Quotes about writing

page 2

I, line 30.
Satires, Satire I

"The Popular and the Realistic" (written 1938, published 1958), as translated in Brecht on Theatre (1964) edited and translated by John Willett.

Page 196
Testimony (1979)

http://mikebloomberg.com/en/issues/education/mayor_michael_bloomberg_delivers_slate_60_dinner_keynote_address_at_william_j_clinton_presidential_library
Philanthropy

"Of servants"
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

Alhazen, quoted in “Muslim Journeys.” Bridging Cultures Bookshelf: Muslim Journeys. N.p., n.d. Web. 01 Nov. 2013. Also in Ibn al-Haytham Brief life of an Arab mathematician: died circa 1040 (September-October 2003) http://harvardmagazine.com/2003/09/ibn-al-haytham-html

Quoted in Johanna Schneller, "Johnny Depp: Girls' Best Friend," http://www.deppimpact.com/mags/transcripts/rollingstone_dec88.html Rolling Stone (December 1988)

Source: Slapstick (1976), Ch. 48

-Chris Colfer on how he came up with the idea of TLOS
Interview Quotes, Random Quotes

Song lyrics, Ready to Die (1994), "Juicy"

Source: The Freedom of a Christian (1520), p. 51

That These Words of Christ, 'This is My Body' Still Stand Firm Against the Fanatics, 1527, in Luther's Works, Word and Sacrament III, 1961, Fortress Press, , volume 37, p. 54. http://books.google.com/books?ei=PxdBTeK6F4PogQe9lKizAw&ct=result&id=J-0RAQAAIAAJ&dq=%22Nicodemus%2C+joseph%2C+Paul%22&q=%22Still+Stand+Firm+Against+the+Fanatics%22#search_anchor This work appeared in vol. 2 of the Wittenberg ed. of Luther's Works (in German) and was later translated into Latin by Matthew Judex (Matthaeum Iudicem) under the title: Defensio τοῦ ρητοῦ Verborum Cenae: Accipite, Comedite: Hoc est Corpus Meum: Contra Phanaticos Sacramentariorum Spiritus. http://solomon.tcpt.alexanderstreet.com/cgi-bin/asp/philo/cpt/getobject.pl?c.121:1.cpt
Luther's Latin: “Nullus ex patribus, quorum infinitus est numerus, de Sacramento sic loquutus est, ut Sacramentarii. Nam nemo ex iis talibus verbis utitur Tantum panis & vinum est: Vel Corpus & Sanguis Christi non adestProfecto non est credibile, nec possibile cum toties ab iis res ista agatur & repetatur, quod non aliquando, vel semel tantum excidissent haec verba. Est merus Panis, aut, non quod Christi corpus corporaliter adsit, aut his similia, cum tamen multum referat ne homines seducantur, Sed omnes praecise ita loquuntur, quasi nullus dubitet, quin ibi praesto sit corpus & sanguis Christi. Sane ex tot patribus, & tot scriptis, ab aliquibus, vel saltem ab uno potuisset negativa sententia proferri, ut in aliis articulis usitatum & frequens est, si non sensissent, corpus & sanguinem Christi vere inesse. Verum omnes concordes & constantes uno ore affirmatium proferunt.” See Luther's Opera Omnia, Wittenberg ed., (1558), vol., 7, p. 391. http://books.google.com/books?id=jrpjO-K_kQYC&pg=PR10&dq=Accipitae+Hoc+%22corpus+meum%22+luther&hl=en&ei=9iFBTeOqIonbgQeJ4IXmAQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCkQ6AEwAA#v=onepage&q=coenae&f=false

Lecture: "Off the Time Track" (June 1952) as quoted in Journal of Scientology issue 18-G, reprinted in Technical Volumes of Dianetics & Scientology Vol. 1, p. 418.

Source: Learning the World (2005), Chapter 7 “Television” (p. 110)

Io…vorrei che il giovane quando si mette a scrivere, non pensasse mai ad essere né melodista, né realista, né idealista, né avvenirista, né tutti i diavoli che si portino queste pedanterie. La melodia e l’armonia non devono essere che mezzi nella mano dell'artista per fare della Musica, e se verrà un giorno in cui non si parlerà più né di melodia né di armonia né di scuole tedesche, italiane, né di passato né di avvenire ecc. ecc. ecc. allora forse comincierà il regno dell'arte.
Letter to Opprandino Arrivabene, July 14, 1875, cited from Julian Budden Le opere di Verdi (Torino: E.D.T., 1986) vol. 2, p. 60; translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston: Northeastern University Press, 1997) p. 126

R.U.R. (1920)

"Michael Jackson - Life in the magical kingdom" - Rolling Stone (February 17, 1983) http://www.rollingstone.com/music/news/michael-jackson-life-in-the-magical-kingdom-19830217
"Michael Jackson - Life in the Magical Kingdom" Rolling Stone 1983

Interview Quotes, Random Quotes

Introduction
The Gods (1934)

"The Freedom Defence Committee" in "The Socialist Leader (18 September 1948); also in The Collected Essays, Journalism, & Letters, George Orwell; Vol. IV: In front of your nose, 1945-1950 (2000), p. 447

Time Enough for Love (1973)

A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers."
Augustus "Gus" Waters, p. 310-313
The Fault in Our Stars (2012)

Book II, Ch. 10. Of Books
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)

Source: Down and out in Paris and London (1933), Ch. 4; a record of a remark by Orwell's fellow tramp Boris

Screen Secrets: Greta Garbo Breaks her Silence (1928)

As quoted in The Tyrants: 2500 Years of Absolute Power and Corruption (2006) by Clive Foss, p. 10, ISBN 1905204965

Letter to Capito, January 1, 1526 (Staehelin, Briefe ausder Reformationseit, p. 20), ibid, p. 249-250

22c
Plato, Apology

Amy Winehouse, Friday Night With Jonathan Ross http://www.youtube.com/watch?v=W8JtiznyfYQ

Facebook post, https://www.facebook.com/GovernorMigunaMiguna/posts/562705787252139, 2016
2016

Talking about rumours where will he go http://www.telegraph.co.uk/football/2016/06/01/zlatan-ibrahimovic-keeps-man-utd-guessing-by-saying-he-is-excite/
Attributed

Playboy (April 2001)

Source: A Memory of Solferino (1862), p. 16; As quoted in The Independent, Friday, 22 February 2002 http://www.independent.co.uk/news/world/americas/change-obsolete-rules-of-warfare-says-bush-envoy-661637.html

in a letter to his father, 1782

"As I Please" column in The Tribune (3 November 1944)^{http://alexpeak.com/twr/oocp/}
"As I Please" (1943–1947)

He could only write it because he was not dependent on State aid.
"As I Please" column in The Tribune (13 October 1944)^{http://alexpeak.com/twr/orwell/quotes/ http://alexpeak.com/twr/ooc/#2}
As I Please (1943–1947)

"Charles Dickens" (1939)
Charles Dickens (1939)

Letter to Denis Diderot, as quoted in The Affairs of Women : A Modern Miscellany (2006) by Colin Bingham

On why he delayed the Leopard OS in favor of developing the iPhone rather than hiring more developers, at the annual Apple stockholder's meeting (10 May 2007) as quoted in "Apple's Jobs brushes aside backdating concerns" at c|net News (10 May 2007) http://archive.is/20130628220833/http://news.com.com/2100-1041_3-6182965.html?part=rss&tag=2547-1_3-0-5&subj=news
Variant: I wish developing great products was as easy as writing a check … if so, then Microsoft would have great products.
As quoted in "Apple iPhone: more secrets revealed" (11 May 2007) http://www.tech.co.uk/computing/mac/news/apple-iphone-jobs-spills-more-secrets?articleid=1431998781
2005-09
Context: I wish developing great products was as easy as writing a check. If that was the case, Microsoft would have great products.

Source: The Magic Mountain (1924), Ch. 4
Context: Writing well was almost the same as thinking well, and thinking well was the next thing to acting well. All moral discipline, all moral perfection derived from the soul of literature, from the soul of human dignity, which was the moving spirit of both humanity and politics. Yes, they were all one, one and the same force, one and the same idea, and all of them could be comprehended in one single word... The word was — civilization!

As quoted at The Cult of Genius http://archive.is/20130407013238/thecultofgenius.tumblr.com/post/11315919381/they-want-me-to-write-differently-certainly-i
Context: They want me to write differently. Certainly I could, but I must not. God has chosen me from thousands and given me, of all people, this talent. It is to Him that I must give account. How then would I stand there before Almighty God, if I followed the others and not Him?

Breakfast of Champions (1973)
Context: I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.
As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books.
Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their madeup tales.
And so on.
Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done.
If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead.
It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.

As quoted in Parmenides by Plato, a portrayal of a discussion which begins between Socrates and Zeno, and then primarily Parmenides; as translated by Benjamin Jowett, Parmenides (1871)
My writing is an answer to the partisans of the many and it returns their attack with interest, with a view to showing that the hypothesis of the many, if examined sufficiently in detail, leads to even more ridiculous results than the hypothesis of the One.
As translated in A History of Philosophy, Vol. I : Greece and Rome (1953) by Frederick Charles Copleston.
Context: The truth is, that these writings of mine were meant to protect the arguments of Parmenides against those who make fun of him and seek to show the many ridiculous and contradictory results which they suppose to follow from the affirmation of the one. My answer is addressed to the partisans of the many, whose attack I return with interest by retorting upon them that their hypothesis of the being of many, if carried out, appears to be still more ridiculous than the hypothesis of the being of one. Zeal for my master led me to write the book in the days of my youth, but some one stole the copy; and therefore I had no choice whether it should be published or not; the motive, however, of writing, was not the ambition of an elder man, but the pugnacity of a young one.

"Charles Dickens" (1939)
Context: When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer. I feel this very strongly with Swift, with Defoe, with Fielding, Stendhal, Thackeray, Flaubert, though in several cases I do not know what these people looked like and do not want to know. What one sees is the face that the writer ought to have. Well, in the case of Dickens I see a face that is not quite the face of Dickens's photographs, though it resembles it. It is the face of a man of about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity. It is the face of a man who is always fighting against something, but who fights in the open and is not frightened, the face of a man who is generously angry — in other words, of a nineteenth-century liberal, a free intelligence, a type hated with equal hatred by all the smelly little orthodoxies which are now contending for our souls.

Foma Gordeyev (1899) [also translated as The Man Who Was Afraid; the English music group Led Zeppelin would later name their record label "Swan Song".
Context: There's a little book I'm thinking of writing — "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.

Source: Down and out in Paris and London (1933), Ch. 1
Context: I am trying to describe the people in our quarter, not for the mere curiosity, but because they are all part of the story. Poverty is what I am writing about, and I had my first contact with poverty in this slum. The slum, with its dirt and its queer lives, was first an object-lesson in poverty, and then the background of my own experiences. It is for that reason that I try to give some idea of what life was like there.

"Why I Write," Gangrel (Summer 1946)
Context: The Spanish war and other events in 1936-7 turned the scale and thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism, as I understand it. It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects.

I hope it is somewhat better than whim at last, but we cannot spend the day in explanation. Expect me not to show cause why I seek or why I exclude company.
1840s, Essays: First Series (1841), Self-Reliance

The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.
"As I Please" column in The Tribune (3 November 1944)^{http://alexpeak.com/twr/oocp/}
As I Please (1943–1947)

Source: Keep the Aspidistra Flying (1936), Ch. 1

Black Boy (1945)

Karnad in a reply to S.L. Bhyrappa quoted in Sandeep Balakrishna, Tipu Sultan - The Tyrant of Mysore, p.12

Source: Letter to his sister (Milan, 26 January 1770), from Contradictory Quotations, Longman Group Ltd., 1983. Rendered as "as the sows piss" in Letters of Wolfgang Amadeus Mozart, trans. Hans Mersmann, Dover Publications, 1972 (originally 1928)

Touch the Sky
Lyrics, Late Registration (2005)

Context: This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety.

Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.

So write with a combination of short, medium, and long sentences. Create a sound that pleases the reader’s ear. Don’t just write words. Write music.

Writing

Variant: I only achieve simplicity with enormous effort. So long as I have questions to which there are no answers, I shall go on writing.
Source: The Hour of the Star (1977), p. 11

"Tonight I Can Write" (Puedo Escribir), XX, p. 49.
Source: Veinte Poemas de Amor y una Canción Desesperada (Twenty Love Poems and a Song of Despair) (1924)

Variant: Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let's choose executors and talk of wills
Source: Richard II

Source: Concrete

Source: Atonement

Bk. II, ch. 1.
The History of Henry Esmond (1852)
Source: The History of Henry Esmond, Esq.

Source: The Picture of Dorian Gray

Source: On Writing: A Memoir of the Craft

Source: On Writing: A Memoir of the Craft

Source: The Bell Jar

Source: On Writing: A Memoir of the Craft

Source: Extremely Loud and Incredibly Close

Source: Time Cat

Variant: There's nothing to writing. All you do is sit down at a typewriter and open a vein.

Source: On Writing: A Memoir of the Craft

Variant: Can I be blunt on this subject? If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.
Source: On Writing: A Memoir of the Craft

Source: 11/22/63

.
1900s
Context: Everyone is free to write and say whatever he likes, without any restrictions. But every voluntary association (including the party) is also free to expel members who use the name of the party to advocate anti-party views. Freedom of speech and the press must be complete. But then freedom of association must be complete too. I am bound to accord you, in the name of free speech, the full right to shout, lie and write to your heart’s content. But you are bound to grant me, in the name of freedom of association, the right to enter into, or withdraw from, association with people advocating this or that view. The party is a voluntary association, which would inevitably break up, first ideologically and then physically, if it did not cleanse itself of people advocating anti-party views.

Source: Bag of Bones

Source: Magic Bites

Variant: Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?
Source: Twilight of the Idols

Source: Joyland

"Foreword", p. 3.
Source: Strong Opinions (1973)

Source: De Profundis

"A meeting of minds", The Guardian, 18 November 2005. http://www.guardian.co.uk/music/2005/nov/18/classicalmusicandopera.thomasstearnseliot
Attributed