Quotes about art
page 39

“For if art, like religion, belongs to no country, it is perhaps itself the only country and the only true religion. Only those hear its call who have that siren’s song within them. The inner riches of the eyes bring out the secret virtues of the work, and little by little they begin to speak… Every artist, every work of every artist, establishes, in his or its own absolutely inaccessible way, this contact of the spirit with the spirit. Provided of course, that the viewer is in 'a state of grace.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), p. 104

Secret, Religion, Way, Country

“The art of resting is a part of the art of working. A man who is tired and greatly in need of rest cannot do any good work. We are all familiar with those terrible mornings after sleepless nights when our brains refuse to function. It would be useless then to attempt to apply the principles of the art of working. Those principles presuppose mind and body to be in good condition. The human organism cannot live without alternating work and rest.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Working

Parting, Night

“Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

"Revolt of the Demons", p. 399
Interpretations and Forecasts 1922-1972 (1973)

Religion, Dreams, Parting

“If you read some of the Parisian newspapers, among others the 'Figaro', so beloved of the right-thinking public, you must have learned that I am part of a group of artists who opened a private exhibition [in the art-gallery of Durand-Ruel in Paris, April 1876]. You must also have seen what favour this exhibition enjoys in the eyes of these gentlemen [Berthe refers to the critical articles in Paris with all their mockery about her works]. On the other hand, we have been praised in the radical newspaper, but you don't read those [her aunts]! Well, at least we are getting attention, and we have enough self-esteem not to care. My brother-in-law Edouard Manet is not with us [Manet didn't participate in this first Impressionist show, initiated by Degas ]. Speaking of success, he [Manet] has just been rejected by the Salon; he, too, is perfectly good-humored about his failure.”

Berthe Morisot (1841–1895) painter from France

In a letter to her aunts, 1876; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, p. 155
Berthe wrote this letter after the second Impressionist exhibition of April 1876 where she was participating with 19 pictures (Monet with 18!)
1871 - 1880

Law, Failure, Thinking, Learning

“Art is the triumph over chaos.”

John Cheever (1912–1982) American novelist and short story writer

The Stories of John Cheever Knopf (1978).

“This evening the Anthroposophical Society invited me to give a lecture about modern art, on 13 March. They start to wake up here [in the Netherlands]… Please, tell me something, what I should emphasize, what you find most important. I shall also read something from 'The Spiritual in Art' by Kandinsky… But we still have other views on the whole, isn't it. I don't always agree with Kandinsky, and often more with your views. So please write a little much… You know, for me it is always easier to paint my principles.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Heute abend bin ich durch den Anthroposophischen Verein eingeladen (worden) am 13. März einen Vortrag über moderne Kunst zu halten. Man fängt hier an zu erwachen.. .Bitte, sage mir einiges, was ich speziell betonen soll, was Du am wichtigsten findest. Ich werde dann auch aus 'Das Geistige in der Kunst' von Kandinsky.. ..etwas vorlesen. Aber wir haben doch in Ganzen noch andere Ansichten. Ich stimme nicht immer met Kandinsky überein, und oft mehr mit Deinen Ansichten. Also bitte schreibe ein bisschen viel.. .Du weisst, ich finde es immer einfacher, meine Prinzipien zu malen.
in a letter to Herwarth Walden, 28 Feb. 1916; from the 'Sturm'-Archive, Berlin
1910's

Reading, Painting

“Interpreting the Orient through the arts would destroy it, the artistic exploitation might eventually prove as harmful as military or political adventurism.”

Eugène Fromentin (1820–1876) French painter

Quote from Three Nineteenth-Century French Writer/Artists & the Maghreb; Günther Narr, Verlag Tübingen, 1994, p. 51

“It was because of the general inclination, until very recently, to believe that art exists in art. At every opportunity, I've tried to correct that idea, suggesting that art is only a part – one of the elements that we live with... Being a painter, I probably take a painting more seriously than someone who drives a truck or something. Being a painter, I probably also take his truck more seriously. In the sense of looking at it and listening to it and comparing it to other trucks and having a sense of its relationship to the road and the sidewalk and the things around it and the driver himself. Observation and measure are my business.”

Robert Rauschenberg (1925–2008) American artist

1960's, I never thought of it as much of an ability,' (1968)

Idea, Business, Sense, Parting

“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

Jasper Johns (1930) American artist

Jasper John's quote, from: Marcel Duchamps 1887 – 1968, in 'Artforum' 7 no. 3, November 1968, p. 6
1960s

Thinking, Change

“Only today can art be metaphysical, and it will continue to be so. Art will free itself from the needs and desires of men. We will no longer paint a forest or a horse as we please or as they seem to us, but as they really are.”

Franz Marc (1880–1916) German painter

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

Men, Horse, Painting

“The art of a great writer is seen in the perfect fitness of his expressions. He knows how to blend vividness with vagueness, knows where images are needed, and where by their vivacity they would be obstacles to the rapid appreciation of his thought.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Perfection

“Politics is the art of the possible.”

Otto von Bismarck (1815–1898) German statesman, Chancellor of Germany

Franklin says this line in the HBO miniseries John Adams, but it is actually a quote of Otto von Bismarck. (de) Die Politik ist die Lehre vom Möglichen. Interview (11 August 1867) with Friedrich Meyer von Waldeck of the St. Petersburgische Zeitung: Aus den Erinnerungen eines russischen Publicisten. 2. Ein Stündchen beim Kanzler des norddeutschen Bundes. In: Die Gartenlaube (1876) p. 858 de.wikisource. Reprinted in Fürst Bismarck: neue Tischgespräche und Interviews, Vol. 1, p. 248 http://books.google.com/books?id=UpUBAAAAYAAJ&pg=PA248&dq=%22die+Politik+ist+die+Lehre+vom+Möglichen%22 Ref: en.wikiquote.org - Otto von Bismarck / Quotes / 1860s Misattributed

“Gossip is the art of saying nothing in a way that leaves practically nothing unsaid.”

Walter Winchell (1897–1972) American gossip journalist

Attributed

Way

“The discovery of the art of Printing unbarred afresh the gates of Heaven, and let in that flood of light, of knowledge, and of wisdom, which enabled men to emancipate themselves again from the slavery of superstition—to take their proper place in the ranks of created beings—and in ennobling themselves, in gradually exalting their understandings and amending their hearts, to pay at length the worthiest homage to the goodness of their common Parent, and prove themselves to be—as the Almighty himself originally formed them—inferior only to the Angels.”

Sir William Hamilton, 9th Baronet (1788–1856) Scottish metaphysician (1788–1856)

The History of Medicine, Surgery, and Anatomy, from the Creation of the World, to the Commencement of the Nineteenth Century (1831), Vol. 1

Wisdom, Men, Angels, Understanding

“Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life... The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.”

Eugène Delacroix (1798–1863) French painter

15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Life, Men, Color, Light

“I accept the fact that the important painting of the last hundred years was done in France. American painters have generally missed the point of modern painting from beginning to end... Thus the fact that good European moderns [European artists who lived in the U. S. because of the Nazi-regime] are now here is very important, for they bring with them an understanding of the problems of modern painting. I am particularly impressed with their concept of the source of art being the unconscious. These idea interests me more than these specific artists do, for the two artists I admire most, Picasso and Joan Miró, are still abroad.”

Jackson Pollock (1912–1956) American artist

As quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York, 1990, p. 138
1940's, Art and Architecture (1944)

Idea, Understanding, Problem, Painting

“I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror … Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart.”

Sviatoslav Richter (1915–1997) Soviet pianist

Sviatoslav Richter: Notebooks and Conversations

Life, Thinking, Heart

“Better understanding of the Asian mind ‑ Indian and Chinese ‑ had one further consequence which needs emphasis. It had been almost a dogma of European thought that everything of value arose in the regions that touched the Aegean Sea. Religion, philosophy, art and even science, it was claimed, originated in this area. In fact, for all civilization a Greek origin was postulated. A persistence in this belief was responsible in the early years of Oriental research for the futile attempts made to date events in Asia, especially Indian history, to periods where they could be conveniently adjusted to developments in Greece. That belief in a monopoly of wisdom for the Greeks had to be reluctantly abandoned, as a result of increased knowledge of Asian civilizations. The liberalization of the Furopean mind consequent upon the recognition of the fact that all nations have contributed towards the growth of human civilization, is a gain of considerable significance.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Wisdom, Religion, History, Understanding

“There is no economic solution to the ills of the world until the arts of originality […] open the partialities and biases of tradition in ways that address the very core of our pre-possessions.”

Wilson Harris (1921–2018) Guyanese writer

The Unfinished Genesis of the Imagination (1999)

World, Way

“O Mother of Good Counsel, lend
Intelligence to me!
Encompass me with wisdom,
Thou Tower of Ivory!
"This is the Man of Lies," she says,
"Disguised with fearful art:
He has the wounded hands and feet,
But not the wounded heart."”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), The Robe of Christ

Wisdom, Fear, Intelligence, Heart

“Back in the days (a later reflection on his early Parish years) when I was in Paris in my studio in 'La Ruche', through the partition I heard two Jewish emigrants arguing: 'Well, what would you say? Wasn't Antokolsky a Jewish artist? And Israels? And what about Liebermann?' The dim light of the lamp lit up my picture, which was upside down (that's the way I work – so consider yourself yourselves lucky!). As morning came, and the Parisian sky started to brighten up, I had to laugh about the futile comments of my neighbours on the fate of Jewish art: 'You two wind-backs can carry on – but I've got work to do'.”

Marc Chagall (1887–1985) French artist and painter

Quote from Bletlach (Leaflet - essay in Yiddish), Marc Chagall; published in 'Shtrom' No. 1, 1922
1920's

Fate, Way, Light

“In the weightiest matters we must go to school to the animals, and learn spinning and weaving from the spider, building from the swallow, singing from the birds,—from the swan and the nightingale, imitating their art.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

School, Bird, Learning, Singing

“Perhaps there is no other way of reaching some understanding of being than through art? Writers themselves don't analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

Way, Understanding

“When I visit places remote from where I ordinarily work, people ask me long, elaborate questions that could not possibly have any relationship to my work. The people haven't ever seen it, and so I say: 'But my dear sir, have you ever seen my work?' The response is: 'Of course, I've seen many of your works.' - 'But where?' - 'In Artforum, Art in America..' - I say: 'Have you ever actually seen one of the objects, have you actually stood on one of them?”

Carl Andre (1935) American artist

quote from: 'Un entretien entre Carl Andre et Elisabeth Lebovici et Thierry Chabanne,', question 15; reprinted in the chapter 'Art and Capitalism' as 'Art and Reproduction.'

People, Question

“Within Siddhartha there slowly grew and ripened the knowledge of what wisdom really was and the goal of his long seeking. It was nothing but a preparation of the soul, a capacity, a secret art of thinking, feeling, and breathing thoughts of unity at every moment of life.”

Hermann Hesse (1877–1962) German writer

Siddhartha (1922)

Life, Wisdom, Secret, Feeling

“The world of art was less fortunate. Many of the younger men barely lived through the first flush of youth. Destroying Death is the worst enemy to the arts.”

Wynford Dewhurst (1864–1941) British artist

Source: Impressionist Painting: its genesis and development. (1904), p. 1.

Death, Men, Youth, World

“The Working Man as yet sought only to know his craft; and educated himself sufficiently by ploughing and hammering, under the conditions given, and in fit relation to the persons given: a course of education, then as now and ever, really opulent in manful culture and instruction to him; teaching him many solid virtues, and most indubitably useful knowledges; developing in him valuable faculties not a few both to do and to endure,—among which the faculty of elaborate grammatical utterance, seeing he had so little of extraordinary to utter, or to learn from spoken or written utterances, was not bargained for; the grammar of Nature, which he learned from his mother, being still amply sufficient for him. This was, as it still is, the grand education of the Working Man. As for the Priest, though his trade was clearly of a reading and speaking nature, he knew also in those veracious times that grammar, if needful, was by no means the one thing needful, or the chief thing. By far the chief thing needful, and indeed the one thing then as now, was, That there should be in him the feeling and the practice of reverence to God and to men; that in his life's core there should dwell, spoken or silent, a ray of pious wisdom fit for illuminating dark human destinies;—not so much that he should possess the art of speech, as that he should have something to speak!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Life, Wisdom, Men, God

“The art of the future will give form to our scientific convictions; this is our religion and our truth, and it is profound and weighty enough to produce the greatest style and the greatest revaluation of form that the world has ever seen. Today, instead of using the laws of nature as a means of artistic expression, we pose the religious problems of a new content. The art of our time will surely have profound analogies with the art of primitive periods long past, without of course, the formalistic similarities now senselessly sought by many archaist artists [Marc rejects abstraction of Cubism, among others]. And our time will just as surely be followed in some distant, ripe, late European future by another period of cool maturity, which in its turn will again set up its own formal laws and traditions. [written at the front of World War 1.”

Franz Marc (1880–1916) German painter

near Verdun, 1915]
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 446

War, Truth, World, Religion

“THE ORIGIN OF ART: The discrepancy between physical fact and psychic effect. THE CONTENT OF ART: Visual information of our reaction to life. THE MEASURE OF ART: The ratio of effort to effect. THE AIM OF ART: Revelation and evocation of vision.”

Josef Albers (1888–1976) German-American artist and educator

'The Origin of Art'
Homage to the square' (1964)

Life, Effort

“We notice the movement of automobiles and other beings in the street, but we do not notice that the turning of the earth. We believe that automobiles go at a great speed on a fixed ground; yet the speed of the earth's rotation at the equator is 40,000 km every 24 hours.
As truly serious art must follow the greater laws, and not only appearance, I try to put all the elements in motion in my mobile sculptures. It is a matter of harmonizing these movements, thus arriving at a new possibility for beauty.”

Alexander Calder (1898–1976) American artist

Quote of Calder (8 March 1932), in text 'That which moves - On mobile sculptures', unpubl. MS https://web.archive.org/web/20110222045901/http://calder.org:80/historicaltexts/text/5.html, 1932, Calder Foundation Archives, New York 1930s - 1950s

Law, Beauty, Appearance, Speed

“Tall, slender, with beautiful flaxen hair, grey eyes, full red lips, finely framed features, graceful of carriage and movement, fresh and always young, Ellen Terry was as much an art object as an actress.”

Ellen Terry (1847–1928) English actress

Katharine Cockin, quoted in Spartacus biography http://www.spartacus.schoolnet.co.uk/ACterry.htm About

Beauty

“Expression, to my way of thinking, does not consist of the passion mirrored upon a human face or betrayed by a violent gesture. The whole arrangement of my picture is expressive. The place occupied by figures or objects, the empty spaces around them, the proportions – everything plays a part. Composition is the art of arranging in a decorative manner the various elements at the painter’s disposal for the expression of his feelings”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410

Way, Feeling, Thinking, Passion

“Time is a corrosive fluid, dissolving motivation, destroying novelty, and leaching the joy from life. But forgetting is a fraught process, one that is prone to transcription errors and personality flaws. Delete the wrong pattern, and you can end up becoming someone else. Memories exhibit dependencies, and their management is one of the highest medical art forms.”

Charles Stross book Glasshouse

Source: Glasshouse (2006), Chapter 2, “Experiment” (p. 22)

Life, Error, Motivation, Memory

“.. art is made by man. His own figure is the center of all art... Therefore one must begin with the man himself.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

c. 1910; as quoted in: Der Blick auf Fränzi und Marcella: Zwei Modelle der Brücke-Künstler Heckel, Kirchner und Pechstein, Norbert Nobis; Sprengel Museum Hannover und Stiftung Moritzburg, 2011, p 17
1905 - 1915

“While the articulate contents of science are successfully taught all over the world in hundreds of universities, the unspecifiable art of scientific research has not yet penetrated to many of these.”

Michael Polanyi (1891–1976) Hungarian-British polymath

Source: Personal Knowledge (1958), p. 53

World, Universe, Science

“Were this thoroughly understood, industrial art would be entirely revolutionized — industrial art, that barbarous term, an art which concerns itself with commerce and profit.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 125

“The old art depicted space as uniform and enclosed. The new art perceives space as organic and open. The old art was an object. The new art is a system. The configuration of the movement is more important than the shape of the object. The message of a kinetic and luminic work is the light and movement it produces. It has no other message. It has no meaning besides movement.”

Willoughby Sharp (1936–2008) American artist

Willoughby Sharp, "Luminism and Kineticism," in: Minimal Art.- A Critical Anthology, Gregory Battcock, ed. (New York: E.P. Dutton, 1968), p. 358

Light

“From the accession of Henry the Seventh to the breaking out of the civil wars, England enjoyed much greater exemption from war, foreign and domestic, than for a long period before, and during the controversy between the houses of York and Lancaster. These years of peace were favorable to commerce and the arts. Commerce and the arts augmented general and individual knowledge; and knowledge is the only fountain, both of the love and the principles of human liberty.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Source: On the Completion of the Bunker Hill Monument (1843), p. 93

Love, War, Peace, Knowledge

“Music is the art of sounds in the movement of time.”

Ferruccio Busoni (1866–1924) Italian composer, pianist, conductor, editor, writer, and piano teacher

The Essence of Music (1923)

Music, Time

“I have now reached the point where I can look over the great art of antiquity and its Renaissance. But, for myself, I cannot find any artistic connection with our own times. And to want to create something outside of one's own age strikes me as suspect. Great perplexity. This is why I am again all on the side of satire. Am I to be completely absorbed by it once more? For the time being it is my only creed. Perhaps I shall never become positive? In any case, I will defend myself like a wild beast.”

Paul Klee (1879–1940) German Swiss painter

Quote (1901), # 294, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Age, Time

“I was thrilled to find America so rich with so many new motives to be translated into a new art. Steel and electricity had created a new world. A new drama had surged from the unmerciful violation of darkness at night, by the violent blaze of electricity and a new polyphony was ringing all around with the scintillating, highly colored lights. The steel had leaped to hyperbolic altitudes and expanded to vast latitudes with the skyscrapers and with bridges made for the conjunction of worlds. A new architecture was created, a new perspective.”

Joseph Stella (1877–1946) American artist

Joseph Stella (1912); As cited in: Metropolitan Museum of Art (1965) American Painting in the Twentieth Century. p. 69

World, Color, Motivation, Light

“Art always opts for the individual, the concrete; art is not Platonic.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Gauchesque Poetry" ["La poesía gauchesca"]
Discussion (1932)

“For other peoples will, I do not doubt,
still cast their bronze to breathe with softer features,
or draw out of the marble living lines,
plead causes better, trace the ways of heaven
with wands and tell the rising constellations;
but yours will be the rulership of nations,
remember Roman, these will be your arts:
to teach the ways of peace to those you conquer,
to spare defeated peoples, tame the proud.”

Allen Mandelbaum (1926–2011) American poet and professor of literature, translator from Latin and Italian

Book VI, lines 1129–1137
The Aeneid of Virgil (1971)

People, Peace, Way, Drawing

“As for Picasso, the specialist was amazed by the rapidity of his understanding. The tradition he came from had prepared him better than ours for a problem to do with structure. And Berthe Weil was right when she treated those who compared him/confused him with, a Steinlen or a Lautrec as idiots. He had already rejected them in their own century, a century we had no intention of prolonging. Whether or not the Universe was endowed with another dimension, art was going to move into a different field.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Understanding, Problem, Universe

“We [the artists of Die Brücke ] were overjoyed to discover our complete unison in the urge for liberation, for an art surging forward, unrestricted by convention.”

Max Pechstein (1881–1955) German artist

from a note of Pechstein; as quoted in Expressionism, a German Intuition, 1905-1920, [exhibition-catalogue 1980-81]; Paul Vogt, Horts Keller, Martin Urban, Wolf-Dieter Dube, and Eberhard Roters; Solomon R. Guggenheim Foundation, 1980, p. 5

“The relationship of art and play: to play is art - consequently I play. I play enraged.”

Jean Tinguely (1925–1991) Swiss painter and sculptor

Jean Tinguely (1959), quoted in: ACM multimedia 2000: proceedings. ACM. Special Interest Group on Multimedia (2000). p. 19.
Quotes, 1950's

“The difference between the arts arises because of the difference in the nature of the mediums of expression and the emphasis induced by the nature of each medium. Each means of expression has its own order of being, its own units.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 57
Search for the Real and Other Essays (1948)

Nature

“Contemporary art and the [Communist] Party are an impossible situation. It’s like oil and water—they can never mix.”

Ai Weiwei (1957) Chinese concept artist

2000-09, Truth to Power, 2008

Water

“All loved Art in a seemly way
With an earnest soul and a capital A.”

James Jeffrey Roche (1847–1908) American journalist

The V-a-s-e, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Love, Way, Soul

“The computer's most profound aesthetic implication is that we are being forced to dismiss the classical view of art and reality which insists that man stand outside of reality in order to observe it, and, in art, requires the presence of the picture frame and the sculpture pedestal. The notion that art can be separated from its everyday environment is a cultural fixation [in other words, a mythic structure] as is the ideal of objectivity in science. It may be that the computer will negate the need for such an illusion by fusing both observer and observed, "inside" and "outside."”

Jack Burnham (1931) American art historian

It has already been observed that the everyday world is rapidly assuming identity with the condition of art. Jack Burnham (1969). "The Aesthetics of Intelligent Systems" in Edward F. Fry, ed. (1970). On the Future of Art. New York: The Viking Press, p. 103; as cited in: Edward A. Shanken. "The House That Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art" http://www.artexetra.com/House.html in Leonardo Electronic Almanac 6:10 (November, 1998)

World, Reality, Science

“Article 141 of the Constitution says that the law declared by the Supreme Court is binding on all courts and authorities in the territory of India. Unwillingly Article 141 has now become the thief of Judicial Time. The Laws' proverbial delays are not because there are too many laws, but because there are just too many reported judgments and orders concerning them. Cashing in on Art 141 every single case in the Supreme Court) and even in the High Courts-is dutifully printed and reported by a variety of competing reporting agencies who want their law reports to sell as widely as possible. The "judgement - factory" has become over - commercialized, and quite a large number of the 30 million cases now pending in various Courts in India can be attributed-atleast in part-to this peculiar Indian malady: "case-law diarrhoea."”

Fali Sam Nariman (1929) Indian politician

Quoted in Fali Sam Nariman Felicitated, May 2001, 24 December 2013, PUCL Bulletin http://www.pucl.org/reports/National/2001/nariman.htm,.

Law, Time, Parting

“The education bestowed on Flora Poste by her parents had been expensive, athletic and prolonged; and when they died within a few weeks of one another during the annual epidemic of the influenza or Spanish Plague which occurred in her twentieth year, she was discovered to possess every art and grace save that of earning her own living.”

Stella Gibbons book Cold Comfort Farm

Source: Cold Comfort Farm (1932), Chapter 1.

Education, Parent

“For two and a half years, I rigorously trained seven to eight hours a day in two disciplines of dance but moved on to the most versatile medium called cinema which encompassed every form of art.”

Kamal Haasan (1954) Indian actor

Kamal Hassan: A universal legend

Dance, Training

“The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter V: Dimension (p. 105)

Women, Men, World, Question

“Much converse do I find in thee,
Historian of my infancy!
Float near me; do not yet depart!
Dead times revive in thee:
Thou bring'st, gay creature as thou art!
A solemn image to my heart.”

William Wordsworth (1770–1850) English Romantic poet

To a Butterfly (Stay Near Me), st. 1 (1801).

Time, Heart, Dead

“To further the appreciation of culture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art — this is one of the fascinating challenges of these days.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"The Arts in America" in LOOK magazine (18 December 1962), p. 110; also reported in Public Papers of the Presidents of the United States: John F. Kennedy, 1962 http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx, p. 907 and inscribed on the John F. Kennedy Center for the Performing Arts, Washington, D.C. 1962

People

“Take steadily some one sin, which seems to stand out before thee, to root it out, by God's grace, and every fibre of it. Purpose strongly, by the grace and strength of God, wholly to sacrifice this sin or sinful inclination to the love of God, to spare it not, until thou leave of it none remaining, neither root nor branch.Fix, by God's help, not only to root out this sin, but to set thyself to gain, by that same help, the opposite grace. If thou art tempted to be angry, try hard, by God's grace, to be very meek; if to be proud, seek to be very humble.”

Edward Bouverie Pusey (1800–1882) British saint

Quoted in "Daily Strength For Daily Needs "

Love, God, Help

“I could give you a list a mile long of the homosexuals in the arts but there's no point in making a big tzimis about a relatively harmless and cool state of affairs — Each man to his own tastes.”

Jack Kerouac book Desolation Angels

Desolation Angels (1965)

“All things are changing; and thou thyself art in continuous mutation and in a manner in continuous destruction and the whole universe to.”

Marcus Aurelius book Meditations

IX, 19
Meditations (c. 121–180 AD), Book IX

Universe, Change

“The art world as a whole, and museums in particular, belong to what has aptly been called the "consciousness industry."”

Hans Haacke (1936) conceptual political artist

1980s, "Museums, Managers of Consciousness," 1983

World

“Every true artist creates new values, new beauty... When you notice anarchy, recklessness, or licentiousness in works of contemporary art, when you notice crass coarseness and brutality, then occupy yourself long and painstakingly precisely with these works, and you will suddenly recognize how the seeming recklessness transforms itself into freedom, the coarseness into high refinements. Harmless pictures are seldom worth anything.”

Emil Nolde (1867–1956) German artist

Quote of Nolde's letter to Hans Fehr, 1905; published in 'Aus Leben und Werkstatt Emil Noldes', 'Das Kunstblatt' no. 7 (1919), p. 208; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
Hans Fehr expressed in a letter to Nolde his concern about the 'recklessness' and 'licentiousness' of some prints by Nolde. Fehr published Nolde's response in 1919
1900 - 1920

Beauty, Freedom

“Evoking fear is, in itself, an art form – and nothing in the entire history of storytelling has explored it better than video games.”

Ben Croshaw (1983) English video game journalist

http://web.archive.org/web/20081015182445/http://www.news.com.au/technology/story/0,25642,24493980-5014239,00.html
Other Articles

Fear, History, Game

“Thou shalt be—what? You cannot fill it in. You cannot tear asunder the cloud that separates you from tomorrow. You do not know what is in store for you. Thou shalt be—let him fill it in for you. Thou shalt be—pure, honest, true, reverent, unselfish, loving, loyal, victorious, filled with divine discontent with mere material and physical pleasures, eager to be of service to thy fellows, willing to deny thyself, take up the cross and follow me. …Thou art—yes. …You shall be—but only as you turn to Jesus Christ. …And when you find him you will discover that he is the key to vaults of hidden treasures in your own life.”

Kirby Page (1890–1957) American clergyman

Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 38

Love, Life, Pleasure, Tear

“Someone should tell him that part of the art of politics is smiling when you feel like you’re swallowing a turd.”

Bill Clinton (1946) 42nd President of the United States

To Alastair Campbell on David Trimble according to Campbell's diaries, The Blair Years (2007) http://books.google.co.uk/books?id=XAUVWij78oQC&pg=PA320&lpg=PA320&dq=%22Someone+should+tell+him+that+part+of+the+art+of+politics+is+smiling+when+you+feel+like+you%E2%80%99re+swallowing+a+turd%22&source=bl&ots=NeSrq9ZCGr&sig=hXsgQneQqkODxOnpvNE1yWfmPto&hl=en&sa=X&ei=DSWBUriUFI6jhgfd9YDYCQ&ved=0CC4Q6AEwAA#v=onepage&q=%22Someone%20should%20tell%20him%20that%20part%20of%20the%20art%20of%20politics%20is%20smiling%20when%20you%20feel%20like%20you%E2%80%99re%20swallowing%20a%20turd%22&f=false Attributed

Smile, Feeling, Parting

“Today, I am no longer concerned with photography as an art form. I believe it is potentially the best medium for explaining man to himself and his fellow man.”

Edward Steichen (1879–1973) American photographer, artist and curator

Edward Steichen (1967),, cited in: National Portrait Gallery (Smithsonian Institution), ‎Carolyn Kinder Carr, ‎National Portrait Gallery (Great Britain) (2003). Americans: paintings and photographs from the National Portrait Gallery, Washington, DC, Deel 3. p. 207

“When I think of the thousands and thousands of pounds which have been spent by the National Art Collections Fund on the purchase of paintings—some of questionable merit and dubious condition—by Old Masters already represented in the National Gallery—it makes me boil with rage to think that in 1905 it would not contribute one halfpenny towards the purchase for the nation of a picture by one of the Great French Masters of the late nineteenth century. It was a short-sighted policy, but the Fund's inertia and snobbish ineptitude are entirely characteristic of the habits of art-officialdom in England.”

Frank Rutter (1876–1937) British art critic

Rutter, Frank. Art in My Time, pp. 118–119. Rich & Cowan, London, 1933.
The National Art Collections Fund is now called The Art Fund.

Question, Thinking, Rage, Painting

“I love history. I love art. I like to mix it all together, but in the end it somehow has to all make sense.”

Anna Sui (1964) American fashion designer

Interview Magazine (December 15, 2010)

Love, History, Sense

“Modern art to me is nothing more than the expression of contemporary aims of the age we're living in... All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, p. 140

Age

“Art stopped short at the cultivated court of the Empress Josephine.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

Patience (1881)

“The patent system was established to encourage inventors to disclose the details of their inventions. Its purpose was to help society rather than to help inventors. At the time, the life span of 17 years for a patent was short compared with the rate of advance of the state of the art. Since patents are an issue only among manufacturers, for whom the cost and effort of a license agreement are small compared with setting up production, the patents often do not do much harm. They do not obstruct most individuals who use patented products.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)

Life, Effort, Time, Help

“Some people have an ability to negotiate. It's an art you're basically born with. You either have it or you don't.”

Donald J. Trump (1946) 45th President of the United States of America

1980s

People

“Devouring Famine, Plague, and War,
Each able to undo mankind,
Death's servile emissaries are;
Nor to these alone confined,
He hath at will
More quaint and subtle ways to kill;
A smile or kiss, as he will use the art,
Shall have the cunning skill to break a heart.”

James Shirley (1596–1666) English writer

Poem The Last Conqueror http://www.bartleby.com/106/68.html.

Death, War, Smile, Way

“You were asking my opinion on your work of art, my dear Jean [= Duchamp's brother-in-law Jean Crotti, who asked Duchamp his comment on an art-work he made]... Artists throughout the ages are like Monte Carlo gamblers and the blind lottery pulls some of them through and ruin others... I do not believe in painting per se – A painting is made not by the artist but by those who look at it and grant it their favors. In other words, no painters knows himself or what he is doing – There is no outward sign explaining why a Fra Angelico and a Leonardo [da Vinci] are equally 'recognized.”

Marcel Duchamp (1887–1968) French painter and sculptor

It all takes place at the level of our old friend luck.
Quote from Duchamp's letter to Jean Crotti (Duchamp's brother-in-law) and his sister Suzanne Duchamp, New York 17 Augustus 1952; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 167
1951 - 1968

Happiness, Age, Law, Painting

“There is a right and legitimate Pan-Islamism to which every sincere and believing Mahomedan belongs--that is, the theory of the spiritual brotherhood and unity of the children of the Prophet. It is a deep, perennial element in that Perso-Arabian culture, that great family of civilisation to which we gave the name Islamic in the first chapter. It connotes charity and goodwill towards fellow-believers everywhere…It means an abiding interest in the literature of Islam, in her beautiful arts, in her lovely architecture, in her entrancing poetry. It also means a true reformation -- a return to the early and pure simplicity of the faith, to its preaching by persuasion and argument, to the manifestation of a spiritual power in individual lives, to beneficent activity for mankind. This natural and worthy spiritual movement makes not only the Master and His teaching but also His children of all climes an object of affection to the Turk or the Afghan, to the Indian or the Egyptian. A famine or a desolating fire in the Moslem quarters of Kashgar or Sarajevo would immediately draw the sympathy and material assistance of the Mahomedan of Delhi or Cairo. The real spiritual and cultural unity of Islam must ever grow, for to the follower of the Prophet it is the foundation of the life of the soul.”

Aga Khan III (1877–1957) 48th Imam of the Nizari Ismaili community

p. 156; a variant of this begins "This is a right and legitimate Pan-Islamism…", but is otherwise identical.
/ India in Transition (1918)

Love, Life, Children, Family

“A theory of haptics is expounded which the author feels will establish "a foundation for the Haptics of form and the psychology of the blind." He differentiates between "Haptics of an essentially optical character" and "pure or autonomous Haptics" such as is experienced by those blind from early childhood. The weaknesses of certain psychological theories such as Gestalt, are discussed in terms of Révész's haptic theory. Part II of the book analyzes the aesthetics of haptic form and the art of the blind. The work of blind sculptors is presented and is analyzed.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Géza Révész (1950)., Psychology and art of the blind. Oxford, England: Longmans. Abstract.

Books, Feeling, Parting, Childhood

“In short, there is everything about this season’s entertainment to make the Hippodrome what it always is—a Temple of the Arts to all those who hang pennants on their automobiles, use “Shake hands with my friend” as a formula for introduction, and sprinkle powdered sugar on their sliced tomatoes. p. 106”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919

Season

“(about concerts)"I love the adrenaline rush you get from having a live audience in front of you. There's nothing like performing live. I like to categorize classical music as one of those really beautiful, glamorous gems from the old era. The men are in tails onstage, the women are in beautiful dresses and the soloist comes out in a gorgeous evening gown. I really, really love that old-school glamour. For me, concert days are always exciting. It doesn't matter if I give 100 concerts or 150 concerts that season. Every concert is magical. Every concert has a sparkle to it. The challenge is to keep myself fresh and to give a spontaneous performance every single night while maturing and growing as a musician every day. The whole art form of being onstage is so mysterious and magical, it fascinates me. "”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Love, Women, Men, School

“Who isn’t frustrated and does not prove it by his actions — if you want to say so? But through art the psychologically maimed may become the most distinguished man of his age. Take Freud for instance.”

William Carlos Williams (1883–1963) American poet

Introduction
The Wedge (1944)

Age

“You must have heard that last autumn I almost got married, but I am glad I realized in time that it had been an illusion, all those beautiful things. Although I have always lived for art, I am also attracted to the beautiful in life and so I sometimes do things that seem strange for me.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in an undated letter to Alleta de Jongh, Paris, c. Spring 1912; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 243, note 61
1910's

Life, Beauty, Autumn, Time

“Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.”

Margot Fonteyn (1919–1991) English ballerina

Source: Margot Fonteyn : Autobiography‎ (1975), p. 81

Life, People, Way

“But it is not alone the harmony of music which has such a power over the mind. The harmony of colors, every art and science, has the same power. Even the most common craft, and the most prosaic of all prose, the chase after the dollar, may take possession of a man’s soul and prostrate him in adoration before its idol.”

Joseph Dietzgen (1828–1888) german philosopher

Letter 3
Letters on Logic: Especially Democratic-Proletarian Logic (1906)

Music, Color, Soul, Science

“I flatter my self to have demonstrated that, neither the Friendly Qualities and kind Affections that are natural to Man, nor the real Virtues he is capable of acquiring by Reason and Self-Denial, are the Foundation of Society; but that what we call Evil in this World, Moral as well as Natural, is the grand Principle that makes us sociable Creatures, the solid Basis, the Life and Support of all Trades and Employments without Exception: That there we must look for the true Origin of all Arts and Sciences, and that the Moment Evil ceases, the Society must be spoiled, if not totally dissolved.”

Bernard Mandeville book The Fable of the Bees

"A Search into the Nature of Society", p. 428
The Fable of the Bees (1714)

Life, World, Support, Nature

“There are two things that go on in art. There's getting to the essential material and a design that's inherent in the use of material, and also an essential level of expressiveness, a precise way of saying something rather than a complicated way.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Way

“Is this wide world not large enough to fill thee,
Nor Nature, nor that deep man's Nature, Art?
Are they too thin, too weak and poor to still thee,
Thou little heart?”

Mary Elizabeth Coleridge (1861–1907) British writer

Self-Question, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

World, Nature, Heart

“There is good evidence that the art of shooting with bows and arrows has not been handed down from any common progenitor of mankind, yet the stone arrow-heads, brought from the most distant parts of the world and manufactured at the most remote periods, are, as Nilsson has shewn, almost identical; and this fact can only be accounted for by the various races having similar inventive or mental powers.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter VII: "On the Races of Man", pages 232-233 http://darwin-online.org.uk/content/frameset?pageseq=245&itemID=F937.1&viewtype=image The Descent of Man (1871)

World, Distant, Parting

“Love is the axis and breath of my life. The art I produce is a byproduct, an excrescence of love, the song I sing, the joy which must explode, the overabundance — that is all!”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Oct. 21, 1934
Diary entries (1914 - 1974)

Love, Life, Singing, Joy

“After Plotinus, says Schassler, fifteen centuries passed without the slightest scientific interest for the world of beauty and art. …In reality, nothing of the kind happened. The science of aesthetics … neither did nor could vanish, because it never existed. … the Greeks were so little developed that goodness and beauty seemed to coincide. On that obsolete Greek view of life the science of aesthetics was invented by men of the eighteenth century, and especially shaped and mounted in Baumgarten's theory. The Greeks (as anyone may read in Bénard's book on Aristotle and Walter's work on Plato) never had a science of aesthetics.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

Life, Men, Books, World

“In spite the mountains of books written about art, no precise definition of art has been constructed. And the reason for this is that the conception of art has been based on the conception of beauty.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

Books, Beauty, Mountain

“The cup goes round:
And who so artful as to put it by!
'T is long since Death had the majority.”

Robert Blair The Grave

Part II, line 449.
The Grave (1743)

Death

“For most of history poetry has been an oral art, it retains the vestiges of orality, an experience embedded in the sensuality of sounds.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

History

“I have taught – until 10 years ago – for nearly 40 years, that is almost half of my life. And when I think that over – now afterwards -, I come to a surprising conclusion, namely that I did not teach arts as such, but philosophy and psychology of art.”

Josef Albers (1888–1976) German-American artist and educator

Source: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459

Life, Thinking

“I started looking into nutrition and alternative medicine because I obviously didn’t want to take any drugs or anything like that. I actually found out that what I was eating could actually affect the way I felt. … You can train as hard as you want but if you’re not training the right thing, it won’t help you out. Half of that is doing your homework at home. If you work your bones off in the gym and then you go home and don’t get a good amount of sleep and don’t eat good, you won’t get good results. … One of the reasons why I love the martial arts so much is because of the discipline. It makes me do things I should be doing anyway, like eating right and not partying.”

Luke Cummo (1980) American mixed martial artist

"TUF 2 welterweight finalist Luke Cummo" https://www.mmaweekly.com/tuf-2-welterweight-finalist-luke-cummo, interview with MMAWeekly.com (November 2, 2005).

Love, Way, Home, Sleep

“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

André Maurois (1885–1967) French writer

The Art of Writing

Life, World, Imagination, Business

“As art is a habit with reference to things to be done, so is science a habit in respect to things to be known.”

William Harvey (1578–1657) English physician

Introduction.
De Generatione Animalium (1651)

Science

“If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature—the nearest thing to a sacramental human activity acknowledged by secular society—it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what’s there.”

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” p. 45
Styles of Radical Will (1966)

Personality

“If you were to believe all the old, degenerate German legends, there’s a Grail in every castle, a Charlemagne or an Arthur under every mound! There not a noble house without at least one werewolf offspring or a younger son who’s made a pact with the Devil, an uncle practising the profane arts of alchemy, a vampirical grandfather, a mad monk, a ruined abbey in the grounds where witches meet, an incarcerated lunatic (or heiress—or both), an infanticide or two (and a patricide), and, of course, a family ghost.”

Michael Moorcock book The City in the Autumn Stars

Source: The City in the Autumn Stars (1986), Chapter 5 (p. 263)

Family, Housing, Madness

“This Spring of 1911 Marianne von Werefkin [his former study-mate in Russia and in fact his life-comapnion for many years, but never married] Andrei, Helene and I went to Prerow on the Baltic [coast]. For me that summer meant a great step forward in my art. I painted my finest landscapes there as well as large figure paintings in powerful, glowing colours and not at all naturalistic or objective. I used a great deal of red, blue, orange, cadmium yellow and chromium-oxide green. My forms were very strongly contoured in Prussian blue, and came with tremendous power from an inner ecstasy. 'Der Buckel', 'Violetter Turban', 'Selbstporträt'.... were created in this way. It was a turning-point in my art. It was in these years, up to 1914, just before the war [World War 1. ], that I painted my most powerful works, referred to as the pré-war works.”

Alexej von Jawlensky (1864–1941) Russian painter

Quote c. 1911; in 'Lebenserinnerungen', 1938; as cited in Alexej von Jawlensky, Museum Boymans-van-Beuningen, Rotterdam; exhibition catalog 25/9 – 27/11-1994 (a. o. his life quotes from ['Life Memories'] he dictated late in his life, in 1938)
1900 - 1935

Life, War, World, Way

“These are primitive beginnings in art, such as one usually finds in ethnographic collections or at home in one's nursery. Do not laugh, reader! Children also have artistic ability, and there is wisdom in their having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved from corruption at an early age. Parallel phenomena are provided by the works of the mentally diseased; neither childish behaviour nor madness are insulting words here, as they commonly are. All this is to be taken very seriously, more seriously than all the public galleries, when it comes to reforming today's art.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (January 1912), # 905, quoting his "Munich Art Letter" in the journal Die Alpen
1911 - 1914

Wisdom, Children, Age, Disease

“Our ground today is not so much the national or the regional ground as it is the understanding of this single earth. The earth has been round for some time now, but not in man’s relation to man, nor in the understanding of the arts of each as a part of that roundness. As usual we have occupied ourselves too much with the outer, the objective, at the expense of the inner world wherein tie true roundness lies... America more than any other country is placed geographically to lead in this understanding., and if from past methods of behaviour she has constantly looked towards Europe, today she must assume her position, Janus-faced, toward Asia, for in not too long a time the waves of the Orient shall wash heavily upon her shores. All this is deeply related with her growth in the arts, particularly upon the Pacific slopes. Of this I am aware. Naturally my work will reflect such a condition and so it is not surprising to me when an Oriental responds to a painting of mine as well as an American or an European..”

Mark Tobey (1890–1976) American abstract expressionist painter

Quote from Fourteen Americans, Mark Tobey, exhibition catalogue MOMA New York, 1946, p. 70
1940's

World, Understanding, Nature, Time

“I was just falling in love right, left and centre with these gorgeous young artists who came in the gallery. They’d see this fat old stripper, this nutter who runs a butcher’s shop that she thinks is an art gallery, and who thinks she’s some artist but hasn’t even been to art school… They probably thought, "Christ, who is this woman who’s texting me 20 times a day?"”

Stella Vine (1969) English artist

Catherine Deveney, "Stripped bare", http://living.scotsman.com/index.cfm?id=288312004 The Scotsman, (2004-03-14) On her life running the Rosy Wilde gallery after her mother's death in 2003.

Love, School, Thinking, Time

Quotes about art page 39

Quotes about art
page 39