“If I could really paint! A month ago I was so sure of what I wanted. Inside me I saw it out there, walked around with it like a queen, and was blissful. Now the veils have fallen again, gray veils, hiding the whole idea of me. I stand like a beggar at the door, shivering in the cold, pleading to be let in. It is hard to move patiently, step by step, when one is young and demanding... I walk along the boulevards [Paris] and crowds of people pass by and something inside me cries out, 'I still have such beautiful things before me. None of you, not one, has such things.”

—  Paula Modersohn-Becker

And then it cries, 'When will it come? Soon?'
excerpt of her Journal, Paris 1897; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 195
1897

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "If I could really paint! A month ago I was so sure of what I wanted. Inside me I saw it out there, walked around with i…" by Paula Modersohn-Becker?
Paula Modersohn-Becker photo
Paula Modersohn-Becker55
German artist 1876–1907

Related quotes

Groucho Marx photo

“Even the intellectual crowd will have none of me. Physically, I look like one of them. Graying at the temples, I walk with a slight limp and wear thick glasses.”

Groucho Marx (1890–1977) American comedian

Hal David photo

“I walk along the city streets you used to walk along with me,
And every step I take recalls how much in love we used to be.
Oh, how can I forget you?
When there is always something there to remind me”

Hal David (1921–2012) American lyricist

Song Always Something There to Remind me

“I might get an idea [for the start of a painting] sitting looking at the river, or something, or a specific.... Yeess. I'm sure, yes, I'm sure it [the environment] influences me in terms of green and gray and color and... I mean, New York light is so different, and it always hits me when I come here [in New York], and it excites me to see great extremes of dark and light and no nuance - which I love. But there the Isle de France [round about Paris] has that, you know, filtered light that is that.. where even on a gray day, the green is very green, and the red is very red.... I think walking out barefoot and moving the paintings, being able to move them out of my studio [in Vetheuil] for transportation, things like that have had [influence]... As well as the landscape. Lake Michigan was pretty important, you know.”

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

Luise Rainer photo

“I had a wonderful director, Sidney Franklin …. I worked from inside out. It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it. Hollywood was a very strange place. To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Of her film The Good Earth <br class="br">Article in Movie Maker http://www.moviemaker.com/directing/article/luise_rainer_3324/

Stephen Chbosky photo

“If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it, too. I want them to be able to do whatever they want around me.”

Stephen Chbosky book The Perks of Being a Wallflower

Variant: I don't want to be somebody's crush. if somebody likes me, i want them to like the real me, not what they think i am. And i don't want them to carry it around inside. I want them to show me, so i can feel it too. - Sam
Source: The Perks of Being a Wallflower

Pierre-Auguste Renoir photo

“I want to give something [a painting to museum The Luxembourg in Paris, c. 1910] I can't be sure of doing again. I could do ten more nudes like that one [a large nude painting, suggested by Georges Riviere], whenever I liked... This one turned out well. I don't think I'd be able to do that again.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

a remark to George Riviere, (c. 1910); as quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 230
after 1900

Alison Lohman photo

“I wanted to look young in this role, it was a needed thing. She’s 14. This role I really needed to feel 14, I had to be 14 in every way possible, so I hung out with my 14 year-old cousin for a month. She had a retainer and pigtails and all that. There’s something in their eyes, between age 10 and 15 I think, it’s just that sort of ‘anything is possible’ look. For me, the most beautiful thing you could ever see is like a child’s eyes. I wanted to really make sure that I captured her spirit, that youthful spirit. For me it’s all about dreaming. What does she look like when she walks? What’s the look in her eye? It’s not about, ‘Oh, on this move, I’m going to put my arm like that.’ It’s just the whole spirit, so that any way that I would move would be right.”

Alison Lohman (1979) American actress

On her role in Matchstick Men.
Interview with Rebecca Murray

Elie Wiesel photo

“His last word had been my name. He had called out to me and I had not answered.
I did not weep, and it pained me that I could not weep. But I was out of tears. And deep inside me, if I could have searched the recesses of my feeble conscience, I might have found something like: Free at last!”

Elie Wiesel book Night

About the death of his father
Night (1960)

Rajinikanth photo

“I cannot be an ordinary man, move around like people do, go out eat in a restaurant or take a walk. Perhaps, this is what I have lost.”

Rajinikanth (1950) Indian actor

In "When KB Interviewed Superstar! (25 October 2010)."

Related topics