Quotes about art
page 5

“We have to stop thinking that God is going to fix everything and saying that if God made everything bad in this universe then we are here to do to, too, again. If there is a God, we are here to help him. This requires that we take possession of the world and of ourselves. We must do what we want to do with full consciousness and with full responsibility. In this level of divine consciousness, we find true art.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Psychomagic: The Transformative Power of Shamanic Psychotherapy (2010)

God, World, Thinking, Universe

“Germany appeared in my eyes a very tiny portion of the earth. I had emerged from abstract Mysticism, and I learnt a love for Matter. Beauty of material and brilliancy of wit were lordly things to me: as regards my beloved music, I found them both among the Frenchmen and Italians. I forswore my model, Beethoven; his last Symphony I deemed the keystone of a whole great epoch of art, beyond whose limits no man could hope to press, and within which no man could attain to independence.”

Richard Wagner (1813–1883) German composer, conductor

Autobiographical Sketch (1843)

Love, Beauty, Hope, Music

“The world itself is a great fusing pot, out of which the One Humanity is emerging. This necessitates a drastic change in our methods of presenting history and geography. Science has always been universal. Great art and literature have always belonged to the world. It is upon these facts that the education to be given to the children of the world must be built - upon our similarities, our creative achievements, our spiritual idealisms, and our points of contact. Unless this is done, the wounds of the nations will never be healed, and the barriers which have existed for centuries will never be removed.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: Education in the New Age (1954), p.46

Children, World, Education, History

“In politics, he has always been a republican with advanced Socialist sympathies, and internationalist at heart, and, as they said in the eighteenth century, a "citizen of the world." He has always fought social injustice. In art, he loves, above all, Beethoven, Shakespeare, and Goethe… Rembrandt is the painter dearest to him. But his chosen country is Italy.”

Romain Rolland (1866–1944) French author

On himself, as quoted in World Authors 1900-1950 (1996)

Love, World, Heart, Country

“Because superior non-animal methods are used for this exact training by military and civilian programs around the world, animals are clearly not required to meet your objectives. … I'm sure you agree that our military personnel deserve state-of-the-art training and that our country deserves to be respected for its civilized treatment of animals.”

Woody Harrelson (1961) American actor

Letter that he sent to the Army, against the use of monkeys in chemical attack training exercises; full text in "Woody Harrelson Fights Army Tests on Chimps", in Usnews.com (13 September 2011) https://www.usnews.com/news/blogs/washington-whispers/2011/09/13/woody-harrelson-fights-army-tests-on-chimps.

World, Animals, Training, Country

“I have an epic, not a dramatic nature. My disposition and my desires call for peace to spin my thread, for a steady rhythm in life and art.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Nobel Banquet Speech (10 December 1929) http://nobelprize.org/nobel_prizes/literature/laureates/1929/mann-speech.html

Life, Peace, Nature

“For me, art has neither past nor future. All I have ever made was for the present.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quote in "Picasso", Hans L. C. Jaffe, Thames and Hudson Ltd
Attributed from posthumous publications

Past, Future

“You know who critics are?— the men who have failed in literature and art.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Books, Coningsby (1844), Lothair (1870), Ch. 35. Compare: "Reviewers are usually people who would have been poets, historians, biographers, if they could; they have tried their talents at one or the other, and have failed; therefore they turn critics", Samuel Taylor Coleridge, Lectures on Shakespeare and Milton, p. 36. Delivered 1811–1812; "Reviewers, with some rare exceptions, are a most stupid and malignant race. As a bankrupt thief turns thief-taker in despair, so an unsuccessful author turns critic", Percy Bysshe Shelley, Fragments of Adonais.

Men, Literature

“The rules of art do not exist, because what makes art art is the fact that it obeys no rules at all.”

Elfriede Jelinek book Wonderful, Wonderful Times

p 44
Wonderful, Wonderful Times (1990)

“What can art accomplish? The purpose of art is to accumulate the human within the human being.”

Svetlana Alexievich (1948) Belarusian investigative journalist and non-fiction prose writer

Speech at the Nobel Banquet https://www.nobelprize.org/nobel_prizes/literature/laureates/2015/alexievich-speech_en.html (10 December 2015)

“It would be calamitous, indeed, if at this time when the art is in its infancy and the vast majority, not excepting even experts, have no conception of its ultimate possibilities, a measure would be rushed through the legislature making it a government monopoly. …universal evidence unmistakably shows that the best results are always obtained in healthful commercial competition.”

Nikola Tesla (1856–1943) Serbian American inventor

My Inventions (1919)

Health, Universe, Time

“Cybernated art is very important, but art for cybernated life is
more important, and the latter need not be cybernated....
Cybernetics, the science of pure relations, or relationship
itself, has its origin in karma...
The Buddhists also say
Karma is samsara
Relationship is metempsychosis”

Nam June Paik (1932–2006) American video art pioneer

Nam June Paik, “Cybernated Art,” in Manifestos, Great Bear Pamphlets, (New York: Something Else Press, 1966), p. 24; Quoted in: Edward A. Shanken, " Cybernetics and Art: Cultural Convergence in the 1960s http://www.artexetra.com//CyberneticsArtCultConv.pdf," in: From Energy to Information: Representation in Science, Technology, Art, and Literature, Stanford University Press, Bruce Clarke and Linda Dalrymple Henderson (eds.), 2002. 1960s

Life, Science

“Pimen [writing in front of a sacred lamp]:
One more, the final record, and my annals
Are ended, and fulfilled the duty laid
By God on me a sinner. Not in vain
Hath God appointed me for many years
A witness, teaching me the art of letters;
A day will come when some laborious monk
Will bring to light my zealous, nameless toil,
Kindle, as I, his lamp, and from the parchment
Shaking the dust of ages will transcribe
My true narrations.”

Aleksandr Pushkin Boris Godunov

(Variant translation):
One more story, just one more,
And then my history's completed,
All my chronicles written down
And my sinner's debt repaid to God.
Not for nothing.
The Lord appointed me to bear witness
For many many years and it was he
Taught me the art of creating books.
One day, in the far future,
some hard-working monk
Will find my painstaking,
anonymous writings.
He'll light his lamp,
as I light mine,
He'lll shake the dust of centuries from these scrolls.
Then he'll copy out, carefully, these true accounts,
So the descendants of today's Christians
May know the past of their native land
Remember their mighty Tsars warmly
For their glory and their knidness
And our Lord's mercy on their sins and crimes.
In my old age I live my life anew.
Pushkin, Alexander (2012). Pushkin's Boris Gudunov. Oberon Books.
Boris Godunov (1825)

God, Age, Light

“Then the case is the same in all the other arts for the orator and his rhetoric; there is no need to know the truth of the actual matters, but one merely needs to have discovered some device of persuasion which will make one appear to those who do not know to know better than those who know.”

Plato (-427–-347 BC) Classical Greek philosopher

Gorgias

Truth, Appearance

“I like to work alone, because it irritates me if people say something stupid — I just can’t stand it… I have a Polish guy who comes in and cleans the studio, but pretty much no one else. [talking over a cappuccino, at the Museum of Modern Art New York, during her show there in 2013]”

Isa Genzken (1948) German sculptor

after 2010, No, It Isn't Supposed to Be Easy' (2013)

People, Stupidity, Guy

“A man that has a taste of music, painting, or architecture, is like one that has another sense, when compared with such as have no relish of those arts.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 93 (16 June 1711).
The Spectator (1711–1714)

Music, Sense, Painting

“Thou art like a philosopher of the heart.”

Thomas the Apostle Apostle of Jesus Christ

13, Matthew’s words to Yeshua
Gospel of Thomas (c. 50? — c. 140?)

Heart

“It is the glory and good of Art
That Art remains the one way possible
Of speaking truth,—to mouths like mine, at least.”

Robert Browning The Ring and the Book

Book XII: The Book and the Ring, line 842.
The Ring and the Book (1868-69)

Truth, Way

“I don't know if I'm making myself clear, but if I were to accept this business of conceptual art I would have no reason to exist.”

Jannis Kounellis (1936–2017) Greek painter, sculptor and professor of arts

Quoted in Kristine Stiles & Peter Howard Selz: Theories and documents of contemporary art (1996) P.671

Business

“I've have tried to take from everybody [every artist in American Abstract Expressionism ]... I can't close my eyes or limit my experiences... Because I live now, I am more interested in art now. It's different as any art is different from period to period. But it's no better or worse.”

Joan Mitchell (1925–1992) American painter

Quote in 'Art News', September 1958, p. 41; as cited in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 69
1950 - 1975

“And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.”

Karlheinz Stockhausen (1928–2007) German composer

Interview by Iara Lee for the film Modulations http://www.furious.com/perfect/stockhauseninterview.html (August 1997) Attributed

Music, Intelligence, Sense

“It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Source: 1970s and later, Themes and Conclusions (1982), p. 188.

Music, Nature, Reality

“We, by our arts may be called the grandsons of God.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

God

“The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
1920s, The Arts', New York, May 1923

Idea, Painting

“Fantasy is a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most potent.”

John Ronald Reuel Tolkien book On Fairy-Stories

On Fairy-Stories (1939)

“The art of medicine consists of amusing the patient while nature cures the disease.”

Voltaire (1694–1778) French writer, historian, and philosopher

According to The Veterinarian (Monthly Journal of Veterinary Science) for 1851, edited by Mr. Percivall, this is Ben Jonson's "satirical definition of physic".
Misattributed

Disease, Nature

“Religion can get on with any sort of astronomy, geology, biology, physics. But it cannot get on with a purposeless and meaningless universe. If the scheme of things is purposeless and meaningless, then the life of man is purposeless and meaningless too. Everything is futile, all effort is in the end worthless. A man may, of course, still pursue disconnected ends, money, fame, art, science, and may gain pleasure from them. But his life is hollow at the center. Hence the dissatisfied, disillusioned, restless, spirit of modern man.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p.7-6.

Life, Money, Pleasure, Religion

“In Art, the public accept what has been, because they cannot alter it, not because they appreciate it. They swallow their classics whole, and never taste them. They endure them as the inevitable, and, as they cannot mar them, they mouth about them…A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry and bewildered that they always use two stupid expressions - one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

Stupidity, Beauty, Appearance

“By the approach through abnormality we have succeeded in penetrating most deeply into the darkness of human nature … The literary person should be the last person to be surprised at this fact. Sooner might he be surprised that he, considering his strong generally and individual tendency, should have so late become aware of the close sympathetic relations which connected his own existence with psychoanalytic research and the life-work of Sigmund Freud. I realized this connection only at a time when his achievement was no longer thought of as merely a therapeutic method, whether recognized or disputed; when it had long since outgrown his purely medical implications and become a world movement which penetrated into every field of science and every domain of the intellect: literature, the history of art, religion and prehistory; mythology, folklore, pedagogy, and what not.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Freud and the Future (1937)

Life, World, Religion, History

“To conquer by sheer force is becoming harder and harder every day. Defensive is getting continuously the advantage of offensive, as we progress in the satanic science of destruction. The new art of controlling electrically the movements and operations of individualized automata at a distance without wires, will soon enable any country to render its coasts impregnable against all naval attacks.”

Nikola Tesla (1856–1943) Serbian American inventor

A Means for Furthering Peace (1905)

Science, Country

“Originality is the fine art of remembering what you hear but forgetting where you heard it.”

Laurence J. Peter (1919–1990) Canadian eductor

Source: Peter's Quotations: Ideas for Our Time (1977), p. 362

Forgetting, Funny

“When thy enemy stretches out his hand to thee, cut it off if thou art able, otherwise kiss it.”

Al-Mansur (714–775) the second Abbasid Caliph

History of the Caliphs, p.275

Kiss

“Can you by humble faith look to Jesus and say: "My substitute, my refuge, ray shield; Thou art my rock, my trust; in Thee do I confide? "Then, beloved, to you I have nothing to say, except this: " Never be afraid when you see God's power; for now that you are forgiven and accepted, now that by faith you have fled to Christ for refuge, the power of God need no more terrify you than the shield and sword of the warrior need terrify his wife and child."”

Charles Spurgeon (1834–1892) British preacher, author, pastor and evangelist

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 591.

God, Faith, Confidence, Christ

“In the past, the virtue of women's writing often lay in its divine spontaneity … But it was also, and much more often, chattering and garrulous … In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.”

Virginia Woolf (1882–1941) English writer

"Women and Fiction"
Granite and Rainbow (1958)

Women, Men, Books, Literature

“What part should nature play in a work of art? Where should the line be drawn? And from the standpoint of practical procedure - should one work directly from nature or merely study and remember it? Too much freedom frightens me, poor imitator that I am, and yet my head is filled with so many images evoked by what I see around me at all times that nature seems insignificant and banal.”

Paul Sérusier (1864–1927) French painter

Quote from a letter to Maurice Dennis, 1889; as quoted by John Rewald in Pierre Bonnard; MoMA - distribution, Simon & Schuster, New York, 1918, p. 14 - note 7

Nature, Study, Freedom, Time

“For art to be art it has to cure.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Psychomagic: The Transformative Power of Shamanic Psychotherapy (2010)

“The following week, when he Toulmouche passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn around, inclining his serious face with a satisfied air and I heard him say to me while smiling: "Not bad, not at all bad this, but it is too much like the real model. You have a stocky man and you depict him as stocky… Nature, my friend, serves well as a means to study but offers no real interest. Style is the only thing that matters." I was flabbergasted. The truth, life, nature - all that provoked emotions in me - all that constituted for me the real essence and the unique "raison d'être" of art, did not exist for this man!”

Claude Monet (1840–1926) French impressionist painter

Quote from Claude Monet par lui-meme – an interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in 'Le Temps newspaper', 26 November 1900.
About Toulmouche, Monet first painting-teacher in Paris c. 1857
1900 - 1920

Life, Truth, Smile, Nature

“I have come to the conclusion that a work of art restricted to what the artist has put in it is only a part of itself. It only attains full stature with what people and time make of it. It involves the whole complex of human relation to life. It is a mode of thinking, acting, perceiving and living.”

Naum Gabo (1890–1977) Russian sculptor

Quote, 1937; in Gabo's letter to Herbert Read; cited in: Cyril Connolly (1944) Horizon: a review of literature and art. Vol 9-10. p. 58
1936 - 1977

Life, People, Thinking, Time

“The only influences in [the painting 'The sick Child', Munch painted in his elderly home, remembering very accurate the last days of his dying little sister Sophie] 'The sick Child'.... were the ones that come from my home.... my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children.... few painters have ever experienced the full grief of their subject as I did in 'The sick child.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

It was not just I who was suffering; it was all my nearest and dearest as well.
Edvard Munch talks to Jens Tiis, c. 1933, Munch Museum; as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 85-86
after 1930

Children, Home, Understanding, Sister

“Any scientific treatment of the history of art must encompass not only the concepts of ‘social class’ and ‘class struggle, but also all the terms which describe particular social groups such as social category, autonomous fraction of a class, fraction of a class, and social stratum.”

Nicos Hadjinicolaou (1938) Art historian of Marxist-methodology and historian of visual ideology; El Greco scholar and Professor, El Greco …

Art History And Class Struggle (1978)

History

“My real fans understand what it is I do, but on another level I have fans who just love my music and don’t know I write it and enjoy it shallowly — and that’s OK too. I think art and music should be just as powerful if you drink it shallow as if you drink it deep.”

Lady Gaga (1986) American singer, songwriter, and actress

The world goes crazy for Lady Gaga (2009)

Love, Music, Drink, Understanding

“All art needs this visible world and will always need it. Quite simply because, being accessible to all, it is the key to all other worlds. ** Quote from Zeichnungen von E. L. Kirchner, (under his pseudonym de:Louis de Marsalle) E. L. Kirchner, Genius 2, Book 2, 1921, 216-234, reprinted by National Gallery, Washington D. C. 2003, p. 226”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

1920's

Books, World, Quotes

“How deeply the perverse Jewish spirit has penetrated German cultural life is shown in the frightening and horrifying forms of the Exhibition Of Degenerate Art in München ….. This has nothing at all to do with the suppression of artistic freedom and modem progress. On the contrary, the botched art works which were exhibited there and their creators are of yesterday and before yesterday. They are the senile representatives, no longer to be taken seriously, of a period that we have intellectually and politically overcome and whose monstrous, degenerate creations still haunt the field of the plastic arts in our time.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Von der Großmacht zur Weltmacht on the seizure of thousands of works of German art. (26 November 1937)
1930s

Life, Freedom, Time

“At that time (last spring) [U. S., 1928] I did not consider this medium to be of any signal importance in the world of art; merely a very amusing stunt cleverly executed.... however, wishing to return to Paris, I felt it would be quite justifiable to have an exhibition here, where "clever stunts" are highly appreciated, so I came over 3 months ago and set to work, carving wood and twisting wire. These new studies in wire, however, did not remain the simple modest little things I had done in New York. They are still simple, more simple than before; and therein lie the great possibilities which I have only recently come to feel for the wire medium.”

Alexander Calder (1898–1976) American artist

1920s, Statement on Wire Sculpture' (1929)

Lie, World, Feeling, Spring

“Every form of catechesis would do well to attend to the “way of beauty” (via pulchritudinis). Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendour and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. This has nothing to do with fostering an aesthetic relativism which would downplay the inseparable bond between truth, goodness and beauty, but rather a renewed esteem for beauty as a means of touching the human heart and enabling the truth and goodness of the Risen Christ to radiate within it. If, as Saint Augustine says, we love only that which is beautiful, the incarnate Son, as the revelation of infinite beauty, is supremely lovable and draws us to himself with bonds of love. So a formation in the via pulchritudinis ought to be part of our effort to pass on the faith. Each particular Church should encourage the use of the arts in evangelization, building on the treasures of the past but also drawing upon the wide variety of contemporary expressions so as to transmit the faith in a new “language of parables”. We must be bold enough to discover new signs and new symbols, new flesh to embody and communicate the word, and different forms of beauty which are valued in different cultural settings, including those unconventional modes of beauty which may mean little to the evangelizers, yet prove particularly attractive for others.”

Pope Francis (1936) 266th Pope of the Catholic Church

Section 167
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Love, Life, Truth, Faith

“It is better to be a live jackal than a dead lion--for jackals, not men. Men who have the moral courage to fight intelligently for freedom have the best prospects of avoiding the fate of both live jackals and dead lions. Survival is not the be-all and end-all of a life worthy of man. Sometimes the worst we can know about a man is that he has survived. Those who say life is worth living at any price have already written for themselves an epitaph of infamy, for there is no cause and no person they will not betray to stay alive. Man's vocation should be the use of the arts of intelligence in behalf of human freedom.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

Life, Men, Fate, Intelligence

“In general, the art of government consists in taking as much money as possible from one party of the citizens to give to the other.”

Voltaire (1694–1778) French writer, historian, and philosopher

En général, l’art du gouvernement consiste à prendre le plus d’argent qu’on peut à une grande partie des citoyens, pour le donner à une autre partie.
"Money" (1770)
Citas, Questions sur l'Encyclopédie (1770–1774)

Money

“In order to correctly define art, it is necessary, first of all, to cease to consider it as a means to pleasure and consider it as one of the conditions of human life. …Reflecting on it in this way, we cannot fail to observe that art is one of the means of affective communication between people.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

Life, People, Pleasure, Way

“I started selling my portraits. Sizing up my customer, I charged ten or twenty francs a caricature, and it worked like a charm. Within a month my clientele had doubled. Had I gone on like that I'd be a millionaire today. Soon I was looked up to in the town, I was 'somebody'. In the shop-window of the one and only frame-maker who could make out a livelihood in Le Havre, my caricatures were impudently displayed, five or six abreast, in beaded frames or behind glass like very fine works of art, and when I saw troops of bystanders gazing at them in admiration, pointing at them and crying 'Why, that's so-and-so!', I was just bursting with pride.”

Claude Monet (1840–1926) French impressionist painter

after Monet's death
Source: Denis Rouart (1972) Claude Monet, p. 22 : About the first steps in his career

Cry

“Modernistic-Abstractionist-Art… consists of 75% explanation and 25% God knows what!”

Maxfield Parrish (1870–1966) American painter and illustrator

Statement to William O. Chessman (27 March 1936); as quoted in Maxfield Parrish by Coy Ludwig (1997)

God

“The truth comes as conqueror only because we have lost the art of receiving it as guest.”

Rabindranath Tagore (1861–1941) Bengali polymath

The Fourfold Way of India (1924); this has become paraphrased as "Truth comes as conqueror only to those who have lost the art of receiving it as friend."

Truth

“I don't take art as seriously as politics.”

Orson Welles (1915–1985) American actor, director, writer and producer

“O thou that rollest above, round as the shield of my fathers! Whence are thy beams, O sun! thy everlasting light? Thou comest forth in thy awful beauty; the stars hide themselves in the sky; the moon, cold and pale, sinks in the western wave; but thou thyself movest alone. Who can be a companion of thy course? The oaks of the mountains fall; the mountains themselves decay with years; the ocean shrinks and grows again; the moon herself is lost in heaven: but thou art for ever the same, rejoicing in the brightness of thy course. When the world is dark with tempests, when thunder rolls and lightning flies, thou lookest in thy beauty from the clouds, and laughest at the storm. But to Ossian thou lookest in vain, for he beholds thy beams no more: whether thy yellow hair flows on the eastern clouds, or thou tremblest at the gates of the west. But thou art, perhaps, like me, for a season; thy years will have an end. Thou shalt sleep in thy clouds, careless of the voice of the morning. Exult then, O sun, in the strength of thy youth!”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Carthon", pp. 163–164
The Poems of Ossian

Youth, World, Beauty, Mountain

“I'm going to change the way martial arts is viewed. I'm going to change the game. I'm going to change the way people approach fighting.”

Conor McGregor (1988) Irish mixed martial artist and boxer

As quoted in "15 Best Conor McGregor Quotes" http://www.foxsportsasia.com/news/15-best-conor-mcgregor-quotes/, FOX Sports Asia 2010s, 2014

People, Way, Game, Change

“The arts in every field — music, drama, sculpture, painting — we can learn to appreciate and enjoy. We need not be artists, but we should be able to appreciate the work of artists.”

Eleanor Roosevelt My Day

5 November 1958
My Day (1935–1962)

Music, Learning, Painting

“Real art must always involve some witchcraft.”

Karen Blixen (1885–1962) Danish writer

Letters from Africa: 1914-1931 (1981) edited by Frans Lasson, translated by Anne Born.

“The last few years have been marked by an inverted millenarianism in which premonition of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that (the end of ideology, art, or social class; the "crisis" of Leninism, social democracy, or the welfare state, etc., etc.,); taken together, all of these perhaps constitute what is increasing called postmodernism.”

Fredric Jameson (1934) American academic

Source: Postmodernism: Or, The Cultural Logic of Late Capitalism (1991), Chapter One: The Cultural Logic Of Late Capitalism

Democracy, Sense, Future

“Man of science seeks to resolve the links between art, aesthetics, and the science. The man of science …seeks to resolve [nature’s] infinite complexities in to a few simple principles or elements of action which he calls the laws of nature. In doing this, like the exponents of other forms of art, subjects himself to a rigorous discipline, the rules of which he had laid down for himself and which he calls logic …. Science… Is a fusion of man’s aesthetic and intellectual functions devoted to the representations of nature. It is therefore the highest form of creative art.”

C. V. Raman (1888–1970) Indian physicist

[Parameswaran, Uma, C.V. Raman: A Biography, http://books.google.com/books?id=RbgXRdnHkiAC, 2011, Penguin Books India, 978-0-14-306689-7] page=xiv

Law, Nature, Science

“The energy to manufacture Art doesn't come merely from the superficial darshan (philosophy) of objects; nor from mere intellect and knowledge; but it comes from those subtle conscience, which finds emotional caressing from divine experience climbing above bestial eyes. The beast merely looks and remains satisfied, but man tries to touch the heart of everything. The superficial understandings do not satisfy him, in the world containing form-relation and conscience he cannot remain satisfied though philosophy. He tries to connect the things seen and experienced in his mind and outer nature with eternal and true and tries to touch them with the help of relation and support of chief reason.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

कला र जीवन (Art and Life)
Art and Life

World, Understanding, Support, Nature

“The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Remarks on Poetry in The Art of Poetry (1958)

Nature, Effort

“The noble art of losing face
may some day save the human race
and turn into eternal merit
what weaker minds would call disgrace.”

Piet Hein (1905–1996) Danish puzzle designer, mathematician, author, poet

Losing Face
Grooks

“I am only interested in painting the actual person; in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.”

Lucian Freud (1922–2011) British painter and engraver

Lucian Freud: Paintings (1987), p. 20
Lucian Freud : Paintings (1987)

Painting, Personality

“…the Englishman, George Best, who was an amazing footballer in his day but at the same time he was a bum and a drunk – a bohemian. Because of his soccer art though, he had a royal funeral.”

George Best (1946–2005) British footballer

Dragoslav Šekularac,
quoted in interview with ['Get Out of Here, I am Sekularac', Prvoslav Vujcic, http://www.urbanbookcircle.com/get-out-of-here-i-am-sekularac-by-prvoslav-vujcic.html, Urban Book Circle, 2006-05-01, 2016-05-15]
About

Time, Football

“Why is art beautiful? Because it's useless. Why is life ugly? Because it's all ends and purposes and intentions.”

Fernando Pessoa book The Book of Disquiet

Ibid., p. 279
The Book of Disquiet
Original: Porque é bela a arte? Porque é inútil. Porque é feia a vida? Porque é toda fins e propósitos e intenções.

Life, Beauty

“Art is not to be looked at. Art is looking at us. What is art to others is not necessarily art to me. Nor for the same reason and vice versa. What was art to me or was not some time ago might have lost that value or gained it in the meantime and maybe again though art is not an object but experience. To be able to perceive it we need to be receptive. Therefore art is there where art meets us now. The content of art is visual formulation of our relation to life. The measure of art, the ratio of effort to effect, the aim of art revelation and evocation of vision.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Life, Effort, Time

“I find poetic links, the logic of poetry in cinema, extraordinarily pleasing. They seem to me perfectly appropriate to the potential of cinema as the most truthful and poetic of art forms. Certainly I am more at home with them than with traditional theatrical writing which links images through the linear rigid logical development of plot. That sort of fussily correct way of linking events usually involves arbitrarily forcing them into sequence in obedience to some abstract notion of order. And even when this is not so, even when the plot is governed by the characters, one finds that the links which hold it together rest on a facile interpretation of life's complexities.”

Andrei Tarkovsky book Sculpting in Time

Sculpting in Time (1986)

Life, Truth, Way, Home

“Without some affinity in human ideas art would certainly be impossible; but it can never be exactly determined how far the intentions of the poet are realized.”

Gottlob Frege Sense and reference

Gottlob Frege (1892). On Sense and Reference.
Über Sinn und Bedeutung, 1892

Idea

“What is art but the denial of life?”

Fernando Pessoa book The Book of Disquiet

Ibid., p. 174
The Book of Disquiet
Original: Que é a arte senão a negação da vida?

Life

“To live lightheartedly but not recklessly; to be gay without being boisterous; to be courageous without being bold; to show trust and cheerful resignation without fatalism — this is the art of living.”

Jean De La Fontaine (1621–1695) French poet, fabulist and writer.

As quoted in From Grandmother with Love (2005) by Becky Kelly and Patrick Regan, p. 53.

Courage

“With the precision of a hummingbird's heart
Was the lord of the monarch butterflies
One-time ruler of the world of art”

Joan Baez (1941) American singer

Caruso
Gulf Winds (1976)

World, Time, Heart

“If the art of war were nothing but the art of avoiding risks, glory would become the prey of mediocre minds…. I have made all the calculations; fate will do the rest.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Statement at the beginning of the 1813 campaign, as quoted in The Mind of Napoleon (1955) by J. Christopher Herold, p. 45

Fate, War

“Without art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Sec. 78
The Gay Science (1882)

Reality, Appearance

“To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art – this is my goal. (Gustave Courbet, 1855) - note”

Gustave Courbet (1819–1877) French painter

Courbet wrote this 'Realist manifesto' for the introduction to the catalogue of his independent, personal exhibition at the Pavilion of Realism in Paris, outside the 1855 Universal Exhibition. His text is echoing the tone of the period's political manifestos of those days
1840s - 1850s, Realist Manifesto', 1851/1855

Idea, Appearance, Time

“good art means the ability of any one man to pin down in some permanent and intelligible medium a sort of idea of what he sees in Nature that nobody else sees. In other words, to make the other fellow grasp, through skilled selective care in interpretative reproduction or symbolism, some inkling of what only the artist himself could possibly see in the actual objective scene itself.”

H.P. Lovecraft (1890–1937) American author

Letter to Woodburn Harris (25 February-1 March 1929), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 487
Non-Fiction, Letters

Intelligence, Idea, Nature

“Leonardo is the Hamlet of art history whom each of us must recreate for himself.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Leonardo da Vinci (1939), Ch. Nine: 1513-1519

History

“We do not need to explain how the Aryans entered and settled in the Dravidian country (tira¯vit»a na¯» t»u), and subjugated and oppressed the Dravidians. Nor do we need to explain how before the Aryans entered the Dravidian country, the Dravidian country had a civilization and arts of the highest rank.”

Periyar E. V. Ramasamy (1879–1973) Tamil politician and social reformer

Periyar in Periyar & Pseudohistory Thanthai Periyar EVR http://www.thanthaiperiyar.org/special-pages/pseudohistory/ a pseudohistorical propaganda. Aryanism

Country

“If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world.”

Marilyn Manson (1969) American rock musician and actor

Interview on The Henry Rollins Show

People, World, Religion

“The way that we behave contains way more information than we know. And part of the dream that surrounds our articulated knowledge has been extracted as a consequence of us watching each other behave, and telling stories about it over thousands and thousands and thousands of years, extracting out patterns of behavior that characterize humanity, and trying to represent them party through imitations but also through drama, mythology, and literature, and art, and all of that – to represent what we're like so we can understand what we're like. That process of understanding is what we see unfolding at least in part in the Biblical stories. It's halting and partial and awkward and contradictory and all of that, which is one of the things that makes it so complex, but I see in it the struggle of humanity to rise above its animal forebears and to become conscious of what it means to be human, and that's a very difficult thing.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Dreams, Way, Behavior, Literature

“Because I'm a person who always has to do something. If I cannot do anything, I'm in a very bad way. But really I'm always working on something. And I always want to work, too. Well, the few artists I know really well, they are all so... It's a really bad block when you think, right, now I've got to do art. It really is very important to learn that that is not the most important thing.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Way, Thinking, Learning, Personality

“Whitman’s masterpiece, his whole vision, is exactly about this: life as a quest for truth, love, beauty, goodness, and freedom; life as the art of becoming human through the cultivation of the human soul.”

Rob Riemen (1962) Dutch philosopher

Source: Nobility of Spirit : A Forgotten Ideal (2008), p. xxvii

Love, Life, Truth, Beauty

“Art is always and everywhere the secret confession, and at the same time the immortal movement of its time.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Paraphrased and misattributed, actually from "Die Musik des neunzehnten Jahrhunderts und ihre Pflege: Methode der Musik" ("The Music of the Nineteenth Century, and its Culture") by Adolf Bernhard Marx: "Die Kunst ist stets und überall das geheime Bekenntnis und unsterbliche Denkmal ihrer Zeit." ("Art is always and everywhere the secret confession as well as the undying monuments of its time.").
Misattributed

Secret, Time

“When I say that I can write nothing but weird fiction, I am not trying to exalt that medium but am merely confessing my own weakness. The reason I can't write other kinds is not that I don't value & respect them, but merely that my slender set of endowments does not enable me to extract a compellingly acute personal sense of interest & drama from the natural phenomena of life. I know that these natural phenomena are more important & significant than the special & tenuous moods which so absorb me, & that an art based on them is greater than any which fantasy could evoke—but I'm simply not big enough to react to them in the sensitive way necessary for artistic response & literary use. God in heaven! I'd certainly be glad enough to be a Shakespeare or Balzac or Turgeniev if I could!... I respect realism more than any other form of art—but must reluctantly concede that, through my own limitations, it does not form a medium which I can adequately use.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffman Price (29 September 1933), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 579
Non-Fiction, Letters, to E. Hoffmann Price

Life, God, Way, Mood

“To give every child the chance to be educated is a gift of promise. A gift of wonderment. A gift that opens up possibilities that can transform lives and develop thinkers, leaders, and creators of great art.”

Mozah bint Nasser Al Missned (1958) wife of Sheikh Hamad bin Khalifa Al Thani

Speech at Jazz at Lincoln Centre; quoted on official website http://www.mozabintnasser.qa/en/Pages/ArticlePreview.aspx?ArticleGuid=de04d373-9eaa-46c8-9f4d-033ff7b8fe1f&Type=Speech# (May 16 2013)

Education, Chance

“So art lies hid by its own artifice.”

Ovid Metamorphoses

Book X, 252
Metamorphoses (Transformations)

“Each work of art generate its own rules”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Singing School

“Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!”

Friedrich Nietzsche book The Birth of Tragedy

Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54

Death, God, Happiness, Age

“O neglectful Nature, wherefore art thou thus partial, becoming to some of thy children a tender and benignant mother, to others a most cruel and ruthless stepmother? I see thy children given into slavery to others without ever receiving any benefit, and in lieu of any reward for the services they have done for them they are repaid by the severest punishments.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

Children, Nature

“What Art was to the ancient world, Science is to the modern: the distinctive faculty. In the minds of men the useful has succeeded to the beautiful. …There are great truths to tell, if we had either the courage to announce them or the temper to receive them.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Book 4, Chap. 1.
Books, Coningsby (1844)

Men, Truth, World, Beauty