General sources
Context: The current utopian ideal being touted by people as politically diverse (on the surface, but not underneath) as President Richard M. Nixon and Senator Edward M. Kennedy goes as follows — no deeds of passion allowed, no geniuses, no criminals, no imaginative creators of the new. Satisfaction may be gained only in carefully limited social interactions, in living off the great works of the past. There must be limits to any excitement. Drug yourself into a placid "norm." Moderation is the key word…

Mohican Press interview (2005)
Context: There came a point in time, with all the difficulty, all the frustration, where I was quite content to be where I was. I suppose one could call it a kind of enchantment, I don't know. The shoot was so difficult on the crew and the extras. Often, it was unpleasant for them and many left. But difficulty also creates its own kind of beauty, I suppose. And while I don't revisit it unless asked, there is this sense of apartness I felt during that period of time from our own world. Perhaps the others felt the same, I'm unsure, and that is what you might feel when you watch the movie. We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.

Stanislaus Grumman in Ch. 10 : The Shaman
His Dark Materials, The Subtle Knife (1997)
Context: People here cannot conceive of worlds where dæmons are a silent voice in the mind and no more. Can you imagine my astonishment, in turn, at learning that part of my own nature was female, and bird-formed, and beautiful?

As quoted in "What is Don McLean's song 'American Pie' all about?" at The Straight Dope (15 May 1993) http://www.straightdope.com/columns/read/908/what-is-don-mcleans-song-american-pie-all-about
Context: As you can imagine, over the years I have been asked many times to discuss and explain my song "American Pie" I have never discussed the lyrics, but have admitted to the Holly reference in the opening stanzas. You will find many interpretations of my lyrics but none of them by me. … Sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence.

Noble House (1981)
Context: "Changi changed everyone, changed values permanently. For instance, it gave you a dullness about death — we saw too much of it to have the same sort of meaning to outsiders, to normal people. We are a generation of dinosaurs, we the few who survived. I suppose anyone who goes to war, any war, sees life with different eyes if they end up in one piece."
What did you see?"
"A lot of bull that's worshipped as the be-all and end-all of existence. So much of 'normal, civilized' life is bull that you can't imagine. … What frightens you, doesn't frighten me, what frightens me, you'd laugh at."

1920s, The Aims of Education (1929)
Context: The universities are schools of education, and schools of research. But the primary reason for their existence is not to be found either in the mere knowledge conveyed to the students or in the mere opportunities for research afforded to the members of the faculty. Both these functions could be performed at a cheaper rate, apart from these very expensive institutions. Books are cheap, and the system of apprenticeship is well understood. So far as the mere imparting of information is concerned, no university has had any justification for existence since the popularization of printing in the fifteenth century. Yet the chief impetus to the foundation of universities came after that date, and in more recent times has even increased. The justification for a university is that it preserves the connection between knowledge and the zest of life, by uniting the young and the old in the imaginative consideration of learning.

The Fantastic Imagination (1893)
Context: Some thinkers would feel sorely hampered if at liberty to use no forms but such as existed in nature, or to invent nothing save in accordance with the laws of the world of the senses; but it must not therefore be imagined that they desire escape from the region of law. Nothing lawless can show the least reason why it should exist, or could at best have more than an appearance of life.

Letter to Hugo Boxel (Oct. 1674) The Chief Works of Benedict de Spinoza (1891) Tr. R. H. M. Elwes, Vol. 2, Letter 58 (54).
Context: If I had as clear an idea of ghosts, as I have of a triangle or a circle, I should not in the least hesitate to affirm that they had been created by God; but as the idea I possess of them is just like the ideas, which my imagination forms of harpies, gryphons, hydras, &c., I cannot consider them as anything but dreams, which differ from God as totally as that which is not differs from that which is.<!--pp. 382-383

Superman Comes to the Supermarket (1960)
Context: A hero can capture the secret imagination of a people, and so be good for the vitality of his nation; a hero embodies the fantasy and so allows each private mind the liberty to consider its fantasy and find a way to grow. Each mind can become more conscious of its desire and waste less strength in hiding from itself.

Section 6 : Higher Life
Founding Address (1876), Life and Destiny (1913)
Context: Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.
It is the prerogative of man that he need not blindly follow the law of his natural being, but is himself the author of a higher moral law, and creates it even in acting it out.

The Necessary Angel (1951), Imagination as Value
Context: The best definition of true imagination is that it is the sum of our faculties. Poetry is the scholar's art. The acute intelligence of the imagination, the illimitable resources of its memory, its power to possess the moment it perceives — if we were speaking of light itself, and thinking of the relationship between objects and light, no further demonstration would be necessary... What light requires a day to do, and by day I mean a kind of Biblical revolution of time, the imagination does in the twinkling of an eye. It colors, increases, brings to a beginning and end, invents languages, crushes men, and, for that matter, gods in its hands, it says to women more than it is possible to say, it rescues all of us from what we have called absolute fact...

"Alice-Alice" in Third Wish (2006)
Context: Love the battle between chaos and imagination.
Remember: Acting is living truthfully in imaginary circumstances.
Remember: Acting is the way to live the greatest number of lives.
Remember: Acting is the same as real life, lived intentionally.
Never forget: The Fruit is out on the end of the limb. Go there.

Section 3.13 <!-- p. 183 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: St. John said, "And the light shineth in the darkness; and the darkness comprehended it not." The light shines in the darkness and the darkness does not understand it, and cannot extinguish it ( I need the double meaning here of comprehend). This is the great cry of affirmation that is heard over and over again in our imaginative literature, in all art. It is a light to lighten our darkness, to guide us, and we do not need to know, in the realm of provable fact, exactly where it is going to take us.

Stephen Hero (1944)
Context: Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised. It is just in this epiphany that I find the third, the supreme quality of beauty. … No esthetic theory, pursued Stephen relentlessly, is of any value which investigates with the aid of the lantern of tradition. What we symbolise in black the Chinaman may symbolise in yellow: each has his own tradition. Greek beauty laughs at Coptic beauty and the American Indian derides them both. It is almost impossible to reconcile all tradition whereas it is by no means impossible to find the justification of every form of beauty which has ever been adored on the earth by an examination into the mechanism of esthetic apprehension whether it be dressed in red, white, yellow or black. We have no reason for thinking that the Chinaman has a different system of digestion from that which we have though our diets are quite dissimilar. The apprehensive faculty must be scrutinised in action.

"Final Soliloquy of the Interior Paramour"
Collected Poems (1954)
Context: We say God and the imagination are one...
How high that highest candle lights the dark.
Out of this same light, out of the central mind,
We make a dwelling in the evening air,
In which being there together is enough.

Introduction
The Female Eunuch (1970)
Context: The fear of freedom is strong in us. We call it chaos or anarchy, and the words are threatening. We live in a true chaos of contradicting authorities, an age of conformism without community, of proximity without communication. We could only fear chaos if we imagined that it was unknown to us, but in fact we know it very well. It is unlikely that the techniques of liberation spontaneously adopted by women will be in such fierce conflict as exists between warring self-interests and conflicting dogmas, for they will not seek to eliminate all systems but their own. However diverse they may be, they need not be utterly irreconcilable, because they will not be conquistatorial.

1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Context: People are often unable to do anything, imprisoned as they are in I don't know what kind of terrible, terrible, oh such terrible cage.
I do know that there is a release, the belated release. A justly or unjustly ruined reputation, poverty, disastrous circumstances, misfortune, they all turn you into a prisoner. You cannot always tell what keeps you confined, what immures you, what seems to bury you, and yet you can feel those elusive bars, railings, walls. Is all this illusion, imagination? I don't think so. And then one asks: My God! will it be for long, will it be for ever, will it be for eternity?

On a meeting of Richard Francis Burton on 18 September 1886, Vol. 1, p. 230
Personal Reminiscences of Henry Irving (1907)
Context: Burton had a most vivid way of putting things — especially of the East. He had both a fine imaginative power and a memory richly stored not only from study but from personal experience. As he talked, fancy seemed to run riot in its alluring power; and the whole world of thought seemed to flame with gorgeous colour. Burton knew the East. Its brilliant dawns and sunsets; its rich tropic vegetation, and its arid fiery deserts; its cool, dark mosques and temples; its crowded bazaars; its narrow streets; its windows guarded for out-looking and from in-looking eyes; the pride and swagger of its passionate men, and the mysteries of its veiled women; its romances; its beauty; its horrors.

Julius Sumner Miller, in What Science Teaching Needs, Junior college journal, volume 38 (1967), by American Association of Junior Colleges, Stanford University.
Context: My view is this: We teach nothing. We do not teach physics nor do we teach students. (I take physics merely as an example.) What is the same thing: No one is taught anything! Here lies the folly of this business. We try to teach somebody nothing. This is a sorry endeavour for no one can be taught a thing.
What we do, if we are successful, is to stir interest in the matter at hand, awaken enthusiasm for it, arouse a curiosity, kindle a feeling, fire up the imagination. To my own teachers who handled me in this way, I owe a great and lasting debt.

Final lines
Civil Disobedience (1849)
Context: Is a democracy, such as we know it, the last improvement possible in government? Is it not possible to take a step further towards recognizing and organizing the rights of man? There will never be a really free and enlightened State until the State comes to recognize the individual as a higher and independent power, from which all its own power and authority are derived, and treats him accordingly. I please myself with imagining a State at least which can afford to be just to all men, and to treat the individual with respect as a neighbor; which even would not think it inconsistent with its own repose if a few were to live aloof from it, not meddling with it, nor embraced by it, who fulfilled all the duties of neighbors and fellow-men. A State which bore this kind of fruit, and suffered it to drop off as fast as it ripened, would prepare the way for a still more perfect and glorious State, which also I have imagined, but not yet anywhere seen.

Life & Times of Michael K (1983)
Context: Though this is a large country, so large that you would think there would be space for everyone, what I have learned from life tells me that it is hard to keep out of the camps. Yet I am convinced there are areas that lie between the camps and belong to no camp, not even to the catchment areas of the camps — certain mountaintops, for example, certain islands in the middle of swamps, certain arid strips where human beings may not find it worth their while to live. I am looking for such a place in order to settle there, perhaps only till things improve, perhaps forever. I am not so foolish, however, as to imagine that I can rely on maps and roads to guide me. Therefore I have chosen you to show me the way.

"Bryan" in Baltimore Evening Sun http://www.positiveatheism.org/hist/menck05.htm#SCOPESC (27 July 1925)
1920s
Context: It is the national custom to sentimentalize the dead, as it is to sentimentalize men about to be hanged. Perhaps I fall into that weakness here. The Bryan I shall remember is the Bryan of his last weeks on earth -- broken, furious, and infinitely pathetic. It was impossible to meet his hatred with hatred to match it. He was winning a battle that would make him forever infamous wherever enlightened men remembered it and him. Even his old enemy, Darrow, was gentle with him at the end. That cross-examination might have been ten times as devastating. It was plain to everyone that the old Berseker Bryan was gone -- that all that remained of him was a pair of glaring and horrible eyes.
But what of his life? Did he accomplish any useful thing? Was he, in his day, of any dignity as a man, and of any value to his fellow-men? I doubt it. Bryan, at his best, was simply a magnificent job-seeker. The issues that he bawled about usually meant nothing to him. He was ready to abandon them whenever he could make votes by doing so, and to take up new ones at a moment's notice. For years he evaded Prohibition as dangerous; then he embraced it as profitable. At the Democratic National Convention last year he was on both sides, and distrusted by both. In his last great battle there was only a baleful and ridiculous malignancy. If he was pathetic, he was also disgusting.
Bryan was a vulgar and common man, a cad undiluted. He was ignorant, bigoted, self-seeking, blatant and dishonest. His career brought him into contact with the first men of his time; he preferred the company of rustic ignoramuses. It was hard to believe, watching him at Dayton, that he had traveled, that he had been received in civilized societies, that he had been a high officer of state. He seemed only a poor clod like those around him, deluded by a childish theology, full of an almost pathological hatred of all learning, all human dignity, all beauty, all fine and noble things. He was a peasant come home to the dung-pile. Imagine a gentleman, and you have imagined everything that he was not.

Source: His Dark Materials, The Subtle Knife (1997), Ch. 15 : Bloodmoss
Context: If you're the bearer of the knife, you have a task that's greater than you can imagine. A child... How could they let it happen? Well, so it must be.... There is a war coming, boy. The greatest war there ever was. Something like it happened before, and this time the right side must win. We've had nothing but lies and propaganda and cruelty and deceit for all the thousands of years of human history. It's time we started again, but properly this time...."
He stopped to take in several rattling breaths.
"The knife," he went on after a minute. "They never knew what they were making, those old philosophers. They invented a device that could split open the very smallest particles of matter, and they used it to steal candy. They had no idea that they'd made the one weapon in all the universes that could defeat the tyrant. The Authority. God. The rebel angels fell because they didn't have anything like the knife; but now..."
"I didn't want it! I don't want it now!" Will cried. "If you want it, you can have it! I hate it, and I hate what it does — "
"Too late. You haven't any choice: you're the bearer. It's picked you out. And, what's more, they know you've got it; and if you don't use it against them, they'll tear it from your hands and use it against the rest of us, forever and ever."

Advice to the Estranged. S. Liptzin. Peretz. Yivo, 1947, p. 348.
Context: A Jew waits for Messiah to come and redeem the world from fear and pain, from the cataclysmic conflicts between rich and poor. All shall enjoy the earth. This means, in popular imagination, that bread and clothes shall grow, ready-made, on trees. Do you have more winged ideals?

कला र जीवन (Art and Life)
Art and Life
Context: Even Truth is of many types, like – Imaginative Truth, Practical Truth and Philosophical Truth. That which is in three times, that is called Truth and God itself is the first and the last truth.  But in practical life, truth takes many forms and as the practical truth I understand the sensible world's hard comprehensible truth. The one attained by the research of intellect, I call philosophical truth and imaginative that which illustrates through the subtle pictures of the mind. To say the stone is hard is practical truth, saying that adding up one and one the result will be two and through the existence of creation there is truth I call philosophical truth; and saying things like seeing Sarasvati talked with her, I understand as being the imaginative truth. For me, practicality is limited; philosophy, intellect is blind; I enjoy imaginative truth the most and through it find the glimpses of God

Introduction to The Lost Princess of Oz (1917)
Letters and essays
Context: Some of my youthful readers are developing wonderful imaginations. This pleases me. Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking-machine, and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams — day dreams, you know, with your eyes wide open and your brain machinery whizzing — are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to create, to invent, and therefore to foster civilization. A prominent educator tells me that fairy tales are of untold value in developing imagination in the young. I believe it.

Source: The Paris Review interview (1981), p. 322
Context: It always amuses me that the biggest praise for my work comes for the imagination, while the truth is that there's not a single line in all my work that does not have a basis in reality. The problem is that Caribbean reality resembles the wildest imagination.

"G. B. S. — Mark V", in I Sing the Body Electric: And Other Stories (1998)
Context: We are the miracle of force and matter making itself over into imagination and will. Incredible. The Life Force experimenting with forms. You for one. Me for another. The Universe has shouted itself alive. We are one of the shouts.

Conversation in Moscow

"A History of Eternity" in Selected Non-Fictions Vol. 1, (1999), edited by Eliot Weinberger
Context: I turn to the most promising example: the bird. The habit of flocking; smallness; similarity of traits; their ancient connection with the two twilights, the beginnings of days, and the endings; the fact of being more often heard than seen — all of this moves us to acknowledge the primacy of the species and the almost perfect nullity of individuals. Keats, entirely a stranger to error, could believe that the nightingale enchanting him was the same one Ruth heard amid the alien corn of Bethlehem in Judah; Stevenson posits a single bird that consumes the centuries: "the nightingale that devours time." Schopenhauer — impassioned, lucid Schopenhauer — provides a reason: the pure corporeal immediacy in which animals live, oblivious to death and memory. He then adds, not without a smile: Whoever hears me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.

Spying on Strange Men (2013)

Context: Years later, when "Dilbert" was in thousands of newspapers, people often asked me if I ever imagined being so lucky. I usually said no, because that's the answer people expected. The truth is that I imagined every bit of good fortune that has come my way. But in my imagination I also invented a belt that would allow me to fly and had special permission from Congress to urinate like a bird wherever I wanted. I wake up every morning disappointed that I have to wear pants and walk. Imagination has a way of breeding disappointment.