Quotes about art (5825 quotes, page 6) | Quotes of famous people

“That which is static and repetitive is boring. That which is dynamic and random is confusing. In between lies art.”

John Locke (1632–1704) English philosopher and physician

This statement has been attributed to John A. Locke, but John Locke did not have a middle name. The words "dynamic," "boring" and "repetitive," found in this quote, were not yet in use in Locke's time. (See The Online Etymology Dictionary http://www.etymonline.com/abbr.php.) John A. Locke is listed on one site as having lived from 1899 to 1961; no more information about him was available.
Misattributed

“Each of our moral, mental, and bodily powers must have its development based upon its own nature, and not based upon artificial and outside influences. Faith must be developed by exercises in believing and cannot be developed from the knowledge and understanding, only, of what is to be believed; thought must grow from thinking, for it cannot come simply from the knowledge and understanding of what is to be thought, or the laws of thought; love must be developed by loving, for it does not arise merely from a knowledge and understanding of what love is and of what ought to be loved; art, also, can only be cultivated through doing artistic work and acquiring skill, for unending discussion of art and skill will not develop them. Such a return to the true method of Nature in the method of the development of our powers necessitates the subordination of education to the knowledge of the various laws which govern those powers.”

Johann Heinrich Pestalozzi (1746–1827) Swiss pedagogue and educational reformer

Address to his household, Yverdon, Switzerland, on his seventy-second birthday (1818-01-12)

Love , Education , Faith , Law

“No art is superior to another one, but every art looks for expertise and perfection. This is life, which continues; this is why there is no death. There is continuation. There is no silence. There is a continuation of thought.”

Marcel Marceau (1923–2007) French mime and actor

Interview The Lantern (5 April 2001)

Life , Death , Silence , Perfection

“As geological time goes, it is but a moment since the human race began and only the twinkling of an eye since the arts of civilization were first invented. In spite of some alarmists, it is hardly likely that our species will completely exterminate itself. And so long as man continues to exist, we may be pretty sure that, whatever he may suffer for a time, and whatever brightness may be eclipsed, he will emerge sooner or later, perhaps strengthened and reinvigorated by a period of mental sleep. The universe is vast and men are but tiny specks on an insignificant planet. But the more we realize our minuteness and our impotence in the face of cosmic forces, the more astonishing becomes what human beings have achieved.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

"If We are to Survive this Dark Time", The New York Times Magazine (3 September 1950)
1950s

Men , Sleep , Suffering , Universe

“It seems to me now that mathematics is capable of an artistic excellence as great as that of any music, perhaps greater; not because the pleasure it gives (although very pure) is comparable, either in intensity or in the number of people who feel it, to that of music, but because it gives in absolute perfection that combination, characteristic of great art, of godlike freedom, with the sense of inevitable destiny; because, in fact, it constructs an ideal world where everything is perfect and yet true.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Letter to Gilbert Murray, April 3, 1902
1900s

People , Pleasure , World , Music

“The art road is paved with thorns.”

Layal Abboud (1982) Lebanese pop singer

June 10, 2009; alkhaleej.ae http://www.alkhaleej.ae/supplements/page/9522cefb-de34-4270-a674-ae2dd76da0ad
2009

“Religion and art spring from the same root and are close kin. Economics and art are strangers.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

Willa Cather, "Four Letters: Escapism" first published in Commonweal (17 April 1936)
Misattributed

Religion , Spring

“So living Nature, not dull Art,
Shall plan my ways and rule my heart.”

John Henry Newman (1801–1890) English cleric and cardinal

Nature and Art http://www.newmanreader.org/works/verses/verse5.html, st. 12 (1868).

Way , Nature , Heart

“When I began the following Work, my only object was to extend and explain more fully the Memoir which I read at the public meeting of the Academy of Sciences in the month of April 1787, on the necessity of reforming and completing the Nomenclature of Chemistry. While engaged in this employment, I perceived, better than I had ever done before, the justice of the following maxims of the Abbé de Condillac, in his System of Logic, and some other of his works. "We think only through the medium of words.—Languages are true analytical methods.—Algebra, which is adapted to its purpose in every species of expression, in the most simple, most exact, and best manner possible, is at the same time a language and an analytical method.—The art of reasoning is nothing more than a language well arranged."”

Antoine Lavoisier (1743–1794) French chemist

Source: Elements of Chemistry (1790), p.xiii

Justice , Thinking , Science , Time

“In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.”

Vladimir Nabokov book Bend Sinister

Source: Bend Sinister (1963), p. x.

“I think the art of filmmaking is something you learn through actions, by doing it, not by learning theories. And as you do it, your mind starts to change.”

Alejandro Jodorowsky (1929) Filmmaker and comics writer

Anarchy and Alchemy: the Films of Alejandro Jodorowsky by Ben Cobb (2007) p. 115

Thinking , Learning , Change

“This most modern art discipline - Social Sculpture / Social Architecture - will only reach fruition when every living person becomes a creator, a sculptor, or architect of the social organism.”

Joseph Beuys (1921–1986) German visual artist

1970's, I Am Searching For Field Character,' 1973/74

Personality

“.. poor art for poor people [his critic on social realism art in America]”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 6

People

“In art [the Chinese] aim at being exquisite, and in life at being reasonable.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

The Problem of China (1922), Ch. XI: Chinese and Western Civilization Contrasted
1920s

Life

“I have neither time to live nor to write. I am therefore cheating my art by stealing a few evening hours to write this most inadequate and negligent reply to the courteous and elegant letters of yours.”

Peter Paul Rubens (1577–1640) Flemish painter

In a letter to his friend Peiresc, Dec. 1634 - LPPR, 393; as quoted by Simon Schrama, in Rembrandt's eyes, Alfred A. Knopf - Borzoi Books, New York 1999, p. 403
At a speed which was daunting even for someone of his facility, Rubens was asked to supply the designs for four stages and five triumphal arches in the city Antwerp. Though he could rely on his scholarly friends for help with the allegorical program and his workshop for assistance in fabricating them, he still became 'overburdened' with the work
1625 - 1640

Time , Cheating

“These principles [in art], forgotten over time, were rediscovered by a few geniuses such as Rembrandt, Vélazquez, Délacroix, Corot and Manet. These principles can be deduced from innate principles within us, ideas of harmony, common to all unspoiled men.... these are the laws of harmony and color.”

Paul Sérusier (1864–1927) French painter

Source: from: 'A letter to Maurice Denis, p. 237

Men , Law , Color , Idea

“I have never believed that the securing of material resources ought to form the central interest of human life—but have instead maintained that personality is an independent flowering of the intellect and emotions wholly apart from the struggle for existence. Formerly I accepted the archaic dictum that only a few can be relieved of the engulfing waste of the material struggle in its bitterest form—a dictum which is, of course, true in an agricultural age having scanty resources. Therefore I adopted an aristocratic attitude; regretfully arguing that life, in any degree of fulness, is only for the fortunate few whose ancestors' prowess has given them economic security and leisure. But I did not take the bourgeois position of praising struggle for its own sake. While recognising certain worthy qualities brought out by it, I was too much impressed by its stultifying attributes to regard it as other than a necessary evil. In my opinion, only the leisured aristocrat really had a chance at adequate life—nor did I despise him because he was not forced to struggle. Instead, I was sorry that so few could share his good fortune. Too much human energy was wasted in the mere scramble for food and shelter. The condition was tolerable only because inevitable in yesterday's world of scanty resources. Millions of men must go to waste in order that a few might really live. Still—if those few were not upheld, no high culture would ever be built up. I never had any use for the American pioneer's worship of work and self-reliance for their own sakes. These things are necessary in their place, but not ends in themselves—and any attempt to make them ends in themselves is essentially uncivilised. Thus I have no fundamental meeting-ground with the rugged Yankee individualist. I represent rather the mood of the agrarian feudalism which preceded the pioneering and capitalistic phases. My ideal of life is nothing material or quantitative, but simply the security and leisure necessary for the maximum flowering of the human spirit.... Well—so much for the past. Now we live in an age of easy abundance which makes possible the fulfilment of all moderate human wants through a relatively slight amount of labour. What shall be the result? Shall we still make resources prohibitively hard to get when there is really a plethora of them? Shall we allow antique notions of allocation—"property," etc.—to interfere with the rational distribution of this abundant stock of resources among all those who require them? Shall we value hardship and anxiety and uncertainty so fatuously as to impose these evils artificially on people who do not need to bear them, through the perpetuation of a set of now irrelevant and inapplicable rules of allocation? What reasonable objection is there to an intelligent centralised control of resources whose primary object shall be the elimination of want in every quarter—a thing possible without removing comfortable living from any one now enjoying it? To call the allocation of resources something "uncontrollable" by man—and in an age when virtually all natural forces are harnessed and utilised—is simply infantile. It is simply that those who now have the lion's share don't want any fresh or rational allocation. It is needless to say that no sober thinker envisages a workless equalitarian paradise. Much work remains, and human capacities differ. High-grade service must still receive greater rewards than low-grade service. But amidst the present abundance of goods and minimisation of possible work, there must be a fair and all-inclusive allocation of the chances to perform work and secure rewards. When society can't give a man work, it must keep him comfortable without it; but it must give him work if it can, and must compel him to perform it when it is needed. This does not involve interference with personal life and habits (contrary to what some reactionaries say), nor is the absence of insecurity anything to deplore.... But of course the real need of change comes not from the mere fact of abundant resources, but from the growth of conditions making it impossible for millions to have any chance of getting any resources under the present outworn set of artificial rules. This development is no myth. Machines had displaced 900,000 men in the U. S. before the crash of '29, and no conceivable regime of "prosperity" (where by a few people will have abundant and flexible resources and successfully exchange them among one another) will ever make it possible to avoid the permanent presence of millions of unemployed, so long as old-fashioned laissez-faire capitalism is adhered to.... And so I have readjusted my ideas. … I have gone almost reluctantly—step by step, as pressed by facts too insistent to deny—and am still quite as remote from Belknap's naive Marxism as I am from the equally naive Republican orthodoxy I have left behind. I am as set as ever against any cultural upheaval—and believe that nothing of the kind is necessary in order to achieve a new and feasible economic equilibrium. The best of culture has always been non-economic.”

H.P. Lovecraft (1890–1937) American author

Hitherto it has grown out of the secure, non-struggling life of the aristocrat. In future it may be expected to grow out of the secure and not-so-struggling life of whatever citizens are personally able to develop it. There need be no attempt to drag culture down to the level of crude minds. That, indeed, would be something to fight tooth and nail! With economic opportunities artificially regulated, we may well let other interests follow a natural course. Inherent differences in people and in tastes will create different social-cultural classes as in the past—although the relation of these classes to the holding of material resources will be less fixed than in the capitalistic age now closing. All this, of course, is directly contrary to Belknap's rampant Stalinism—but I'm telling you I'm no bolshevik! I am for the preservation of all values worth preserving—and for the maintenance of complete cultural continuity with the Western-European mainstream. Don't fancy that the dethronement of certain purely economic concepts means an abrupt break in that stream. Rather does it mean a return to art impulses typically aristocratic (that is, disinterested, leisurely, non-ulterior) rather than bourgeois.
Letter to Clark Ashton Smith (28 October 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 60-64
Non-Fiction, Letters

Life , Men , People , Age

“a remark of Monet, quoted by Ambroise Vollard, as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET'; K. E. Sullivan, Brockhamptonpress, London 2004, p. 44”

Claude Monet (1840–1926) French impressionist painter

the sun went that day too far already, to be able to finish the painting well - in Monet's opinion
after Monet's death

Life , World , Quotes , Time

“The art of governing mankind by deceiving them.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Isaac D'Israeli's Curiosities of Literature has, "Between solid lying and disguised truth there is a difference known to writers skilled in 'the art of governing mankind by deceiving them'; as politics, ill understood, have been defined".
Misattributed, Isaac D'Israeli

“Nothing touches a work of art so little as words of criticism : they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life.”

Rainer Maria Rilke book Letters to a Young Poet

Letter One (17 February 1903)
Letters to a Young Poet (1934)

Life , People

“Foster peace in your own life and then apply the Art to all that you encounter.”

Morihei Ueshiba (1883–1969) founder of aikido

The Art of Peace (1992)

Life , Peace

“Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on.”

Kurt Vonnegut (1922–2007) American writer

Bennington College address (1970)

Love , People , Books , Fraud

“Brother Nabi - to a philosophical letter [he received from Denis ] a philosophical answer... [but] first of all, forgive the incoherence of my last letter. I am feeling remorsed about what I told you about Gauguin. There is no humbug about him, not, at any rate, with respect to those he knows are capable of understanding him. I have lived with him for the past fifteen days in the closest association [in Pont-Aven]. We share a room. I have told him what I dislike about his work; what I said can be regarded as a sally against the ingrained habits of contemporary painting. But let's go back to our philosophy....(a:) Immutable principles exist in art. There is a science, namely aesthetics, that teaches them. Today this science is dead. It was alive in the days of the beatific primitives…”

Paul Sérusier (1864–1927) French painter

Source: from: 'A letter to Maurice Denis, p. 237

Feeling , Forgiveness , Understanding , Science

“Art is a weapon for me, with which I can strike back.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Marc Kayser, art-magazine Quest, Berlin, March 2004

“Art gives me the freedom I don’t have when I make music. In music, you feel a connection to the voice and think about the person behind it. In art that's secondary.”

Marilyn Manson (1969) American rock musician and actor

Regarding his latest art exhibition, as quoted in The Age http://www.theage.com.au/ (30 June 2010).
2010s

Music , Feeling , Thinking , Freedom

“If neither love nor pain
Will ever touch thy heart,
Then only God's in thee,
And then in God thou art”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

Love , God , Pain , Heart

“We may lay it down as an incontestible axiom, that, in all the operations of art and nature, nothing is created; an equal quantity of matter exists both before and after the experiment; the quality and quantity of the elements remain precisely the same; and nothing takes place beyond changes and modifications in the combination of these elements. Upon this principle the whole art of performing chemical experiments depends: We must always suppose an exact equality between the elements of the body examined and those of the products of its analysis.”

Antoine Lavoisier (1743–1794) French chemist

Source: Elements of Chemistry (1790), p. 226

Nature , Change , Dependency

“Tho' lost to sight, to memory dear
Thou ever wilt remain;
One only hope my heart can cheer,—
The hope to meet again.

Oh, fondly on the past I dwell,
And oft recall those hours
When, wandering down the shady dell,
We gathered the wild-flowers.

Yes, life then seemed one pure delight,
Tho' now each spot looks drear;
Yet tho' thy smile be lost to sight,
To memory thou art dear.

Oft in the tranquil hour of night,
When stars illume the sky,
I gaze upon each orb of light,
And wish that thou wert by.

I think upon that happy time,
That time so fondly loved,
When last we heard the sweet bells chime,
As thro' the fields we roved.”

George Linley (1798–1865) British writer

Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.

Love , Life , Smile , Hope

“One might say: art shows us the miracles of nature. It is based on the concept of the miracles of nature.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Culture and Value (1980)

Nature

“Since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art.”

Albrecht Dürer (1471–1528) German painter, printmaker, mathematician, and theorist

The Art of Measurement (1525).

Painting

“Travel within thyself!
The Stone Philosophers with wisest arts Have vainly sought,
cannot be found By travelling in foreign parts.”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

Travel , Parting

“The entire revolutionary movement necessarily finds both its empirical and its theoretical basis in the movement of private property – more precisely, in that of the economy. This material, immediately perceptible private property is the material perceptible expression of estranged human life. Its movement – production and consumption – is the perceptible revelation of the movement of all production until now, i. e., the realisation or the reality of man. Religion, family, state, law, morality, science, art, etc., are only particular modes of production, and fall under its general law. The positive transcendence of private property as the appropriation of human life, is therefore the positive transcendence of all estrangement – that is to say, the return of man from religion, family, state, etc., to his human, i. e., social, existence. Religious estrangement as such occurs only in the realm of consciousness, of man’s inner life, but economic estrangement is that of real life; its transcendence therefore embraces both aspects. It is evident that the initial stage of the movement amongst the various peoples depends on whether the true recognised life of the people manifests itself more in consciousness or in the external world – is more ideal or real. Communism begins where atheism begins (Owen), but atheism is at the outset still far from being communism; indeed it is still for the most part an abstraction. The philanthropy of atheism is therefore at first only philosophical, abstract philanthropy, and that of communism is at once real and directly bent on action.”

Karl Marx book Economic and Philosophic Manuscripts of 1844

Private Property and Communism
Paris Manuscripts (1844)

Life , People , World , Family

“Ethics is in origin the art of recommending to others the sacrifices required for co-operation with oneself.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 6: On the Scientific Method in Philosophy

“Their forms had no more influence on me than they did on Matisse. Or Derain. But for them, the masks were sculptures like all others. When Matisse showed me his first African head, he spoke to me of Egyptian art.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Andre Malraux cites Picasso in: Anatoliĭ Podoksik, ‎Marina Aleksandrovna Bessonova, ‎Pablo Picasso (1989), Picasso: The Artists Work in Soviet Museums. p. 13.
Picasso talking about his discovery of African art.
Attributed from posthumous publications

“If life were enough for vitality, there would be no art.”

Tarik Gunersel (1953) Turkish actor

Oluşmak (To Become) Aphorisms (Pan Publishing House, Istanbul, 2011)

Life

“In the midst of our high-tech, ostentatious, hedonistic lifestyle, among the dazzling monuments to history, art, religion, and commerce, there are the 'black boxes.' These are the biomedical research laboratories, factory farms, and slaughterhouses—faceless compounds where society conducts its dirty business of abusing and killing innocent, feeling beings. These are our Dachaus, our Buchenwalds, our Birkenaus. Like the good German burghers, we have a fair idea of what goes on there, but we don't want any reality checks.”

Alex Hershaft (1934) American activist

From his review of Gail Eisnitz's Slaughterhouse; as quoted in Charles Patterson, Eternal Treblinka: Our Treatment of Animals and the Holocaust (New York: Lantern Books, 2002), p. 145.

Religion , Feeling , History , Idea

“A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is. It has nothing to do with the fact that other people want what they want. Indeed, the moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist, and becomes a dull or an amusing craftsman, an honest or a dishonest tradesman. He has no further claim to be considered as an artist.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

People , Beauty

“The painter goes through states of fullness and evacuation. That is the whole secret of art. I go for a walk in the forest of Fontainebleau. I get 'green' indigestion. I must get rid of this sensation into a picture. Green rules it. A painter paints to unload himself of feelings and visions. People seize on painting to cover up their nakedness. They get what they can wherever they can. In the end I don't believe they get anything at all. They've simply cut a coat to the measure of their own ignorance. They make everything, from God to a picture, in their own image. That is why the picture-hook is the ruination of a painting.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35

God , People , Secret , Feeling

“The word art has in ordinary usage three senses. First, it means the creation of objects or the pursuit of activities called works of art, by people called artists; these works being distinguished from other objects and acts not merely as human products, but as products intended to be beautiful. Secondly, it means the creation of objects or the pursuit of activities called artificial as opposed to natural; that is to say objects created or activities pursued by human beings consciously free to control their natural impulses and to organize their life in a plan. Thirdly, it means that frame of mind which we call artistic, the frame of mind in which we are aware of beauty.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: Outlines of a Philosophy of Art, 1925, p. 7

Life , People , Beauty , Nature

“Buddhism is returning home to India after a long exile of a thousand years and, like the proverbial prodigal son, is being received with open arms. Religious tolerance of the average Hindu partly explains the warm reception. But a more important reason is the fact that Buddha and Buddhism form an intimate part of Hindu consciousness. Buddha was a Hindu. Buddhism is Hindu in its origin and development, in its art and architecture, iconography, language, beliefs, psychology, names, nomenclature, religious vows and spiritual discipline…. Hinduism is not all Buddhism, but Buddhism forms part of the ethos which is essentially Hindu”

Ram Swarup (1920–1998) Indian historian

Buddhism vis-a-vis Hinduism (1958, revised 1984)

Home , Parting

“This two-way transformation proceeds from metaphysical perceptions, for metaphysics is the search for the essential nature of reality. And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality. Such is the magic act which takes place continuously in the development of a work of art. On this and only on this is creation based.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 40
Search for the Real and Other Essays (1948)

Way , Search , Nature , Reality

“As soon as an opinion becomes common it is sufficient reason for men to abandon it and to uphold the opposite opinion until that in its turn grows old, and they require to distinguish themselves by other things. Thus if they attain their goal in some art or science, we must expect them soon to cast it aside to acquire some fresh fame, and this is partly the reason why the most splendid ages degenerate so quickly, and, scarcely emerged from barbarism, plunge into it again.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

Source: Reflections and Maxims (1746), p. 179.

Men , Age , Science

“Painting is concerned with all the ten attributes of sight, namely darkness and brightness, substance and colour, form and place, remoteness and nearness, movement and rest; and it is with these attributes that this my small book will be woven, recalling to the painter by what rules and in what way he ought by his art to imitate all things that are the work of nature and the adornment of the world.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Books , World , Way , Nature

“As an artistic triumph in psychological corruption … the Gospels, in fact, stand alone … Here we are among Jews: this is the first thing to be borne in mind if we are not to lose the thread of the matter. This positive genius for conjuring up a delusion of personal "holiness" unmatched anywhere else, either in books or by men; this elevation of fraud in word and attitude to the level of an art — all this is not an accident due to the chance talents of an individual, or to any violation of nature. The thing responsible is race.”

Friedrich Nietzsche book The Antichrist

Sec. 44
The Antichrist (1888)

Men , Books , Fraud , Nature

“The art of economics consists in looking not merely at the immediate but at the longer effects of any act or policy; it consists in tracing the consequences of that policy not merely for one group but for all groups.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Lesson (ch. 1)

“Appearance should never attain reality,
And if nature conquers, then must art retire.”

Friedrich Schiller (1759–1805) German poet, philosopher, historian, and playwright

To Goethe, when he put Voltaire's Mahomet on the stage (1800)

Nature , Reality , Appearance

“Every socialistic type of government… produces bad art, produces social inertia, produces really unhappy people, and it's more repressive than any other kind of government.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Interview, "My Afternoon with Frank Zappa", Larry Rogak, (New York writer and attorney) Zappa.com (May 8, 1980) http://www.zappa.com/messageboard/viewtopic.php?f=4&t=11831

People

“The art of pleasing is the art of deception.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

Bartlett's Familiar Quotations, 10th ed. (1919)

“What's come to perfection perishes.
Things learned on earth we shall practise in heaven;
Works done least rapidly Art most cherishes.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Old Pictures in Florence, xvii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Learning , Perfection

“I suspect that those of you who pursue more education, or climb the corporate ladder, or enter the arts or sciences or journalism, will still choose a cause you care about in your life and fight like heck to make it happen.
There is a word for this. It’s citizenship. We don’t always talk about this idea much these days, let alone celebrate it. Sometimes, we see it as a virtue from another time – one that’s slipping from a society that celebrates individual ambition; a society awash in instant technology that empowers us to leverage our skills and talents like never before, but just as easily allows us to retreat from the world. And the result is that we sometimes forget the larger bonds we share, as one American family.”

Barack Obama (1961) 44th President of the United States of America

2013, Commencement Address at Ohio State University (May 2013)

Life , World , Education , Family

“To injure an opponent is to injure yourself. To control aggression without inflicting injury is the Art of Peace.”

Morihei Ueshiba (1883–1969) founder of aikido

The Art of Peace (1992)

Peace

“Without electricity, there can be no art.”

Nam June Paik (1932–2006) American video art pioneer

Nam June Paik, (c. 1976) in "Nam June Paik retrospective, Liverpool" by Emma O'Kelly in Wallpaper, 20 December 2010 (at archive.org https://web.archive.org/web/20101222082827/http://www.wallpaper.com/art/nam-june-paik-retrospective-liverpool/5045).
1970s

“What you have here is an example of that well known phenomenon, A Bookshop Assistant Who Knows Buggerall But Won't Admit It (probably some kind of arts graduate).”

Terry Pratchett (1948–2015) English author

Usenet

“Since this art surpasses all human subtelty and the perspecuity of mortal talent and is truly a celestial gift and a very clear test of the capacity of man's minds, whoever applies himself to it will believe that there is nothing that he cannot understand.”

Girolamo Cardano (1501–1576) Italian Renaissance mathematician, physician, astrologer

Source: The Great Rules of Algebra (1968), Ch.1 On Double Solutions in Certain Types of Cases

Understanding

“This was Venice, the flattering and suspect beauty — this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 5, as translated by David Luke

Beauty

“The dialectics of history have already hooked him and will raise him up. He is needed by all of them; by the tired radicals, by the bureaucrats, by the Nepmen, the upstarts, by all the worms that are crawling out of the upturned soil of the manured revolution. He knows how to meet them on their own ground, he speaks their language and he knows how to lead them. He has the deserved reputation of an old revolutionist, which makes him invaluable to them as a blinder on the eyes of the country. He has will and daring. He will not hesitate to utilize them and to move them against the Party. Right now he is organising himself around the sneaks of the party, the artful dodgers.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Statement of 1924 on Joseph Stalin's growing powerbase, in Stalin, An Appraisal Of The Man And His Influence (1966); also in Stalin's Russia 1924-53 by Michael Lynch, p. 18

History , Country

“Art is not a mirror to hold up to society, but a hammer with which to shape it.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Attributed to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9; attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80
Variant translation: Art is not a mirror held up to society, but a hammer with which to shape it.
Disputed

“And from the point of view of art there are no concrete or abstract forms, but only forms which are more or less convincing lies. That those lies are necessary to our mental selves is beyond any doubt, as it is through them that we form our aesthetic point of view of life.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923

Life

“One thing about martial arts: People can say this fight game is dangerous and its brutal but my mind is strong. I'm fit in body and mind and that's something that not a lot of other careers can give to a person.”

Conor McGregor (1988) Irish mixed martial artist and boxer

Setanta Sports interview https://www.youtube.com/watch?v=AaZQw3Dh0K0 (September 2014)
2010s, 2014

People , Game , Strong , Fight

“An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Speech at the Prussian Academy of Art in Berlin (22 January 1929); also in Essays of Three Decades (1942)

Life

“Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women – women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in – older women and younger men.”

Louise Bourgeois (1911–2010) American and French sculptor

Louise Bourgeois, ‎Donald Burton Kuspit (1988). Bourgeois. p. 76: On the art world

Women , Men , Money , World

“The revolution cannot seek to stifle art or culture since one of the goals and fundamental aims of the revolution is to develop art and culture, precisely so that art and culture truly become the patrimony of the people.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

Words to Intellectuals (1961)

People

“"It's a gift!" he said. He was referring to his art, and also to the result; but he was using the word quite literally.”

John Ronald Reuel Tolkien book Leaf by Niggle

Leaf by Niggle (1945)

“The Poet in his Art
Must intimate the whole, and say the smallest part.”

William Wetmore Story (1819–1895) American sculptor, art critic, poet, translator and editor

The Unexpressed.
Bartlett's Familiar Quotations, 10th ed. (1919)

Parting

“O sleepers! what a thing is slumber! Sleep resembles death. Ah, why then dost thou not work in such wise as that after death thou mayst retain a resemblance to perfect life, when, during life, thou art in sleep so like to the hapless dead?”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Life , Death , Sleep , Perfection

“Artists should not look to the left or the right. Art should be strong and nonconformist—and most importantly, art should always be personal.”

Isa Genzken (1948) German sculptor

after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

Strong , Personality

“Politics is the art of stopping people from minding their own business.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Tel Quel (1943)

People , Business

“When Miss Nochlin says: 'If women have in fact achieved the same status as men in the arts, then the status quo is fine as it is.' Well, I think the status quo in the arts is fine as it is - in this country [America] at least, women have exactly the same chance that men do. There are the same schools, museums, galleries, books, art stores. There are no obstacles in the way of a woman becoming a painter or sculptor other than the usual obstacles that any artist has to face.”

Elaine de Kooning (1918–1989) American painter

n. p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)

Women , Men , Books , School

“Note too that a faithful study of the liberal arts humanizes character and permits it not to be cruel.”
Adde quod ingenuas didicisse fideliter artes emollit mores nec sinit esse feros.

Ovid book Epistulae ex Ponto

II, ix, 47
Epistulae ex Ponto (Letters From the Black Sea)

Faith , Study

“But for Socrates, tragedy did not even seem to "tell what's true", quite apart from the fact that it addresses "those without much wit", not the philosopher: another reason for giving it a wide berth. Like Plato, he numbered it among the flattering arts which represent only the agreeable, not the useful, and therefore required that his disciples abstain most rigidly from such unphilosophical stimuli — with such success that the young tragedian, Plato, burnt his writings in order to become a pupil of Socrates.”

Friedrich Nietzsche book The Birth of Tragedy

Nun aber schien Sokrates die tragische Kunst nicht einmal "die Wahrheit zu sagen": abgesehen davon, dass sie sich an den wendet, der "nicht viel Verstand besitzt", also nicht an den Philosophen: ein zweifacher Grund, von ihr fern zu bleiben. Wie Plato, rechnete er sie zu den schmeichlerischen Künsten, die nur das Angenehme, nicht das Nützliche darstellen und verlangte deshalb bei seinen Jüngern Enthaltsamkeit und strenge Absonderung von solchen unphilosophischen Reizungen; mit solchem Erfolge, dass der jugendliche Tragödiendichter Plato zu allererst seine Dichtungen verbrannte, um Schüler des Sokrates werden zu können.
Source: The Birth of Tragedy (1872), p. 68

Success