Quotes about writing
page 24

Richard Matheson photo

“Somewhere In Time is the story of a love which transcends time, What Dreams May Come is the story of a love which transcends death. … I feel that they represent the best writing I have done in the novel form.”

Richard Matheson (1926–2013) American fiction writer

Introduction to an Omnibus edition of his work, as quoted in Somewhere in Time (1998), p. 318 - 319

John Aubrey photo
Cormac McCarthy photo
Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

George Eliot photo

“If it hurt me to have to give up a painting I figured it had to hurt them to write the check. That's how I came up with the price for my work.”

Keariene Muizz (1977) American artist

Associated Press (2008); from an interview conducted by John Rogers.

Kent Beck photo
Gloria Estefan photo

“I'm a writer and this is what I love to do. There's no reason that just because you're a celebrity, you can't write.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters News Agency (October 10, 2005)
2007, 2008

Auguste Rodin photo
Gao Xingjian photo

“I want to write a novel so profound that it would suffocate a fly.”

Gao Xingjian (1940) Chinese novelist and playwright

Source: Buying a Fishing Rod for My Grandfather (2005), p. 99

Jane Roberts photo
Stéphane Mallarmé photo

“We do not write poems with ideas, but with words.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

Ce n'est pas avec des idées qu'on fait des vers, c'est avec des mots.
A remark reported in Psychologie de l'art (1927) by Henri Delacroix, p. 93; as translated in Literary Impressionism (1973), Maria Elisabeth Kronegger, p. 77.
Observations

Douglas Coupland photo
Patrick Stump photo
Peter Cain photo
Pythagoras photo

“Write in the sand the flaws of your friend.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

As quoted in Geary's Guide to the World's Great Aphorists‎ (2007) by James Geary

Steve Ballmer photo
Bill Gates photo
Vitruvius photo
Yoweri Museveni photo

“I shall not be deterred by people who don't see where the future of Africa lies. It is the short-sighted people who put their opinions in writing. They don't understand that the future of all countries lies in processing.”

Yoweri Museveni (1944) President of Uganda

Defending the allocation of forest land to a sugar company (13 April 2007), as quoted in "Uganda leader defends forest plan" http://news.bbc.co.uk/2/hi/africa/6551905.stm (13 April 2007), BBC News, United Kingdom: British Broadcasting Corporation
2000s

Roger Ebert photo
Ernest Hemingway photo
William S. Burroughs photo
Happy Rhodes photo

“If you stare into a flame
You'll get an eye full of energy
If you write your nightscapades
You'll get a dawn full of promises”

Happy Rhodes (1965) American singer-songwriter

"Many Worlds Are Born Tonight" - Live performance at The Tin Angel (24 July 1999) http://www.youtube.com/watch?v=VGdnjC48aJg
Many Worlds Are Born Tonight (1998)

Bret Easton Ellis photo
Gore Vidal photo

“F. Shaw: As prolific as you are, how long did it take you to research and write this book?
A. Axelrod: Well over a year. I do my research for one book while I write another—that way I get to read as well as write.”

Alan Axelrod (1952) American historian

Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.

Paula Modersohn-Becker photo
Aimee Mann photo
Mario Merz photo

“Conceptual Art is a sounding instrument between printed words, luminous writings, and letters scrawled in a hasty nervous instinctive calligraphy.”

Mario Merz (1925–2003) Italian artist, painter and sculptor

Quoted in Kristine Stiles & Peter Howard Selz: Theories and documents of contemporary art (1996), p. 671

Neil Simon photo
John Adams photo
A.E. Housman photo

“Nature, not content with denying to Mr — the faculty of thought, has endowed him with the faculty of writing.”

A.E. Housman (1859–1936) English classical scholar and poet

From a list of insults drafted by A E Housman, and posthumously published in Laurence Housman's A. E. H. (1937) pp. 89-90. The name was left blank in the original, but was intended to be filled in and used when a suitable subject should turn up.

Koenraad Elst photo
Pierre Hadot photo

“…to replace, as far as possible, works in the concrete conditions wherein they were written, spiritual conditions in part, that is to say, philosophical, rhetorical or poetic tradition, material conditions in part, that is to say, scholarly and social milieu, constraints stemming from the material support of writing, historical circumstances. Every work must be replaced in the praxis from which it emanates.”

Pierre Hadot (1922–2010) French historian and philosopher

...replacer, autant que possible, les œuvres dans les conditions concrètes où elles ont été écrites, conditions spirituelles d’une part, c’est-à-dire tradition philosophique, rhétorique ou poétique, conditions matérielles d’autre part, c’est-à-dire milieu scolaire et social, contraintes venues du support matériel de l’écriture, circonstances historiques. Toute œuvre doit être replacée dans la praxis dont elle émane.
La Philosophie comme manière de vivre (2001)

Shah Jahan photo
Winston S. Churchill photo

“For my part, I consider that it will be found much better by all Parties to leave the past to history, especially as I propose to write that history myself.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in the House of Commons (January 23, 1948), cited in The Yale Book of Quotations (2006), Fred R. Shapiro, Yale University Press, p. 154 ISBN 0300107986
This quote may be the basis for a statement often attributed to Churchill : History will be kind to me. For I intend to write it.
Post-war years (1945–1955)

Mickey Spillane photo
Andrew Sega photo
Lois McMaster Bujold photo
Stephen Leacock photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Ai Weiwei photo
Robert M. Price photo

“If some New Testament miracle stories find no parallel in contemporary experience. they do have parallels, often striking ones, in other ancient writings that no one takes to be anything other than mythical or legendary. …The Gospels come under serious suspicion because there is practically nothing in them that does not conform to this “Mythic Hero Archetype.””

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, Incredible Shrinking Son of Man: How Reliable Is the Gospel Tradition?, https://books.google.com/books?id=GmlB-KXsX8kC&pg=PA21, 2003, Prometheus Books, Publishers, 978-1-61592-028-0, 21]

Ataol Behramoğlu photo

“Writing poems is perhaps the loveliest deception
Later they'll make a picture or something, then go and drink wine”

Ataol Behramoğlu (1942) Turkish writer

"How Awful When Poetry Ages As It Is Read"
I've Learned Some Things (2008)

“[R]eformers seeking to speed China's modernization by modernizing the writing system through a policy of digraphia have to contend not only with the natural attachment of Chinese to their familiar script but also with chauvinistic and mindless claims for its superiority.”

John DeFrancis (1911–2009) American linguist

Visible Speech: The Diverse Oneness of Writing Systems (1989, p. 120) http://pinyin.info/readings/texts/visible/index.html
Visible Speech: The Diverse Oneness of Writing Systems (1989)

William Saroyan photo

“I don't think my writing is sentimental, although it is a very sentimental thing to be a human being.”

William Saroyan (1908–1981) American writer

As quoted in "Saroyan's Literary Quarantine" by Peter H. King, in The Los Angeles Times (26 March 1997).

Hillary Clinton photo

“I'm telling you right now, we're going to write fairer rules for the middle class and we are going to raise taxes on the middle class!”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Clinton: 'Raise Taxes On The Middle Class!' 8-1-2016 https://www.youtube.com/watch?v=7ua13_gYQn0; as quoted in "Hillary Promises ‘We Are Going To Raise Taxes On The Middle Class’ <nowiki>[Video http://dailycaller.com/2016/08/03/hillary-promises-we-are-going-to-raise-taxes-on-the-middle-class-video/</nowiki>"] by Derek Hunter, The Daily Caller (3 August 2016).
Presidential campaign (April 12, 2015 – 2016)

Roger Ebert photo
Ernest Hemingway photo

“I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.”

Ernest Hemingway (1899–1961) American author and journalist

About his book, The Sun Also Rises in a letter (21 August 1926); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Philip Pullman photo
Paul Desmond photo

“Writing is like jazz. It can be learned, but it can’t be taught.”

Paul Desmond (1924–1977) American jazz musician

Unsourced

Peter Ladefoged photo

“I wanted to find out why Shelley could write better-sounding poetry than I.”

Peter Ladefoged (1925–2006) British phonetician

Los Angeles Times (1970); on why he chose to pursue phonetics.

“This writing wasn't painful. It was like being high.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 11, Making A Beast Of Himself, p. 166

Harold Innis photo
Martin Amis photo

“Someone [on the staff of The Times] had invented a game – a competition with a small prize for the winner – to see who could write the dullest headline. It had to be a genuine headline, that is to say one which was actually printed in the next morning's newspaper. I won it only once with a headline which announced: "Small Earthquake in Chile. Not many dead."”

Claud Cockburn (1904–1981) Irish journalist

Page 139
No such headline has ever been found in The Times at the period in question (the spring and summer of 1929), though one paragraph reads "An earthquake was felt yesterday between Illapel, to the north, and Talca, to the south, in Chile. No damage was done." (August 6, 1929). Source: The Quote... Unquote Newsletter (October, 2000) pp. 2-3.
A Discord of Trumpets (1956)

Aldous Huxley photo
Andrew Vachss photo
Henry Wadsworth Longfellow photo

“Look, then, into thine heart, and write!”

Henry Wadsworth Longfellow (1807–1882) American poet

Voices of the Night http://www.worldwideschool.org/library/books/lit/poetry/TheCompletePoeticalWorksofHenryWadsworthLongfellow/Chap1.html, Prelude, st. 19 (1839).

Nguyen Khanh photo
Eugen Drewermann photo
Bruce Schneier photo
Jeff Flake photo
Colleen Fitzpatrick photo
Martin Amis photo
Robert Smith (musician) photo
Berthe Morisot photo
Max Müller photo

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Muhammad bin Tughluq photo

“I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts made in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.”

Source: The Culture of Make Believe (2003), p. 69

Vanna Bonta photo

“I certainly didn't write it to be popular.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Slavoj Žižek photo
John Eatwell, Baron Eatwell photo
J.M. Coetzee photo
Evelyn Waugh photo
Ba Jin photo

“I believe in the future a new Dante will write a new Divine Comedy.”

Ba Jin (1904–2005) Chinese novelist

As quoted in "Ba Jin: A Century of Literary Greatness" at the China Internet Information Center (November 2003) http://www.china.org.cn/english/2003/Nov/80700.htm

Rebecca West photo
G. K. Chesterton photo
Zach Galifianakis photo

“When I was a kid, I had dyslexia. And I would write about it in my dairy.”

Zach Galifianakis (1969) American actor and comedian

Live at the Purple Onion (2007)

Ai Weiwei photo
Miguel de Unamuno photo
Jacques Barzun photo