Quotes about feelings
page 58

Uri Avnery photo
Jacques Ellul photo
Philip Warren Anderson photo
Ilham Aliyev photo
John Lancaster Spalding photo

“To clothe truth in fitting words is to feel a satisfaction like that which comes of doing good deeds.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 23

John Bright photo
Enoch Powell photo
Nile Kinnick photo
Marsha Norman photo
Alfred Austin photo

“He is dead already who doth not feel
Life is worth living still.”

Alfred Austin (1835–1913) British writer and poet

Source: Is Life Worth Living? http://infomotions.com/etexts/gutenberg/dirs/1/9/3/1/19316/19316.htm (1896)

Gloria Estefan photo
Susan Sontag photo
Otto Pfleiderer photo

“Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me.
On his preference for Yamaha's 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT457&dq=%22because+of+the+limited+keyboard%22&hl=en&sa=X&ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&q&f=false (1992, 2006, 2014)

Bono photo
Jane Roberts photo
Diana, Princess of Wales photo

“These children need to feel the same things as other children. To play, to laugh and cry, to make friends, to enjoy the ordinary experiences of childhood. To feel loved and nurtured and included by the world they live in, without the stigma that AIDS continues to attract.”

Diana, Princess of Wales (1961–1997) First wife of Charles, Prince of Wales

The Princess of Wales during a speech about women and children with Aids (8 September 1993) http://www.settelen.com/diana_women_and_children_with_aids.htm

Elton John photo
William Ellery Channing photo
Paul Newman photo
S. I. Hayakawa photo
John Updike photo
Oliver Sacks photo
David Graeber photo
Colin Wilson photo
Aldous Huxley photo

“I would feel unhappy in a country with which I disagree with law and morality.”

Tomasz Vetulani (1965) Polish artist

Tomasz Vetulani o Holandii, niskim kraju http://www.nto.pl/apps/pbcs.dll/article?AID=/20110605/REPORTAZ01/762330357, nto.pl, 5 June 2011 (in Polish)

John Tyler photo

“If the tide of defamation and abuse shall turn, and my administration come to be praised, future Vice-Presidents who may succeed to the Presidency may feel some slight encouragement to pursue an independent course.”

John Tyler (1790–1862) American politician, 10th President of the United States (in office from 1841 to 1845)

Letter to Robert Tyler (12 March 1848).

Vitruvius photo

“Apollo at Delphi, through the oracular utterance of his priestess, pronounced Socrates the wisest of men. Of him it is related that he said with sagacity and great learning that the human breast should have been furnished with open windows, so that men might not keep their feelings concealed, but have them open to the view. Oh that nature, following his idea, had constructed them thus unfolded and obvious to the view.”
Delphicus Apollo Socratem omnium sapientissimum Pythiae responsis est professus. Is autem memoratur prudenter doctissimeque dixisse, oportuisse hominum pectora fenestrata et aperta esse, uti non occultos haberent sensus sed patentes ad considerandum. Utinam vero rerum natura sententiam eius secuta explicata et apparentia ea constituisset!

Preface, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book III

Gerard Bilders photo

“I agree completely with your remark that in the struggle against nature lies already a part of art, and really pleasant is for me already the feeling of returning as a victor from small skirmishes, although in the great battle one always feels still defeated. As you advised me, I have made sketches of skies, indicating the effect in them, and making a note for the important colors; I also did better in making a small sky; at least people think so.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: Uwe opmerking, dat in den strijd tegen de natuur reeds een gedeelte der kunst ligt, vind ik volkomen juist, en regt aangenaam is reeds het gevoel, waarmede men als overwinnaar terugkeert uit kleine schermutselingen, hoewel men zich in den grooten slag toch steeds als verslagen gevoelt. Zoo als u mij aanraadt, heb ik schetsen van luchten gemaakt, het effect er in aangeduid en de voornaamste kleuren er bij geschreven; ik ben dan nu ook in een klein luchtje wat beter geslaagd; men vindt het ten minste.
Quote of Gerard Bilders, in a letter to his maecenas Johannes Kneppelhout, 5 Feb. 1858; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/526, in the RKD-Archive, The Hague
1850's

José Ortega Y Gasset photo
George Canning photo

“I for my part still conceive it to be the paramount duty of a British member of parliament to consider what is good for Great Britain…I do not envy that man's feelings, who can behold the sufferings of Switzerland, and who derives from that sight no idea of what is meant by the deliverance of Europe. I do not envy the feelings of that man, who can look without emotion at Italy – plundered, insulted, trampled upon, exhausted, covered with ridicule, and horror, and devastation – who can look at all this, and be at a loss to guess what is meant by the deliverance of Europe? As little do I envy the feelings of that man, who can view the peoples of the Netherlands driven into insurrection, and struggling for their freedom against the heavy hand of a merciless tyranny, without entertaining any suspicion of what may be the sense of the word deliverance. Does such a man contemplate Holland groaning under arbitrary oppressions and exactions? Does he turn his eyes to Spain trembling at the nod of a foreign master? And does the word deliverance still sound unintelligibly in his ear? Has he heard of the rescue and salvation of Naples, by the appearance and the triumphs of the British fleet? Does he know that the monarchy of Naples maintains its existence at the sword's point? And is his understanding, and his heart, still impenetrable to the sense and meaning of the deliverance of Europe?”

George Canning (1770–1827) British statesman and politician

Speech in 1798, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 66.

Pierre Teilhard De Chardin photo
Tina Fey photo

“In order to feel safer on his private jet, actor John Travolta has purchased a bomb-sniffing dog. Unfortunately for the actor, the dog came six movies too late.”

Tina Fey (1970) American comedian, writer, producer and actress

http://snltranscripts.jt.org/01/01dupdate.phtml

Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

J.D. Fortune photo
Randy Pausch photo
Harold Pinter photo
Colin Wilson photo
Daniel Drake photo
Vanna Bonta photo

“You won't feel under-dressed when with your naked heart you come to me, for mine is past the point to dress for company.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"Eeeeeee"
Rewards of Passion (Sheer Poetry) (1981)

Jack Vance photo

““Tell me, then! What is so important?”
“Your life! I could not bear that you should lose it!”
“I feel much the same. Say on.””

Source: Lyonesse Trilogy (1983-1989), Madouc (1989), Chapter 10, section 2 (p. 948)

Alicia Witt photo
Gillian Anderson photo

“I always felt I wasn't completely American and I wasn't completely British: there was a feeling of having my feet in both places.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Tony Barrell (September 18, 2005) "Agent Scullery - Interview", The Sunday Times, p. Sunday Times Magazine 46.
2000s

Ursula K. Le Guin photo

“To which Silence of course made no reply, letting him hear what he had said and feel its foolishness thoroughly.”

Ursula K. Le Guin (1929–2018) American writer

“The Bones of the Earth” (p. 134)
Earthsea Books, Tales from Earthsea (2001)

Ernesto Che Guevara photo

“Once again I feel beneath my heels the ribs of Rocinante. Once more, I'm on the road with my shield on my arm.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Rocinante was the name of Don Quixotes' horse.
Last Letter to his Parents (1965)

Kate Havnevik photo

“Down the narrow streets
I can feel the breeze Feel the mroning bliss”

Kate Havnevik (1975) Norwegian singer-songwriter

Song lyrics

Prem Rawat photo
Jim Steinman photo

“I'll never forget the way you feel right now —
Oh no — no way —
I would do anything for love
But I won't do that.”

Jim Steinman (1947) American musician

"I'd Do Anything for Love (but I Won't Do That)"
Bat out of Hell II: Back into Hell (1993)

Thomas Carlyle photo

“A gifted noble people; a people of wild strong feelings, and of iron restraint over these: the characteristic of noble-mindedness, of genius.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Clive Staples Lewis photo
Nicholas Sparks photo
Jodie Marsh photo

“For so long I hid behind the blonde hair and the blue eyes. Now I feel like I've done it, I've done what I set out to achieve, now I can just go back to being me.”

Jodie Marsh (1978) English glamour model and television personality

Interview in The Guardian, 25 January 2006 http://www.guardian.co.uk/media/2006/jan/25/broadcasting.bigbrother

Frederick William Robertson photo

“I read all these books and I had the feeling that just reading things is not enough. I also wanted to create my own stuff, to create something new.”

Caucher Birkar (1978) Kurdish mathematician

"An innovator who brings order to an infinitude of equations" Quanta Magazine (2018)

Morrissey photo

“I could never really make the connection between Christian and Catholic. I always imagined that Christ would look down upon the Catholic church and totally disassociate himself from it. I went to severe schools, working class schools, where they would almost chop your fingers off for your own good, and if you missed church on Sunday and went to school on a Monday and they quizzed you on it, you'd be sent to the gallows. It was like 'Brush you teeth NOW or you will DIE IN HELL and you will ROT and all these SNAKES will EAT you'. And I remember all these religious figures, statues, which used to petrify every living child. All these snakes trodden underfoot and blood everywhere. I thought it was so morbid. I mean the very idea of just going to church anyway is really quite absurd. I always felt that it was really like the police, certainly in this country at any rate, just there to keep the working classes humble and in their place. Because of course nobody else but the working class pays any attention to it. I really feel quite sick when I see the Pope giving long, overblown, inflated lectures on nuclear weapons and then having tea with Margaret Thatcher. To me it's total hypocrisy. And when I hear the Pope completely condemning working class women for having abortions and condemning nobody else… to me the whole thing is entirely class ridden, it's just really to keep the working classes in perpetual fear and feeling total guilt.”

Morrissey (1959) English singer

from "All men have secrets and these are Morrissey’s", interview by Neil McCormick,Hot Press (4 May 1984)
In interviews etc., About life and death

Henry Adams photo
Anthony Trollope photo
Nigella Lawson photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Arnold Vosloo photo
Jefferson Davis photo
Ludwig Feuerbach photo
Paulo Coelho photo
Fumito Ueda photo

“I was honestly concerned people might have forgotten or given up or whatnot, but the reaction so far has been very positive. I'm very overwhelmed, very thankful, very grateful. I also feel like those fans and their passion has helped me and the team to continue moving on, heads down, to keep pushing and working hard. That's fueling our motivation at this point.”

Fumito Ueda (1970) Japanese video game designer

The Last Guardian's Long Journey: An Interview With Fumito Ueda http://www.gameinformer.com/b/features/archive/2015/06/23/the-last-guardians-long-journey-an-interview-with-fumito-ueda.aspx (June 23, 2015)

Tim O'Brien photo
Otis Redding photo

“These arms of mine,
They are lonely.
Lonely and feeling blue.
These arms of mine,
They are yearning.
Yearning from wanting you.
And if you would let them hold you,
Oh how grateful I will be.”

Otis Redding (1941–1967) American singer, songwriter and record producer

These Arms of Mine.
Song lyrics, Pain in My Heart (1964)

Kate Bush photo

“Not one of us would dare to break
The silence
And, oh how we have longed
For something that would
Make us feel so…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Percy Bysshe Shelley photo
Enoch Powell photo
Phillis Wheatley photo
John W. Gardner photo
Richard Nixon photo

“Bill Rogers has got — to his credit it’s a decent feeling — but somewhat sort of a blind spot on the black thing because he’s been in New York. He says well, ‘They are coming along, and that after all they are going to strengthen our country in the end because they are strong physically and some of them are smart.’ So forth and so on. My own view is I think he’s right if you’re talking in terms of 500 years.
What has to happen is they have to be, frankly, inbred. And, you just, that’s the only thing that’s going to do it, Rose.”

Richard Nixon (1913–1994) 37th President of the United States of America

Conversation with secretary Rose Mary Woods on tapes recorded February-March 1973 http://graphics8.nytimes.com/packages/flash/national/20101211_NIXON_AUDIO/3_VIETNAM.mp3 on tapes recorded February-March 1973; as quoted in "In Tapes, Nixon Rails About Jews and Blacks" http://www.nytimes.com/2010/12/11/us/politics/11nixon.html, by Adam Nagourney, New York Times (10 December 2010); with sound recording http://graphics8.nytimes.com/packages/flash/national/20101211_NIXON_AUDIO/4_BLACKS.mp3.
1970s

Jerome David Salinger photo
Karl Schmidt-Rottluff photo
Anne Morrow Lindbergh photo
Pippa Black photo

“Of course, going vegetarian is a positive step to help stop animal suffering; it's also great for your health and the environment. I just feel better since I stopped eating meat, and when you feel better, I think you look better too.”

Pippa Black (1982) actress

Interview with PETA Asia Pacific; quoted in "TV Star Goes Green for PETA's Ad Campaign" http://www.scoop.co.nz/stories/GE0711/S00107.htm, Scoop (20 November 2007).

“The emergence of abstract art is a sign that there are still men of feeling in the world. Men who know how to respect and follow their inner feelings, no matter how irrational or absurd they may first appear. From their perspective, it is the social world that tends to appear irrational and absurd.”

Robert Motherwell (1915–1991) American artist

1951; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory'
from his responding at the 1951 MoMA symposium, in which several artists were asked to respond to the prompt 'What Abstract Art Means to Me'
1950s

Isaiah Berlin photo
Michelle Branch photo
Bruce Schneier photo
Bono photo

“And though your soul it can't be bought, your mind can wander. I can feel your love teaching me how, how to kneel.”

Bono (1960) Irish rock musician, singer of U2

"Vertigo"
Lyrics, How to Dismantle an Atomic Bomb (2004)

Clarence Thomas photo
William Edward Hartpole Lecky photo
Jean Paul Sartre photo