Quotes about writing
page 32

“I write movies about mavericks, about people who break rules, and I don't like movies about people who are pulverised for being mavericks.”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

Virgin.Net interview http://www.virgin.net/movies/interviews/quentin.html

People

“I know too well what I am going to say. I know it too well before writing.”

Joseph Joubert (1754–1824) French moralist and essayist

“…good American poets are surprisingly individual and independent; they have little of the member-of-the-Academy, official man-of-letters feel that English or continental poets often have. When American poets join literary political parties, doctrinaire groups with immutable principles, whose poems themselves are manifestoes, the poets are ruined by it. We see this in the beatniks, with their official theory that you write a poem by putting down anything that happens to come into your head; this iron spontaneity of theirs makes it impossible for even a talented beatnik to write a good poem except by accident, since it eliminates the selection, exclusion, and concentration that are an essential part of writing a poem. Besides, their poems are as direct as true works of art are indirect: ironically, these conscious social manifestoes of theirs, these bohemian public speeches, make it impossible for the artist’s unconscious to operate as it normally does in the process of producing a work of art.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Fifty Years of American Poetry”, pp. 327–328
The Third Book of Criticism (1969)

Art, Feeling, Parting

“It is in this matter that I fall foul of so many American writers on writing; they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Elements of Style (1959).

Confidence, Game, Thinking

“Speech is an acoustic reality, writing a visual one. Performance of the former has been perfected through a million years of natural selection in the evolutionary process. The latter is a trick which we began to learn only yesterday (in terms of evolutionary time). To "hear" language (and to "say" it) is programmed in our genes; to "see" it (and "read" it) is not.”

Eric A. Havelock (1903–1988) 1903-1988, British classical philologist

"Chinese Characters and the Greek Alphabet" in Sino-Platonic Papers, 5 (December 1987)

Nature, Reality, Learning, Time

“Painting in the chamber of a Prince who was indisposed, the Physician said, that he hoped bymeans of his Highness, to obtain also the favor of a picture by Salvator. The Prince made he request, and Salvator readily consented. The Physician then desired the Painter not to egin his picture till he had given him the idea, nd the design. Salvator made no reply; ut when the Physician called for pen and ink o write his prescription, he desired him to stop ill he should tell him what to write. The Docor, not comprehending his meaning, said * Signor Salvator, this is a business which conerns me, not you." "I would have you to know Mr. Doctor" replied Salvator, " that I can more easily instruct you in the cure of your tickt than you can me in the art I profess, being a much better Painter than you are a Physician.'*”

Peter Beckford (1643–1710) Governor of Jamaica

Hope, Art, Idea, Business

“In Hitler's Germany, when to be a Communist or Socialist or militant trade unionist or liberal och democrat meant arrest, the concentration camp, and often death and torture, when there was institued one of the most thoroughgoing "purges" of litterature and burning of books that the world has ever known, when Schiller's "Don Carlos", the poems of Heine and the novels of Thomas Mann were banned or burned as "subversive", the writings of Trotsky were widely translated and distributed.”

James Klugmann (1912–1977) British writer

From Trotsky to Tito (1951)

Death, Books, World

“I had a lot of growing pains adjusting to the comic book writing format. The whole writing process just didn’t make sense to me. I had to somehow construct each panel just by describing it? But how many panels to a page? How much dialogue should be in each panel? How much time should pass between each panel? All these sorts of things were mind-boggling to me. By the end of writing the script, I sort of figured out some of my mistakes.”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

EXCLUSIVE: Patrick McHale Talks Bringing Over The Garden Wall to Cartoon Network and BOOM! Studious http://nerdist.com/exclusive-patrick-mchale-talks-bringing-over-the-garden-wall-to-cartoon-network-and-boom-studios/ (October 13, 2014)

Pain, Books, Sense, Time

“If you write for yourself, you'll reach all the people you want to write for.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 12, Writing About Yourself: The Memoir, p. 98.

People

“I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

Hell, Thinking

“I would love to talk to you about that, Josh, but there's something else I want to bring up, and that's this. (Holds up a screenplay entitled "Live For The Moment: The Jeff Hardy Story") I had a friend in a fancy Hollywood agency the other day, and he ran across this little gem. Somebody actually took the time to write a screenplay about the Jeff Hardy story. So I was paging through it, and lo and behold, it culminates, of course, with Jeff conquering his demons and beating me her tonight in a TLC match at SummerSlam. What a great feelgood story, Josh, all except, of course, for the ending, which is not reality-based. It's fake, it's phony, just like everybody who lives in this town. I'd go as far as to say that I'm the only real person in this building right now. I wish I could say it's a Los Angeles epidemic, but the fact is it's worldwide. You have people that falsely idolize what they see in movies and on television; you have housewives in Iowa that subscribe to U. S. Weekly, US Weekly, or whatever it's called, so they can model their hair after Kate Gosselin, instead of helping their own children with their homework; you have little kids all over the world, millions of them, who idolize the "hip, cool star", and it doesn't matter if that hip cool star is some dork vampire in Twilight, or if it's Jeff Hardy. It doesn't matter if that hip cool star has a reprehensible, reckless lifestyle. You know, it doesn't matter if the collective intelligence of this entire country continues to spiral downward, day in and day out. It doesn't matter as long as it's cool, right? You know why they don't make movies about a guy like me? It's cause I don't support your poisoned society. I don't support this den of iniquity known as Hollywood. No, instead, I'm dismissed as being preachy, except I'm not preachy—I never have been. I just tell the truth. You know, I'm not a screenwriter either, but tonight I think I'll take a stab at it. Tonight I'm gonna rewrite the ending of "The Jeff Hardy Story."”

Phil Brooks (1978) American professional wrestler and mixed martial artist

It's gonna be horrifying. It's gonna be very, very graphic. It might be hard to watch for a lot of people, but it will have a happy ending: new World Heavyweight Champion—CM Punk.
At SummerSlam
Friday Night SmackDown

Love, Children, People, Truth

“I am secretly a costume drama queen. Oo, I love me some Merchant Ivory films! I do! If there is a petticoat and Helena Bonham Carter, already I can feel the tears well up in my eyes. I love me some period films! And I know that I will never be in them. I will never be in any of these movies, unless I am laying down on my side smoking some opium. And I get offered movie roles all the time, but I say, "No! No! I don't want to play a manicurist. I don't want to play a really pissed-off liquor store owner. I don't want to go nowhere with a chicken under my arm. I don't want to play an exceptionally good student, I do not want to get off a tour bus and take numerous photographs, I do not ever want to utter the phrase, 'Welcome to Japan, Mr. Bond'! I don't want to write down all my memoirs about being a geisha!"”

Margaret Cho (1968) American stand-up comedian

What it is, is that I cannot run up a wall!!
From Her Tours and CDs, Revolution Tour

Love, Feeling, Tear, Time

“[The poet] must write as the interpreter of nature and the legislator of mankind, and consider himself as presiding over the thoughts and manners of future generations, as a being superior to time and place.”

Samuel Johnson book The History of Rasselas, Prince of Abissinia

Source: The History of Rasselas, Prince of Abissinia (1759), Chapter 10

Nature, Time, Future

“A Person any Thing vers’d in the Writings of Chymists cannot but Discern by their obscure, Ambiguous, and almost Ænigmatical Way of expressing what they pretend to Teach, that they have no Mind, to be understood at all, but by the Sons of Art (as they call them) nor to be Understood even by these without Difficulty And Hazardous Tryalls.”

Robert Boyle book The Sceptical Chymist

Preface Introductory to the Following Treatise
The Sceptical Chymist (1661)

Art, Way, Personality

“The Philippines should be grateful to you if you would write a complete history of our country from an impartial point of view.. But don't expect thanks and laurels--crowns of flowers and laurels are the inventions of free people. But perhaps your children may gather the fruit of what the father planted.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

Letter to Blumentritt (13 April 1887)

Children, People, History, Flowers

“Man is the animal who weeps and laughs — and writes. If the first Prometheus brought fire from heaven in a fennel-stalk, the last will take it back — in a book.”

John Cowper Powys (1872–1963) British writer, lecturer and philosopher

The Pleasures of Literature (1938), p. 17

Books, Animals

“I’ve never thought much of Joe Nye’s writings on soft power.”

Richard Perle (1941) American government official

“People who have taken the [writing] course write eagerly, "Last week I hit "The Country Gentleman"; this week I hit "Mademoiselle"; next week I hope to hit the "American Mother"! Frankly, I don't think this course would suit me; I don't want to hit any of those people, though I might toss a pie at the American Mother, just for fun…”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

People, Hope, Thinking, Country

“Thank you. If there's one thing that actors know, other than that there weren't any WMDs, it's that there is no such thing as best in acting. And That's proven by these great actors that I was nominated with as well as the — as well as the Giamattis, Cages, Downey Jrs., Nicholsons, etc. that were not nominated. We know how great all of you were. My daughter Dylan and son Hopper find it presumptuous and embarrassing to write a speech, and so I'm gonna give it a go without. God, I really thank Clint Eastwood professionally and humanly for coming into my life. The great, great cast that I had to work with, my friends. Where do you go? Dennis Lehane, Brian Helgeland, Ma. Dad. Robin, for being an undying emotional inspiration on this rollercoaster I'm learning to enjoy. Thank you all very much.”

Sean Penn (1960) American actor, screenwriter, and film director

Oscar acceptance speech for Mystic River, 76th Annual Academy Awards - Best Actor in a Leading Role http://www.oscars.org/76academyawards/winners/01_lead_actor.html (2004-02-29)

Life, God, Learning, Daughters

“Any such material, received through the board, through automatic writing, or voice communication, should be carefully studied. Generally speaking, if your messages claim to originate from famous dead personalities, you can discount them as valid information. In all probability, they are creative fabrications of your own personal subconscious.”

Jane Roberts (1929–1984) American Writer

Source: How To Develop Your ESP Power (1966), p. 31

Communication, Study, Personality, Dead

“In the 14th Century an anonymous English mystic wrote a book called The Cloud of Unknowing, the main theme of which is that God cannot be apprehended by man's intellect and that only love can pierce the "cloud of unknowing" which lies between Him and us. I feel that in my own life anything I have done of possible worth has happened in spite of my gross, worldly self. I have been no more than the vessel used to convey ideas above my intellectual capacities. When people praise passages I have written, more often than not I can genuinely say, 'Did I write that?' I don't think this is due to my having a bad memory, because I have almost total recall of trivialities. I see it as evidence of the part the supernatural plays in lives which would otherwise remain earthbound.”

Patrick White (1912–1990) English-born Australian writer

Australians in a Nuclear War (1983)

Love, Life, God, People

“My school was 17 years as a player and another 16 watching more games probably than any coach has - all over the world, all systems. I couldn't go to school and write it down for people who are far less experienced, telling me what to do and how to do it.”

Andy Gray (footballer born 1955) (1955) footballer, commentator

Andy on the experience he as gained over the years.http://www.dailymail.co.uk/pages/live/articles/sport/football.html?in_article_id=370173&in_page_id=1779&in_a_source=&ct=5

People, World, School, Game

“Writing should never be allowed to become a substitute for living. Style cannot breath in a void. It should not be forgotten that Dickens was at one time a reporter, Balzac a lawyer's clerk and Tchekov a county doctor. Art is different from life but cannot exist without it.”

André Maurois (1885–1967) French writer

The Art of Writing

Life, Art, Time

“As it seems to me, skill of the writer in abilities not only to write, but will delete everything that is unessential.”

Miho Mosulishvili (1962) Georgian writer

Interviews

“The history of organization theory contrasts with the history of managerial thought. When people began to compose texts about organized activities, between 2,000 and 3,000 years before the Christian era (BCE), they focused on managerial practices rather than on organizations as such. Several writers proposed general principles for managerial practice before 1000 BCE, so one can say that theories about managing have existed for at least 3000 years. However, these writings often said nothing about the organizational contexts in which managing was to occur. When the writers did make statements about organizations, they did not generalize. They wrote about specific organizations.”

William H. Starbuck (1934) American academic

Source: "The Origins of Organizational Theory," 2005, p. 143

People, History

“I know that when I write, I'm writing for people who can handle high-school math, read at the Grade 12 level, and appreciate subtle humor as opposed to the toilet-bowl kind. I guess that makes the lower cutoff about 17-18 years old.”

Sean Punch (1967) Canadian editor

Steve Jackson Games Forums http://forums.sjgames.com/showpost.php?p=536888&postcount=3 Answer to the question about which age group GURPS is aimed at

People, School, Reading

“The way I would live my life is: never do something in real life that I would not want to write about in my Autobiography.”

Siddharth Katragadda (1972) Indian writer

page 43
Dark Rooms (2002)

Life, Way

“I was so conflicted and disillusioned about organized religion that I couldn't write. … I think my writings will go on being the writings of a believer in Christ. I think I'll be less frustrated and freer to write about the full dimension of what that means. But I write metaphysical thrillers, and how this works out in fiction is always mysterious: characters confront dilemmas. The worldview of the novel is certainly optimistic and that of a believer. What character will say what, I don't know until I start writing. …. Because I had written Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana, I had become a public Christian. I wanted my readers to know that I was stepping aside from organized religion and the names Christian and Christianity because I wanted to exonerate myself from the things organized religion was doing in the name of Jesus. Christians have lost credibility in America as people who know how to love. They have become associated with hatred, persecution, attempting to abolish the separation of church and state, and trying to pressure people to vote certain ways in elections. I wanted to make it clear that I did not in any way remain complicit with those things.”

Anne Rice (1941) American writer

"Q & A: Anne Rice on Following Christ Without Christianity" interview by Sarah Pulliam Bailey in Christianity Today (17 Augutst 2010) http://www.christianitytoday.com/ct/article_print.html?id=89167

Love, People, Religion, Way

“Film is such an extraordinary rich medium which can handle so many different modes of operation, combining together in the same place all these extraordinary disciplines which may be executed in their own right -- music, writing, picture making of all kinds, and I often feel that some filmmakers make films with one eye closed and two hands tied behind their backs.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Music, Feeling

“I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how powerfully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right. […] The exuberance is all of one piece—organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation—a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.”

Stephen Jay Gould book Dinosaur in a Haystack

"Cabinet Museums: Alive, Alive, O!", p. 244
Dinosaur in a Haystack (1995)

History, Courage, Nature, Decision

“Upon this Occasion many Methods have been invented of secret Writing, or Writing in Cipher, a Thing heretofore scarce known to any but the Secretaries of Princes, or others of like Condition; but of late Years, during our Commotions and civill Wars in England, grown very common and familiar, so that now there is scarce a Person of Quality, but is more or lesse acquainted with it, and doth as there is Occasion, make use of it.”

John Wallis (1616–1703) English mathematician

p, 125
An Essay on the Art of Decyphering (1737)

War, Secret, Personality

“Greatest misconception about Wikipedia: We aren’t democratic. Our readers edit the entries, but we’re actually quite snobby. The core community appreciates when someone is knowledgeable, and thinks some people are idiots and shouldn’t be writing.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Source: The Encyclopedist’s Lair, The New York Times, November 18, 2007, 2007-11-19 http://www.nytimes.com/2007/11/18/magazine/18wwln-domains-t.html?ex=1196139600&en=25f7b166ceba3519&ei=5070&emc=eta1,

People, Communication, Knowledge, Thinking

“I believe that the harm which Mill has done to the world by the passage in his book on Political Economy in which he favours the principle of Protection in young communities, has outweighed all the good which may have been caused by his other writings.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Said to Sir Louis Mallet by Cobden on his death bed within two days before his death, quoted in Richard Gowing, Richard Cobden (London: Cassell, 1890), p. 130.
1860s

Books, World, Communication

“It is universally agreed, that custom, in time, becomes a second nature, forcing men to use that, whether good or bad, to which they have been habituated; in fact, we see habit, in many instances, gain the ascendency over reason. This is so undeniably true, that, virtuous men, by keeping company with wicked, often fall into the same vicious course of life. Seeing and considering all this, I have decided to write on the vice of intemperance, in eating and drinking. Now, though all are agreed, that intemperance is the parent of gluttony, and sober living the offspring of abstemiousness, yet, owing to the power of custom, the former is considered a virtue, and the latter as mean and avaricious, and so many men are blinded and besotted to such a degree, that they come to the age of forty or fifty, burdened with strange and painful infirmities, which render them decrepit and useless, whereas, had they lived temperately and soberly, they would in all probability, have been sound and hearty, to the age of eighty and upwards.”

Luigi Cornaro (1484–1566) Italian philosopher

Discourses on the Sober Life

Life, Men, Pain, Age

“I do sometimes write songs that don’t seem right for Frankie so they get filed away. But don’t worry - anything good will be used. I’m not that gifted that I can afford to throw away any good stuff.”

Holly Johnson (1960) British artist

Frankie go bang! http://www.zttaat.com/article.php?title=989 by Paul Simper at zttaat.com, Accessed May 2014.

“My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.”

Ann B. Davis (1926–2014) American actress

People magazine in 1992

God, Housing

“In my view, I’m most fascinated by constitutional law. How to work the constitution is far more important than how to write it. It is much easier to write the constitution. I recall when the Foreign Minister of Bangladesh came to visit me, (to draft the Bangladesh Constitution). I was the Additional Solicitor General then. We gave them ideas and drafts were exchanged, but it didn’t last for more than a couple of years. Writing a constitution is simpler; borrowing ideas from everywhere is nothing great. How to work the constitution is a grave challenge and it’s fascinating.”

Fali Sam Nariman (1929) Indian politician

Conversation with the living legend of law - Fali Sam Nariman

Law, Idea

“There is no reason to write pornography when your own sex life is good. Why waste time writing about it?”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)

Life, Sex, Time

“We have a habit in writing articles published in scientific journals to make the work as finished as possible, to cover all the tracks, to not worry about the blind alleys or to describe how you had the wrong idea first, and so on. So there isn't any place to publish, in a dignified manner, what you actually did in order to get to do the work.”

Richard Feynman (1918–1988) American theoretical physicist

"The Development of the Space-Time View of Quantum Electrodynamics," Nobel Lecture http://nobelprize.org/physics/laureates/1965/feynman-lecture.html (11 December 1965)

Idea

“Writing letters with me is not a thing that can be done at odd scraps of time. I must sit down, compose myself & collect all of my thoughts.”

Charles Robert Leslie (1794–1859) British painter (1794-1859)

Autobiographical Recollections of C. R. Leslie with Selections from his correspondence Ed. Tom Taylor , Ticknor & Fields, Boston 1860

Time

“I think that what drives the American public, which is like a huge, lumbering beast, is anger; and the other thing that drives it is self–interest. What I'm trying to do in my books is different from other people writing about child abuse. I'm not trying to engender sympathy so much as to say to the public, 'Today's victim is tomorrow's predator.' The things that you fear have a genesis, and the price of being safe in this world is early intervention. It costs you something to look away, not just in moral terms, but in practical terms.”

Andrew Vachss (1942) American writer and lawyer

Crime Times, Nov./Dec. 1988

People, Books, World, Fear

“To Parker Bright, Hannah Black, and other critics of this painting, I say this:
I completely reject your criticism. If only artists of the proper ethnicity can depict violence inflicted on their group, then only writers of the proper ethnicity can write about the same issues, and so on with all the arts. And what goes for ethnicity or race goes for gender: men cannot write about suffering inflicted on women, nor women about suffering inflicted on men. Gays cannot write about straight people and vice versa.
The fact is that we are all human, and we are all capable of sharing, as well as depicting, the pain and suffering of others. I will not allow you to fracture art and literature the way you have fractured politics. Yes, horrible injustices have been visited on minority groups, on women, on gays, and on other marginalized people, but to allow that injustice to be conveyed only by “properly ethnic or gendered artists” is to deny us our common humanity and deprive us of emotional solidarity. No group, whatever its pigmentation or chromosomal constitution, has the exclusive right to create art or literature about their own subgroup. To deny others that right is to censor them.
To those who say this painting has caused them “unnecessary hurt” because it is by a white artist about black pain, I say, “Your own pain about this artwork is gratuitous; I do not take it seriously. It’s the cry of a coddled child who simply wants attention.””

Jerry Coyne (1949) American biologist

" Insane political correctness: snowflakes urge destruction of Emmett Till painting https://whyevolutionistrue.wordpress.com/2017/04/04/insane-political-correctness-snowflakes-urge-destruction-of-emmett-till-painting/" April 4, 2017

Women, Men, Pain, People

“I was in Miami, reading at the book fair. My partner on the platform had won the Pulitzer Prize the previous day. At the book signing afterwards, Pulitzer Man had waiting for him a queue of admiring readers that stretched up the spine of Florida, while I had three people — an academic who was writing something on my work, the usual maniac in a raincoat, and a kindly chap who leaned down and said to me in a confidential whisper, “I'm not going to buy your book, but you looked so lonely I felt I had to come and talk to you.””

John Banville (1945) Irish writer

How I Write: John Banville on ‘Ancient Light,’ Nabokov, and Dublin (2012)

People, Books, Waiting, Reading

“Writing things down is dangerous. Ink can’t be erased without leaving a mess behind.”

Carole Morin British writer

Spying on Strange Men (2013)

“I write what I believe in and don't care a damn about the consequences.”

Khushwant Singh (1915–2014) Indian novelist and journalist

I Don't Know One Editor In India Who Is Well-Read

“Of the many references to Newton in 18th-century electrical writings only a small number were to the Principia, the greater part by far were to the Opticks. This was true not alone of the electrical writings but also in other fields of experimental enquiry…. [The Opticks] would allow the reader to roam, with great Newton as his guide, through the major unresolved problems of science and even the relation of the whole world of nature to Him who had created it…. in the Opticks Newton did not adopt the motto… —Hypotheses non fingo; I frame no hypotheses—but, so to speak, let himself go, allowing his imagination full reign and by far exceeding the bounds of experimental evidence.”

I. Bernard Cohen (1914–2003) American historian of science

I. Bernard Cohen, Preface to Opticks by Sir Isaac Newton (1952)

World, Imagination, Nature, Problem

“If we are content with knowledge as a commodity, accessible only through a computerized bureaucracy, we can simply let companies provide it. But if we want to keep human knowledge open and freely available to humanity, we have to do the work to make it available that way. We have to write a free encyclopedia.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

"The Free Universal Encyclopedia and Learning Resource" (1999) http://www.gnu.org/encyclopedia/free-encyclopedia.html 1990s

Way, Knowledge

“Harriet lived in Connecticut and influenced antislavery in her book "Uncle Tom's Cabin." Harriet was a optimist who expressed her feelings by writing. Harriet was listed as one of the people who started the civil war. She started it from one of her books (It was the most influencial book in all of American History) However, Harriet was a very successful person and never stood down.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

Little Foxes (1865)

War, People, Books, Feeling

“Yes, secularism does propose a physical and purposeless universe, and many (but not all) of us accept the notion that our sense of self is a neuronal illusion. But although the universe is purposeless, our lives aren’t. This conflation of a purposeless universe (i. e., one not created for a specific reason) with purposeless human lives is a trick that the faithful use to make atheism seem nihilistic and dark. But we make our own purposes, and they’re real. Right now my purpose is to write this piece, and then I’ll work on a book, and later I’ll have dinner with a friend. Soon I’ll go to Poland to visit more friends. Maybe later I’ll read a nice book and learn something. Those are real purposes, not illusory purposes to which Douthat wants us to devote our only life.”

Jerry Coyne (1949) American biologist

" Douthat on the rampage against secularism, gets it all wrong http://whyevolutionistrue.wordpress.com/2013/12/23/douthat-on-the-rampage-against-secularism-gets-it-all-wrong/" December 23, 2013

Life, Books, Faith, Sense

“Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth... I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007

Love, Life, Happiness, Children

“The first day I was in a daze thinking, ‘What am I doing? What’s my role?’ and then slowly we started writing with each other, and it was great. It took me way back to my high school days when I was playing in a rock band.”

A. R. Rahman (1966) Indian singer and composer

During the recording of music “SuperHeavy” quoted in "What Is Superheavy?"

School, Way, Thinking

“It’s been said many times in world art writing that one can find some of painting’s meaning by looking not only at what painters do, but what they refuse to do.”

Ad Reinhardt (1913–1967) American painter

1940 - 1955
Source: Contemporary American Painting, University of Illinois, Urbana 1952, p. 226

World, Art, Time, Painting

“In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for; this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.”

Gabriel García Márquez (1927–2014) Colombian writer

Source: The Paris Review interview (1981), p. 322

Books, Problem, Thinking, Solitude

“We see morality in speeches and writings. We do not find it in practice. We are having different regulations for the males and the females. Our code of conduct is unfair to women. Child marriage is abolished. If there is right to divorce, right for widows to remarry and if women are now given certain rights, we will not see prostitution in the country. It will gradually disappear.”

Periyar E. V. Ramasamy (1879–1973) Tamil politician and social reformer

Veeramani, Collected Works of Periyar, p. 512.
Marriage

Women, Marriage, Country

“I generally keep upto date with recent academic writings in law and literature; and to keep myself upto date I also subscribe to and browse through the New York Review of Books – a bi-weekly feature which gives all the current publications around the world – as well as the London Review of Books.”

Fali Sam Nariman (1929) Indian politician

Conversation with the living legend of law - Fali Sam Nariman

Books, World, Law, Literature

“Only when one has lost all curiosity about the future has one reached the age to write an autobiography.”

Evelyn Waugh book A Little Learning

First lines
A Little Learning (1964)

Age, Future

“We must first of all, however, definitely understand, in reference to the end we have in view, that it is not the concern of philosophy to produce religion in any individual. Its existence is, on the contrary, presupposed as forming what is fundamental in every one. So far as man s essential nature is concerned, nothing new is to be introduced into him. To try to do this would be as absurd as to give a dog printed writings to chew, under the idea that in this way you could put mind into it. It may happen that religion is awakened in the heart by means of philosophical knowledge, but it is not necessarily so. It is not the purpose of philosophy to edify, and quite as little is it necessary for it to make good its claims by showing in any particular case that it must produce religious feeling in the individual.”

Georg Wilhelm Friedrich Hegel (1770–1831) German philosopher

Lectures on the philosophy of religion, together with a work on the proofs of the existence of God. Translated from the 2d German ed. by E.B. Speirs, and J. Burdon Sanderson: the translation edited by E.B. Speirs. Published 1895 p. 4
Lectures on Philosophy of Religion, Volume 1 (1827)

Religion, Dogs, Way, Feeling

“Mixed feelings when he [Max Ernst frequently writes about himself in the third person] enters the forest for the first time: delight and oppression. And what the Romantics spoke of as 'being at one with Nature'. Wonderful joy in breathing freely in an open space, but also anxiety at being encircled by hostile trees. Outside and inside at the same time, free and trapped.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Room 6, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is describing an early childhood experience, in the third person
posthumous

Hostility, Feeling, Nature, Tree

“Now I am prepared to maintain," said Chaffery, proceeding with his proposition, "that Honesty is essentially an anarchistic and disintegrating force in society, that communities are held together and the progress of civilisation made possible only by vigorous and sometimes even violent Lying; that the Social Contract is nothing more or less than a vast conspiracy of human beings to lie to and humbug themselves and one another for the general Good. Lies are the mortar that bind the savage individual man into the social masonry … Were I not of a profoundly indolent, restless, adventurous nature, and horribly averse to writing, I would make a great book of this and live honored by every profound duffer in the world.”

H. G. Wells book Love and Mr Lewisham

Love and Mr Lewisham (1899), Ch. 23

Lie, Books, World, Communication

“As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light.
As always, the glum knowledge that he would not write as well as he wanted to write.
As always the terror of not being able to finish, of accelerating into a brick wall.
As always, the marvelous joyful nervy feeling of journey begun.”

Stephen King book Misery

Misery (1987)

Feeling, Knowledge, Light

“Writing songs has a lot to do with your sexuality. I danced for awhile and just being around that made me realize what people use. And if you grow up blessed with a certain beauty or a certain intelligence that enhances your beauty, you can get into a better position in life.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On songwriting and beauty, The Guardian https://www.newspapers.com/clip/22821312/the_guardian/ (December 11, 1991) 1991–1995

Life, People, Beauty, Intelligence

“Should he ever write an autobiography, he'd call it The Life and Death of a Male Body.”

Philip Roth book Everyman

Everyman (2006)

Life, Death

“I cannot write long books; I leave that for those who have nothing to say.”

Celia Green (1935) British philosopher

The Decline and Fall of Science (1976)

Books

“Whosoever, in writing a modern history, shall follow truth too near the heels, it may happily strike out his teeth.”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

The History of the World (1614), Preface

Truth, History

“Writing is hard work. A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, it's because it is hard. It's one of the hardest things that people do.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 2, Simplicity, p. 12.

People, Time, Despair

“The holiest, cruellest pains I feel,
Die stillborn, because old men squeal
For something new: "Write something new:
We've read this poem — that one too,
And twelve more like 'em yesterday?"”

Robert Graves (1895–1985) English poet and novelist

"To An Ungentle Critic"
Fairies and Fusiliers (1917)

Men, Pain, Feeling, Reading

“Roger: It’s complicated. It kind of has different phases. It will be like Chris [Demakes, guitarist/singer] or I will have a song idea and Vinnie Fiorello [drummer/lyricist] will write lyrics that go with that song idea or Vinnie will just have words that he wrote down and we’ll take that and sort of mold it into a song. I mean it kind of happens in different ways and not everyone is always involved, and sometimes everyone is involved it just depends. There’s no like formula for writing songs at least not in our band. It’s pretty much however it comes apart and falls apart and everything if it feels right it feels right the song is the ultimate guide. Am I being too hippie for you?”

Roger Manganelli (1973) American musician

Way, Feeling, Idea, Dependency

“I don't pretend to be an author or to know anything about writing. I'm doing this simply because Dr Reilly asked me to, and somehow when Dr Reilly asks you to do a thing you don't like to refuse.”

Agatha Christie book Murder in Mesopotamia

Amy Leatheran
Murder in Mesopotamia (1936)

“This ruling has finally nailed down the coffin of what was from the beginning an ill-penned accord. This should make all those who authored and had a hand in writing the accord to get red in the face and immediately turn in their resignation from the government for trying to bungle our Constitution.”

Francis Escudero (1969) Filipino politician

The Official Website of the Senate of the Philippines http://www.senate.gov.ph/press_release/2008/1014_escudero1.asp 2008, Statement: on the MOA-AD Supreme Court Decision

“I began to get up at two or three in the morning and work for twelve to fifteen hours a day. I’d get so emotionally drained by the writing, that I’d feel sick at the end of the day. My family became worried about me and they invited a friend, who was a writer in Los Angeles, to see me. He told me that he’d heard how serious I was about my writing, so he was willing to take a little time off of his busy schedule to glance at my work. I gave him the latest version of my manuscript. He took it home and came back to see me the following week. His face was long. He told me that he was sorry to say this but, as a family friend, he had the obligation to be truthful, so he’d tell me straight out that I had no talent. The book was terrible. And also, I was trying to write way beyond my mental capabilities.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Truth, Books, Family, Angels

“I claim that jihadis are really motivated neither by religion nor by a Leftist sense of justice, but by resentment, which in no way puts them on the Left, neither “objectively” nor “subjectively.” I simply never wrote that Islamic fundamentalists are in any sense on the Left—the whole point of my writing on this topic is that the “antagonism” between liberal tolerance and ethnic or religious fundamentalism is inherent to the universe of global capitalism: in their very opposition, they are the two faces of the same system. The true Left starts with the insight into this complicity. A good example of how religious fundamentalism is to be located “in the context of the antagonisms of global capitalism” is Afghanistan. Today, when Afghanistan is portrayed as the utmost Islamic fundamentalist country, who still remembers that, 30 years ago, it was a country with strong secular tradition, up to a strong Communist party which first took power there independently of the Soviet Union? Afghanistan became fundamentalist when it was drawn into global politics”

Slavoj Žižek (1949) Slovene philosopher

first through the Soviet intervention "Disputations: Who Are You Calling Anti-Semitic?" in The New Republic (7 January 2009) http://www.tnr.com/article/politics/disputations-who-are-you-calling-anti-semitic

Religion, Justice, Way, Motivation

“Many of my friends are under the impression that I write these humorous nothings in idle moments when the wearied brain is unable to perform the serious labours of the economist. My own experience is exactly the other way. The writing of solid, instructive stuff fortified by facts and figures is easy enough. There is no trouble in writing a scientific treatise on the folk-lore of Central China, or a statistical enquiry into the declining population of Prince Edward Island. But to write something out of one's own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far between. Personally, I would sooner have written "Alice in Wonderland" than the whole Encyclopaedia Britannica.”

Stephen Leacock book Sunshine Sketches of a Little Town

Preface
Sunshine Sketches of a Little Town (1912)

Way, Reading, Personality

“It has long been speculated that money predates writing because the earliest examples of writing appear to be records of monetary debts—meaning that the closely intertwined chronology of the development of writing and money will make it impossible to find a written history.”

L. Randall Wray (1953) American economist

L. Randall Wray, The Credit Money, State Money, and Endogenous Money Approaches: A Survey and Attempted Integration. (2005)

Money, History, Appearance

“Sometimes if you go to see a very, very, happy movie, a Hollywood movie, you can walk out of the movie and feel very depressed because it's so false. And other times you see a very depressing movie and it makes you feel good, happy because you've seen something real. You've seen something that talks to you and says that your bad feelings are legitimate. And then you can go further with that and say, "Well, this bad feeling is good, and this good feeling is bad, but is it good to feel bad and is it bad to feel good?" I'm concerned with feelings. And sometimes when I feel good, I'll write something very negative because I have the strength to do it. But when I really, really feel very bad, what I want to do is make myself feel better, so I'll write something happier.”

John S. Hall (1960) Poet, author, singer, lawyer

Quotes from interviews

Happiness, Feeling, Time, Falseness

“And so one becomes, or I become, anyway, slightly obsessive, particularly about my health, because you wouldn't want to read the letters people write when you're off and they're disappointed - it's so awful, the guilt one feels for not being there.”

Elaine Paige (1948) English singer and actress

Show girl (2000)

People, Health, Disappointment, Feeling

“Stop it. If I accepted you as the Messenger of Allah I would not have been hostile to you. You should write only your name and the name of your father.”

Suhayl ibn Amr soldier

in negotiating Treaty of Hudaybiyyah (628)

Hostility

“The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written "jasmines, swans and fauns." But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines.”

José Ortega Y Gasset book The Revolt of the Masses

Source: The Revolt of the Masses (1929), Chapter XI: The Self-Satisfied Age

History, Thinking, Light

“Criminal history shows us how many torturers of men, and murderers, have first been torturers of animals. The manner in which a nation in the aggregate treats animals, is one chief measure of its real civilization. The Latin races, as we know, come forth badly from this examination; we Germans, not half well enough. Buddhism has done more in this direction than Christianity, and Schopenhauer more than all ancient and modern philosophers together. The warm sympathy with sentient Nature which pervades all the writings of Schopenhauer, is one of the most pleasing aspects of his thoroughly intellectual, yet often unhealthy and unprofitable philosophy.”

David Strauss (1808–1874) German theologian

The Old Faith and the New (Der alte und der neue Glaube, 1872, translated from the 6th edition by M. Blind, New York: Henry Holt & Co., 1873), vol. II, part IV, ch. 71, pp. 59 https://archive.org/stream/oldfaithnewconfe01stra#page/59/mode/2up-60.

Men, History, Nature, Animals

“One thing that cannot be denied to the realists: a constant and intense desire to write well, to write artistically. When I think of what they have done in the matter of the use of words, of the myriad verbal effects they have discovered, of the thousand forms of composition they have created, how they have remodelled and refashioned the language in their untiring striving for intensity of expression for the very osmazome of art, I am lost in ultimate wonder and admiration.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 13.

Art, Thinking

“I write the songs first and in most cases teach myself the technique second.”

Joe Satriani (1956) American guitar player

As quoted in BAM Magazine (6 April 1990).

“But this same process of the old teaching the young can also cause errors and false conclusions to accumulate with the passage of time. One should therefore study ancient writings, not so much in the hope of finding lost wisdom as in the hope of locating the origin of errors that have been, and still are, accepted truths.”

Carl Eckart (1902–1973) American physicist

Source: Our Modern Idol: Mathematical Science (1984), p. 3.

Wisdom, Truth, Hope, Error

“Give a critic an inch, he’ll write a play.”

John Steinbeck (1902–1968) American writer

On Critics
Writers at Work (1977)

“My wife says I had a nervous breakdown during the writing of Mefisto. Maybe I did, but what's a nervous breakdown for a writer? For a writer every day is a nervous breakdown. […] The book came out in the spring, and I remember I spent that following summer digging my garden — Voltaire would have been proud. I made a wonderful garden. Grew beans, lettuces. I was healing myself from some kind of traumatic process that I don't pretend to understand. All right, let's agree with my wife and call it a nervous breakdown.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Books, Spring, Understanding, Summer

“The characteristic poetic strategy of our time—refine your singularities—is something Auden has not learned; so his best poems are very peculiarly good, nearly the most interesting poems of our time. When he writes badly, we can afford to be angry at him, and he can afford to laugh at us.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poetry in a Dry Season”, p. 37
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Learning, Time

“Anyone who can think clearly can write clearly. But neither is easy.”

William Feather (1889–1981) Publisher, Author

The Business of Life (1949)

Thinking

“I have even seen the writings suggesting that I am playing a deep game, that I am using the present turmoil to foist my fads on India, and am making religious experiments at India's expense. I can only answer that Satyagraha is made of sterner stuff. There is nothing reserved and nothing secret in it.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

"A Word of Explanation" in Young India (January 1921)
1920s

Secret, Game

“A wonderful range of writing is offered in these and other forms. Stylistically, there are unspoken limits. The delphic or serpentine are not part of the repertoire. No fear could be more foreign to the journal than of ‘the mischief of premature clarification’, against which Fredric Jameson – whose arrival in its pages is a welcome departure from consistency – once warned. The too vehement is likewise at some discount, suspect of ‘rant’. Perhaps the best way of conveying the overall climate would be to say that the paper resists any trace of l’esprit du sérieux, in the Sartrean sense: that is, of the portentous, high-minded, hypocritical. Against all these, its playfulness finds expression on the largest as well as smallest of topics. Emblematic in this collection are the saturnine tones of Edward Luttwak, as a ‘heavy-weight’ contributor. 12 It is enough to think of the contributions of President Havel to the New York Review to understand their antithesis.”

Perry Anderson (1938) British historian

Debts 1. "The London Review of Books" (1996; 2005)
Ref: en.wikiquote.org - Perry Anderson / Quotes / Spectrum: From Right to Left in the World of Ideas (2005)
Spectrum: From Right to Left in the World of Ideas (2005), Debts 1. "The London Review of Books" (1996; 2005)

Fear, Way, Departure, Understanding

“I'm not one for walking the beaches humming a melody … I love the discipline of sitting in the studio, writing and listening. That is my domain.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)

Love

“I was TORTURED by teachers! You hear me, TORTURED!” I yelled, jerking the whole podium off the floor. “Hell, I flunked the third grade twice because—BECAUSE—” I was crying so hard that I had to wipe the tears out of my eyes with the back of my hand, but this wasn’t going to stop me. I was all guts up front now. I was in that smooth-feeling, all-true place that I got into when I’d go to my room and start writing each morning before daybreak…with all my heart and soul.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Jerk, Feeling, Soul, Hell

“I do not care a button about having my name in any blessed place. I was never ardent about fame even in my political days; I preferred to remain behind the curtain, push people without their knowing it and get things done. It was the confounded British Government that spoiled my game by prosecuting me and forcing me to be publicly known and a 'leader'. Then, again, I don't believe in advertisement except for books etc., and in propaganda except for politics and patent medicines. But for serious work it is a poison. It means either a stunt or a boom' and stunts and booms exhaust the thing they carry on their crest and leave it lifeless and broken high and dry on the shores of nowhere… or it means a movement. A movement in the case of a work like mine means the founding of a school or a sect or some other damned nonsense. It means that hundreds or thousands of useless people join in and corrupt the work or reduce it to a pompous farce from which the Truth that was coming down recedes into secrecy and silence. It is what has happened to the 'religions' and is the reason of their failure. If I tolerate a little writing about myself, it is only to have a sufficient counter-weight in that amorphous chaos, the public mind, to balance the hostility that is always aroused by the presence of a new dynamic Truth in this world of ignorance. But the utility ends there and too much advertisement would defeat that object. I am perfectly 'rational', I assure you, in my methods and I do not proceed merely on any personal dislike of fame. If and so far as publicity serves the Truth, I am quite ready to tolerate it; but I do not find publicity for its own sake desirable.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

October 2, 1934
India's Rebirth

Hostility, People, Truth, Books

“I doubt myself every day. I think most writers do. It’s part of the process. It’s in part what keeps you trying to write better each day, each book. If you were ever completely satisfied, I think you might just move on to something else. So you persevere. My bandmate, Stephen King, says successful writing is 5% talent, 5% luck, and 90% perseverance. You hit walls, reviews, dead-ends, editors, trends, and you wake up in the morning and keep going. You write for the joy of writing. It’s the best job in the world. I never—never—take this opportunity for granted. I try to earn it every day I’m in the chair.”

Ridley Pearson (1953) American writer

Interview with Ridley Pearson http://blog.booksamillion.com/author-spotlight/author-interviews/2016/08/interview-ridley-pearson/ (August 22, 2016)

Books, World, Thinking, Success

“History writes the word 'Reconciliation' over all her quarrels.”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Smuts to Alfred Milner (1905), as cited in Antony Lentin, 2010, Jan Smuts – Man of courage and vision ISBN 978-1-86842-390-3

History

“I do not know how to write or speak but only to paint and draw. Look at what I have done. Whether I have succeeded in explaining myself or not, in any case, if you do not understand my work, through your fault or mine, I can do no more.”

Albert Marquet (1875–1947) French artist

Marcelle Marquet, Marquet Fernand Hazan Editions, Paris 1955, p. 6; as quoted in 'Appendix – Marquet Speaks on his Art', in "Albert Marquet and the Fauve movement, 1898-1908", Norris Judd, published 1976, - translation Norris Judd - Thesis (A.B.)--Sweet Briar College, p. 116

Understanding, Drawing, Painting

“Lovers who love truly do not write down their happiness.”

Anatole France book The Crime of Sylvestre Bonnard

Les amants qui aiment bien n'écrivent pas leur bonheur.
La Bûche [The Log] (November 30, 1859)
The Crime of Sylvestre Bonnard (1881)

Love, Happiness, Lovers, For Him

“In human history it seems that the idea of using a pictograph in the new function of representing sound may have occurred only three times: once in Mesopotamia, perhaps by the Sumerians, once in China, apparently by the Chinese themselves, and once in Central America, by the Mayas. (Conceivably it was invented only once, but there is no evidence that the Chinese or the Mayas acquired the idea from elsewhere.) The idea that was independently conceived by these three peoples was taken over, as were at times even the symbols themselves, though often in a highly modified form, by others who made adaptations to fit a host of totally different languages. One of the major adaptations, generally attributed to the Greeks, was the narrowing of sound representation from syllabic representation to phonemic representation (Gelb 1963; Trager 1974), after an earlier stage of mixed pictographic and syllabic writing (Chadwick 1967).”

John DeFrancis book The Chinese Language: Fact and Fantasy

The Chinese Language: Fact and Fantasy (1984, p. 139) http://www.pinyin.info/readings/texts/ideographic_myth.html The Chinese Language: Fact and Fantasy (1984)

People, History, Idea, Time

“Ritchie and Thompson made an amazing team; and they played Unix and C like a fine instrument. They sometimes divided up work almost on a subroutine-by-subroutine basis with such rapport that it almost seemed like the work of a single person. In fact, as Dennis has recounted, they once got their signals crossed and both wrote the same subroutine. The two versions did not merely compute the same result, they did it with identical source code! Their output was prodigious. Once I counted how much production code they had written in the preceding year − 100,000 lines! Prodigious didn’t mean slapdash. Ken and Dennis have unerring design sense. They write code that works, code that can be read, code that can evolve.”

Doug McIlroy (1932) American computer scientist, mathematician, engineer, and programmer

Doug McIlroy (2011). Remarks for Japan Prize award ceremony for Dennis Ritchie, May 19, 2011, Murray Hill, NJ http://www.cs.dartmouth.edu/~doug/dmr.pdf

Sense, Reading, Personality