Quotes about drawing
page 11

“My first serious programming work was done in the very early 1960s, in Assembler languages on IBM and Honeywell machines. Although I was a careful designer — drawing meticulous flowcharts before coding — and a conscientious tester, I realised that program design was hard and the results likely to be erroneous. Into the Honeywell programs, which formed a little system for an extremely complex payroll, I wrote some assertions, with run-time tests that halted program execution during production runs. Time constraints didn't allow restarting a run from the beginning of the tape. So for the first few weeks I had the frightening task on several payroll runs of repairing an erroneous program at the operator’s keyboard ¾ correcting an error in the suspended program text, adjusting the local state of the program, and sometimes modifying the current and previous tape records before resuming execution. On the Honeywell 400, all this could be done directly from the console typewriter. After several weeks without halts, there seemed to be no more errors. Before leaving the organisation, I replaced the run-time halts by brief diagnostic messages: not because I was sure all the errors had been found, but simply because there would be no-one to handle a halt if one occurred. An uncorrected error might be repaired by clerical adjustments; a halt in a production run would certainly be disastrous.”

Michael A. Jackson (1936) British computer scientist

Michael A. Jackson (2000), "The Origins of JSP and JSD: a Personal Recollection", in: IEEE Annals of Software Engineering, Volume 22 Number 2, pages 61-63, 66, April-June 2000.

Error, Time

“In the autumn of 1916 when I devoted all my energies to drawing up systematic guidelines for the liberation of working women in all areas, I found a valuable support in the first President of the Soviets, Sverdlov, now dead. Thus the first Congress of Women Workers and Women Peasants could be called as early as November of 1918; some 1147 delegates were present. Thus the foundation was laid for methodical work in the whole country for the liberation of the women of the working and the peasant classes. A flood of new work was waiting for me. The question now was one of drawing women into the people's kitchens and of educating them to devote their energies to children's homes and day-care centers, the school system, household reforms, and still many other pressing matters. The main thrust of all this activity was to implement, in fact, equal rights for women as a labor unit in the national economy and as a citizen in the political sphere and, of course, with the special proviso: maternity was to be appraised as a social function and therefore protected and provided for by the State.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Women, Children, People, Education

“Rembrandt's comments on his drawing of 'The Rest on the Flight into Egypt', as remembered by his former pupil Samuel van Hoogstraten c. 1643 (translation from the original Dutch: Anne Porcelijn)”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Dresden museum, Kupferstichkabinett - author: Rembrandt Harmensz. van Rijn - Object: 'The Rest on the Flight into Egypt', Inventory number: C 1443 [document/remdoc/e4525]
1640 - 1670

“How can reason possibly grasp that immensity beyond all being where the precious food of the Eucharist is, in some marvellous way, made one with us, drawing us wholly to itself and changing us into itself? It is a union more intimate than any that the human mind can conceive, totally unlike any other change, a union more compatible than a tiny drop of water losing itself in the wine-vat and becoming one with the wine, or that of the rays of the sun made one with the sun's splendour; or the soul with the body, the two together making one person, one being. In this union the soul is lifted above the infirmity of its natural state, its own insufficiency, and there it is purified, transfigured and raised above its own powers, its human operations, its very self. Both being and activities are penetrated through and through by God, formed and transformed in a divine manner, the soul's new birth is accomplished in truth, and the spirit, losing all its native incompatibility, flows into divine union.”

Johannes Tauler (1300–1361) German theologian

Sermons, From Our Daily Bread

God, Truth, Food, Way

“Let us draw a lesson from nature, which always works by short ways. When the fruit is ripe, it falls.”

Ralph Waldo Emerson book Nature

1840s, Essays: Second Series (1844), Nature

Way, Nature

“I reject republicanism. At the head of races, above the elite, there is Monarchy. Not all monarchs have been good. Monarchy, however, has always been good. The individual monarch must not be confused with the institution of Monarchy, the conclusions drawn from this would be false. There can be bad priests, but this does not mean that we can draw the conclusion that the Church must be ended and God stoned to death. There are certainly weak or bad monarchs, but we cannot renounce Monarchy. The race has a line of life. A monarch is great and good, when he stays on this line; he is petty and bad, to the extent that he moves away from this racial line of life or he opposes it. There are many lines by which a monarch can be tempted. He must set them all aside and follow the line of the race. Here is the law of Monarchy.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

For My Legionaries: The Iron Guard (1936), Politics

Life, Death, God, Law

“All parties without exception recognize us as a political power, and exactly in proportion to our power. Even the craziest reactionary that denies us the right of existence courts our favor and by his acts gives the lie to his words. From the fact that our assistance is sought by other parties, some of our comrades draw the strange conclusion that we should reverse the party tactics, and in place of the old policy of the class struggle against all other parties, substitute the commercial polities of log rolling, wire pulling and compromise. Such persons forget the power which makes our alliance sought for, even by our bitterest enemies, would have had absolutely no existence were it not for the old class struggle tactics. If Marx, Engels and Lassalle had accepted from Bernstein and his modest or not modest fellow thinkers the tactics of compromise and dependence upon bourgeois parties, then there never would have been any Social Democracy; we would have been simply the tail of the Progressive party.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Lie, Democracy, Dependency, Personality

“The old man murmured: “Aye, we draw to an end. Dying hurts. Nonetheless the forefathers were wise who in their myths made Nan coequal with Lesu. A thing which endured forever would become unendurable. Death opens a way, for peoples as well as for people.””

Poul Anderson book There Will Be Time

Source: There Will Be Time (1972), Chapter 11 (p. 124)

Death, People, Way, Hurt

“I have not told the police about it. Every member of the police department I have encountered during my stay in San Francisco has been nearly as surly and intractable as my rapist friend, because I look like a hippie. Each time I attempted to explain myself I was rebuffed or threatened.
From this experience I am tempted to draw an odd analogy: under stress, neither the policeman nor the rapist allows an opportunity for rational communication. Each one relies on violence to make to make his impression. This is not an accident, but, rather evidence of a widespread sickness. When will violence stop long enough for communication to begin? On second thought, perhaps I am doing the police department a grave disservice in not attempting to put them in contact with the rapist. Maybe, with just a little mind-bending, that rapist would make a damned good cop, and both could swagger together, true soul brothers, under the many-colored cloak of Fascism.”

Lisa Mason book Summer of Love

Source: Summer of Love (1994), Chapter 10 “Dedicated to the One I Love” (p. 230)

Color, Soul, Communication, Time

“Towards the end of the month I prepared engravings; first, invented appropriate drawings. Not that I want to become a specialist now. But painting with its failures cries out for the relief of minor successes. Nowadays I am a very tired painter, but my skill as a draftsman holds [me] up.”

Paul Klee (1879–1940) German Swiss painter

Quote (1904), # 512, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

Failure, Success, Painting

“When we review all that has been done by mechanical devices toward the displacement of animal power, it is very hard to refrain from drawing a conclusion that the horse must go; that is, speaking in the broad sense of the word. Mechanically propelled vehicles for all purposes are here.”

Clinton Edgar Woods (1863) American engineer

Source: The Electric Automobile (1900), p. 3; Cited in: Imes Chui (2006) The Evolution from Horse to Automobile: A Comparative International Study. p. 81

Sense, Animals, Horse

“I took some bad acid in November of 1965, and the after effect left me crazy and helpless for six months. My mind would drift into a place that was very electrical and crackly, filled with harsh, abrasive, low grade, cartoony, tawdry carnival visions. There was a nightmarish mechanical aspect to everyday life. My ego was so shattered, so fragmented that it didn't get in the way during what was the most unself-conscious period of my life. I was kind of on automatic pilot and was still constantly drawing. Most of my popular characters—Mr. Natural, Flaky Foont, Angelfood McSpade, Eggs Ackley, The Snoid, The Vulture Demonesses, Av' n' Gar, Shuman the Human, the Truckin' guys, Devil Girl—all suddenly appeared in the drawings in my sketchbook in this period, early 1966. Amazing! I was relieved when it was finally over, but I also immediately missed the egoless state of that strange interlude. LSD put me somewhere else. I wasn't sure where. All I know is, it was a strange place. Psychedelic drugs broke me out of my social programming. It was a good thing for me, traumatic though, and I may have been permanently damaged by the whole thing, I'm not sure. I see LSD as a positive, important life experience for me, but I certainly wouldn't recommend it to anyone else.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 132

Life, Way, Guy, Girl

“It is one of history's most mocking ironies that the German customs union, which set out to dominate Europe and conquer Britain in the form of Bismarckian or Hitlerian military force, has at last vanquished the victor by drawing Britain into a Zollverein which comprises Western Europe and aspires to comprise the Mediterranean as well. If the ghosts of the Hohenzollerns come back to haunt this planet, they must find a lot to laugh at.”

Enoch Powell (1912–1998) British politician

Speech in Grimsby (20 May 1977), from Enoch Powell on 1992 (Anaya, 1989), p. 93
1970s

History

“…The subjects we study at school can be divided roughly into two groups—the sciences and the arts. The sciences include mathematics, geography, chemistry, physics, and so on. Among the arts are drawing, painting, modelling, needlework, drama, music, literature. The purpose of education is to fit us for life in a civilised community, and it seems to follow from the subjects we study that the two most important things in civilised life are Art and Science.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Life, Education, School, Art

“When in the inmost Above all knowledge and science, we find within us a limitless ignorance when, passing beyond every name given to God or creatures, we expire and pass to an eternal Unnamable where we are lost Being the Soul follows the Divine drawing and gives itself up freely to the Spirit of God, it tastes infinite happiness impossible to comprehend, in which the whole being dissolves, caught and embraced between immense Love and unending Happiness, under the regard of Love Himself”

John Ruysbroeck (1293–1381) Flemish mystic

Source: The Seven Steps of the Ladder of Spiritual Love, p. 104

Love, God, Soul, Knowledge

“You can really bring so much more to rock'n'roll. Rock'n'roll is the most accepting, is the most fertile ground for creating hybrid forms of music and hybrid forms of show, if you draw from many, many different wells. It's just unfortunate so many rock'n'roll stars only bother to learn how to play like Led Zeppelin and/or the Rolling Stones and that's what you get, disc after disc and show after show.”

David Lee Roth (1954) Rock vocalist; lead singer with Van Halen

Patrick McDonald (October 13, 1988) "David Lee Roth: Outrageous or normal?", The Advertiser.

Music, Star, Learning

“It was my agenda — value our faith, value our opportunity to grow and better ourselves as believers and citizens of the world. Singing to and for myself and Muslims, I can be more explicate in my lyrics, drawing directly from Islamic sources. Some of my music is naturally a little bit more sensitive to the opinions and feelings of a broader audience — still Islamic in its essence, but more "holistic" and "organic" than dogmatic.”

Dawud Wharnsby (1972) Canadian musician

Beating the drums of hope and faith (2004)

World, Faith, Music, Feeling

“On the whole, I do not find Christians, outside the catacombs, sufficiently sensible of the conditions. Does anyone have the foggiest idea what sort of power we so blithely invoke? Or, as I suspect, does no one believe a word of it? The churches are children playing on the floor with their chemistry sets, mixing up a batch of TNT to kill a Sunday morning. It is madness to wear ladies' straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping god may wake some day and take offense, or the waking god may draw us out to where we can never return.”

Annie Dillard (1945) American writer

"An Expedition to the Pole", Teaching a Stone to Talk (1982)

Life, God, Children, Idea

“Awl human happiness is conservatiff; 2 thirds ov the pleasure in sliding down hill consists in drawing the sled back. I don't serpoze thare would be enny fun in sliding down a hill 34 miles long.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

Pleasure, Happiness

“I have several times found some people say that there were abusing drawings of Islam or Prophet Muhammad and people get angry and hurt inside. I was just thinking whether we also do insult Prophet Muhammad? In our behaviors and our practices do we insult Islam or not? I mean, we got hurt by those people who draw abusing drawings or making abusing movies of Prophet Muhammad, So what have we done? We also insult Prophet Muhammad! At the end, what we have introduced about our religion is what made people attack us and insult us.”

Abdel Fattah el-Sisi (1954) Current President of Egypt

Remarks by el-Sisi during celebrating the night of El-Kadr on 25 July 2014 https://www.youtube.com/watch?v=y6d_ln9MQHk. 2014

People, Religion, Behavior, Thinking

“In the dime stores and bus stations,
People talk of situations,
Read books repeat quotations,
Draw conclusions on the wall.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), Love Minus Zero/No Limit

People, Books, Reading

“[Another significant aspect of the concept of growth is the distinction that Mesarovic and Pestel draw between "undifferentiated" and "organic" growth. The former type of growth, according to these authors, consists of mere replication of cells by cellular division, usually expotentially, with an increase in quantity alone. The latter type of growth] involves a process of differentiation, which means that various groups of cells begin to differ in structure and function… During and after differentiation the number of cells can still increase, and the organs grow in size, but while some organs grow, others might celine.”

Mihajlo D. Mesarovic (1928) Serbian academic

As cited in: Joel Jay Kassiola (1990) The Death of Industrial Civilization. p. 48
Mankind at the Turning Point, (1974)

“I never have to search for subjects, they come to offer themselves - the right form is not always there immediately and that is why it is good to draw those small sketches beforehand. Otherwise it will become too wild, the work demands great calmness and if I am bound to time - for example when Greet [his wife] thinks that I should come home earlier - [then] it starts thundering, because peace has disappeared.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Onderwerpen behoef ik nooit te zoeken die komen zichzelf aanbieden, de goede vorm niet altijd dadelijk en daarom is het goed vooraf die kleine schetsjes te maken. Anders wordt het te wild, het werk eischt een groote kalmte en als ik aan tijd gebonden ben, bijv. als Greet [zijn vrouw] vindt dat ik vroeger thuis moet komen [dan] is het donderen want de rust is zoek.
Quote in a letter to nl:Paul Guermonprez, 15 July 1942; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 176
1940's

Peace, Home, Search, Thinking

“A few friends that also drew manga gathered at the pub regardless of the fact did we drink any alcohol, we would talk excitedly about manga. We will get so preoccupied with the topic, that we always miss the last train. Although we all have the feeling, “We’re so old already, why are we still mucking around like this?” But whenever we hear something like “I want to draw this!!”, the passion from everybody, our spirits are refreshed with new enthusiasm. This time I even got Moritaishi Sensei to draw the omake for me. Wah!! (Happy)”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Alcohol, Feeling, Drink, Passion

“When I was still a member of what is probably best termed the British Jihadi Network, a series of semi-autonomous British Muslim terrorist groups linked by a single ideology, I remember how we used to laugh in celebration whenever people on TV proclaimed that the sole cause for Islamic acts of terror like 9/11, the Madrid bombings and 7/7 was Western foreign policy.By blaming the government for our actions, those who pushed the 'Blair's bombs' line did our propaganda work for us. More important, they also helped to draw away any critical examination from the real engine of our violence: Islamic theology.”

Hassan Butt (1980) British-Pakistani activist

[Hassan, Butt, http://www.guardian.co.uk/commentisfree/story/0,,2115891,00.html, My plea to fellow Muslims: you must renounce terror, The Observer, 2007-07-01, 2007-07-07]

People, Help

“When you use a camera, your visual concentration is intense, as it is when you draw. But if you overshoot, your contact sheet is likely to become a jumble of peelings. You need a lot of sand to discover a nugget. Shooting is a play between pickpocketing and tightrope walking; an endless play, fraught with huge tension.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, An Endless Play: Interview with Gilles Mora (1986), p. 102

“I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

Understanding, Problem, Strong, Painting

“Ha! I’ve heard about these reports. I think it’s another provocation, coming just before NATO war games on Georgian territory that were in complete disregard of Russia’s warnings. If this is aimed at drawing other participants of the war games into the conflict — prompted by statements from the Georgian government — then this only proves that we were 100% right when we warned those taking part in the war games not to do so as it will lead heighten tensions sharply.”

Sergey Lavrov (1950) Russian politician and Foreign Minister

Regarding the reported coup in Georgia. Interview with Euronews (May 2009) http://www.euronews.com/2009/05/06/no-link-between-iran-and-us-missile-shield-lavrov-tells-euronews/

War, Game, Thinking, Parting

“The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.”

Maynard James Keenan (1964) musician

Neil Strauss (March 29, 2000) "A brain comes full circle: Rock musician Maynard James Keenan, of the bands Tool and A Perfect Circle", The New York Times, p. B3.

Time

“For a wholesome collaboration of the sexes in professional life will be possible only if both achieve a calm and objective awareness of their nature and draw practical conclusions from it.”

Edith Stein (1891–1942) Jewish-German nun, theologian and philosopher

Essays on Woman (1996), The Ethos of Woman's Professions (1930)

Life, Sex, Nature

“Naturally, grown-up citizens are concerned about the beatniks and delinquents. … The question is why the grownups do not, more soberly, draw the same conclusions as the youth. Or, since no doubt many people are quite clear about the connection that the structure of society that has becoming increasingly dominant in our country is disastrous to the growth of excellence and manliness, why don’t more people speak up and say so?”

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), p. x.

People, Youth, Question, Nature

“Comrade, Repression exposes. By drawing violence from the beast, the vanguard party is demonstrating for the world to examine just exactly what terms their rule is predicated on— their power to organize violence, our acquiescence.”

Jonathan P. Jackson (1953–1970) American kidnapper

Source: From Blood in My Eye (1971), p. 23

World

“.. coloring is also drawing.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

Quote of Mauve; as cited by Vincent van Gogh in his letter to brother Theo http://vangoghletters.org/vg/letters/let175/letter.html, from Etten, c. 12-15 Oct. 1881] 1880's

Color

“A drawing is always dragged down to the level of its caption.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

The New Yorker (2 August 1930)
From other writings

“We must never give a free hand to those who want to subjugate us, draw this line so that New York will never become New Mecca.”

Geert Wilders (1963) Dutch politician

"Demonstrations over Islamic centre held in New York" http://www.bbc.co.uk/news/world-us-canada-11274010, BBC, 11 September 2010. 2010s

“In 1949, I ceased figurative painting and began works that were object oriented. The drawings from plant life seem to be a bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work. After arriving in Paris in 1948, I realized that figurative painting and also abstract painting (though my knowledge of the latter was very limited) as I had known in the 20th century no longer interested me as a solution to my own problems. I wanted to give up easel painting which I felt was too personal.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'

Life, Way, Knowledge, Problem

“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”

Jorge Luis Borges Dreamtigers

Un hombre se propone la tarea de dibujar el mundo. A lo largo de los años puebla un espacio con imágenes de provincias, de reinos, de montañas, de bahías, de naves, de islas, de peces, de habitaciones, de instrumentos, de astros, de caballos y de personas. Poco antes de morir, descubre que ese paciente laberinto de líneas traza la imagen de su cara.
Epilogue
Variant translation: A man sets himself the task of portraying the world. Through the years he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Shortly before his death, he discovers that that patient labyrinth of lines traces the image of his face.
Dreamtigers (1960)

People, World, Mountain, Star

“I've had a period of drawing on canvas in black – with some of my early images coming thru -, think the non-objectivists will find them disturbing – and the kids who think it simple to splash a 'Pollock' out.”

Jackson Pollock (1912–1956) American artist

Quote from Pollock's letter to Alfonso A. Ossorio and Edward Dragon (1951); as quoted in Abstract Expressionism (1990) by David Anfam, p. 175
1950's

Thinking

“I do not know how to write or speak but only to paint and draw. Look at what I have done. Whether I have succeeded in explaining myself or not, in any case, if you do not understand my work, through your fault or mine, I can do no more.”

Albert Marquet (1875–1947) French artist

Marcelle Marquet, Marquet Fernand Hazan Editions, Paris 1955, p. 6; as quoted in 'Appendix – Marquet Speaks on his Art', in "Albert Marquet and the Fauve movement, 1898-1908", Norris Judd, published 1976, - translation Norris Judd - Thesis (A.B.)--Sweet Briar College, p. 116

Understanding, Painting

“When a man goes thirsty to the well, his thirst is not allayed by merely going there. On the contrary, it is increased by every step he goes. It is by what he draws out of the well that his thirst is satisfied. And just so it is not by the mere bodily exercise of waiting upon ordinances that you will ever come to peace, but by tasting of Jesus in the ordinances, whose flesh is meat indeed, and His blood drink indeed.”

Robert Murray M'Cheyne (1813–1843) British writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 153.

Peace, Exercises, Drink, Waiting

“Language is an abominable misunderstanding which makes up a part of matter. The painters and the physicists have treated matter pretty well. The poets have hardly touched it. In March 1958, when I was living at the Beat Hotel, I proposed to Burroughs to at least make available to literature the means that painters have been using for fifty years. Cut words into pieces and scramble them. You'll hear someone draw a bow-string. Who runs may read, To read better, practice your running. Speed is entirely up to us, since machines have delivered us from the horse. Henceforth the question is to deliver us from that other so-called superior animal, man. It's not worth it to chase out the merchants: their temple is dedicated to the unsuitable lie of the value of the Unique. The crime of separation gave birth to the idea of the Unique which would not be separate. In painting, matter has seen everything: from sand to stuffed goats. Disfigured more and more, the image has been geometrically multiplied to a dizzying degree. A snow of advertising could fall from the sky, and only collector babies and the chimpanzees who make abstract paintings would bother to pick one up.”

Brion Gysin (1916–1986) Canadian artist

Cut-Ups: A Project for Disastrous Success.

Lie, Literature, Idea, Birth

“If the colleges were better, if they … had the power of imparting valuable thought, creative principles, truths which become powers, thoughts which become talents, — if they could cause that a mind not profound should become profound, — we should all rush to their gates: instead of contriving inducements to draw students, you would need to set police at the gates to keep order in the in-rushing multitude.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Celebration of Intellect (1861)

Truth

“I am not keeping back facts. Every fact that I know is in your possession. You can draw your own deductions from them.”

Agatha Christie book The Mysterious Affair at Styles

Hercule Poirot
The Mysterious Affair at Styles (1920)

“I have learned from experience that it is useful to begin by drawing one's picture clearly on a virgin canvas, first having noted the desired effect on a white or gray paper, and then to do the picture section by section, as immediately finished as one can, so that when it has all been covered there is very little to retouch. I have noticed that whatever is finished at one sitting is fresher, better drawn, and profits more from many lucky accidents, while when one retouches this initial harmonious glow is lost. I think that this method is particularly good for foliage, which needs a good deal of freedom.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote from Corot's 'Notebooks', ca. 1828, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 239 – 240
1820 - 1850

Thinking, Freedom, Learning

“It was and still is fundamental: to begin the work with the same tools with which it will be ended, without making a preliminary drawing. on the wood, stone, or metal. Sketches and drawings done in advance clarify the intention, and with it ready in the head, the requisite tool realizes the idea.”

Max Pechstein (1881–1955) German artist

Buchheim, Künstlergemeinschaft Brücke, p. 304; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 54

Idea

“…one straggles gracelessly through a wilderness of common sense. It is an experience for which the reader of modern criticism is unprepared: in that jungle through which one wanders, with its misshapen and extravagant and cannibalistic growths, bent double with fruit and tentacles, disquieting with their rank eccentric life, one comes surprisingly on something so palely healthy: a decorous plant, without thorns or flowers, rootless in the thin sand of the drawing room.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

of Modern Poetry: A Personal Essay by Louis MacNiece, “From That Island”, pp. 31–32
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Life, Flowers, Sense

“We argue, then, that the sociocultural system is fundamentally of the latter type, and requires for analysis a theoretical model or perspective built on the kinds of characteristics mentioned. In what follows we draw on many of the concepts and principles presented throughout this sourcebook to sketch out aspects of a complex adaptive system model or analytical framework for the sociocultural system.”

Walter F. Buckley (1922–2006) American sociologist

Source: Society as a complex adaptive system (1968), p. 490.

“I have heard that you have found the secret of engraving on copper on white ground, as Elsheimer did. To bite the plate with acid, he covered the copper with a white paste. He then drew with the point down to the metal, which is of reddish color, and it looked as if he were drawing with red crayon on white paper. I cannot remember the composition of this write paste, although he communicated it to me.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens in a letter to Pieter van Veen, 19 June 1622, as cited
1605 - 1625
Source: http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885

Secret, Color, Communication, Past

“Let not what thou canst not prevent, though it be the ruin of thy home or country, draw thee from thy proper work.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 98

Home, Country

“If for example I had some idea, which as it turned out would be quite wrong, was going off of the tangent, Watson would tell me in no uncertain terms this was nonsense, and vice-versa. If he would have some idea I didn't like, and I would say so, this would shake his thinking about, and draw him back again. And in fact it is one of the requirements for collaborations of this sort, is you must be perfectly candid, one might almost say rude, to the person you're working with. It's useless working with somebody who is either much too junior than yourself or much too senior because then politeness creeps in. And this is the end of all real collaboration in science”

Francis Crick (1916–2004) British molecular biologist, biophysicist, neuroscientist; co-discoverer of the structure of DNA

giggles
The Prizewinners (11 December 1962, BBC)

Idea, Thinking, Science, Personality

“Drawing is not the same as form; it is a way of seeing form.”

Edgar Degas (1834–1917) French artist

Le dessin n'est pas la forme, il est la manière de voir la forme.
"Drawing Is Not the Same As Form..." (p. 82)
posthumous quotes, Degas Dance Drawing' (1935)

Way

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist. As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190) 1880s, 1882

Waiting, Tea, Housing

“I knew I was going into one of the arts: I was drawing, acting, and writing.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)

Art

“I will keep for you the small drawings that I usually make beforehand. They don't have any artistic value. I just make them to have some grip for the composition of the print..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): De kleine teekeningen die ik vooraf meestal maak, zal ik voor je reserveren. Artistieke waarde hebben ze niet, ik maak ze alleen om eenig houvast te hebben voor de opbouw van de druk.. In a letter (nr. 356) to August Henkels, 11 July 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 177 In February 1941 it was his friend and leader of the nl:De Blauwe Schuit (uitgeverij) August Henkels who borrowed Werkman the book of Martin Buber: 'Legends of the Baal Shem'. Werkman promised his friend the preliminary drawings he would make for creating the series of 20 prints of the 'Chassidic Legends' https://www.kb.nl/de-chassidische-legenden 1940's

“Drawing near her death, she sent most pious thoughts as harbingers to heaven; and her soul saw a glimpse of happiness through the chinks of her sickness-broken body.”

Thomas Fuller (1608–1661) English churchman and historian

Life of Monica (1642).

Death, Soul, Happiness

“The only thing I really ever wanted to be was a cartoonist. That's my life. Drawing.”

Charles M. Schulz (1922–2000) American cartoonist

Address to the Sonoma County Press Club as quoted in the Sonoma County Press Democrat (13 February 2000)

Life

“This Sunday, for some reason, I had not gone to Church. All the rest of the house-party had gone and there was no one in the house but myself and the servants. I was sitting in the drawing-room reading. The door opened and in walked a tall man dressed in European clothes (very well cut, I remember) but with a turban on his head. He came in and sat down beside me. I was so petrified at the sight of the turban that I could not make a sound or ask what he was doing there. Then he started to talk. He told me there was some work that it was planned that I could do in the world but that it would entail my changing my disposition very considerably; I would have to give up being such an unpleasant little girl and must try and get some measure of self-control. My future usefulness to Him and to the world was dependent upon how I handled myself and the changes I could manage to make. He said that if I could achieve real self-control I could then be trusted and that I would travel all over the world and visit many countries, "doing your Master's work all the time." Those words have rung in my ears ever since. He emphasised that it all depended upon me…”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter I, Part 2

World, Travel, Girl, Change

“Whenever I draw up economic policy I look at it from the point of view of the person who has nothing; I look at it from the point of view of my farther who tried to get a job but could not.”

Harry Schwarz (1924–2010) South African activist

Sunday Times (18 November 1990).
Parliament (1974-1991)
Source: http://www.samedia.uovs.ac.za/cgi-bin/getpdf?id=2056613

Personality

“Say, take Rachel Corrie, local young woman, she was extremely courageous. She's a martyr for peace and justice. We happened to kill her too, even if we don't like to admit it. She was killed by U. S. sent equipment, which is Caterpillar…
[Q: you draw that line right back to you and me sitting here? ] Absolutely, we're responsible for it. I mean, we didn't drive the bulldozer, but why is it there? What's it doing? Who provides the military, economic, and diplomatic support for destroying the occupied territories?”

Noam Chomsky (1928) american linguist, philosopher and activist

Quotes 2000s, 2005, Interview by Steve Scher on KUOW, 2004

Peace, Justice, Courage, Support

“Scilurus on his death-bed, being about to leave four-score sons surviving, offered a bundle of darts to each of them, and bade them break them. When all refused, drawing out one by one, he easily broke them,—thus teaching them that if they held together, they would continue strong; but if they fell out and were divided, they would become weak.”

Plutarch (46–127) ancient Greek historian and philosopher

31 Scilurus
Apophthegms of Kings and Great Commanders

Death, Strong

“Truth draws strength from itself and not from the number of votes in its favour.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

In Address to the International Diplomats Address to the International Diplomats http://www.vatican.va/holy_father/benedict_xvi/speeches/2006/march/documents/hf_ben-xvi_spe_20060318_intern-organizations_en.html (18 March 2006) 2006

Truth

“You please me much by saying that no other fault [in the portrait Gainsborough recently made and sent] is to be found in your picture than the roughness of the surface; for that part being of use in giving force to the effect at a proper distance.... I urn [earn? ] much better pleased that they should spy out things of that kind than to see an eye half an inch out of its place or a nose out of drawing when view'd at a proper distance. I don't think it would be more ridiculous for a person to put his nose close to the canvas and say the colours smell offensive than to say how rough the paint lies; for one is just as material as the other with regard to hurting the effect and drawing of a picture. For Sir Godfrey Kneller used to tell them that pictures were not made to smell of..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in Gainborough's letter, March 1758 from Ipswich, to a correspondent in the neighbouring town of Colchester; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, pp. 20-21 1755 - 1769

Thinking, Parting, Hurt, Painting

“Be sure that Christ is not behind you, but before, calling and drawing you on. This is the liberty, the beautiful liberty of Christ. Claim your glorious privilege in the name of a disciple; be no more a servant, when Christ will own you as a friend.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 89.

Beauty, Christ

“A flattering painter, who made it his care
To draw men as they ought to be, not as they are.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Source: Retaliation (1774), Line 63.

Men

“Traditional statistics is strong in devising ways of describing data and inferring distributional parameters from sample. Causal inference requires two additional ingredients: a science-friendly language for articulating causal knowledge, and a mathematical machinery for processing that knowledge, combining it with data and drawing new causal conclusions about a phenomenon.”

Judea Pearl (1936) Computer scientist

Pearl, Judea. "Causal inference in statistics: An overview." Statistics Surveys 3 (2009): 96-146.

Way, Mathematics, Knowledge, Strong

“I am astonished at those who are afraid of the people: one can always explain that what is in the interest of Europe is in the interests of our countries."
"Britain is different. Of course there will be transfers of sovereignty. But would I be intelligent to draw the attention of public opinion to this fact?"
"There is a single legal personality for the EU, the primacy of European law, a new architecture for foreign and security policy, there is an enormous extension in the fields of the EU's powers, there is Charter of Fundamental Rights.”

Jean-Claude Juncker (1954) Luxembourgian politician

On the Lisbon Treaty, Le Soir L'invité du lundi Jean-Claude Juncker : « Succès objectif, déception atmosphérique », 2 July 2007, Le Soir, 2 July 2007, page 18 Bruno Waterfield, Brendan Carlin: 'Don't tell British about the EU treaty' http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/07/03/weu103.xml, Telegraph, 3 July 2007. 2007

People, Law, Intelligence, Personality

“I feel that the end of my days is drawing near; my senses are failing me; my delight and strength in creating songs are gone; he, who was once honored by half of Europe, is forgotten; others have come and are the objects of admiration; one must give place to another. Nothing remains for me but trust in God, and the hope of an unclouded existence in the Land of Peace.”

Antonio Salieri (1750–1825) Italian classical composer and conductor

Salieri in a conversation with Hüttenbrenner on June 8, 1822, quoted in Alexander Wheelock Thayer, Salieri: rival of Mozart (1989), p. 150

God, Peace, Hope, Feeling

“This history of the international monetary system is short in two senses of the word. First, I concentrate on a short period: the century and a half from 1850 to today. Many of the developments I describe have roots in earlier eras, but to draw out their implications I need only consider this relatively short time span. Second, I have sought to write a short book emphasizing thematic material rather than describing international monetary arrangements in exhaustive detail.”

Barry Eichengreen (1952) Economist

Preface
Globalizing Capital (2008)

Books, History, Sense, Time

“A great man quotes bravely, and will not draw on his invention when his memory serves him with a word just as good.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Quotation and Originality

Quotes, Memory

“In men whom men condemn as ill
I find so much of goodness still.
In men whom men pronounce divine
I find so much of sin and blot
I hesitate to draw a line
Between the two, where God has not.”

Joaquin Miller Songs of the Sierras

Burns and Byron (also known as In Men Whom Men Condemn), p. 175.
Songs of the Sierras (1871)‎

Men, God

“Professor Bell, in his tortured efforts to sound fair and impersonal, arrives at an aesthetic principle too edifying for Art to bear. He says in effect that you can explore evil, drawing "on the tap roots of the demonic," but you may not approve it. But when you draw on those tap roots, who knows what you will find? Writers just back from their season in hell are likely to be covered in goat blood and tend to rave. The moralists can sort out the evidence later. But the writer with the correct attitude could not have entered hell in the first place.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Honoring Ezra Pound" (1972), p. 59
The Good Word & Other Words (1978)

Art, Hell, Effort, Evil

“They [his 'Street Scene' paintings and drawings, he made in Berlin] originated in the years 1911-14, in one of the loneliest times of my life, during which an agonizing restlessness drove me out onto the streets day and night, which were filled with people and cars.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from Kirchner's Notebook entry 'Meine Strasenbilder', 24 Augustus 1919; as quoted in Ernst Ludwig Kirchner, Meisterwerke der Druckgraphik, M. M. Moeller, Gerd Hatje, Stuttgart 1990 p. 184
1916 - 1919

Life, People, Cars, Time

“Tagore claims that the first time he experienced the thrill of poetry was when he encountered the children’s rhyme ‘Jal pare/pata nare’ (‘Rain falls / The leaf trembles') in Iswarchandra Vidyasagar’s Bengali primer Barna Parichay (Introducing the Alphabet). There are at least two revealing things about this citation. The first is that, as Bengali scholars have remarked, Tagore’s memory, and predilection, lead him to misquote and rewrite the lines. The actual rhyme is in sadhu bhasha, or ‘high’ Bengali: ‘Jal paritechhe / pata naritechhe’ (‘Rain falleth / the leaf trembleth’). This is precisely the sort of diction that Tagore chose for the English Gitanjali, which, with its thees and thous, has so tried our patience. Yet, as a Bengali poet, Tagore’s instinct was to simplify, and to draw language closer to speech. The other reason the lines of the rhyme are noteworthy, especially with regard to Tagore, is – despite their deceptively logical progression – their non-consecutive character. ‘Rain falls’ and ‘the leaf trembles’ are two independent, stand-alone observations: they don’t necessarily have to follow each other. It’s a feature of poetry commented upon by William Empson in Some Versions of Pastoral: that it’s a genre that can get away with seamlessly joining two lines which are linked, otherwise, tenuously.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

On Tagore: Reading the Poet Today (2012)

Children, Memory, Time, Patience

“The cover for Volume 9 seems to be very well liked. I received many letters discussing their opinions regarding it. “Follow me! That’s what it is trying to convey!!” or “Men speak with their backs!!” or “It’s like saying everybody’s fate is resting upon my back, what a great cover!!” and stuff like that…. Can’t bear to say “It’s because drawing the colonel’s face is really troublesome”… Can’t say it… -->”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Men, Fate

“It is color, not locally true from the point of view of the stereoscopic realist, but color to suggest any emotion of an ardent temperament. When Paul Mantz saw at the exhibition the violent and inspired sketch of Delacroix…. the 'Barque of Christ' - he turned away from it exclaiming: 'I did not know that one could be so terrible with a little blue and green'. Hokusai wrings the same cry from you [Theo], but he does it by his line, his drawing, when you say in your letter - 'the waves are claws and the ship is caught in them'. Well, if you make the color exact or the drawing exact, it won't give you sensations like that.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, 8 September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 533) pp. 32-33 1880s, 1888

Color, Christ, Cry

“4833. The wise Man draws more Advantage from his Enemies, than a Fool from his Friends.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1749) : The wise Man draws more Advantage from his Enemies, than the Fool from his Friends.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Fools

“You can draw any kind of picture you want on a clean slate and indulge your every whim in the wilderness in laying out a New Delhi, Canberra, or Brasilia, but when you operate in an overbuilt metropolis, you have to hack your way with a meat ax.”

Robert Moses (1888–1981) American urban planner

Quoted in Robert Caro, The Power Broker (1974), p. 849

Way

“A composition should be simple and clear. That is why the drawings of children and primitives are so strong.”

George Grosz (1893–1959) German artist

In the 1930's Grosz encouraged as art-teacher his students at the Art Students League in New York to study children's drawings
Source: a student's unpublished papers 'Notes on Drawing and Water Golor, 1935-36', George Grosz estate, Princeton, N.J.; as quoted in: George Grosz: Leben und Werk, ed. Uwe M. Schneede; Verlag Gerd Hatje, Stuttgart 1975, p. 38

Children, Strong

“While we are laid on the battle plain,
Drenched to the skin by the midnight rain,
Pleasant dreams may thy slumber crown,
As thou sinkest to rest amid silk and down :
But shame beside thy pillow stand!
A German maid shall kiss thee not,
A German song rejoice thee not,
And German wine shall warm thee not!
He who has strength to wield a brand,
Let him draw it now for his father-land!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (3rd January 1835) Versions from the German (First Series.) - 'The Gathering' — Koerner.
Translations, From the German

Dreams, Kiss, Wine

“When waiting, travelling and not fully occupied otherwise – relax, breath, with draw and remember at attainment of pleasure that really satisfies through the wise use of leisure is an integral part of right living.”

Gulzarilal Nanda (1898–1998) Prime Minister of India

In, p. 150.
Gulzarilal Nanda: A Life in the Service of the People

Pleasure, Travel, Waiting, Parting

“Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings. As soon as one does work on walls, the idea of using the whole wall follows. It means that the art is intimately involved with the architecture. It is available to be seen by everyone. It avoids the preciousness of gallery or museum installations. Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.”

Sol LeWitt (1928–2007) American artist

Quotes of Sol Lewitt, "Sol LeWitt by Saul Ostrow," 2003

Art, Idea, Understanding

“All Kings, and all their favorites,
All glory of honors, beauties, wits
The sun itself, which makes times, as they pass,
Is elder by a year, now, than it was
When thou and I first one another saw:
All other things, to their destruction draw,
Only our love hath no decay;
This, no tomorrow hath, nor yesterday,
Running, it never runs from us away,
But truly keeps his first, last, everlasting day.”

John Donne (1572–1631) English poet

The Anniversary, stanza 1

Love, Beauty, Time, Sun

“Nay, if there's room for poets in the world
A little overgrown, (I think there is)
Their sole work is to represent the age,
Their age, not Charlemagne's, — this live, throbbing age,
That brawls, cheats, maddens, calculates, aspires,
And spends more passion, more heroic heat,
Betwixt the mirrors of its drawing-rooms,
Than Roland with his knights, at Roncesvalles.”

Elizabeth Barrett Browning (1806–1861) English poet, author

Bk. V, l. 200-207. Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)

Age, World, Thinking, Passion

“You know the worst thing is freedom. Freedom of any kind is the worst for creativity. You know, Dalí spent two months in jail in Spain, and these two months were the most enjoyable and happy in my life. Before my jail period, I was always nervous, anxious. I didn't know if I should make a drawing, or perhaps make a poem, or go to the movies or the theater, or catch a girl, or play with the boys. The people put me in jail, and my life became divine. Tremendous!”

Salvador Dalí (1904–1989) Spanish artist

Quotes of Salvador Dali, 1971 - 1980, Dali interviewed by Victor Bockris, 1974

Life, People, Girl, Boy

“I can not draw or paint worth a damn, because I can't see it in my head before I do it. I can sculpt and I do crafts but I can not draw. When it comes to music I can hear it before it happens, which most people can't do.”

Blackie Lawless (1956) musician, songwriter and actor

Music America Interview

People, Music, Painting

“Blessed God, pity the soul whose extremest horror is the doom of an eternal departure from Thee. Draw my spirit into the holiest and the nearest union with Thyself that is possible while it dwells in this flesh! And let me here commence that delightful residence and converse with God, which nor death, nor judgment shall ever destroy, nor shall a long eternity ever put a period to it.”

Elizabeth Rowe (1674–1737) poet and writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 433.

Death, God, Soul, Departure

“Perhaps the profoundest cause of disagreement with the Narodniks is the difference in our fundamental views on social and economic processes. When studying the latter, the Narodnik usually draws conclusions that point to some moral; he does not regard the diverse groups of persons taking part in production as creators of various forms of life; he does not set out to present the sum-total of social and economic relationships as the result of the mutual relations between these groups, which have different interests and different historical roles.”

Vladimir Lenin book The Development of Capitalism in Russia

The Development of Capitalism in Russia (1899)

Life, Study, Parting, Personality

“Drawing is but a means to an end. One imagines that drawing can be beautiful-it is not the lines which are beautiful, but what they signify, the sentiments which they translate. In reality, there is no such thing as beauty in drawing, or color beauty lies alone in revelation of truth.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Truth, Beauty, Color, Imagination

“We had some problems with the Howard newspaper strip, which led to problems with the Howard book, which ultimately led to the lawsuit. Marvel wouldn't pay the artist to draw it. Gene Colan and I were supposed to get a percentage of the syndicate's take for the strip. The problem was, the money came in 90 days, 120 days, six months — I don't remember how long exactly — after the strips were published. So, essentially, the artist was working for nothing up until that time, and no artist can afford to do that. [In comparison with Stan Lee and 's Spider-Man comic strip, ] Stan, as publisher of Marvel, had a regular salary coming in, and John Romita, I believe, was also on staff at the time. They didn't have quite the same problem.”

Steve Gerber (1947–2008) Comic writer

Comic Book Artist #7 (reprinted in Comic Book Artist Collection Volume 3 (TwoMorrows Publishing, 2005)): "Steve Gerber's Crazy Days", p. 66

Money, Books, Problem, Time

“Nature is to us like an inﬁnite ballot-box, the contents of which are being continually drawn, ball after ball, and exhibited to us. Science is but the careful observation of the succession in which balls of various character present themselves; we register the combinations, notice those which seem to be excluded from occurrence, and from the proportional frequency of those which usually appear we infer the probable character of future drawings.”

William Stanley Jevons (1835–1882) English economist and logician

Source: The Principles of Science: A Treatise on Logic and Scientific Method (1874) Vol. 1, p. 169

Nature, Appearance, Science, Success

“It turns out that the Danish gunboats are rather better than ours. They draw less water and carry heavier ordnance and the results are not at all pretty.”

Bernard Cornwell (1944) British writer

Sharpe (Novel Series), Sharpe's Prey (2001)

Water

“And me I'm in my bedroom drawing in my notebook
Because my hand thinks I'm an artist
But my heart knows I'm a poet
It's just words they mean so little to me.”

Conor Oberst (1980) American musician

Saturday as Usual
A Collection of Songs Written and Recorded 1995-1997 (1998)

Thinking, Heart

“Do you know what I long for sometimes? To make a trip to Brabant. I should love to draw the old churchyard at Nuenen, and the weavers. To make, for instance, during a month, studies of Brabant, and to come back [to The Hague] with a lot of them, for a large drawing of a peasant funeral for instance.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote of letter 295, from The Hague, 1883; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period 2. - Weaver 1880s, 1883

Love, Study

“We have watched mutant creatures crawl from sewers into cold flat starlight and whisper shyly to each other, drawing maps and messages in faecal mud.
I have sat with the wind at my side and seen cruel things, wicked things.
My scars and bonestubs itch. I am forgetting the weight, the sweep, the motion of wings. If I were not garuda I would pray. But I will not obeise myself before arrogant spirits.”

China Miéville book Perdido Street Station

Source: Perdido Street Station (2000), p. 51

Forgetting

“On bourgeois ground … change is impossible anyway even if it were desired. In fact, bourgeois interest would like to draw every other interest opposed to it into its own failure; so, in order to drain the new life, it makes its own agony apparently fundamental, apparently ontological. The futility of bourgeois existence is extended to be that of the human situation in general, of existence per se.”

Ernst Bloch book The Principle of Hope

The Principle of Hope (1959), N. Plaice, trans. (1986), p. 4

Life, Failure, Change

“[I]t makes little difference where we draw the line between the pruning and shaping [of behavior] by natural selection which is genetically transmitted to offspring (the wiring you are born with), and the pruning and shaping that later takes place in the individual (the rewiring you end up with, as a result of experience or training). Nature and nurture blend seamlessly together.”

Daniel Dennett (1942) American philosopher

Kinds of Minds (1996)

Behavior, Nature, Training

“The advance from drawing to painting should be gradual, and no serious attempts in colour should be made until the student has obtained proficiency in outline and in light and shade. If the artist cannot draws objects in a rather masterly way there is no point in his attempting colour.”

Ogden Rood (1831–1902) American physicist

Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry. New York: D. Appleton and Company. 1881.

Way, Light, Painting

“.. When I have made some drawings I see them immediately in front of my eyes, enlarged [and] in colors..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): ..Als ik eenige teekeningen gemaakt heb zie ik ze ook direct in kleuren [en] vergroot voor me..
In a letter (nr. 356) to Bastiaan Kist, 9 Sept. 1943; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 176
1940's

Color

“One of the marks of maturity is the need for solitude: a city should not merely draw men together in many varied activities, but should permit each person to find, near at hand, moments of seclusion and peace.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

"Planning for the Phases of Life" http://books.google.com/books?id=JypxP4R4cogC&q=%22One+of+the+marks+of+maturity+is+the+need+for%22+%22a+city+should+not+merely+draw+men+together+in+many+varied+activities+but+should+permit+each+person+to+find+near+at+hand+moments+of+seclusion+and+peace%22&pPA40#v=onepage, The Urban Prospect: Essays (1968)

Men, Peace, Solitude, Personality

“No, absolutely not, I have never been what one calls a gifted child, never a dreamer. I didn't think of making fantasies with the pencil on the paper, although at school we learned to draw and play music of course. But in those days the piano was actually what I preferred most... But until my eighteenth year I have been hesitating long between both [painting and playing piano]..”

Suze Robertson (1855–1922) Dutch painter

version in original Dutch / origineel citaat van Suze Robertson: Nee, ik ben volstrekt nooit wat men noemt een begaafd kind geweest, nooit een droomster. Aan fantasie met 't potlood op 't papier dacht ik niet, al leerden we op school natuurlijk ook teekenen en muziek. Maar in dien tijd was de piano eigenlijk meer mijn fort.. .Toch heb ik tot mijn achttiende jaar tussen die beide lang gewankeld.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 30

School, Music, Thinking, Learning

Quotes about drawing page 11

Quotes about drawing
page 11