“It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.”

—  Patrick Swift

"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "It is the transcendent imagination working on this material that releases the mysterious energies which move and speak …" by Patrick Swift?
Patrick Swift photo
Patrick Swift60
British artist 1927–1983

Related quotes

William James photo

“In the deepest heart of all of us there is a corner in which the ultimate mystery of things works sadly.”

William James Is Life Worth Living?

"Is Life Worth Living?"
1890s, The Will to Believe and Other Essays in Popular Philosophy (1897)

Audre Lorde photo

“We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way.”

Audre Lorde (1934–1992) writer and activist

Henry George photo

“That there is a common cause, an that it is either what we call material progress or something closely connected with material progress, becomes more than an inference when it is noted that the phenomena we class together and speak of as industrial depression are but intensifications of phenomena which always accompany material progress, and which show themselves more clearly and strongly as material progress goes on. Where the conditions to which material progress everywhere tends are the most fully realized—that is to say, where population is densest, wealth greatest, and the machinery of production and exchange most highly developed — we find the deepest poverty, the sharpest struggle for existence, and the most of enforced idleness.”

Henry George book Progress and Poverty

Introductory : The Problem
Progress and Poverty (1879)

Albert Einstein photo

“The release of atomic energy has not created a new problem. It has merely made more urgent the necessity of solving an existing one.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Statement on the Atomic Bomb to Raymond Swing, before 1 October 1945, as reported in Atlantic Monthly, vol. 176, no. 5 (November 1945), in Einstein on Politics, p. 373
1940s

Arthur Conan Doyle photo

“There is a mystery about this which stimulates the imagination; where there is no imagination there is no horror.”

Arthur Conan Doyle book A Study in Scarlet

Source: A Study in Scarlet

Wassily Kandinsky photo

“The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life.”

Wassily Kandinsky (1866–1944) Russian painter

VIII. Art and Artists
1910 - 1915, Concerning the Spiritual in Art, 1911

Theodore Dalrymple photo

“Civilization is the sum total of all those activities that allow men to transcend mere biological existence and reach for a richer mental, aesthetic, material, and spiritual life.”

Theodore Dalrymple (1949) English doctor and writer

What We Have To Lose http://www.city-journal.org/html/11_4_what_we_have.html (Autumn 2001). <br class="br">City Journal (1998 - 2008)

Nadine Gordimer photo

“Myth was the mystery plus the fantasy — gods, anthropomorphized animals and birds, chimera, phantasmagorical creatures — that posits out of the imagination some sort of explanation for the mystery. Humans and their fellow creatures were the materiality of the story, but as Nikos Kazantzakis once wrote, 'Art is the representation not of the body but of the forces which created the body.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

Ossip Zadkine photo

“Fortunately, a sculptor's style and aim are, to a great extent, dictated to him by his materials. To make a sculpture seem at all moving or inspiring, an artist must, of course, be gifted with a certain personality that speaks movingly through the subject and materials of his work. But he must select appropriate materials, and use them appropriately, too... My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change in diet.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 154-155

John C. Eccles photo

“I believe that there is a fundamental mystery in my existence, transcending any biological account of the development of my body (including my brain) with its genetic inheritance and its evolutionary origin.”

John C. Eccles (1903–1997) Australian neurophysioloigst

Source: Facing Reality (1970), p. 83
Context: I believe that there is a fundamental mystery in my existence, transcending any biological account of the development of my body (including my brain) with its genetic inheritance and its evolutionary origin. … I cannot believe that this wonderful gift of a conscious existence has no further future, no possibility of another existence under some other unimaginable conditions.

Related topics