Quotes about feelings
page 13

Paul Valéry photo

“What grace of light, what pure toil goes to form
The manifold diamond of the elusive foam!
What peace I feel begotten at that source!
When sunlight rests upon a profound sea,
Time's air is sparkling, dream is certainty —
Pure artifice both of an eternal Cause.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

Thomas Paine photo
Benjamin Disraeli photo
Blaise Pascal photo

“[Mitchell wanted in her painting].. the feeling in a line of poetry which makes it different from, a line of prose... Sentimentality is self-pity, your own swamp. Weeping in your own beer is not a feeling. It lacks dignity and hasn't an outside reference.”

Joan Mitchell (1925–1992) American painter

Quote of Joan Mitchell from an interview with Irving Sandler (c. 1956); as cited in Joan Mitchell, Lady Painter, by Patricia Albers, Knopf Doubleday Publishing Group, 3 may 2011, p. 244
1950 - 1975

Stefan Zweig photo
Indíra Gándhí photo

“To be liberated, woman must feel free to be herself, not in rivalry to man but in the context of her own capacity and her personality.”

Indíra Gándhí (1917–1984) Indian politician and Prime Minister

"True Liberation Of Women" http://gos.sbc.edu/g/gandhi1.html, speech, inauguration of the All-India Women's Conference Building Complex in New Delhi, India (March 26, 1980). Published in Selected Speeches and Writings of Indira Gandhi, September 1972-March 1977 (New Delhi: Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1984, pp. 417-418).

Salman Khan photo
Daniel O'Connell photo
Heinrich Himmler photo
Friedrich Nietzsche photo
Theodor W. Adorno photo

“Even the most insensitive hit song enthusiast cannot always escape the feeling that the child with a sweet tooth comes to know in the candy store.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 290

Deng Xiaoping photo

“Crossing the river by feeling the stones”

Deng Xiaoping (1904–1997) Chinese politician, Paramount leader of China

摸着石头过河 (mō zhe shítou guòhé)
Meaning: proceed gradually, by experimentation.
Traditional saying, first used in Chinese Communist context by Chen Yun, 1980 December 16, then popularized by Deng 1984 October. Frequently misattributed to Deng.
Misattributed or apocryphal
Source: Henry He, Dictionary of the Political Thought of the People's Republic of China, Routledge, 2016, ISBN 978-1-31550044-7, p. 287 https://books.google.com/books?id=XSi3DAAAQBAJ&lpg=PA287&dq=%22cross%20the%20river%20by%20feeling%20the%20stones%22&pg=PA287#v=onepage
Source: Evan Osnos, Boom Doctor https://www.newyorker.com/magazine/2010/10/11/boom-doctor, New Yorker, October 11, 2010:
The strategy, as Chen Yun put it, was “crossing the river by feeling for the stones.” (Deng, inevitably, received credit for the expression.)
Source: Chinese land reform: A world to turn upside down https://www.economist.com/briefing/2013/10/31/a-world-to-turn-upside-down, The Economist, 2013 October 31
Liu Hongzhi, who oversees the scheme, quotes a famous phrase often attributed to Deng, though in fact coined by a colleague: “We are crossing the river by feeling the stones.”

H.P. Lovecraft photo
Blaise Pascal photo

“FIRE. God of Abraham, God of Isaac, God of Jacob, not of the philosophers and scholars. Certainty. Certainty. Feeling. Joy. Peace.”

Blaise Pascal (1623–1662) French mathematician, physicist, inventor, writer, and Christian philosopher

FEU. Dieu d'Abraham, Dieu d'Isaac, Dieu de Jacob, non des philosophes et savants. Certitude. Certitude. Sentiment. Joie. Paix.
Note on a parchment stitched to the lining of Pascal's coat, found by a servant shortly after his death, as quoted in Burkitt Speculum religionis (1929), p. 150

Jackson Pollock photo
Jim Caviezel photo
Barack Obama photo

“The presidency has a funny way of making a person feel the need to pray.”

Barack Obama (1961) 44th President of the United States of America

National Prayer Breakfast http://www.whitehouse.gov/the-press-office/2011/02/03/remarks-president-national-prayer-breakfast, , quoted in * 2011-02-03
Cathy Lynn
Grossman
Obama's prayer: 'To walk closer with God'
USA Today
http://content.usatoday.com/communities/Religion/post/2011/02/obama-christian-prayer-breakfast-doubt/1
2012-11-07
2011

Jordan Peterson photo
Nikola Tesla photo
Catherine, Duchess of Cambridge photo
Barack Obama photo

“We are the first generation to feel the impact of climate change and the last to be able to do anything about it.”

Barack Obama (1961) 44th President of the United States of America

Barack Obama during the Climate change summit in New York, as quoted in The Guardians article Climate change summit: Julie Bishop commends Australia’s emission targets by Helen Davidson (24 September 2014) http://www.theguardian.com/environment/2014/sep/24/climate-change-summit-julie-bishop-commends-australias-emission-targets
2014

Gabrielle Roy photo
Bertrand Russell photo

“Most people, at a crisis, feel more loyalty to their nation than to their class.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1930s, Power: A New Social Analysis (1938), Ch. 8: Economic Power

Pierre Bonnard photo
Ludwig Wittgenstein photo

“Burning in effigy. Kissing the picture of one's beloved… it aims at nothing at all; we just behave this way and then we feel satisfied.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: 1930s-1951, Philosophical Occasions 1912-1951 (1993), Ch. 7 : Remarks on Frazer's Golden Bough, p. 123

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Cyril Connolly photo
Eugène Boudin photo

“To swim in the open sky. To achieve the tenderness of clouds. To suspend these masses in the distance, very far away in the grey mist, make the blue explode. I feel all this coming, dawning in my intentions. What joy and what torment! If the bottom were still, perhaps I would never reach these depths. Did they do better in the past? Did the Dutch achieve the poetry of clouds I seek? That tenderness of the sky which even extends to admiration, to worship: it is no exaggeration.”

Eugène Boudin (1824–1898) French painter

Diary-note of Boudin, 3 December, 1856; as cited in the description of his painting 'Sky, Setting Sun, Bushes in Foreground' http://www.muma-lehavre.fr/en/collections/artworks-in-context/eugene-boudin/boudin-skies, by the Muma-museum, Le Havre
A quote from Boudin's personal diary sheds remarkable light on a small group of his sky studies
1850s - 1870s

Barack Obama photo
José Saramago photo
Barbara Kruger photo

“If you can’t feel it, it must be real.”

Barbara Kruger (1945) American artist

Love For Sale – The Words and Pictures of Barbara Kruger, Museum of Modern Art at Heide, Melbourne, Australia, 17th October – 24th November 1996

H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Jackie Chan photo
W.B. Yeats photo
Richard Wagner photo
Moira Lister photo

“I do feel one learns more from one's failures than from one's successes”

Moira Lister (1923–2007) actress

Sunday Times interview (1983)

Benjamin Disraeli photo
Françoise Sagan photo
Mark Twain photo
Ayrton Senna photo
Mike Oldfield photo
Bertrand Russell photo
Bertrand Russell photo
Scott Jurek photo
Aaliyah photo
Socrates photo
Benjamin Disraeli photo

“In assuming that peace will be maintained, I assume also that no Great Power would shrink from its responsibilities. If there be a country, for example, one of the most extensive and wealthiest of empires in the world—if that country, from a perverse interpretation of its insular geographical position, turns an indifferent ear to the feelings and the fortunes of Continental Europe, such a course would, I believe, only end in its becoming an object of general plunder. So long as the power and advice of England are felt in the councils of Europe, peace, I believe, will be maintained, and maintained for a long period. Without their presence, war, as has happened before, and too frequently of late, seems to me to be inevitable. I speak on this subject with confidence to the citizens of London, because I know that they are men who are not ashamed of the Empire which their ancestors created; because I know that they are not ashamed of the noblest of human sentiments, now decried by philosophers—the sentiment of patriotism; because I know they will not be beguiled into believing that in maintaining their Empire they may forfeit their liberties. One of the greatest of Romans, when asked what were his politics, replied, Imperium et Libertas.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

That would not make a bad programme for a British Ministry. It is one from which Her Majesty's advisers do not shrink.
Source: Speech at the Guildhall, London (9 November 1879), cited in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield, Vol. 2 (1929), pp. 1366-7.

Bertrand Russell photo

“Mysticism is, in essence, little more than a certain intensity and depth of feeling in regard to what is believed about the universe.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 1: Mysticism and Logic

Mark Twain photo
Joseph Goebbels photo

“A child laughs when it feels joy and cries when it feels pain. Both things, laughing and crying, it does with its whole heart. We have all become so tall and so clever. We know so much and we have read so much. But one thing we have forgot: to laugh and cry like the children do.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Das Kind lacht, wenn es Freude hat, und weint, wenn es Schmerz empfindet. Bei beidem, bei Lachen und Weinen ist sein ganzes Herz dabei. Wir sind alle so groß und klug geworden. Wir wissen so viel und haben so viel gelesen. Aber eines haben wir vergessen: zu lachen und zu weinen wie die Kinder.
Michael: a German fate in diary notes (1926)

Theodore Roosevelt photo
Jean Jacques Rousseau photo

“Accent is the soul of language; it gives to it both feeling and truth.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

L'accent est l'âme du discours.
English translation as quoted in A Dictionary of Thoughts: Being a Cyclopedia of Laconic Quotations from the Best Authors of the World, Both Ancient and Modern (1908) by Tryon Edwards, p. 2.

Kate Bush photo
Dottie West photo
Nathan Bedford Forrest photo
Betty Friedan photo

“Men weren’t really the enemy — they were fellow victims suffering from an outmoded masculine mystique that made them feel unnecessarily inadequate when there were no bears to kill.”

Betty Friedan (1921–2006) American activist

As quoted by The Christian Science Monitor (1 April 1974) This has sometimes appeared paraphrased: "Man is not the enemy here, but the fellow victim."

Theodore Roosevelt photo

“As regards capital cases, the trouble is that emotional men and women always see only the individual whose fate is up at the moment, and neither his victim nor the many millions of unknown individuals who would in the long run be harmed by what they ask. Moreover, almost any criminal, however brutal, has usually some person, often a person whom he has greatly wronged, who will plead for him. If the mother is alive she will always come, and she cannot help feeling that the case in which she is so concerned is peculiar, that in this case a pardon should be granted. It was really heartrending to have to see the kinfolk and friends of murderers who were condemned to death, and among the very rare occasions when anything governmental or official caused me to lose sleep were times when I had to listen to some poor mother making a plea for a "criminal" so wicked, so utterly brutal and depraved, that it would have been a crime on my part to remit his punishment.
On the other hand, there were certain crimes where requests for leniency merely made me angry. Such crimes were, for instance, rape, or the circulation of indecent literature, or anything connected with what would now be called the "white slave" traffic, or wife murder, or gross cruelty to women or children, or seduction and abandonment, or the action of some man in getting a girl whom he seduced to commit abortion. In an astonishing number of these cases men of high standing signed petitions or wrote letters asking me to show leniency to the criminal. In two or three of the cases — one where some young roughs had committed rape on a helpless immigrant girl, and another in which a physician of wealth and high standing had seduced a girl and then induced her to commit abortion — I rather lost my temper, and wrote to the individuals who had asked for the pardon, saying that I extremely regretted that it was not in my power to increase the sentence. I then let the facts be made public, for I thought that my petitioners deserved public censure. Whether they received this public censure or not I did not know, but that my action made them very angry I do know, and their anger gave me real satisfaction.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Source: 1910s, Theodore Roosevelt — An Autobiography (1913), Ch. VIII : The New York Governorship

Maximilien Robespierre photo

“Our revolution has made me feel the full force of the axiom that history is fiction and I am convinced that chance and intrigue have produced more heroes than genius and virtue.”

Maximilien Robespierre (1758–1794) French revolutionary lawyer and politician

Original: (fr) Notre révolution m'a fait sentir tout le sens de l'axiome qui dit que l'histoire est un roman ; et je suis convaincu que la fortune et l'intrigue ont fait plus de héros, que le génie et la vertu.
Source: Lettres à ses commettants, 1ère série, n°10 http://www.royet.org/nea1789-1794/archives/journaux/lettres_commettants/robespierre_lettres_commettants_1_10.htm, (21 December 1792)

Charles Spurgeon photo
John Cassian photo
H.P. Lovecraft photo
José Saramago photo

“Authoritarian, paralyzing, circular, occasionally elliptical, stock phrases, also jocularly referred to as nuggets of wisdom, are malignant plague, one of the very worst ever to ravage the earth. We say to the confused, Know thyself, as if knowing yourself was not the fifth and most difficult of human arithmetical operations, we say to the apathetic, Where there’s a will, there’s a way, as if the brute realities of the world did not amuse themselves each day by turning that phrase on its head, we say to the indecisive, Begin at the beginning, as if that beginning were the clearly visible point of a loosely wound thread and that all we had to do was to keep pulling until we reached the other end, and as if, between the former and the latter, we had held in our hands a smooth, continuous thread with no knots to untie, no snarled to untangle, a complete impossibility in the life of a skien, or indeed, if we may be permitted on more stock phrase, in the skien of life. … These are the delusions of the pure and unprepared, the beginning is never the clear, precise end of a thread, the beginning is a long, painfully slow process that requires time and patience in order to find out in which direction it is heading, a process that feels its way along the path ahead like a blind man the beginning is just the beginning, what came before is nigh on worthless.”

Source: The Cave (2000), p. 54 (Vintage 2003)

“In reality, we are still children. We want to find a playmate for our thoughts and feelings.”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

As quoted in The Book Of Friendship: Making Life Better (2001) by Cyndi Haynes, p. 6

Henry Ward Beecher photo
Leonardo Da Vinci photo

“Where there is most feeling, there is the greatest martyrdom.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Variant: Where there is most power of feeling, there of martyrs is the greatest martyr.

Virginia Woolf photo
Emil M. Cioran photo
Octavia E. Butler photo
Virginia Woolf photo

“I don't want my work to be an exposure of my feelings.”

Jasper Johns (1930) American artist

Quote from Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 202
1990s

Fulton J. Sheen photo
Edward Snowden photo

“The conversation occurring today will determine the amount of trust we can place both in the technology that surrounds us and the government that regulates it. Together we can find a better balance, end mass surveillance, and remind the government that if it really wants to know how we feel, asking is always cheaper than spying.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Source: [http://www.washingtonpost.com/world/national-security/edward-snowden-after-months-of-nsa-revelations-says-his-missions-accomplished/2013/12/23/49fc36de-6c1c-11e3-a523-fe73f0ff6b8d_story.html 2013 Christmas Message

26 December 2013

W. H. Auden photo

“No opera plot can be sensible, for people do not sing when they are feeling sensible.”

"Notes on Music and Opera", p. 472
The Dyer's Hand, and Other Essays (1962)

Edvard Munch photo

“No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote from Munch's text (1889) 'Impressions from a ballroom, New Year's Eve in St. Cloud' - also known as 'The St. Cloud Manifesto'
1880 - 1895

Lady Gaga photo
H.P. Lovecraft photo

“As you are aware, I have never been able to soothe myself with the sugary delusions of religion; for these things stand convicted of the utmost absurdity in light of modern scientific knowledge. With Nietzsche, I have been forced to confess that mankind as a whole has no goal or purpose whatsoever, but is a mere superfluous speck in the unfathomable vortices of infinity and eternity. Accordingly, I have hardly been able to experience anything which one could call real happiness; or to take as vital an interest in human affairs as can one who still retains the hallucination of a "great purpose" in the general plan of terrestrial life. … However, I have never permitted these circumstances to react upon my daily life; for it is obvious that although I have "nothing to live for", I certainly have just as much as any other of the insignificant bacteria called human beings. I have thus been content to observe the phenomena about me with something like objective interest, and to feel a certain tranquillity which comes from perfect acceptance of my place as an inconsequential atom. In ceasing to care about most things, I have likewise ceased to suffer in many ways. There is a real restfulness in the scientific conviction that nothing matters very much; that the only legitimate aim of humanity is to minimise acute suffering for the majority, and to derive whatever satisfaction is derivable from the exercise of the mind in the pursuit of truth.”

H.P. Lovecraft (1890–1937) American author

Letter to Reinhardt Kleiner (14 September 1919), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, pp. 86-87
Non-Fiction, Letters

Bertrand Russell photo
Nicolas Sarkozy photo

“If living in France bothers some people, they should feel free to leave the country.”

Nicolas Sarkozy (1955) 23rd President of the French Republic

UMP meeting 22 April

Matka Tereza photo

“I see God in every human being. When I wash the leper's wounds, I feel I am nursing the Lord himself. Is it not a beautiful experience?”

Matka Tereza (1910–1997) Roman Catholic saint of Albanian origin

Statement of 1977, as quoted in Concise Oxford Dictionary of Quotations (2011) by Susan Ratcliffe, p. 373
1970s

Jennifer Aniston photo
Theodore Roosevelt photo
Jeff Lynne photo
Hermann Grassmann photo
Nelson Mandela photo

“I always knew that someday I would once again feel the grass under my feet and walk in the sunshine as a free man.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1990s, Long Walk to Freedom (1995)

Charles Augustin Sainte-Beuve photo

“Despair itself if it goes on long enough, can become a kind of sanctuary in which one settles down and feels at ease.”

Charles Augustin Sainte-Beuve (1804–1869) French literary critic

Le désespoir lui-même, pour peu qu'il se prolonge, devient une sorte d'asile dans lequel on peut s'asseoir et reposer.

"Vie de Joseph Delorme" (1829), cited from Poésies completes de Sainte-Beuve (Paris: Charpentier, 1840) p. 16; Mardy Grothe Oxymoronica (London: HarperCollins, 2004) p. 201.

Friedrich Nietzsche photo

“Unhappiness. The distinction that lies in being unhappy is so great that when someone says, "But how happy you must be!" we usually protest.”

Section IX, "Man Alone with Himself" / aphorism 534
Human, All Too Human (1878), Helen Zimmern translation

Claude Monet photo

“It's quite beyond my powers at my age, and yet I want to succeed in expressing what I feel.”

Claude Monet (1840–1926) French impressionist painter

his remark in 1908; as quoted in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 269
1900 - 1920

V.S. Naipaul photo
Jules Verne photo

“The undulation of these infinite numbers of mountains, whose snowy summits make them look as if covered by foam, recalled to my remembrance the surface of a storm-beaten ocean. If I looked towards the west, the ocean lay before me in all its majestic grandeur, a continuation as it were, of these fleecy hilltops. Where the earth ended and the sea began it was impossible for the eye to distinguish.

I soon felt that strange and mysterious sensation which is awakened in the mind when looking down from lofty hilltops, and now I was able to do so without any feeling of nervousness, having fortunately hardened myself to that kind of sublime contemplation. I wholly forgot who I was, and where I was. I became intoxicated with a sense of lofty sublimity, without thought of the abysses into which my daring was soon about to plunge me.”

<p>Les ondulations de ces montagnes infinies, que leurs couches de neige semblaient rendre écumantes, rappelaient à mon souvenir la surface d'une mer agitée. Si je me retournais vers l'ouest, l'Océan s'y développait dans sa majestueuse étendue, comme une continuation de ces sommets moutonneux. Où finissait la terre, où commençaient les flots, mon oeil le distinguait à peine.</p><p>Je me plongeais ainsi dans cette prestigieuse extase que donnent les hautes cimes, et cette fois, sans vertige, car je m'accoutumais enfin à ces sublimes contemplations. Mes regards éblouis se baignaient dans la transparente irradiation des rayons solaires, j'oubliais qui j'étais, où j'étais, pour vivre de la vie des elfes ou des sylphes, imaginaires habitants de la mythologie scandinave; je m'enivrais de la volupté des hauteurs, sans songer aux abîmes dans lesquels ma destinée allait me plonger avant peu.</p>
Source: Journey to the Center of the Earth (1864), Ch. XVI: Boldly down the crater

Fernando Pessoa photo

“By the painful light of the factory’s huge electric lamps
I write in a fever.
I write gnashing my teeth, rabid for the beauty of all this,
For this beauty completely unknown to the ancients.

O wheels, O gears, eternal r-r-r-r-r-r-r!
Bridled convulsiveness of raging mechanisms!
Raging in me and outside me,
Through all my dissected nerves,
Through all the papillae of everything I feel with!
My lips are parched, O great modern noises,
From hearing you at too close a range,
And my head burns with the desire to proclaim you
In an explosive song telling my every sensation,
An explosiveness contemporaneous with you, O machines!”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

Barack Obama photo

“Love is feeling cold in the back of vans
Love is a fanclub with only two fans”

Adrian Henri (1932–2000) British poet

"Love Is ...", from The Mersey Sound (1967).

Abraham Lincoln photo
Émile Durkheim photo
Emil M. Cioran photo
Barack Obama photo

“So, first of all, you’ve got to try to get people involved. And a lot of people are busy in their own lives or they don’t think it’s going to make a difference or they’re scared if they’re speaking out against authority. And many of the problems that we’re facing, like trying to create jobs or better opportunity or dealing with poverty or dealing with the environment, these are problems that have been going on for decades. And so, to think that somehow you’re going to change it in a day or a week, and then if it doesn’t happen you just give up, well, then you definitely won’t succeed. So the most important thing that I learned as a young person trying to bring about change is you have to be persistent, and you have to get more people involved, and you have to form relationships with different groups and different organizations. And you have to listen to people about what they’re feeling and what they’re concerned about, and build trust. And then, you have to try to find a small part of the problem and get success on that first, so that maybe from there you can start something else and make it bigger and make it bigger, until over time you are really making a difference in your community and in that problem. But you can’t be impatient. And the great thing about young people is they’re impatient. The biggest problem with young people is they’re impatient. It’s a strength, because it’s what makes you want to change things. But sometimes, you can be disappointed if change doesn’t happen right away and then you just give up. And you just have to stay with it and learn from your failures, as well as your successes.”

Barack Obama (1961) 44th President of the United States of America

2014, Young Southeast Asian Leaders Initiative Town Hall (April 2014)

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“I went out into Downing Street a happy man. Of course it was partly because an old buffer like me enjoys feeling that he is still not quite out of things. But it was also pure patriotic joy that my country at such a time should have found such a leader. The furnace of war has smelted out all base metals from him.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

On his meeting with Winston Churchill, quoted in Harold Nicolson's diary (21 July 1943), Nigel Nicolson (ed.), Harold Nicolson: Diaries and Letters. 1939-1945 (London: Collins, 1967), p. 286.
1940s

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