Quotes about birds
page 4

Nicholas Sparks photo
Kate Chopin photo
Oswald Chambers photo
Haruki Murakami photo
Lois Lowry photo

“Keep a green tree in your heart and perhaps the singing bird will come.”

Lois Lowry (1937) American writer

Source: Taking Care of Terrific

Anne Sexton photo

“Everyone in me is a bird
I am beating all my wings”

Anne Sexton (1928–1974) poet from the United States

Source: Love Poems

Barbara Kingsolver photo
Mitch Albom photo
Thomas Hardy photo
Cassandra Clare photo
William Blake photo

“No bird soars too high if he soars with his own wings.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1790s, The Marriage of Heaven and Hell (1790–1793), Proverbs of Hell, Line 15

Axel Munthe photo
Ayaan Hirsi Ali photo
Donna Tartt photo
Anaïs Nin photo
Anne Lamott photo

“Bird by bird, buddy. Just take it bird by bird.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Bird by Bird: Some Instructions on Writing and Life

Dorothy Parker photo
Li Bai photo

“All the birds have flown up and gone;
A lonely cloud floats leisurely by.
We never tire of looking at each other—
Only the mountain and I.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

[38] "Alone Looking at the Mountain"
Variant translations:
The birds have vanished down the sky.
Now the last cloud drains away.
We sit together, the mountain and me,
until only the mountain remains.
"Zazen on Ching-t'ing Mountain", trans. Sam Hamill
Flocks of birds fly high and vanish;
A single cloud, alone, calmly drifts on.
Never tired of looking at each other—
Only the Ching-t'ing Mountain and me.
"Sitting Alone in Ching-t'ing Mountain", trans. Irving Y. Lo

Edward Grey, 1st Viscount Grey of Fallodon photo
Ray Comfort photo
Anton Chekhov photo
Hendrik Werkman photo

“Last Sunday we made a bicycle tour of 80 km. Through the North along the edge of the province [Groningen].... On such a day I get again a lot of impressions which will reappear in altered forms in due time. Beautiful landscapes, nice small roads, beautiful farms, meadows with horses and cattle, birds, water and a lot of sunshine. Mills and towers and trees are breaking the lines of the flat land..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Zondag maakten we een fietstocht van 80 km. Door het Noorden langs de rand van de provincie [Groningen].. .Op zoo’n dag doe ik weer heel wat indrukken op die te gelegener tijd omgewerkt weer tevoorschijn komen. Mooie landschappen, aardige weggetjes, prachtige boerderijen, weiden met paarden en vee, vogels, water en zonneschijn volop. Molens en torens en boomen breken de lijnen van het vlakke land..
In a letter to Henkels, 12 July 1944; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 18
1940's

Robert Seymour Bridges photo
Gregory Scott Paul photo

“If not for the long tail, one might mistake a theropod for a big, toothy, marauding bird in the dark. That theropods are birdlike is logical, since birds are their closest living relatives. Remember that next time you eat a drumstick or scramble some eggs.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 22
Predatory Dinosaurs of the World

Stanley Holloway photo

“The sound of 'igh words
very soon reached the ears of an officer, Lieutenant Bird,
Who said to the Sergeant, 'Now what's all this here?'
And the Sergeant told what had occurred.”

Stanley Holloway (1890–1982) English stage and film actor, comedian, singer, poet and monologist

Sam, Sam, Pick Oop Tha' Musket

Joseph Strutt photo
Murasaki Shikibu photo
Bill Downs photo

“Go back, go back, you silly bastards. This ain't our kind of war. This one is for the birds.”

Bill Downs (1914–1978) American journalist

Speaking about the Korean War to Murrow when Murrow arrived in Tokyo, as quoted in A.M. Sperber's Murrow: His Life and Times.

Letitia Elizabeth Landon photo
Radhanath Swami photo

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

Wallace Stevens photo
Julian (emperor) photo
Johann Gottfried Herder photo
Francesco Petrarca photo
Hendrik Werkman photo

“GRONINGEN, BERLIN, MOSCOW, PARIS 1923
Start of the violet season
Reader
As we are convinced that it is not too LATE, we will speak.
Time is running, honestly.... it has become necessary now to do something, before it is too late
There must be witnessing and speaking..
.. Art is everywhere. She is thrown us people on our jackets by the birds. In every infant with weak intestines, the latent seed is laid for an artist..
Our first publication will soon be published. We urgently invite you to become a fellow reader [of the upcoming art-magazine 'The Next Call'].... We count on your DEEDS in the white season with the black shadows..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):
GRONINGEN, BERLIJN, MOSKAU, PARIJS 1923
Aanvang van het violette jaargetijde
Lezer..
..Aangezien wij dus overtuigd zijn dat het nog niet TE LAAT is, zullen wij spreken.
Het wordt tijd, waarachtig.. ..meer dan tijd dat er iets gedaan wordt.
Er MOET getuigd en gesproken worden.
….Kunst is overal. Zij wordt den mensch als het ware door de vogels op de jas geworpen. In elke zuigeling met zwakke ingewanden wordt de latente kiem gelegd voor een kunstenaar..
Ons eerste geschrift verschijnt binnenkort. Wij nodigen u dringend uit medelezer te worden.. [van het komende kunsttijdschrift ‘The Next Call'].. ..Wij rekenen op uwe DADEN in het witte jaargetijde met de zwarte schaduwen..
Quote from Werkman's Manifesto: ' Aanvang van het violette jaargetijde / Start of the violet season' - also known as 'Roze Pamflet / Pink Pamphlet', Sept. 1923; in the collection of Stedelijk Museum, Amsterdam (transl: Fons Heijnsbroek)
1920's

Pat Paulsen photo

“Left-wing or right-wing. No, I'm not either. I'm kind of middle-of-the-bird.”

Pat Paulsen (1927–1997) United States Marine

Responding to audience question, "Are you left-wing or right-wing?"
Unidentified press conference, 1968
Featured in Pat Paulsen for President (1968), part 3 of 6 http://www.youtube.com/watch?v=LdjY3TXYJkw&feature=relmfu, 02:49 ff (20:49 ff in full program)

E.M. Forster photo
John Masefield photo
Mirkka Rekola photo

“Without moving anything / I want to see / the way this autumn / makes the birds move.”

Mirkka Rekola (1931–2014) Finnish writer

From Syksy muuttaa linnut (Autumn Moves the Birds, 1961. 88 Poems, WSOY, 2000, ISBN 951-0-24783-9. Translated by Anselm Hollo).

Jorge Luis Borges photo
Aldo Palazzeschi photo
Revilo P. Oliver photo
Robert T. Bakker photo
Bob Dylan photo

“T is just like a summer bird-cage in a garden,—the birds that are without despair to get in, and the birds that are within despair and are in a consumption for fear they shall never get out.”

Act I, scene ii. Compare: "To public feasts, where meet a public rout,— Where they that are without would fain go in, And they that are within would fain go out", John Davies, Contention betwixt a Wife, etc.
The White Devil (1612)

Max Ernst photo

“The 2nd of April (1891) at 9:45 a. m. Max Ernst had his first contact with the sensible world, when he came out of the egg which his mother had laid in an eagle's nest and which the bird had brooded for seven years.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Some Data on the Youth of M. E., As Told by Himself', in the View (April 1942); also quoted in Max Ernst and Alchemy (2001) by M. E. Warlick, p. 10
1936 - 1950

Empedocles photo

“For already, sometime, I have been a boy and a girl, a shrub, a bird, and a silent fish in the sea.”

Empedocles (-490–-430 BC) ancient Greek philosopher

fr. 117
Variant translations:
Once on a time a youth was I, and I was a maiden/A bush, a bird, and a fish with scales that gleam in the ocean.
tr. Jane Ellen Harrison
Purifications
Source: Harrison, Jane Ellen. (1903). Prolegomena to the Study of Greek Religion. Princeton University Press. p. 590.

Conrad Aiken photo
Dan Fogelberg photo
John Muir photo
Yehudi Menuhin photo

“It is absolutely vital to hold it as lightly as possible - rather as one might pick up a newborn bird.”

Yehudi Menuhin (1916–1999) American violinist and conductor

On proper holding of the bow
Source: Life class: thoughts, exercises, reflections of an itinerant violinist, p. 100

James I of Scotland photo

“The bird, the best, the fisch eke in the see,
They live in fredome, everich in his kynd.
And I a man, and lakkith libertee.”

James I of Scotland (1394–1437) King of Scots

Source: The Kingis Quair, Line 183

Van Morrison photo
Johann Wolfgang von Goethe photo

“MIRRORMENT
Birds are flowers flying
and flowers perched birds.”

A.R. Ammons (1926–2001) American poet

The Really Short Poems of A. R. Ammons (1991)

Edgar Rice Burroughs photo
Samuel Beckett photo
Bai Juyi photo

“…That we wished to fly in heaven, two birds with the wings of one,
And to grow together on the earth, two branches of one tree.
Earth endures, heaven endures; some time both shall end,
While this unending sorrow goes on and on for ever.”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

在天願作比翼鳥
在地願為連理枝
天長地久有時盡
此恨綿綿無絶期
The last four lines.
"A Song of Unending Sorrow"

Wallace Stevens photo
Johannes Kepler photo
Franklin D. Roosevelt photo

“I sometimes think we consider too much the good luck of the early bird and not enough the bad luck of the early worm.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

Roosevelt to Henry M. Heymann (2 December 1919), as quoted in Roosevelt and Howe (1962), by Alfred B. Rollins, Jr., p. 153
1910s

Attar of Nishapur photo

“Do all you can to become a bird of the Way to God;
Do all you can to develop your wings and your feathers.”

Attar of Nishapur (1145–1230) Persian Sufi poet

"In the Dead of Night" as translated by Andrew Harvey and Eryk Hanut in Perfume of the Desert

Robert Louis Stevenson photo
Ray Comfort photo

“Bird.
A good name for her. She wasn't a sparrow or a songbird, though. She stood so straight, and her face was strong.”

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Chapters 1-10, p. 27-28

Anthony Burgess photo
Park Benjamin, Sr. photo
Conor Oberst photo

“And I never thought this life was possible, You're the yellow bird that I've been waiting for.”

Conor Oberst (1980) American musician

I'm Wide Awake, It's Morning (2005)

Sofia Samatar photo
Gerald Durrell photo
Rachel Carson photo
W. H. Auden photo
Jim Morrison photo

“b>Don't let me die in an automobile
I wanna lie in an open field
Want the snakes to suck my skin
Want the worms to be my friends
Want the birds to eat my eyes
As here I lie
The clouds fly by</b”

Jim Morrison (1943–1971) lead singer of The Doors

"The End; <i>Live in New York</i>" (1970), "The End; Live at The Hollywood Bowl" (1968)

James Anthony Froude photo
Thomas Hood photo
John Keats photo
Letitia Elizabeth Landon photo
Arundhati Roy photo

“The tradition of "turkey pardoning" in the US is a wonderful allegory for new racism. Every year, the National Turkey Federation presents the US president with a turkey for Thanksgiving. Every year, in a show of ceremonial magnanimity, the president spares that particular bird (and eats another one). After receiving the presidential pardon, the Chosen One is sent to Frying Pan Park in Virginia to live out its natural life. The rest of the 50 million turkeys raised for Thanksgiving are slaughtered and eaten on Thanksgiving Day. ConAgra Foods, the company that has won the Presidential Turkey contract, says it trains the lucky birds to be sociable, to interact with dignitaries, school children and the press.

That's how new racism in the corporate era works. A few carefully bred turkeys - the local elites of various countries, a community of wealthy immigrants, investment bankers, the occasional Colin Powell, or Condoleezza Rice, some singers, some writers (like myself) - are given absolution and a pass to Frying Pan Park.
The remaining millions lose their jobs, are evicted from their homes, have their water and electricity connections cut, and die of AIDS. Basically, they're for the pot. But the fortunate fowls in Frying Pan Park are doing fine. Some of them even work for the IMF and the World Trade Organisation - so who can accuse those organisations of being anti-turkey? Some serve as board members on the Turkey Choosing Committee - so who can say that turkeys are against Thanksgiving? They participate in it! Who can say the poor are anti-corporate globalisation? There's a stampede to get into Frying Pan Park. So what if most perish on the way?”

Arundhati Roy (1961) Indian novelist, essayist

From a speech http://www.greenleft.org.au/back/2004/569/569p12.htm given at the World Social Forum in Mumbai, 16 January 2004
Speeches

Simon Armitage photo
Edward Coote Pinkney photo

“Her every tone is music's own,
Like those of morning birds,
And something more than melody
Dwells ever in her words.”

Edward Coote Pinkney (1802–1828) American poet, lawyer, sailor, professor, and editor

A Health, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Clive Staples Lewis photo
William Wordsworth photo

“O Blithe newcomer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?”

William Wordsworth (1770–1850) English Romantic poet

To the Cuckoo, st. 1 (1804).

Christopher Marlowe photo

“p>Come live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dales and fields,
Or woods or steepy mountain yields.And we will sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.And I will make thee beds of roses
And a thousand fragrant posies.”

The Passionate Shepherd to His Love (unknown date), stanzas 1 and 2. Compare: "To shallow rivers, to whose falls / Melodious birds sings madrigals; / There will we make our peds of roses, / And a thousand fragrant posies", William Shakespeare, Merry Wives of Windsor, act iii. scene i. (Sung by Evans.)

Robert Burton photo
Joseph Strutt photo
Dan Patrick photo

“He visits the bird sanctuary.”

Dan Patrick (1956) American sportscaster

Catch Phrases

Hans Arp photo

“By the time I was 16, the everlasting copying of stuffed birds and withered flowers at the Strasbourg School of Applied Art not only poisoned drawing for me but destroyed my taste for all artistic activity. I took refuge in poetry.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Looking, Arp, Jean; as quoted by Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 12
1960s

George Gordon Byron photo
Ernst Ludwig Kirchner photo

“Many thanks for your letter and the Gauguin woodcuts... One can see, incidentally, that Gauguin had Persian miniatures, Indian batik and Chinese art in his very blood. The shapes of the birds and the horse show that clearly. But although it looks very well, Gauguin can't stimulate us present-day artists much. We need a direct route from life to plastic form. And we get it by perpetually drawing everything we see.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), Frauenkirch, 29 November 1920; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1920's

Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Adam Zagajewski photo
Loreena McKennitt photo
Aron Ra photo
Henry Wadsworth Longfellow photo