Quotes about writing
page 24

“It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes… It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.”

William Hazlitt (1778–1830) English writer

"On Familiar Style" (1821) Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

People, Intelligence, Decision

“To approach Chopin, you have to separate him completely from Schumann. Schumann admired Chopin very much and saw him as friend, but - what only few people know - Chopin himself had much less interest in and esteem for Schumann. In detail: Schumann’s works follow on from a transitional period determined by the successors of Viennese Classicism, particularly Beethoven. Just as the sons of Bach espoused the ‘galant,’ ornamented style of their generation, so the pupils of Mozart and Beethoven - Hummel, Ries, Czerny, Moscheles - took pains to compensate for a thinner musical substance with increased instrumental brilliance and thus prepared the ground for the golden age of the piano and the era of the Romantic virtuoso. Among the multitude of composers writing for the piano at that time, only two - Weber and Schubert - stand out as original creative forces.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Pain, People, Age, Music

“Somewhere In Time is the story of a love which transcends time, What Dreams May Come is the story of a love which transcends death. … I feel that they represent the best writing I have done in the novel form.”

Richard Matheson (1926–2013) American fiction writer

Introduction to an Omnibus edition of his work, as quoted in Somewhere in Time (1998), p. 318 - 319

Love, Death, Dreams, Feeling

“Dr. Kettle was wont to say that Seneca writes as a Boare does pisse, scilicet by jirkes.”

John Aubrey book Brief Lives

"Ralph Kettell"
Brief Lives

“He can neither read nor write and in him already there broods a taste for mindless violence. All history present in that visage, the child the father of the man.”

Cormac McCarthy book Blood Meridian

Source: Blood Meridian (1985), Chapter I

History, Reading

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Money, Beauty, Art, Fashion

“Apropos of the "The Lifted Veil," I think it will not be judicious to reprint it at present. I care for the idea which it embodies, and which justifies its painfulness. A motto which I wrote on it yesterday perhaps is a sufficient indication of that idea: —
"Give me no light, great heaven, but such as turns
To energy of human fellowship;
No powers save the growing heritage
That makes complete manhood."
But it will be well to put the story in harness with some other productions of mine, and not send it forth in its dismal loneliness. There are many things in it which I would willingly say over again, and I shall never put them in any other form. But we must wait a little. The question is not in the least one of money, but of care for the best effect of writing, which often depends on circumstances, much as pictures depend on light and juxtaposition.”

George Eliot (1819–1880) English novelist, journalist and translator

Comments on The Lifted Veil with a motto for it used in the "Cabinet Edition" of her works (1878), in a letter to John Blackwood (28 February 1873), published in George Eliot's Life as Related in Her Letters and Journals (1885), Vol. 4

Money, Pain, Idea, Question

“If it hurt me to have to give up a painting I figured it had to hurt them to write the check. That's how I came up with the price for my work.”

Keariene Muizz (1977) American artist

Associated Press (2008); from an interview conducted by John Rogers.

Hurt, Painting

“The key is to test the areas that you are most worried about going wrong. That way you get the most benefit for your testing effort. It is better to write and run incomplete tests than not to run complete tests”

Kent Beck (1961) software engineer

Source: Refactoring: Improving the Design of Existing Code, 1999, p. 98.

Way, Effort

“I'm a writer and this is what I love to do. There's no reason that just because you're a celebrity, you can't write.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters News Agency (October 10, 2005)
2007, 2008

Love

“I sacrificed to the mania of the age, which is to overload things. My modeling is there, the eloquence of the gesture also. The rest would only spoil the essential things. It is a stroke of genius. I am going to write to the under-secretary of state that my monument is ready.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 309

Age

“I want to write a novel so profound that it would suffocate a fly.”

Gao Xingjian (1940) Chinese novelist and playwright

Source: Buying a Fishing Rod for My Grandfather (2005), p. 99

Flying

“Pretend that you are a writer of fiction, and you create a character. This character is so independent, alive and real, that it in turn forms other characters -- and each writes its own book, or forms its own reality. That is a truer picture of your position.”

Jane Roberts (1929–1984) American Writer

Session 511
The “Unknown” Reality: Volume Two, (1979)

Books, Reality

“We do not write poems with ideas, but with words.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

Ce n'est pas avec des idées qu'on fait des vers, c'est avec des mots.
A remark reported in Psychologie de l'art (1927) by Henri Delacroix, p. 93; as translated in Literary Impressionism (1973), Maria Elisabeth Kronegger, p. 77.
Observations

Idea

“Ricardo, writing fifty years later than Smith, showed a greater insight into the working of the economic system; but as for the subtlety (whatever demerit there may be in that!) the Scot does not lose by comparison with the Jew.”

Eric Roll, Baron Roll of Ipsden (1907–2005) British economist

Source: A History of Economic Thought (1939), Chapter IV, The Classical System, p. 176

“"Hang on a second—you already have my old laptop. Why do you want my new drives so badly?"
"Because my contract says I have to write a book, and it's much easier just to steal your life than to make something up."”

Douglas Coupland book JPod

JPod (2006)

Life, Books

“Yeah, I've been writing a bunch of new stuff, but it's all secret. In fact, I may or may not have been writing stuff this entire interview.”

Patrick Stump (1984) American musician

IMDb.com

Secret

“By 1910-14, Hobson had drifted far from the arguments of Imperialism: A Study and was now writing of imperialism as a phase in the extension of a benign, global capitalist network and one that would eventually lead to an economic convergence between the developed and underdeveloped worlds, to world peace and eventually to some form of world government.”

Peter Cain (1958) figure skater

Source: J. A. Hobson's Imperialism: A Study: A Centennial Retrospective (2002), p. 3.

World, Peace, Study

“Write in the sand the flaws of your friend.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

As quoted in Geary's Guide to the World's Great Aphorists‎ (2007) by James Geary

“When we tell the story about what's happening today with browsers ten years from now, I want the thing that replaces Windows to be Windows. I don't want to wake up in a position one day where the guys at Netscape say, "Isn't Windows just that little thing that we use to put up menus and draw lines? Let's just write our own and suck it up into our client."”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

Interview by CNET https://www.cnet.com/news/microsoft-vp-steve-ballmer-speaks/ (May 1996) 1990s

Guy, Drawing

“The best way to prepare [to be a programmer] is to write programs, and to study great programs that other people have written. In my case, I went to the garbage cans at the Computer Science Center and fished out listings of their operating system.”

Bill Gates (1955) American business magnate and philanthropist

Interview from Programmers at Work (1986)

People, Way, Fish, Study

“Owing to this favor I need to have no fear of want to the end of my life, and being thus laid under obligation I began to write this work for you, because I saw that you have built and are now building extensively, and that in future also you will take care that our public and private buildings shall be worthy to go down to posterity by the side of your other splendid achievements.”

Vitruvius book De architectura

Preface, Sec. 3 (dedication to Imperator Caesar)
De architectura (The Ten Books On Architecture) (~ 15BC), Book I

Life, Fear, Future

“I shall not be deterred by people who don't see where the future of Africa lies. It is the short-sighted people who put their opinions in writing. They don't understand that the future of all countries lies in processing.”

Yoweri Museveni (1944) President of Uganda

Defending the allocation of forest land to a sugar company (13 April 2007), as quoted in "Uganda leader defends forest plan" http://news.bbc.co.uk/2/hi/africa/6551905.stm (13 April 2007), BBC News, United Kingdom: British Broadcasting Corporation 2000s

People, Understanding, Future, Country

“I have discovered a goodness and decency in people as exhibited in all the letters, e-mails, flowers, gifts and prayers that have been directed my way. I am overwhelmed and humbled. I offer you my most sincere thanks and my deep and abiding gratitude. If I ever write my memoirs, I have some spellbinding material. How does the Joni Mitchell song go? "Don't it always seem to go that you don't know what you've got till it's gone"? One thing I've discovered is that I love my job more than I thought I did, and I love my wife even more!”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

"Roger writes to readers" Chicago Sun Times (11 October 2006)

Love, People, Way, Flowers

“Then I started to think in Lipp's about when I had first been able to write a story about losing everything. It was up in Cortina d'Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called "Out of Season" and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.”

Ernest Hemingway book A Moveable Feast

Source: A Moveable Feast (1964), Ch. 8

People, Feeling, Spring, Thinking

“After teaching a class in Creative Writing a few years back, my own creative powers fell to an all0time low. I really had a case of writer's block, and my idealistic young assistant complained that I simply sat around the loft doing absolutely nothing-which was absolutely true. This gave me time to think (as the French say): Can creative writing be taught?”

William S. Burroughs book The Adding Machine: Collected Essays

"A Word to the Wise Guy"
The Adding Machine: Collected Essays (1985)

Thinking, Time

“If you stare into a flame
You'll get an eye full of energy
If you write your nightscapades
You'll get a dawn full of promises”

Happy Rhodes (1965) American singer-songwriter

"Many Worlds Are Born Tonight" - Live performance at The Tin Angel (24 July 1999) http://www.youtube.com/watch?v=VGdnjC48aJg Many Worlds Are Born Tonight (1998)

“It's definitely the book that I can tell—I don't know if other people can tell but I can tell as a writer–-is probably the most divisive that I've written. It has an equal number of detractors as it does fans. It doesn't really hold true with the other books. It was the one that took the longest to write, and the one that seemed the most important at the time. It's an unwieldy book… I like it.”

Bret Easton Ellis (1964) American novelist

On Glamorama http://www.amazon.com/gp/feature.html?docId=571852

People, Books, Time

“In fact, the French - who read and theorise the most - became so addicted to political experiment that in the two centuries since our own rather drab revolution they have exuberantly produced one Directory, one Consulate, two empires, three restorations of the monarchy, and five republics. That's what happens when you take writing too seriously.”

Gore Vidal (1925–2012) American writer

"Lincoln and the Priests of Academe"
1990s, United States - Essays 1952-1992 (1992)

Reading

“Enya is more than just me. It's also Nicky, who arranges my melodies, and his wife Roma, who writes the lyrics. They believed in my music from day one”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)

Music

“F. Shaw: As prolific as you are, how long did it take you to research and write this book?
A. Axelrod: Well over a year. I do my research for one book while I write another—that way I get to read as well as write.”

Alan Axelrod (1952) American historian

Alan Axelrod in an interview with Frank R. Shaw, Aug 23, 2007 http://www.electricscotland.com/familytree/frank/axelrod.htm.

Books, Way, Reading

“Dear Rainer Maria Rilke
I thank you for saying that you rather like my painting of 'the little child'... You have brought me the first touch of Paris with this phrase of yours about 'liking and approving', and that alone is a great deal... Will I be seeing you here [in Worpswede] before I leave? I really hope not. The ground is burning a little beneath my feet... And now, I don't even know how I should sign my name. I'm not Modersohn, but I'm no longer Paula Becker anymore either [because she was married with Otto Modersohn, but is now leaving him]. I am Me, and I hope to become Me more and more. That is surely the goal of all our struggles... I am now leaving Friday night and shal arrive in Paris on Saturday. Write a line to 29 Rue Cassette, where I plan to stay..”

Paula Modersohn-Becker (1876–1907) German artist

quote in a letter from Worpswede, 17 February, 1906 to Rainer Maria Rilke in Paris; as quoted in Modersohn-Becker P, Busch G, Reinken LV: Paula Modersohn-Becker, the Letters and Journals, Taplinger; New York 1983, p. 383-84
1906 + 1907

Hope, Painting, Night

“Everybody’s got their differences
too bad
here’s a circumstance in which the stakes are high
everybody’s got their secrets out
so sad
go around the room and see who doesn’t cry Soon enough
you’ll be free to write it off
you don’t know enough
to call a bluff
and the one who does
will never ever tell”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Soon Enough" · Video https://www.youtube.com/watch?v=DkjIoIhNDVY Song lyrics, Charmer (2012)

Secret, Sadness, Cry

“Conceptual Art is a sounding instrument between printed words, luminous writings, and letters scrawled in a hasty nervous instinctive calligraphy.”

Mario Merz (1925–2003) Italian artist, painter and sculptor

Quoted in Kristine Stiles & Peter Howard Selz: Theories and documents of contemporary art (1996), p. 671

Art

“Everyone thinks they can write a play; you just write down what happened to you. But the art of it is drawing from all the moments of your life.”

Neil Simon (1927–2018) playwright, writer, academic

New York Times, March 24, 1985

Life, Art, Thinking, Drawing

“When people talk of the Freedom of Writing, Speaking, or thinking, I cannot choose but laugh. No such thing ever existed. No such thing now exists; but I hope it will exist. But it must be hundreds of years after you and I shall write and speak no more.”

John Adams (1735–1826) 2nd President of the United States

Letter to Thomas Jefferson (15 July 1817)
1810s

People, Hope, Thinking, Freedom

“Nature, not content with denying to Mr — the faculty of thought, has endowed him with the faculty of writing.”

A.E. Housman (1859–1936) English classical scholar and poet

From a list of insults drafted by A E Housman, and posthumously published in Laurence Housman's A. E. H. (1937) pp. 89-90. The name was left blank in the original, but was intended to be filled in and used when a suitable subject should turn up.

Nature

“The atmosphere at the conference was frankly hostile. (…) It was up to people from the audience to protest and oblige the chairperson to allow me to read out my paper. When it was my turn, I was heckled somewhat by the Leftist crowd, especially by a well-known Indo-American Communist academic, who was rolling his eyes like a madman and making obscene gestures until an elderly American lady sitting next to him told him to behave. At the end, Mathew came to collect a copy of my text (the book version, of which I had some author's copies handy), called me a "liar, and told his buddies that they needed to write a scholarly rebuttal. Which is still being awaited today.”

Koenraad Elst (1959) orientalist, writer

2000s, Ayodhya: The Case Against the Temple (2002)

Hostility, People, Books, Reading

“…to replace, as far as possible, works in the concrete conditions wherein they were written, spiritual conditions in part, that is to say, philosophical, rhetorical or poetic tradition, material conditions in part, that is to say, scholarly and social milieu, constraints stemming from the material support of writing, historical circumstances. Every work must be replaced in the praxis from which it emanates.”

Pierre Hadot (1922–2010) French historian and philosopher

...replacer, autant que possible, les œuvres dans les conditions concrètes où elles ont été écrites, conditions spirituelles d’une part, c’est-à-dire tradition philosophique, rhétorique ou poétique, conditions matérielles d’autre part, c’est-à-dire milieu scolaire et social, contraintes venues du support matériel de l’écriture, circonstances historiques. Toute œuvre doit être replacée dans la praxis dont elle émane.
La Philosophie comme manière de vivre (2001)

Support, Parting

“Conditions became intolerable by the time of Shahjahan when, according to Manucci, peasants were compelled to sell their women and children to meet the revenue demand. Manrique writes that the peasants were “carried off… to various markets and fairs, (to be sold) with their poor unhappy wives behind them carrying their small children all crying and lamenting…” Bernier too affirms that the unfortunate peasants who were incapable of discharging the demands of their rapacious lords, were bereft of their children, who were carried away as slaves. Here was also confirmation, if not actually the beginning, of the practice of bonded labour in India.”

Shah Jahan (1592–1666) 5th Mughal Emperor

Manucci, II, p. 451.,Manrique II, p. 272., Bernier, p.205., quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7

Women, Children, Time, Cry

“For my part, I consider that it will be found much better by all Parties to leave the past to history, especially as I propose to write that history myself.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in the House of Commons (January 23, 1948), cited in The Yale Book of Quotations (2006), Fred R. Shapiro, Yale University Press, p. 154 ISBN 0300107986
This quote may be the basis for a statement often attributed to Churchill : History will be kind to me. For I intend to write it.
Post-war years (1945–1955)

History, Past, Parting

“There were no storks in Shora. Lina had written this story about storks of her own accord-the teacher hadn't asked her to write it. In fact, until Lina read it out loud to the five boys and the teacher, nobody in school had even thought about storks.”

Meindert DeJong book The Wheel on the School

The Wheel on the School (1954)

School, Boy, Teachers, Reading

“Together with the histories of Polybius and Livy, Cicero’s polemical speeches and writings, and his personal correspondence, form some of the most important historical resources for understanding the Roman legal and political system. Here we focus only on his political theory narrowly construed, part of his program to adapt Greek philosophy to Roman social and political purposes, bypassing even the extended defense of the role of oratory in political life that became something like a handbook for the study of rhetoric.”

Alan Ryan (1940) British philosopher

On Politics: A History of Political Thought: From Herodotus to the Present (2012), Ch. 4 : Roman Insights: Polybius and Cicero

Life, History, Understanding, Study

“I've gotta keep writing. But where's the next step, where do you go? But at my age, you start to get tired. You're not full of piss and vinegar. The vinegar's all gone.”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

Age

“Every musician, I guess, wants to alter the world to his or her taste in some fashion… That's part of why I write music.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

World, Music, Fashion, Parting

“I don’t write stories to tell readers what to think, or even tell them what I think; I write stories to show me what I think. Writing is always a journey of discovery that way, as suspenseful for me as I hope it will be for the audience.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

Geek Speak Magazine Interview (2010)

Hope, Way, Thinking

“Of course, Pupkin would never have thought of considering himself on an intellectual par with Mallory Tompkins. That would have been ridiculous. Mallory Tompkins had read all sorts of things and had half a mind to write a novel himself—either that or a play. All he needed, he said, was to have a chance to get away somewhere by himself and think. Every time he went away to the city Pupkin expected that he might return with the novel all finished; but though he often came back with his eyes red from thinking, the novel as yet remained incomplete.”

Stephen Leacock book Sunshine Sketches of a Little Town

Sunshine Sketches of a Little Town (1912)

Thinking, Chance, Time, Reading

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Pleasure, Secret, Age, Feeling

“I started writing instrumentals but Roma pointed out they were very visual, so she started writing lyrics.. and Nicky had this idea of creating a wall of sound and started multi-tracking my voice.”

Enya (1961) Irish singer, songwriter, and musician

The Times Magazine interview (2005)

Idea

“[With] 140 words in Chinese, you really can write a novel. Most of Confucius’s sentences [are] only four words, so 140 words [might] take his whole life to write. And you can discuss the most profound ideas related to democracy, freedom, poetry.”

Ai Weiwei (1957) Chinese concept artist

2010-, Digital Activism in China, 2010

Life, Democracy, Idea, Freedom

“If some New Testament miracle stories find no parallel in contemporary experience. they do have parallels, often striking ones, in other ancient writings that no one takes to be anything other than mythical or legendary. …The Gospels come under serious suspicion because there is practically nothing in them that does not conform to this “Mythic Hero Archetype.””

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, Incredible Shrinking Son of Man: How Reliable Is the Gospel Tradition?, https://books.google.com/books?id=GmlB-KXsX8kC&pg=PA21, 2003, Prometheus Books, Publishers, 978-1-61592-028-0, 21]

“Writing poems is perhaps the loveliest deception
Later they'll make a picture or something, then go and drink wine”

Ataol Behramoğlu (1942) Turkish writer

"How Awful When Poetry Ages As It Is Read"
I've Learned Some Things (2008)

Drink, Wine

“[R]eformers seeking to speed China's modernization by modernizing the writing system through a policy of digraphia have to contend not only with the natural attachment of Chinese to their familiar script but also with chauvinistic and mindless claims for its superiority.”

John DeFrancis (1911–2009) American linguist

Visible Speech: The Diverse Oneness of Writing Systems (1989, p. 120) http://pinyin.info/readings/texts/visible/index.html Visible Speech: The Diverse Oneness of Writing Systems (1989)

Nature, Speed

“I don't think my writing is sentimental, although it is a very sentimental thing to be a human being.”

William Saroyan (1908–1981) American writer

As quoted in "Saroyan's Literary Quarantine" by Peter H. King, in The Los Angeles Times (26 March 1997).

Thinking

“I'm telling you right now, we're going to write fairer rules for the middle class and we are going to raise taxes on the middle class!”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Clinton: 'Raise Taxes On The Middle Class!' 8-1-2016 https://www.youtube.com/watch?v=7ua13_gYQn0; as quoted in "Hillary Promises ‘We Are Going To Raise Taxes On The Middle Class’ <nowiki>[Video http://dailycaller.com/2016/08/03/hillary-promises-we-are-going-to-raise-taxes-on-the-middle-class-video/</nowiki>"] by Derek Hunter, The Daily Caller (3 August 2016). Presidential campaign (April 12, 2015 – 2016)

“The movie stars Michelle Pfeiffer as LouAnne Johnson… [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas… [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/dangerous-minds-1995 Dangerous Minds (11 August 1995) Reviews, One-and-a-half star reviews

Education, School, Star, Reading

“I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.”

Ernest Hemingway (1899–1961) American author and journalist

About his book, The Sun Also Rises in a letter (21 August 1926); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Books, Hope

“Nobody has to read this book. Nobody has to pick it up. Nobody has to open it. And if they open it and read it, they don't have to like it. And if you read it and you dislike it, you don't have to remain silent about it. You can write to me, you can complain about it, you can write to the publisher, you can write to the papers, you can write your own book. You can do all those things, but there your rights stop. No one has the right to stop me writing this book. No one has the right to stop it being published, or sold, or bought, or read.”

Philip Pullman book The Good Man Jesus and the Scoundrel Christ

http://www.youtube.com/watch?v=HQ3VcbAfd4w The Good Man Jesus and the Scoundrel Christ (2010)

Books, Reading

“Despite the absence of physical equality in nature, political systems engage in grand endeavors to dictate perfection and equality in a universe devoid of both. In their egalitarian and quixotic quest to redistribute wealth, they rob Peter to pay Paul, which only creates a state of dependency, not of equality. Any attempt to impose equality can only bring about more inequality. Rev. William J. H. Boetcker expressed this same insight in 1916, writing, 'You cannot strengthen the weak by weakening the strong.”

L. K. Samuels (1951) American writer

Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 72

Nature, Strong, Universe, Dependency

“Writing is like jazz. It can be learned, but it can’t be taught.”

Paul Desmond (1924–1977) American jazz musician

Unsourced

Learning

“I wanted to find out why Shelley could write better-sounding poetry than I.”

Peter Ladefoged (1925–2006) British phonetician

Los Angeles Times (1970); on why he chose to pursue phonetics.

“One would have thought that the notion of an impersonal critic was as patently absurd as that of an impersonal person: yet playwrights still cherish it as a sort of holy ideal. Admittedly, we all make mystiques: but this one is particularly wishful. The man who asks for an anonymous, impersonal criticism is trying to elevate criticism to the status of a science; whereas it is, I am afraid, only an art. The critic's business is to write readable English: the playwright's to write speakable English. Beyond that it is every man for himself.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"George Jean Nathan" (1953), p. 61
Profiles (1990)

Art, Business, Science, Personality

“This writing wasn't painful. It was like being high.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 11, Making A Beast Of Himself, p. 166

Pain

“I have been with the Court all my life, travelling with the King's Progress.
I didn't know how to go on. I sat and stared at this sentence, until Grundo said, "If you can't do it, I will."
If you didn't know Grundo, you'd think this was a generous offer, but it was a threat really. Grundo is dyslexic. Unless he thinks hard, he writes inside out and backwards. He was threatening me with half a page of crooked writing with words like "inside" turning up as "sindie" and "story" as "otsyr".”

Diana Wynne Jones (1934–2011) English children's fantasy writer

Source: Magids Series, The Merlin Conspiracy (2003), p. 7.
First lines of the novel.

Life, Travel, Thinking

“Writing with a simplified alphabet checked the power of custom of an oral tradition but implied a decline in the power of expression and the creation of grooves which determined the channels of thought of readers and later writers.”

Harold Innis (1894–1952) Canadian professor of political economy

Minerva's Owl p. 11.
The Bias of Communication (1951)

“As elsewhere in his writing, Vidal gives the impression of believing that the entire heterosexual edifice - registry offices, Romeo and Juliet, the disposable diaper - is just a sorry story of self-hypnosis and mass hysteria: a hoax, a racket, or sheer propaganda.”

Martin Amis (1949) Welsh novelist

Review of Palimpsest, p. 281
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“Someone [on the staff of The Times] had invented a game – a competition with a small prize for the winner – to see who could write the dullest headline. It had to be a genuine headline, that is to say one which was actually printed in the next morning's newspaper. I won it only once with a headline which announced: "Small Earthquake in Chile. Not many dead."”

Claud Cockburn (1904–1981) Irish journalist

Page 139
No such headline has ever been found in The Times at the period in question (the spring and summer of 1929), though one paragraph reads "An earthquake was felt yesterday between Illapel, to the north, and Talca, to the south, in Chile. No damage was done." (August 6, 1929). Source: The Quote... Unquote Newsletter (October, 2000) pp. 2-3.
A Discord of Trumpets (1956)

Game, Time, Dead

“Know what makes a sentence more than a random list, practice constructing sentences and explaining what you have done, and you will know how to make sentences forever and you will know too when what you are writing doesn't make the grade because it has degenerated into a mere pile of discrete items.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 33

“I was looking at my furniture, not as the utilitarian who has to sit on chairs, to write at desks and tables, and not as the cameraman or scientific recorder, but as the pure aesthete whose concern is only with forms and their relationships within the field of vision or the picture space. But as I looked, this purely aesthetic, Cubist's-eye view gave place to what I can only describe as the sacramental vision of reality. I was back where I had been when I was looking at the flowers—back in a world where everything shone with the Inner Light, and was infinite in its significance.”

Aldous Huxley book The Doors of Perception

describing his experiment with mescaline, p. 22
The Doors of Perception (1954)

World, Flowers, Reality, Light

“In his autobiography, former President Bill Clinton credits [Andrew] Vachss with [writing the National Child Protection Act] and notes how important it was to him and wife Hillary. But there's a catch, according to Vachss: 'It's never been funded.”

Andrew Vachss (1942) American writer and lawyer

July 14, 2005, in Ohio's ThisWeek

“Look, then, into thine heart, and write!”

Henry Wadsworth Longfellow (1807–1882) American poet

Voices of the Night http://www.worldwideschool.org/library/books/lit/poetry/TheCompletePoeticalWorksofHenryWadsworthLongfellow/Chap1.html, Prelude, st. 19 (1839).

Heart

“The council uh, forced me to leave the, the country. That was officially, but, in fact, you know, it's 'n…uh…there are many books writing of that, that, that uh incident and the American official in Saigon are very pleased at that time to see me uh out of the country.”

Nguyen Khanh (1927–2013) South Vietnamese soldier

American escalation and forcing out of Nguyen Khanh
1980s, Interview with Nguyen Khanh (1981)

Books, Time, Country

“It always seems to me that one of the saddest things about the death of a literary man is the fact that the breaking-up of his collection of books almost invariably follows; the building up of a good library, the work of a lifetime, has been so much labour lost, so far as future generations are concerned. Talent, yes, and genius too, are displayed not only in writing books but also in buying them, and it is a pity that the ruthless hammer of the auctioneer should render so much energy and skill fruitless.”

Stuart Dodgson Collingwood (1870–1937) English clergyman, headmaster, author

The Life and Letters of Lewis Carroll (1898) p. 136.

Death, Books, Future

“If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: “teaching” God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.”

Eugen Drewermann (1940) German psychologist and theologian

Jesus von Nazareth (1996)

Love, God, People, Faith

“Every time I write about the impossibility of effectively protecting digital files on a general-purpose computer, I get responses from people decrying the death of copyright. "How will authors and artists get paid for their work?" they ask me. Truth be told, I don't know. I feel rather like the physicist who just explained relativity to a group of would-be interstellar travelers, only to be asked: "How do you expect us to get to the stars, then?"”

Bruce Schneier (1963) American computer scientist

I'm sorry, but I don't know that, either. Protecting Copyright in the Digital World, Schneier, Bruce, 2001-08-15, Cryptogram newsletter, 2016-05-02 https://www.schneier.com/crypto-gram/archives/2001/0815.html#7, Digital Rights Management

Death, People, Truth, Travel

“The meetings with Mexican officials were planned before the election, but they took on even greater significance after Trump's win. But even before the election, it was obvious that my party had taken a sharp turn away from the conservative principles that have defined it for nearly a century and that I have tried to uphold for my entire life. And the animating question of how this had happened to my party already seemed to be a profound problem for our democracy, and one badly in need of a solution. I write this book because we as conservatives- and conservatism itself- are in crisis.”

Jeff Flake (1962) American politician

Source: Conscience of a Conservative (2017), p. 6

Life, Books, Democracy, Question

“I'm not quite sure that I know how they complement each other, because I use them for the opposite reason. I find music to be an intensely personal kind of thing, perhaps it's because I write a lot of the stuff. I use acting to escape from being me, and I use music to explore being me. I think that's the best way to put it.”

Colleen Fitzpatrick (1972) American singer and actress

Asked how dancing & music complement each other
Attributed

Music, Way, Thinking, Personality

“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

Martin Amis (1949) Welsh novelist

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

Dreams, Envy, Painting

“I could write songs as bad as Wham's if I really felt the urge to, but what's the point? (The Hit magazine 1985)”

Robert Smith (musician) (1959) English singer, songwriter and musician

“I have descended to the depths of suffering, and it seems to me that after that one cannot help being raised up. But I have spent the last three nights weeping. Pity! Pity! Remembrance is the true imperishable life... I should like to live my life over again, to record it, to admit my weaknesses; no, this is useless; I have sinned, I have suffered, I have atoned for it. I could write only a bad novel by relating what has been related a thousand times.”

Berthe Morisot (1841–1895) painter from France

Quote from Berthe's Morisot's letter, 1887 - after the death of her husband Eugène Manet
1881 - 1895

Life, Suffering, Time, Help

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Life, People, Education, Religion

“Muhammad bin Tughlaq became notorious for enslaving women and his reputation in this regard spread far and wide. Ibn Battuta who visited India during his reign and stayed at the Court for a long time writes:
“At (one) time there arrived in Delhi some female infidel captives, ten of whom the Vazir sent to me. I gave one of them to the man who had brought them to me… My companion took three girls, and - I do not know what happened to the rest.” On the large scale distribution of girl slaves on the occasion of Muslim festivals like Id, he writes: “First of all, daughters of Kafir (Hindu) Rajas captured during the course of the year, come and sing and dance. Thereafter they are bestowed upon Amirs and important foreigners. After this daughters of other Kafirs dance and sing… The Sultan gives them to his brothers, relatives, sons of Maliks etc. On the second day the durbar is held in a similar fashion after Asr. Female singers are brought out… the Sultan distributes them among the Mameluke Amirs…” Thousands of non-Muslim women were distributed in the above manner in later years.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Ibn Battuta, 123. quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12

Women, Girl, Fashion, Singing

“You have to really work at it to write. I guess there has to be talent first; but even with talent you still have to work at it, to write.”

James Jones (1921–1977) American author

The Paris Review interview (1958)

“I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts made in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.”

Derrick Jensen book The Culture of Make Believe

Source: The Culture of Make Believe (2003), p. 69

Life, Women, Men, Money

“I certainly didn't write it to be popular.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

“…Tibetan prayer wheels: you write a prayer on a paper, put the rolled paper on a wheel, and turn it automatically, without thinking. In this way, the wheel itself is praying for me, instead of me - or more precisely, I myself am praying through the medium of the wheel. The beauty of it all is that in my psychological inferiority I can think about whatever I want, I can yield to the most dirty and obscene fantasies, and it does not matter because - to use a good old Stalinist expression - 'whatever I am thinking, objectively I am praying.”

Slavoj Žižek book The Sublime Object of Ideology

32
The Sublime Object of Ideology (1989)

Beauty, Way, Thinking

“Though he died in 1946, Keynes still dominated economics at Cambridge in the mid-1960s. It wasn't just that all the leading figures among the faculty, Richard Kahn, Joan Robinson, Brian Reddaway, David Champernowne, Nicholas Kaldor, and James Meade, had been his pupils and/or collaborators. It was the tone of the place. The study of economics, theoretical or empirical, was driven by the desire to improve the conduct of economic policy. This did not mean that pure theory was neglected. Indeed, in those years Robinson was fighting a stirring battle in the realms of high theory with Paul Samuelson and Robert Solow from the Massachusetts Institute of Technology. Nor was Cambridge innocent of the cutting edge of econometric technique. Richard Stone, who, following Keynes's suggestions, had created the first modern national income accounts, was still director of the Department of Applied Economics where much of modern econometrics was pioneered. Nonetheless, we were taught that theory and technique should serve the higher cause of rational economic policies, and to use our newly learned econometric expertise to write essays on unemployment, or inflation, or the balance of trade, or some other topic at the top of the current political agenda.”

John Eatwell, Baron Eatwell (1945) British economist

"Citizen Keynes", 1994

Study, Learning, Fight

“Someone should put together a ballet under the title Guantanamo, Guantanamo! A corps of prisoners, their ankles shackled together, thick felt mittens on their hands, muffs over their ears, black hoods over their heads, do the dances of the persecuted and the desperate. Around them, guards in olive green uniforms prance with demonic energy and glee, cattle prods and billy-clubs at the ready. They touch the prisoners with the prods and the prisoners leap; they wrestle prisoners to the ground and shove the clubs up their anuses and the prisoners go into spasms. In a corner, a man on stilts in a Donald Rumsfeld mask alternately writes at his lectern and dances ecstatic little jigs.
One day it will be done, though not by me. It may even be a hit in London and Berlin and New York. It will have absolutely no effect on the people it targets, who could not care less what ballet audiences think of them.”

J.M. Coetzee book Diary of a Bad Year

Diary of a Bad Year (2007)

People, Thinking, Dance

“His courtesy was somewhat extravagant. He would write and thank people who wrote to thank him for wedding presents and when he encountered anyone as punctilious as himself the correspondence ended only with death.”

Evelyn Waugh (1903–1966) British writer

As quoted in LIFE magazine (8 April 1946)

Death, People, Wedding

“Alexander Bain was probably the first modern thinker whose primary concern was with psychology itself He has been credited with writing the first 'comprehensive treatise having psychology as its sole purpose'. His two-volume systematic work, The Senses and the Intellect (1855) and The Emotions and the Will (1859), was the standard British text for almost half a century, until Stout's replaced it. He also founded Mind (1876-), the first psychological journal in any country. His work requires close attention, because it is the meeting-point of experimental sensory-motor physiology and the association psychology. His influence on the conceptions of later workers was direct and extremely important. Ferrier studied classics and philosophy under Bain at Aberdeen (first class honours, 1863). When he and Jackson acknowledge their intellectual debts or make references to psychology, the names most often mentioned are Bain and Spencer-the figures whose work was the culmination of the association psychology in its traditional form.”

Robert Maxwell Young (1935–2019) American medical historian

Mind, Brain, and Adaptation in the Nineteenth Century, 1970. p. 101

Sense, Study, Country

“I believe in the future a new Dante will write a new Divine Comedy.”

Ba Jin (1904–2005) Chinese novelist

As quoted in "Ba Jin: A Century of Literary Greatness" at the China Internet Information Center (November 2003) http://www.china.org.cn/english/2003/Nov/80700.htm

Future

“Older children always sit down to paint or write after they have seen a picture or read a story that appeals to them, and attempt to create. So life ought to be a struggle of desire towards adventures whose nobility will fertilise the soul and lead to the conception of new, glorious things. To avoid the ordeal of emotion that leads to the conception is the impulse of death. Sterility is the deadly sin. Today so many of our activities are sterile. Our upper classes are impotent by reason of their soft living. Our lower classes have had their vitality sweated out of them by their filthy labours: they can only bear dead things.”

Rebecca West (1892–1983) British feminist and author

"The Gospel According to Granville-Parker", in The Freewoman (7 March 1912); re-published in The Young Rebecca: Writings of Rebecca West, 1911-17 (1982), p. 21

Life, Death, Children, Soul

“If getting used to music is the essential condition for understanding, it is hard to see just what purpose is served by writing about it. A few experiences of listening to a symphony or nocturne are worth more than any essay or analysis. The work of art itself teaches us how to understand it, and makes the critic not merely parasitical but strictly superfluous.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

Art, Music, Understanding