Quotes about writing
page 33

“I would write, edit, rewrite and re-edit the text. However, I still felt that I was miles away from the ideal version of the story born and still alive in me. I ran towards it with all my might and when I thought I had finally captured it, it would slip away from me and disappear. It looked more like an everlasting vision of an oasis in the mind of the thirsty pilgrim wandering in the desert. Finally, I realised I would never be able to record it in a way that makes myself completely happy with it. I had felt this earlier, but did not want to acknowledge the feeling, I did not want to feel defeated. Now I know - unless the writer suffers, goes through difficulties and finally, feels beaten, like me; if he writes the way he himself wants to write, if he wins over the story, he is dead and finished, as a writer… So, in a nutshell, the writer faces the possibility to die after finishing each of his/her works. However, it is better not to use that possibility until the end…”

Miho Mosulishvili book A Big She-Bear

Source: A Big She-Bear (2013), p. 3

Happiness, Way, Feeling, Suffering

“Sometimes I feel I do know what to believe in. Sometimes I believe in working, writing, performing, doing the work. Other times I'm full of despair and I don't even believe in that, but for some reason I will get out of bed and do something anyway, even though I don't believe in it.”

John S. Hall (1960) Poet, author, singer, lawyer

Quotes from interviews

Feeling, Time, Despair

“Life is writing. The sole purpose of mankind is to engrave the thoughts of divinity onto the tablets of nature.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

“On Philosophy: To Dorothea,” in Theory as Practice (1997), p. 420

Life, Nature

“When I read, it is not acted literature; but what I write is written acting.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Literature, Reading

“You ask a thing ill-suited to my years, to yours both offensive and disgusting. For how can it become me, who am near forty, to write of love, or you, that are in your fifties, to read of it That is a subject which delights young minds, and demands a tender heart. Old men are as fitted to tales of love as young men are to tales of prudence. Nor is there anything uglier than old age pursuing love, but lacking strength. Certainly you will sometimes find old men in love,—loved again, never; matrons and girls alike despise old age. No man’s love will hold a woman, but his whom she has seen in the flower of his youth. And if you hear aught to the contrary, there’s a lie behind it. Indeed I know, to write of love does not beseem me, who have already passed the noonday of life and am carried on towards evening; but it dishonours you who ask no less than me who write.”

Pope Pius II book The Tale of Two Lovers

Source: The Tale of Two Lovers, 1444, p. xvii, preface (in 1933 edition)

Love, Life, Men, Lie

“On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this…" I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.”

Hilary Duff (1987) American actress and singer

Murray, Rebecca. "Hilary Duff Talks About 'Raise Your Voice'" http://movies.about.com/od/raiseyourvoice/a/raisehd092804.htm. About.com. Retrieved October 25 2006. On Hilary Duff (2004).

Love, Life, People, Feeling

“Well had the boding tremblers learn'd to trace
The day's disasters in his morning face;
Full well they laugh'd with counterfeited glee
At all his jokes, for many a joke had he;
Full well the busy whisper circling round
Convey'd the dismal tidings when he frown'd.
Yet was he kind, or if severe in aught,
The love he bore to learning was in fault;
The village all declar'd how much he knew,
'T was certain he could write and cipher too.”

Oliver Goldsmith The Deserted Village

Variant: A man severe he was, and stern to view;
I knew him well, and every truant knew:
Well had the boding tremblers learned to trace
The day's disasters in his morning face;
Full well they laughed with counterfeited glee,
At all his jokes, for many a joke had he;
Full well the bust whisper, circling round,
Conveyed the dismal tidings when he frowned;
Yet he was kind; or if severe in aught,
The love he bore to learning was in fault;
The village all declared how much he knew;
'Twas certain he could write, and cipher too.
Source: The Deserted Village (1770), Line 199.

Love, Business, Learning

“All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens.”

Ernest Hemingway (1899–1961) American author and journalist

A Letter from Cuba (1934)

Hope, Failure, Nature

“Programming languages on the whole are very much more complicated than they used to be: object orientation, inheritance, and other features are still not really being thought through from the point of view of a coherent and scientifically well-based discipline or a theory of correctness. My original postulate, which I have been pursuing as a scientist all my life, is that one uses the criteria of correctness as a means of converging on a decent programming language design—one which doesn’t set traps for its users, and ones in which the different components of the program correspond clearly to different components of its specification, so you can reason compositionally about it. […] The tools, including the compiler, have to be based on some theory of what it means to write a correct program.”

C. A. R. Hoare (1934) British computer scientist

Oral history interview http://hdl.handle.net/11299/107362 by Philip L. Frana, 17 July 2002, Cambridge, England; Charles Babbage Institute, University of Minnesota.

Life

“Writing is more than anything a compulsion, like some people wash their hands thirty times a day for fear of awful consequences if they do not. It pays a whole lot better than this type of compulsion, but it is no more heroic.”

Julie Burchill (1959) British writer

Source: Sex & sensibility (1992), p. 20

People, Fear, Time

“Snatch them baldheaded, slap their teeth out. Little starved faces four feet from the screen, you’d speak to them in a loud, commanding voice, get not even a twitch. Use of the preemptive splint, not everyone knows about it. The world reminds us of its power, again and again and again. Going along minding your own business, and suddenly an act of God, right there in front of you. Great falls of snow and bursting birds. Getting guilty, letting it all slide. Sown here and there like little…petunias, one planted in Old Lyme, one in Fairbanks, one in Tempe. Alleged that he slept with her while she was asleep, I can see it, under certain circumstances. You may wink, but not at another person. You may wink only at pigeons. You may pound in your tent pegs, pitch your tent, gather wood for the fire, form the hush puppies. They seek to return? Back to the nest? The warm arms? The ineffable smells? Not on your tintype. Well, I think that’s a little harsh. Think that’s a little harsh do you? Yes, harsh. Harsh. Well that’s a sketch, that is, that’s a tin-plated sketch— They write and telephone. Short of cash? Give us a call, all inquiries handled with the utmost confidentiality. They call constantly, they’re calling still, saying williwaw, williwaw”

Donald Barthelme book Sixty Stories

“Aria”.
Sixty Stories (1981)

God, World, Business, Bird

“I have heard that you have found the secret of engraving on copper on white ground, as Elsheimer did. To bite the plate with acid, he covered the copper with a white paste. He then drew with the point down to the metal, which is of reddish color, and it looked as if he were drawing with red crayon on white paper. I cannot remember the composition of this write paste, although he communicated it to me.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens in a letter to Pieter van Veen, 19 June 1622, as cited
1605 - 1625
Source: http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885

Secret, Color, Communication, Past

“Science fiction these days is only half a step ahead of science. Astrophysicists and scientists are working in the same way as science fiction writers. They’re working things out in their imagination based on the slim scientific facts that they know. Hawking imagines a black hole and then discovers the mathematics that support his theory, and new possibilities come to light. That’s the imaginative flair that scientists have to have. For me as a sci-fi writer, spinning those ideas in your mind brings you to the point where you dream in science fiction. Suddenly you think of something in the middle of the night, and it’s so vivid you don’t need to write it down because you know you’ll remember it in the morning. That’s what these books, Zero G, reflect: a vivid imagination.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

"William Shtner on Sci-Fi, Aging and the Environment" http://www.saturdayeveningpost.com/2017/08/22/in-the-magazine/shatner.html as interviewed by Jeanne Wolf, Saturday Evening Post, September/October 2017

Books, Dreams, Way, Imagination

“I am a man: little do I last
and the night is enormous.
But I look up:
the stars write.
Unknowing I understand:
I too am written,
and at this very moment
someone spells me out.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

"Brotherhood: Homage to Claudius Ptolemy"

Star, Understanding, Night

“If there are, let's say, 20 astronauts, there may be two women among those 20 astronauts. If there are 20 FBI guys, there's one woman and the rest are men. So when somebody writes a script about life, usually the leading role will be the man, because mostly what women do is at home taking care of the children…That's the most important job there is on Earth. And why shouldn't women have it since they are the better of the two sexes?”

Anne Bancroft (1931–2005) American actress

Associated Press interview (1997).

Life, Women, Men, Children

“Weisinger, a couple of years ago, made up the following story: "Isaac Asimov was asked how Superman could fly faster than the speed of light, which was supposed to be an absolute limit. To this Asimov replied, 'That the speed of light is a limit is a theory; that Superman can travel faster than light is a fact.'"
I assure you it never happened and I never said it, but it will be repeated, I am quite certain, indefinitely, and it will probably be found in Bartlett's quotations a century from now, attributed to me, after all my writings have been forgotten.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Science Fiction, 1938" Nebula Winners 14 (1980) edited by Frederick J. Pohl, p. 97
General sources

Travel, Light, Speed, Flying

“Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview with Locus magazine (November 2005)

Books, World, Way, Problem

“That these ideas were prevalent in Virginia is further revealed by the Declaration of Rights, which was prepared by George Mason and presented to the general assembly on May 27, 1776. This document asserted popular sovereignty and inherent natural rights, but confined the doctrine of equality to the assertion that "All men are created equally free and independent." It can scarcely be imagined that Jefferson was unacquainted with what had been done in his own Commonwealth of Virginia when he took up the task of drafting the Declaration of Independence. But these thoughts can very largely be traced back to what John Wise was writing in 1710. He said, "Every man must be acknowledged equal to every man." Again, "The end of all good government is to cultivate humanity and promote the happiness of all and the good of every man in all his rights, his life, liberty, estate, honor, and so forth…". And again, "For as they have a power every man in his natural state, so upon combination they can and do bequeath this power to others and settle it according as their united discretion shall determine." And still again, "Democracy is Christ's government in church and state."”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

Here was the doctrine of equality, popular sovereignty, and the substance of the theory of inalienable rights clearly asserted by Wise at the opening of the eighteenth century, just as we have the principle of the consent of the governed stated by Hooker as early as 1638.
1920s, Speech on the Anniversary of the Declaration of Independence (1926)

Life, Men, Happiness, Democracy

“I'm really concerned about the quality of education in the United States. I think it's going down, and I don't think we spend enough money on it. It's unhealthy for our society that we remove ourselves more and more every day from books, from reading, from writing. All areas of education need more emphasis. I think we're a bit lazy here in America. I believe in the ideal of the classic liberal education, and I also think athletics are very important to the education of young people.”

Tommy Lee Jones (1946) American actor and film director

Interview interview (1995)

Money, People, Books, Education

“When we speak, we write what we are saying in the air.”

Joseph Joubert (1754–1824) French moralist and essayist

“The men that write books, Carlyle says, are now the world's priests, the spiritual directors of mankind.”

James Anthony Froude book The Nemesis of Faith

Letter VI
The Nemesis of Faith (1849)

Men, Books, World

“I knew I was going into one of the arts: I was drawing, acting, and writing.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)

Art, Drawing

“And now about architects in general – I have to say it, Does [= Theo van Doesburg ], when 'De Stijl' was founded I left it up to you, but I never did agree with you when you ranked the architects alongside us, alongside our 'N. B.' ( / Neo-Plasticism) I knew then that it would lead to conflict… I cannot write about architecture, because I'm not an architect. I mean, I cannot write about the way I write about painting. Later on, though, I will put forward a few ideas.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In a letter to Theo van Doesburg, Paris 9 July 1918; as quoted in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 139
1910's

Way, Idea, Painting

“The "medium is the message" is one of the world's silliest remarks. The message is the message, and it doesn't matter whether you send it by e-mail, a note in a bottle or on a picture postcard. The book, or the poem, or the play is what counts and it doesn't matter if it's written with a pen on a long sheet of ruled paper, as I am writing now, or on the most highly developed word processor. No machine can help with the rhythms of your prose, even if it can spell better than you can.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 28 : Inventions and the Decline of Language

Books, World, Help

“The writer has found, in analyzing and diagnosing organization and accounting work, that charts can express more on one page than is sometimes expressed in several chapters of writing, and has been the author and originator of many methods of charting industrial expressions. It is necessary, as a first step, for analytical and other purposes, to make a chart expressing all of the relations governing the organization of a business so as to show the very foundation upon which all authorities, accounting, and business transactions are based and conducted. There have been more failures scored both personally and financially for lack of these very elements in a business than by reason of any other one thing. As well try to build a house without a foundation as to try to conduct a business, especially a manufacturing business, without proper organization.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 23-24

Failure, Business, Housing, Personality

“Dialogue in Hell:
Fourth Dialogue
There are tremendous populations riveted to labor by poverty, as they were in other times by slavery. What difference, I ask you, do your fictions make to their happiness? Your great political movement has after all only ended in the triumph of a minority privileged by chance as the ancient nobility was by birth. What difference does it make to the proletariat bent over in its labor, weighted down by the heaviness of its destiny, that some orators have the right to speak, that some journalists have the right to write? You have created rights which will be purely academic for the mass of the people, since it cannot make use of them. These rights, of which the law permits him the ideal enjoyment and necessity refuses him the actual exercise, are the people only a bitter irony of defeat.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Happiness, People, Law, Exercises

“In oral culture, there is no separation between the poet and the poem. The author is a performer who vocalizes the words. Creation and performance are inseparably linked. Without writing, a ‘text’ has no existence outside the auditory performance”

Dana Gioia (1950) American writer

10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

“There is a good reason that all of this killing is unknown. The authoritarian and totalitarian thug regimes that do most of the killing usually control who writes their histories and what appears in them.”

Rudolph Rummel (1932–2014) American academic

Source: The Blue Book of Freedom: Ending Famine, Poverty, Democide, and War (2007), p. 76

History, Appearance

“Ostanes, the Mede, was one of the celebrated early alchemists. Several writers have recorded for us the existence of a book called The Book of the Divine Prescriptions, which seems to have been the most famous writing of these Persian sages.”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

Francis Preston Venable, A Short History of Chemistry (1894) p. 6. https://books.google.com/books?id=fN9YAAAAYAAJ&pg=PA6

Books

“Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.”

Truman Capote (1924–1984) American author

From a 1957 interview
Truman Capote: Conversations (1987)

Law, Music, Light, Learning

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014). New York Post

God, War, Truth, School

“The main thing is to make up your mind. If you're going to do it, do it, and if you're just going to halfway do it don't even try. This is a very demanding thing. I stay simple, I didn't get a whole lot of education, so most of it's just coming from what I gathered up. If you stay honest we've all got in common that we're all different. If you stay real deadly honest and write about some very interesting things then you'll be a good one. A lot of people just don't like to get honest but it's the cheapest psychiatrist there is. I think that's the way to look at it.”

Billy Joe Shaver (1939) American singer-songwriter

Statement made by Shaver when asked for an advice to young musicians
A Conversation with Billy Joe Shaver (2014)

People, Education, Way, Thinking

“He (the Professor) was a failure but did his best to hid it. One of his failings was that he could barely write, except in a twelfth century hand, in Latin, with abbreviations.”

T. H. White book Mistress Masham's Repose

Mistress Masham's Repose (1946)

Failure

“One should write not unskillfully in the running hand, be able to sing in a pleasing voice and keep good time to music; and lastly, a man should not refuse a little wine when it is pressed upon him.”

Yoshida Kenkō (1283–1350) japanese writer

Tsurezure-Gusa (Essays in Idleness)

Music, Wine, Singing, Time

“A Poet, Naturalist, and Historian,
Who left scarcely any style of writing untouched,
And touched nothing that he did not adorn.”

Samuel Johnson (1709–1784) English writer

Epitaph on Goldsmith
Bartlett's Familiar Quotations, 10th ed. (1919)

“I'm not sure I'd want to pick the brain of any author. Some writers have a lot to say about what they write and why they write it. Others don't. I've met a lot of writers who have an awful lot to say in the bar, but whose books seem curiously empty.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

Associated Content Interview (October 23, 2006)

Books

“Writing in 1944, the year of the Bretton Woods Conference, Polanyi suggested that the extension of the institutions of the market over the course of the nineteenth century aroused a political reaction in the form of associations and lobbies that ultimately undermined the stability of the market system. He gave the gold standard a place of prominence among the institutions of laissez faire in response to which this reaction had taken place. And he suggested that the opening of national economic decision making to parties representing working-class interests had contributed to the downfall of that international monetary system. In a sense, this book asks whether Polanyi’s thesis stands the test of time. Can the international monetary history of the second half of the twentieth century be understood as the further unfolding of Polanyian dynamics, in which democratization again came into conflict with economic liberalization in the form of free capital mobility and fixed exchange rates? Or do recent trends toward floating rates and monetary unification point to ways of reconciling freedom and stability in the two domains?”

Barry Eichengreen Introduction

Source: Globalizing Capital (2008), Chapter 1. Introduction

Books, Way, History, Decision

“The Christian world seethed not only with apocryphal writings, but with hostile interpretations of writings not apocryphal.”

John Tyndall (1820–1893) British scientist

p, 125
New Fragments (1892)

Hostility, World

“Bigger in nature was the protest lodged by the citizens of Delhi when the vanquished Prince Dara Shukoh was humiliated and later executed by Aurangzeb in 1658. Francois Bernier was present in Chandni Chowk and witnessed the event. He writes that “the crowd assembled upon this disgraceful occasion was immense; and everywhere I saw the people weeping and lamenting the fate of Dara.””

Dara Shukoh (1615–1659) Indian prince

Francois Bernier, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 6

Fate, People, Nature

“No man can fully grasp how far and how fast we have come, but condense, if you will, the 50 thousand years of man's recorded history in a time span of but a half-century. Stated in these terms, we know very little about the first 40 years, except at the end of them advanced man had learned to use the skins of animals to cover them. Then about 10 years ago, under this standard, man emerged from his caves to construct other kinds of shelter. Only five years ago man learned to write and use a cart with wheels. Christianity began less than two years ago. The printing press came this year, and then less than two months ago, during this whole 50-year span of human history, the steam engine provided a new source of power. Newton explored the meaning of gravity. Last month electric lights and telephones and automobiles and airplanes became available. Only last week did we develop penicillin and television and nuclear power, and now if America's new spacecraft succeeds in reaching Venus, we will have literally reached the stars before midnight tonight.
This is a breathtaking pace, and such a pace cannot help but create new ills as it dispels old, new ignorance, new problems, new dangers. Surely the opening vistas of space promise high costs and hardships, as well as high reward.
So it is not surprising that some would have us stay where we are a little longer to rest, to wait. But this city of Houston, this state of Texas, this country of the United States was not built by those who waited and rested and wished to look behind them. This country was conquered by those who moved forward — and so will space.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Source: 1962, Rice University speech

History, Star, Problem, Light

“(The author has been writing of people striving for “this fleeting sense of being part of something greater and more unknowable than themselves”)
And entitlement strips this away from us. The gravity of entitlement sucks all attention inward, toward ourselves, causing us to feel as though we are at the center of all of the problems in the universe, that we are the one suffering all of the injustices, that we are the one who deserves greatness over all others.”

Mark Manson (1984) American writer and blogger

Source: The Subtle Art of Not Giving a F*ck (2016), Chapter 9, “...And Then You Die” (p. 206)

People, Feeling, Problem, Sense

“I meet people who tell me things like, ‘I read your book in two days’. Please don’t do that. These things take me years to write. Slow down. Everything you read, slow down. Reading is our great act of resistance in this age of speed and carelessness.”

Philip Ó Ceallaigh (1968) Irish writer

Interview by Tom Vowler (2010-13)

People, Books, Age, Reading

“[I]magination… is the faculty… the common root from which science and literature… spring and grow and flourish together. …the great ages of science are the great ages of all the arts… [P]owerful minds have taken fire from one another… without asking… to tie their imagination to falling balls or a haunted island. …When Galileo was looking through his telescope at the moon, Shakespeare was writing The Tempest and all Europe was in ferment, from Johannes Kepler to Peter Paul Rubens, and from the first table of logarithms by John Napier to the Authorized version of the Bible.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Age, Art, Imagination, Spring

“This history of the international monetary system is short in two senses of the word. First, I concentrate on a short period: the century and a half from 1850 to today. Many of the developments I describe have roots in earlier eras, but to draw out their implications I need only consider this relatively short time span. Second, I have sought to write a short book emphasizing thematic material rather than describing international monetary arrangements in exhaustive detail.”

Barry Eichengreen (1952) Economist

Preface
Globalizing Capital (2008)

Books, History, Sense, Time

“If I were writing the Bill of Rights now there wouldn’t be any such thing as the Second Amendment.... This has been the subject of one of the greatest pieces of fraud, I repeat the word fraud, on the American public by special interest groups that I have ever seen in my lifetime.”

Warren E. Burger (1907–1995) Chief Justice of the United States from 1969 to 1986

Interview (from min 7:49) https://vimeo.com/157433062 at MacNeil/Lehrer NewsHour by Charlayne Hunter-Gault, PBS television broadcast (Dec. 16, 1991)

Fraud

“Rejection is nature's way of telling you to write a better book.”

James D. Macdonald (1954) American author and critic

Making Light: "How To Get Published" http://nielsenhayden.com/makinglight/archives/012744.html (6 December 2010), nielsenhayden.com

Books, Way, Nature

“It was a biologist — Ludwig von Bertalanffy — who long ago perceived the essential unity of system concepts and techniques in the various fields of science and who in writings and lectures sought to attain recognition for “general systems theory” as a distinct scientific discipline. It is pertinent to note, however, that the work of Bertalannfy and his school, being motivated primarily by problems arising in the study of biological systems, is much more empirical and qualitative in spirit than the work of those system theorists who received their training in exact sciences.
In fact, there is a fairly wide gap between what might be regarded as “animate” system theorists and “inanimate” system theorists at the present time, and it is not at all certain that this gap will be narrowed, much less closed, in the near future.
There are some who feel this gap reflects the fundamental inadequacy of the conventional mathematics—the mathematics of precisely defined points, functions, sets, probability measures, etc.—for coping with the analysis of biological systems, and that to deal effectively with such systems, we need a radically different kind of mathematics, the mathematics of fuzzy or cloudy quantities which are not describable in terms of probability distributions. Indeed the need for such mathematics is becoming increasingly apparent even in the realms of inanimate systems”

Lotfi A. Zadeh (1921–2017) Electrical engineer and computer scientist

Zadeh (1962) "From circuit theory to system theory", Proceedings I.R.E., 1962, 50, 856-865. cited in: Brian R. Gaines (1979) " General systems research: quo vadis? http://pages.cpsc.ucalgary.ca/~gaines/reports/SYS/GS79/GS79.pdf", General Systems, Vol. 24 (1979), p. 12 1960s

School, Feeling, Mathematics, Motivation

“The Achaeans of north Greece, which was later to be called Thessaly, seem to have been the great sea-adventurers of the heroic age. With this country were connected the memories of early Greek exploration of the Euxine, in the legend of the ship Argo. And to the Achaeans of Thessaly we must probably refer the earliest notice which preserves the Achaean name in a historical document. An Egyptian writing tells us that they came in company with other peoples "from the lands of the sea" and invaded Egypt in the year 1229 B. C., when Memptah was king. But the great achievement which made the Achaeans illustrious was one in which southern and northern Greece combined—the expedition against Troy.”

J. B. Bury (1861–1927) Irish historian and freethinker

2nd ed. (1913), p. 45 http://babel.hathitrust.org/cgi/pt?id=mdp.39015026609167;view=1up;seq=77 A History of Greece to the Death of Alexander the Great (1913)

People, Age, Memory, Sea

“Lord Byron, who was writing the third canto of Childe Harold, was the only one among us who put his thoughts upon paper. These, as he brought them successively to us, clothed in all the light and harmony of poetry, seemed to stamp as divine the glories of heaven and earth, whose influences we partook with him.”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Introduction http://www.rc.umd.edu/editions/frankenstein/1831v1/intro.html to the 1831 edition of Frankenstein

Light, Success, Clothes

“I shall from time to time write a small Clue — so that you may be the more thoroughly confounded.”

A. S. Byatt book Possession

Page 178.
Possession (1990)

Time

“Trotsky's writings and those of his followers were freely published in the middle and late thirties by the Hearst Press in America. His works on his "new kind of Communism" were published by the Franco Press at Salamanca and Burgos. The secret police of the Polish dictatorship were specially educated in Trotskyism in order to facilitate their work of espionage and disruption inside the Polish working-class movement.”

James Klugmann (1912–1977) British writer

From Trotsky to Tito (1951)

Secret, Education, Communication

“Lincoln seemed to me to be familiar with the name, character, and reputation of every officer of rank in the army and navy, and appeared to understand them better than some whose business it was to do so; he had many a good story to tell of nearly all, and if he could have lived to write the anecdotes of the war, I am sure he would have furnished the most readable book of the century. To me he was one of the most interesting men I ever met; he had an originality about him which was peculiarly his own, and one felt, when with him, as if he could confide his dearest secret to him with absolute security against its betrayal. There, it might be said, was 'God's noblest work an honest man,' and such he was, all through. I have not a particle of the bump of veneration on my head, but I saw more to admire in this man, more to reverence, than I had believed possible; he had a load to bear that few men could carry, yet he traveled on with it, foot-sore and weary, but without complaint; rather; on the contrary, cheering those who would faint on the roadside. He was not a demonstrative man, so no one will ever know, amid all the trials he underwent, how much he had to contend with, and how often he was called upon to sacrifice his own opinions to those of others, who, he felt, did not know as much about matters at issue as he did himself. When he did surrender, it was always with a pleasant manner, winding up with a characteristic story.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 283

Men, God, War, Secret

“Writing anything, it sorta starts the way you'd build a castle at the beach. You're just taking your hands and you're mounting up sand.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing, Season Two Commentary Track: Noel.

Way

“"Whoever denies authority and fights against it is an anarchist," said Sebastien Faure. The definition is tempting in its simplicity, but simplicity is the first thing to guard against in writing a history of anarchism. Few doctrines or movements have been so confusedly understood in the public mind, and few have presented in their own variety of approach and action so much excuse for confusion.”

George Woodcock (1912–1995) Canadian writer of political biography and history, an anarchist thinker, an essayist and literary critic

Prologue http://www.ditext.com/woodcock/1.html Anarchism : A History of Libertarian Ideas and Movements (1962)

History, Fight

“Every human good we enjoy today is, directly or indirectly, a legacy from what the Founders wrought, and Lincoln preserved. That legacy was formed by what the American Founders called an experiment in free government, at the heart of which is a simple, yet radical idea; that under the laws of nature and of nature's God, all men are created equal. From this idea, and this idea alone, flow all the precepts of free government. If all men are created equal, it is unjust for one man to rule another without his consent. If men possess rights by nature, the purpose of government is to protect our natural liberty. As we know the purpose of government we know also of its limitations, and so we limit the power of government by writing a constitution, and requiring the government as well as citizens to live under the rule of law- laws which must be consented to by the citizens in order to be legitimate.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, Before In History (2004)

Men, God, Law, Idea

“The fact that these principles, collected from the writings of half a dozen different people, many of whom made no attempt to correlate their work with others, can be presented in a coherent and logical pattern is in itself strong evidence that there is a common element in all experience of the conduct of social groups, that a true science of administration is ultimately possible.”

Lyndall Urwick (1891–1983) British management consultant

Source: 1940s, The Elements of Business Administration, 1943, p. 118

People, Strong, Science

“Premeditated details arrive, when you're writing, and my instinct is always to reach for the nearest weapon.”

Hisham Matar (1970) American writer

at 37:50.
Blue Metropolis Festival (2013)

“There is only one art of writing, and that is the art of poetry.. whether it is in the form of prose or in rhyme and meter or in rhymed cadence.”

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

Art

“Ron Paul: …you have to develop the transition, and eventually the next step would be to prohibit the Fed from monetizing debt. This is the real evil. The politicians spend for war, welfare, and they don't have to do it responsibly.
Question: When you say monetize the debt, you mean they would only be able to spend the cash that they had on hand. They couldn't write any cheques for which they don't have in their account any money?
Ron Paul: That's right. And that is the key to it. Because when the Fed comes along, and there's starvation for capital and liquidity, and politicians are spending too much, the Fed can create 20, 30, 50 billion dollars in a day, just like they did trying to bail out this housing bubble crash. So they create money out of thin air endlessly, eventually that has to stop because that drives the value of the dollar down.”

Ron Paul (1935) American politician and physician

Fox Business Network, October 16, 2007 http://www.youtube.com/watch?v=JXfDHXpP87o 2000s, 2006-2009

Money, War, Question, Evil

“In a market-based labor contract, there is no exploitation. People come to agreement based on their own perceptions of mutual benefit. A person who believes it is better to work for $1 an hour rather than sit at home doing nothing is free to make that contract. In fact, a person who works for a negative wage—who pays for an internship, for example—is free to make that deal too.I propose to you, then, a definition of exploitation that comes from the writings of William H. Hutt: violence or threat of violence implied in the negotiation of anything affecting the life of a worker or employer. In that sense, the present system is exploitation. Workers are robbed of wages. Employers are robbed of profits. Poor people and young people especially are robbed of opportunity.”

Lew Rockwell (1944) American libertarian author and editor

As quoted in "How to Fix the Jobs Problem" http://www.lewrockwell.com/rockwell/fix-jobs-problem140.html (29 January 2010). 2010s

Life, People, Home, Sense

“But this instinctive falsification of the world view is only of limited effectiveness. Again and again the ressentiment man encounters happiness, power, beauty, wit, goodness, and other phenomena of positive life. They exist and impose themselves, however much he may shake his fist against them and try to explain them away. He cannot escape the tormenting conflict between desire and impotence. Averting his eyes is sometimes impossible and in the long run ineffective. When such a quality irresistibly forces itself upon his attention, the very sight suffices to produce an impulse of hatred against its bearer, who has never harmed or insulted him. Dwarfs and cripples, who already feel humiliated by the outward appearance of the others, often show this peculiar hatred—this hyena-like and ever-ready ferocity. Precisely because this kind of hostility is not caused by the “enemy's” actions and behavior, it is deeper and more irreconcilable than any other. It is not directed against transitory attributes, but against the other person's very essence and being. Goethe has this type of “enemy” in mind when he writes: “Why complain about enemies?—Could those become your friends—To whom your very existence—Is an eternal silent reproach?” (West-Eastern Divan). The very existence of this “being,” his mere appearance, becomes a silent, unadmitted “reproach.””

Max Scheler (1874–1928) German philosopher

Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
Das Ressentiment im Aufbau der Moralen (1912)

Life, Hostility, Happiness, World

“My favourite memories involve the actual process of writing sketches - just a few guys lounging around in a room talking nonsense, until suddenly an idea would start to coalesce, and you'd start nudging it toward fruition. I've never laughed so much before or since. Also, there were those very, very few nights where you'd be on a stage and some strange contract developed between performers and audience, and everything you did was funny. That was magical - and a direct visceral experience that you never really get from writing prose.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

On his time with the Cambridge Footlights
Associated Content Interview (October 23, 2006)

Guy, Idea, Memory, Night

“General Mercer writes me the Virginia troops are coming on. They are now at Trenton. He proposes an attack on Staten Island; but the motions of the enemy are such I think it necessary for them to come forward as fast as possible. On York Island, the enemy have taken possession of the hill, next to Spiten Devil. I think they will not be able to penetrate any farther. There appears to be about fifteen hundred of them.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (7 October 1776)

Thinking, Appearance

“Writing freezes speech and in so doing gives birth to the grammarian, the logician, the rhetorician, the historian, the scientist -- all those who must hold language before them so that they can see what it means, where it errs, and where it is leading.”

Neil Postman book Amusing Ourselves to Death

Ch1: Amusing Ourselves to Death, p. 12
Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)

Birth

“Writing does not cause misery. It is born of misery.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

“I have said that Marinetti was.... exceptionally gifted, and I should add that I never saw him twiddling his thumbs even for ten minutes.... beside his desk he often kept piles of books in which he would write dedications.... invariably with the purpose of spreading the word about Futurism.”

Carlo Carrà (1881–1966) Italian painter

Source: 1940's, La mia Vita (1945), Carlo Carrà; as quoted in Futurism, ed. Didier Ottinger (2008), p. unknown

Books, Future

“Beginning with a critique of my own limbs, which she said, justly enough, were nothing to write home about, this girl went on to dissect my manners, morals, intellect, general physique, and method of eating asparagus with such acerbity that by the time she had finished the best you could say of Bertram was that, so far as was known, he had never actually committed murder or set fire to an orphan asylum.”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Home, Girl, Time

“The most original novelist now writing in English.”

Ivy Compton-Burnett (1884–1969) English writer

V. S. Pritchett, quoted in Time, April 4, 1955. http://www.time.com/time/magazine/article/0,9171,866174-2,00.html. Criticism

“When one of Feuerbach’s friends attempts to get him an academic position, Feuerbach writes to him: “The more people make of me, the less I am, and vice versa. I am … something only so long as I am nothing.” Hegel felt himself free in the midst of bourgeois restriction. For him, it was by no means impossible as an ordinary official … to be something and at the same time be himself. … In the third epoch of the spirit, that is, since the beginning of the “modern” world, he says … philosophers no longer comprise a separate class; they are what they are, in perfectly ordinary relationship to the state: officially appointed teachers of philosophy. Hegel interprets this transformation as the “reconciliation of the worldly principle with itself.” It is open to each and every one to construct his own “inner world” independent of the force of circumstances which has materialized. The philosopher can now entrust the “external” side of his existence to the “order,” just as the modern man allows fashion to dictate the way he will dress. … The important thing, Hegel concludes, is “to remain true to one’s purpose” within the context of the normal life of a citizen. To be free for truth and at the same time dependent on the state—to him, these two things seemed quite consistent with each other.”

Karl Löwith book From Hegel to Nietzsche

From Hegel to Nietzsche, D. Green, trans. (1964), pp. 68-69.

Life, People, Truth, World

“In those countries, it is actually capital that rules; that is, nothing more than a clique of a few hundred men who possess untold wealth and, as a consequence of the peculiar structure of their national life, are more or less independent and free. They say: 'Here we have liberty.' By this they mean, above all, an uncontrolled economy, and by an uncontrolled economy, the freedom not only to acquire capital but to make absolutely free use of it. That means freedom from national control or control by the people both in the acquisition of capital and in its employment. This is really what they mean when they speak of liberty. These capitalists create their own press and then speak of the 'freedom of the press.' In reality, every one of the newspapers has a master, and in every case this master is the capitalist, the owner. This master, not the editor, is the one who directs the policy of the paper. If the editor tries to write other than what suits the master, he is ousted the next day. This press, which is the absolutely submissive and characterless slave of the owners, molds public opinion.
..
Yes, certainly, we jeopardize the liberty to profiteer at the expense of the community, and, if necessary, we even abolish it.
..
All my life I have been a 'have-not.' At home I was a 'have-not.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

I regard myself as belonging to them and have always fought exclusively for them. I defended them and, therefore, I stand before the world as their representative.
Speech to the Workers of Berlin (10 December 1940) (Wikisource)
1940s

Life, Men, People, Reality

“The early successes of Islam,” he writes, “were against religions which had lost their hold on the minds of the people. But in India the Hindu way of life, symbolised by high moral values of tolerance, truthfulness and justice was very much the part and parcel of the multitude’s mental and material being. These eternal and moral values of life which constitute the core of Hinduism were to sustain it in the next five centuries of Muslim and another two centuries of British rule. The conclusion, therefore, seems inescapable that much of the decline in social and moral values of Hindu society is the result and not the cause of their foreign subjugation.””

Ram Gopal (1925) Indian author and historian

Ram Gopal, Indian Resistance to Early Muslim Invaders Upto 1206 A.D., 1983, p. 9
Indian Resistance to Early Muslim Invaders Upto 1206 A.D.

Life, People, Truth, Religion

“Each day of those early years in pediatric surgery I felt I was on the cutting edge. Some of the surgical problems that landed on the operating table at Children's had not even been named. Many of the operations I performed had never been done before. It was an exuberant feeling, but also a little scary. At times I was troubled by fears that I wasn't doing things the right way, that I would have regrets, or that someone else had performed a certain procedure successfully but had never bothered to write it up for the medical journals, or if they had I couldn't find it.”

C. Everett Koop (1916–2013) American pediatric surgeon and public health administrator

Koop: The Memoirs of America's Family Doctor (1993), p. 127.

Children, Fear, Way, Feeling

“I am in the awkward situation of writing a foreword to a book by a gay person. This is an awkward situation not because Joe Perez is gay, but because I have to point it out. I feel the same damn irritation as having to refer to, say, Edmund White as a "gay writer." Nobody has to point out that I am heterosexual, although now I hear that I am not a heterosexual but a metrosexual, although, in fact, I have never had sex with a metro in my life. But I'm sure it is a wonderful experience.”

Ken Wilber (1949) American writer and public speaker

Integral Spirituality in Real Life

Life, Books, Sex, Feeling

“I do not mind if my cottage is rather small
So long as there's room enough for bed and mat.
Often and often the neighbours come to see me
And with brave words discuss the things of old.
Rare writings we read together and praise:
Doubtful meanings we examine together and settle.”

Tao Yuanming (365–427) Chinese poet

"Moving house" (translation by A. Waley)

Reading

“I shall never write an autobiography, I'm much too jealous of my privacy for that.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

"The conscience of South Africa talks about her country's new racial order" (1998) by Dwight Garner http://web.archive.org/web/20000302013506/http://www.salon.com/books/int/1998/03/cov_si_09int.html

“Fiction is based on reality unless you're a fairy-tale artist, you have to get your knowledge of life from somewhere. You have to know the material you're writing about before you alter it.”

Hunter S. Thompson (1937–2005) American journalist and author

Associated Press interview (2003) http://msnbc.msn.com/id/3404272/ 2000s

Life, Knowledge, Reality

“Our words go beyond the moon.
Our words go into the shadows.
The river sings the endlessness.
We write of our journey through night.
We write in our aloneness.
We want to know the shape of eternity.
Who knows the way it is?
Who knows what time will not tell us?”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Way, Singing, Time, Night

“Where do ideas about economics come from? They come, of course from economists—where by an "economist" I mean someone who thinks and writes regularly about economic issues. But not all economists are alike, and in fact the genus includes two radically distinct species: The professors and the policy entrepreneurs.”

Paul Krugman book Peddling Prosperity

Introduction: Looking for Magicians
Peddling Prosperity (1994)

Idea, Thinking

“At some point, on our way to a new consciousness, we will have to leave the opposite bank, the split between the two mortal combatants somehow healed so that we are on both shores at once and, at once, see through serpent and eagle eyes. Or perhaps we will decide to disengage from the dominant culture, write it off all together as a lost cause, and cross the border into a wholly new and separate territory. Or we might go another route. The possibilities are numerous once we decide to act and not react.”

Gloria E. Anzaldúa (1942–2004) Chicana cultural theory, feminist theory, and queer theory

La Conciencia de la Mestiza: Towards a New Consciousness

Way

“Did I make you cry
On Christmas day?
Did I let you down
Like every other day?
Did I make you cry
On Christmas day?
Did I let you down
On Christmas day?
...
I stay awake at night
After we have a fight
I'm writing poems about you
And they aren't very nice.”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

"Did I Make You Cry On Christmas Day? (Well, You Deserved It!)" (2005)
Lyrics, Others

Christmas, Fight, Cry, Night

“These notices had been written by Christopher Robin, who was the only one in the forest who could spell; for Owl, wise though he was in many ways, able to read and write and spell his own name WOL, yet somehow went all to pieces over delicate words like MEASLES and BUTTEREDTOAST.”

A.A. Milne book Winnie-the-Pooh

Source: Winnie-the-Pooh (1926), Chapter Four.

Way, Reading

“I'm not this crazy drunk guy you see on 'SuperGroup'. I like to be mellow sometimes. I like to read a lot, and I'm actually starting to write my first book. I have read so many books and now I'm trying to document this specific tour, because it is fascinating!”

Sebastian Bach (1968) Canadian singer

Chico Enterprise Record http://www.chicoer.com/buzz/ci_4825293 (December 12, 2006)

Books, Guy, Reading

“Be thankful you are not my student. You would not get a high grade for such a design :-) [… ] Writing a new OS only for the 386 in 1991 gets you your second "F" for this term.”

Andrew S. Tanenbaum (1944) Dutch computer scientist

In a Usenet message to Linus Torvalds, 30 Jan 1992 http://groups.google.com/group/comp.os.minix/msg/625c4a78723eeef5. The "Linux is Obsolete" Debate

“I love writing but I hate starting. The page is awfully white and it says. " You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me?" and I really, really don't. I don't want any trouble. I'll go peaceable-like.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing Script Book: Volume 1, Introduction.

Love, Hate, People, Fools

“I believe in the vast potentialities of mankind. But I see everywhere a wide disparity between what they can be and what they are. That is what I want to say in writing. I want to say the genius of the human race is mongrelized; I want to find out how mankind can be helped out of the animal kingdom into the clear sweet air.”

Clifford Odets (1906–1963) Playwright, screenwriter, director, actor

Letter to John Mason Brown, 1935; cited from Margaret Brenman-Gibson Clifford Odets, American Playwright: The Years from 1906 to 1940 (New York: Atheneum, 1981) p. 337.

Help, Animals

“Write and bulletin your thoughts on paper so it would be like bulletins in your brain too.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

“In writing about India, it is all too common to starkly ignore the Hindu voice. …. The only Hinduism which they like is museum Hinduism; any Hinduism that displays a will to survive is treated with the same horror that would be aroused if a mummy were to show signs of life.”

Koenraad Elst (1959) orientalist, writer

Source: 2000s, Decolonizing the Hindu Mind (2001), p. 73-74

Life

“I like the observation that Forth is an amplifier: a good programmer can write a great program; a bad programmer a terrible one. I feel no need to cater to bad programmers.”

Charles H. Moore

Quoted in Naomi Hamilton, "The A-Z of Programming Languages: Forth," http://www.computerworld.com.au/index.php/id;766897508 Computerworld (2008-06-27)

Feeling

“There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share — black against the molten red. There it was, heroic in size, a picture writing on the sun.”

Willa Cather book My Ántonia

Book II, Ch. 14
My Antonia (1918)

Light, Appearance, Sun

“Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.”

Billy Wilder (1906–2002) American filmmaker

As quoted in The New Hollywood : American Movies in the '70s (1975) by Axel Madsen

Parting

“At any rate I found myself writing because I had to write, although I didn’t know why.”

Imre Kertész book Kaddish for an Unborn Child

Kaddish for a Child Not Born (1990)

“As to the allegation of the Communist that religion makes men passive, we have only to observe that the dynamic power of religious convictions is precisely what prevents a soundly religious person from accepting Communist oppression and Communist mandates. A person practicing the teachings of the Judaic-Christian philosophy will not lie or steal on command. He will not shed innocent blood. He will not participate in the diabolical Communist practice of genocide - the systematic extermination of entire nations or classes. It is clearly evident from the numerous Communist writings that what they fear in religion is not that it makes religious people passive to the dominant class but that it prevents them from becoming passive to Communist discipline. Deep spiritual convictions stand like a wall of resistance to challenge the teachings and practices of Communism. Furthermore, the Communist sees in the dynamic ideology of Judaic-Christian teachings a force for peace which cuts through the vitals of Communism's campaign for world-wide revolution.”

W. Cleon Skousen book The Naked Communist

The Naked Communist (1958)

Men, People, Lie, World

“I have learned that any fool can write a bad ad, but that it takes a real genius to keep his hands off a good one.”

Leo Burnett (1891–1971) American advertising executive

Quote 38
Leo Burnett Worldwide

Fools, Learning

“When I began to write as a very young person in a rigidly racist and inhibited colonial society, I felt, as many others did, that I existed marginally on the edge of the world of ideas, of imagination and beauty. These, taking shape in poetry and fiction, drama, painting and sculpture, were exclusive to that distant realm known as 'overseas.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Speech at the Nobel Banquet (1991)

World, Beauty, Imagination, Idea

“The history of humorous writing discloses everchanging trends. Our fast-paced modern living is too impatient for the lengthy light verse and the leisurely essays of our forefathers.”

Evan Esar (1899–1995) American writer

Humorous English, p266

History, Light

“Pure psychic automatism, by which one seeks to express, be it verbally, in writing, or in any other manner, (is) the real working of the mind. Dictated by the unconsciousness, in the absence of any control exercised by reason, and free from aesthetic or moral preoccupations.”

André Breton (1896–1966) French writer

Quote from 'Manifesto du Surréalisme', André Breton, Paris, Editions KRA, 1929
1920's

Exercises

“The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in.”

Herman Wouk (1915–2019) Pulitzer Prize-winning American author whose novels include The Caine Mutiny, The Winds of War and War and …

“An Exclusive Interview with Herman Wouk,” Kirk Polking, Writer’s Digest (September 1966).

Life, Truth, Art, Imagination

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

People, World, Hope, Art

“For something like forty years I've been getting various sorts of narratives off my chest without being able to hit upon a classification for them. There's something dreary to me about the publisher's arbitrary division of every word written for publication into fiction and nonfiction. My writing has a most irritating way of being difficult to classify in either category. At times I would find it hard to tell you whether the stuff is prose or verse. Gradually I've come up with the tag: contemporary chronicle.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

Presentation at Carleton College, Nov 30 1960

Way, Time

“I have separate lists titled by characters in which I list each scene concerning that character consecutively and also the proposed scenes for that character along with notes of how I want to write it. So I take these and by them map out ahead the final draft, interlacing the scenes between various characters. Wonderful, isn't it? If I fail as a writer, I can always become a bookkeeper.
I have always been bothered because I couldn't remember details of time, place, etc. and I used to find myself either surrounded by reams of written pages, or else rewriting the same thing three or four times. This helps somewhat to alleviate that.”

James Jones (1921–1977) American author

Letter to Maxwell Perkins (21 October 1946); p. 78
To Reach Eternity (1989)

Time, Help

Quotes about writing page 33

Quotes about writing
page 33