Quotes about writer
page 9

“Pure nonsense is a joy forever, as Keats didn't quite say. I love to see a writer flying high, just for the hell of it.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 20, Humor, p. 246.

Love, Hell, Joy, Flying

“He is no parasite on anything, whose work is real: a mechanic, a doctor, a builder, a tailor, a dishwasher. What, in comparison, does a writer produce? Semblances. This is a serious occupation?”

Stanisław Lem (1921–2006) Polish science fiction author

"Rien du tout, ou la conséquence" ("Nothing, or the Consequence"), in A Perfect Vacuum (1971), tr. Michael Kandel (1978)

“We find upon all occasions, the early Christian writers speak of the Father as superior to the Son, and in general they give him the title of God, as distinguished from the Son; and sometimes they expressly call him, exclusively of the Son, the only true God; a phraseology which does not at all accord with the idea of the perfect equality of all the persons in the Trinity. But it might well be expected, that the advances to the present doctrine of the Trinity should be gradual and slow. It was, indeed, some centuries before it was completely formed.”

Joseph Priestley book An History of the Corruptions of Christianity

Part I : The History of Opinions Relating to Jesus Christ, § III : The Supremacy was always ascribed to the Father before the Council Of Nice
An History of the Corruptions of Christianity (1782)

God, Idea, Personality, Perfection

“One thing a writer has, if he is fortunate, and I have been fortunate, is a partnership with the years.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Lines On The Transpontine Madness, p. xxi

Partnership

“It is certainly curious that among all the millions of books that have been written on every conceivable subject, so few writers have really tried to describe the tissue of their thoughts and the actual taste of consciousness. And yet this is, after all, our most immediate and direct experience, the only experience of whose reality we are absolutely certain.”

Logan Pearsall Smith (1865–1946) British American-born writer

“Montaigne,” p. 7
Reperusals and Recollections (1936)

Books, Reality

“The writers who accomplish most are those who compel thought on the highest and most profoundly interesting subjects.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 24

“The novels and poems which proceed from writers in the grip of this barren pessimism are of the kind which make narrow moralists fume, and use words like "decadence"; the writers rejoice, because making narrow moralists (who are usually frightened people) hop with rage is a sign that they have hit a mark, and they do not understand how poor and easy a mark it is.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

People, Understanding, Rage

“"Hypertext is a representation of the text which escapes and surprises by turns," I wrote. Given the pure unaccountability (it is literally impossible to read all the possible variations of a richly linked hypertext) a hyperfiction writer is always attuned to "how the reader will interpret the literature presented" since its presentation shifts and flows in its composition as well.”

Michael Joyce (1945) American academic and writer

Interview with Michael Joyce in Pif (January 2000)

Literature, Reading

“Any number of definitions help to determine who we are. It doesn't hurt to be a woman writer, an American woman writer, American woman writer of the 21st century. I think all these descriptions of us — and they're descriptions and adjectives that pertain to you — none of them diminish you, really. I think that maybe there's a kind of deepening or expansion the more identifications you have.”

Joyce Carol Oates (1938) American author

Tavis Smiley interview (2005)

Thinking, Help, Hurt

“It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn’t wait to leave.”

Anatole Broyard (1920–1990) American literary critic

New York Times 16th March 1973.

Love, Literature, Nostalgia, Waiting

“The cosmos which he now created was that which contains the readers and the writer of this book. In its making he used, but with more cunning art, many of the principles which had already served him in earlier creations; and he wove them together to form a more subtle and more capricious unity than ever before.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XV: The Maker and His Works; 2. Mature Creating (pp. 176-177)

Books, Art

“Do you suppose Latin American writers, trying to mix literary modernism with revolutionary politics, resent our blue-eyed exploitation of their continent as a sort of compost heap of the libidinal and the symbolic? Aren't D. H. Lawrence, Graham Greene, Robert Stone and Paul Theroux imperialists? What do black Africans think of Conrad, Bellow, Updike and Edgar Rice Burroughs? Why don't the white guys look for the heart of darkness in their own bathrooms?”

John Leonard (1939–2008) American critic, writer, and commentator

"The Heroine: A Contraption of Attitudes" http://query.nytimes.com/gst/fullpage.html?res=9C06E4DF103BF932A15750C0A964948260&scp=30&sq=, The New York Times (21 March 1982)

Guy, Thinking, Heart

“The design of a house around a massive, central fireplace has, somehow, always felt right to this writer-builder.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Housing

“I've made my best notes sitting outside cafes on busy streets, or in murky bars in foreign cities. I sorted out a big series of problems in the novel I'm just finishing while sitting drinking a long line of solitary beers in a bar in a small coastal town. The hangover was pretty brutal, but I'm not sure I'd have found the solutions any other way. Part of the job of being a writer is learning how your head works - when to push it, when to step back. This kind of self-management is actually far harder, I think, than learning how to write decent prose.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

Associated Content Interview (October 23, 2006)

Way, Drink, Beer, Business

“Writers who are also artist's only think of themselves as truly living when they are engaged in their sweet labour.”

Edward Storer (1880–1944) British writer

'Leigh Hunt' Herbert and Daniel, London, 1913

Thinking

“Scientists and archaeologists have no clue how the ancients were able to excavate, let alone move such huge stones on such rough and uneven terrain. They cannot be moved by any combination of modern equipment today. Whole books have been written on speculation as to how they moved these massive stones. Many writers conclude that aliens must have visited earth and done this with technology about which we know nothing! Ahhhh?…there is a much simpler solution…Ancient man, especially pre-flood, and for a few hundred years post-flood, lived lots longer and accumulated lots more knowledge than we have today! No “Aliens” required!”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 57

Books, Knowledge

“This is not some special law or guideline for artists and writers. It is a general principle for all citizens. It is a fundamental principle of the revolution. Counterrevolutionaries, that is, the enemies of the revolution, have no rights against the revolution, because the revolution has one right: the right to exist, the right to develop, and the right to be victorious.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

Words to Intellectuals (1961)

Law, Victory

“That instinct for human character that is perhaps inherent in an imaginative writer.”

Graham Greene (1904–1991) English writer, playwright and literary critic

Getting to know the General (1984)

Imagination

“I didn't skip the smut. The author went to the trouble of writing it, after all. I did not feel to make notes for possible application later on but I also never wondered if the author was a virgin raised in an abandoned hentai warehouse, which is always a possibility for modern pornographers and erotica writers.”

James Nicoll (1961) Canadian fiction reviewer

LiveJournal post (review of 'The Russians Came Knocking' by K.B. Spangler), 2014) http://james-nicoll.livejournal.com/5086498.html?thread=95347746#t95347746 <br class="br">2010s

Feeling

“The RIGHT OF NATURE, which Writers commonly call Jus Naturale, is the Liberty each man hath, to use his own power, as he will himself, for the preservation of his own Nature; that is to say, of his own Life; and consequently, of doing any thing, which in his own Judgement, and Reason, he shall conceive to be the aptest means thereunto.”

Thomas Hobbes book Leviathan

The First Part, Chapter 14, p. 64
Leviathan (1651)

Life, Nature

“Until the 20th century it was generally assumed that a writer had said what he had to say in his works.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

“If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader really isn't sure, either. They just want to know when they're supposed to pretend that they're amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the “form of funny,” which is more easily understood (and more easily constructed) than authentic funniness.”

Chuck Klosterman Eating the Dinosaur

Eating the Dinosaur (2009)

Age, Failure, Laughter, Chance

“Movies make hash of the schoolmarm’s approach of how well the artist fulfilled his intentions. Whatever the original intention of the writers and director, it is usually supplanted, as the production gets under way, by the intention to make money — and the industry judges the film by how well it fulfills that intention. But if you could see the "artist’s intentions" you’d probably wish you couldn’t anyway. Nothing is so deathly to enjoyment as the relentless march of a movie to fulfill its obvious purpose. This is, indeed, almost a defining characteristic of the hack director, as distinguished from an artist.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Money, Way

“While many brilliant writers and speech makers have been battling passionately about communism, fascism, socialism, and democracy, our studies of how governmental organizations actually function have forced us to the conclusion that there is little significance to these terms. Indeed, it has been our general observation that not only in different countries, but from generation to generation men go on organizing their governments and earning their living in much the same manner. Notable changes and improvements can be credited from time to time to the scientists and engineers, and in general to improved technology, but throughout history economic laws and the processes of production and distribution display an utter contempt for changes in the political complexion of government. In appraising the many experiments in governmental organization that are being tried currently throughout the world, it is important that we should not be thrown off the track by the circumstance that the various revolutionary movements or changes in government have adopted different symbols around which to rally supporters. The vital point is the plain fact that, once the controlling group gets into power, the practical circumstances of the situation force the new leaders to organize the government according to principles of organization that are as old as the hills.”

James D. Mooney (1884–1957) American businessman

Source: The Principles of Organization, 1947, p. 14-15; as cited in: Albert Lepawsky (1949), Administration, p. 251-252 ; Parts published earlier in: News and Views. General Motors Acceptance Corporation, General Exchange Insurance Corporation, Motors Insurance Corporation, 1938. p. 8

Men, World, Law, Democracy

“The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Drawing

“When the Father would give men the light of the knowledge of His glory, how does He proceed? To what does He turn men's gaze? Not to His mighty works; not to creative or providential wonders; not to geological or astronomical facts; not to the data on which Paley and Bell and other admirable writers build up their argument from design; not to the still greater wonder of mind, but to " the face of Jesus Christ," that face that was more marred than any man's; that endured the ruffian blows; down which the blood drops trickled; that looked down on a mocking crowd from an ignominious cross.”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 70.

Men, Knowledge, Light, Christ

“Because information is often biased, outdated, or inadequate, command-based systems rely on obtuse information to produce blunt solutions. Wielding force like drunken revelers, political systems gamble on the singularity of direction to fix a multiplicity of problems, woefully ignorant that one size does not fit all. Blinded by political ideologies, they rarely act to solve underlying problems. Karl Hess (1923-1994), a former presidential speech writer, noted this condition, observing, ‘Politicians occasionally do the right thing—but only after they’ve exhausted all the alternatives.”

L. K. Samuels (1951) American writer

Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 17

Problem

“Well, I didn't ever think about Australia much. To me Australia had never been very interesting, it was just something that happened in the background. It was Neighbours and Crocodile Dundee movies and things that never really registered with me and I didn't pay any attention to it at all. I went out there in 1992, as I was invited to the Melbourne Writers Festival, and I got there and realised almost immediately that this was a really really interesting country and I knew absolutely nothing about it. As I say in the book, the thing that really struck me was that they had this prime minister who disappeared in 1967, Harold Holt and I had never heard about this. I should perhaps tell you because a lot of other people haven't either. In 1967 Harold Holt was prime minister and he was walking along a beach in Victoria just before Christmas and decided impulsively to go for a swim and dove into the water and swam about 100 feet out and vanished underneath the waves, presumably pulled under by the ferocious undertow or rips as they are called, that are a feature of so much of the Australian coastline. In any case, his body was never found. Two things about that amazed me. The first is that a country could just lose a prime minister — that struck me as a really quite special thing to do — and the second was that I had never heard of this. I could not recall ever having heard of this. I was sixteen years old in 1967. I should have known about it and I just realised that there were all these things about Australia that I had never heard about that were actually very very interesting. The more I looked into it, the more I realised that it is a fascinating place. The thing that really endeared Australia to me about Harold Holt's disappearance was not his tragic drowning, but when I learned that about a year after he disappeared the City of Melbourne, his home town, decided to commemorate him in some appropriate way and named a municipal swimming pool after him. I just thought: this is a great country.”

Bill Bryson (1951) American author

The pool was under construction before he disappeared and is located in the electorate he represented.
Interview with Stanford's Newsletter (June 2001)

People, Books, Way, Home

“Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?' We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.”

Albert Finney (1936–2019) English actor

Interview with Paul Fischer at Dark Horizons (2 December 2003).

Life, People

“The universality of card-playing in the reign of this monarch is evident from a prohibitory statute being necessary to prevent apprentices from using cards except in the Christmas holidays, and then only in their masters' houses…But this moderation, I apprehend, was by no means general, for several contemporary writers are exceedingly severe in their reflections upon the usage of cards, which they rank with dice, and consider both as destructive to morality and good order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 327
The Sports and Pastimes of the People of England (1801), Cards

Universe, Holiday, Christmas, Housing

“Anna’s reaction is more complex than you might imagine, and it’s at such a moment you appreciate the woman in the writer-director’s chair. Women, I suspect, are more likely than men to view sex from the over-all perspective of what we may call their lives. In a country like Saudi Arabia, whose citizens express discomfort about men and women even attending movies together, I have little doubt which gender is more concerned.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/humpday-2009 of Humpday (22 July 2009) <br class="br">Reviews, Three-and-a-half star reviews

Women, Men, Sex, Imagination

“The use of the term institution has become widespread in the social sciences in recent years, reflecting the growth in institutional economics and the use of the institution concept in several other disciplines, including philosophy, sociology, politics, and geography. The term has a long history of usage in the social sciences, dating back at least to Giambattista Vico in his Scienza Nuova of 1725. However, even today, there is no unanimity in the definition of this concept. Furthermore, endless disputes over the definitions of key terms such as institution and organization have led some writers to give up matters of definition and to propose getting down somehow to practical matters instead. But it is not possible to carry out any empirical or theoretical analysis of how institutions or organizations work without having some adequate conception of what an institution or an organization is. This paper proposes that those that give up are acting in haste; potentially consensual definitions of these terms are possible, once we overcome a few obstacles and difficulties in the way. It is also important to avoid some biases in the study of institutions, where institutions and characteristics of a particular type are overgeneralized to the set”

Geoffrey Hodgson (1946) British economist

Source: Economics and institutions." 1988, p. 1; Abstract

Way, History, Study, Science

“Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Art, Learning, Personality

“The merging of different motif areas in her drawings and the transformation of spacial relationships into flat correspondences gathers towards a distortion of depicted reality and the dissolution of its phenomenal form.' I didn't try to reach the sense of this. I understood the point of it was to transpose the locus of authority from the works to the discussion of the works. The writer had assumed the role of validating authority for the images he discussed. In order to do this he had been required to transform what he saw with his eyes into ideologies that he could 'see' with his intellect.”

Alex Miller book The Ancestor Game

Page 18.
The Ancestor Game (1992)

Reality, Sense, Drawing

“There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman.”

Bob Kane (1915–1998) American comic book artist, the creator of Batman

[Bob Kane and Tom Andrae, Batman & Me, Eclipse Books, Forestville, CA, 1989, 1-56060-017-9, 44]

Business

“In Islam there is a line between let's say freedom and the line which is then transgressed into immorality and irresponsibility and I think as far as this writer is concerned, unfortunately, he has been irresponsible with his freedom of speech. Salman Rushdie or indeed any writer who abuses the prophet, or indeed any prophet, under Islamic law, the sentence for that is actually death. It's got to be seen as a deterrent, so that other people should not commit the same mistake again.”

Cat Stevens (1948) British singer-songwriter

As quoted in "Yussuf Islam, Formerly Cat Stevens, Expresses Support For Rushdie Death Sentence" in The Christian Science Monitor (1989)

Death, People, Law, Thinking

“The keyhole is my lens as a writer.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

Moisés Neto. Nelson Rodrigues: o nosso boca de ouro, p 1.

“I've always believed that a writer has got to remain an outsider. If I was offered anything like the Nobel Prize for Literature, I'd find it an extremely difficult conflict because I'd be basically disinclined to accept.”

Colin Wilson (1931–2013) author

Interview with Paul Newman in Abraxas Unbound #7

Literature

“I don't think you can write according to a set of rules and laws; every writer is so different.”

Kiran Desai (1971) Indian author

an interview with kiran desai http://www.randomhouse.com/boldtype/0599/desai/interview.html, Random House

Law, Thinking

“Even in prose, the greatest writers have not often succeeded in stating simply and clearly the fact that Infinity can make itself finite or that Space can make itself bounds or that Eternity can generate time. In verse, Adam did it as easily as though he were writing any other miracle.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Time

“This little Collection differs, it is believed, from others in the attempt made to include in it all the best original lyrical pieces and songs in our language, by writers not living, and none besides the best. The Editor will regard as his fittest readers those who love poetry so well, that he can offer them nothing not already known and valued.”

Francis Turner Palgrave (1824–1897) English poet and critic

Golden Treasury of English Songs and Lyrics (1861) Preface.

Love

“The characteristic of the really great writer is the ability of his mind to to suddenly leap beyond his ordinary human values, into sudden perception of universal values.”

Colin Wilson (1931–2013) author

Source: Poetry and Mysticism (1969), p. 33

Universe

“No, I don’t think it’s correct to define my writing as fables. There are themes, yes, but I’m not trying to offer some categorical cure-it-all to the problematic situation of Man. I’m neither theologian nor a politician. My concern in my first novel, The Zoo, was loss of inner life. After long years of writer’s block, the novel just exploded out of me. Thirty days. All too quickly to really do it justice. With my second novel, The Nihilesthete, I was taken by the spiritual diminishment and the all-pervasive powerlessness that I felt was taking over our culture which in turn prevented and inverted my lead character’s full expression. Such is the motive-force behind almost banal, cerebralized cruelties he harbours upon his arch-enemy, the artist, Brodski.”

Richard Kalich novelist

Richard Kalich in conversation with Lucy Sweeney Byrne - Books Go Social http://booksgosocial.com/2015/01/13/richard-kalich-in-conversation-with-lucy-sweeney-byrne/ January 13, 2015.

Life, Justice, Motivation, Thinking

“As a fiction writer, I don't speak message. I speak story. Sure, my story means something, but if you want to know what it means, you have to ask the question in terms appropriate to storytelling. Terms such as message are appropriate to expository writing, didactic writing, and sermons—different languages from fiction.
The notion that a story has a message assumes that it can be reduced to a few abstract words, neatly summarized in a school or college examination paper or a brisk critical review.”

Ursula K. Le Guin (1929–2018) American writer

"A Message About Messages" in CBC Magazine https://web.archive.org/web/20051128074549/http://www.cbcbooks.org/cbcmagazine/meet/leguin_ursula_k.html

School, Question

“The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

The Tanner Lectures on Human Values (1985) ed. Sterling McMurrin

History, Reading

“A collection of short stories is generally thought to be a horrendous clinker; an enforced courtesy for the elderly writer who wants to display the trophies of his youth, along with his trout flies.”

John Cheever (1912–1982) American novelist and short story writer

Quoted in James Charlton's The Writer’s Quotation Book (1980).

Youth

“The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much that he can't get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the “Ode on a Grecian Urn” is worth any number of old ladies.”

William Faulkner (1897–1962) American writer

Paris Review interview (1958)

Happiness, Books, Peace, Dreams

“Given a choice between being trapped on a desert island with a group of writers or a family of howler monkeys, I think I'd pick the monkeys. At least I could eat them.”

Anthony Bourdain book The Nasty Bits

The Nasty Bits (2006)

Family, Thinking

“Many good writers, from Montaigne to Mencken, have been impolitic, colicky, or sassy.”

Mark Riebling (1963) American writer

Jesus, Jews and the Shoah: A Moral Reckoning by Daniel Jonah Goldhagen (2003)

“I have one word to say upon the subject of profound writers, who are grown very numerous of late; and I know very well the judicious world is resolved to list me in that number. I conceive therefore, as to the business of being profound, that it is with writers as with wells - a person with good eyes may see to the bottom of the deepest, provided any water be there: and often when there is nothing in the world at the bottom besides dryness and dirt, though it be but a yard and a-half under-ground, it shall pass, however, for wondrous deep upon no wiser reason than because it is wondrous dark”

Jonathan Swift book A Tale of a Tub

A Tale of a Tub (1704)

World, Business, Water, Personality

“The writer, and co-laborers, proclaimed the fact of the Lord's presence, demonstrating it from prophecy, and on charts or tables, such as are used in this book, until the fall of 1878, when arrangements were made for starting our present publication, ZION'S WATCH TOWER, and Herald of Christ's Presence. By the Lord's blessing, millions of copies of this publication have carried abroad the tidings that the time is fulfilled, and that the Kingdom of Christ is even now being set up, while the kingdoms and systems of men are crumbling to their utter destruction.”

Charles Taze Russell (1852–1916) Founder of the Bible Student Movement

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 93.

Men, Books, Time, Christ

“Great novelists are philosopher novelists — that is, the contrary of thesis-writers.”

Albert Camus book The Myth of Sisyphus

The Myth of Sisyphus (1942), An Absurd Reasoning

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Money, Beauty, Art, Fashion

“…in Your Majesty's reign the ministers have no power, the nobles enjoy no trust, the soldiers wretchedly poor, the writers are without employment, the traders are without means, and the peasantry are down-trodden… On the Hindu tribes two calamities have descended, (first) the exaction of the jaziya in the town and (second) the oppression of the enemy in the country. When such sufferings have come down upon the heads of the people from all sides, why should they not fail to prey or thank their ruler?”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Muhammad Akbar to Aurangzeb; see Studies in Mughal India: Being Historical Essays by Jadunath Sarkar, p. 102, Essays on Medieval Indian History by Satish Chandra, p. 324; Mughal Empire in India, 1526-1761: Volume 2 by Shripad Rama Sharma, p. 637; The Mughal-Maratha Relations: Twenty Five Fateful Years, 1682-1707 by G. T. Kulkarni, p. 22
Quotes from late medieval histories

People, Suffering, Country

“I'm a writer and this is what I love to do. There's no reason that just because you're a celebrity, you can't write.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters News Agency (October 10, 2005)
2007, 2008

Love

“Pretend that you are a writer of fiction, and you create a character. This character is so independent, alive and real, that it in turn forms other characters -- and each writes its own book, or forms its own reality. That is a truer picture of your position.”

Jane Roberts (1929–1984) American Writer

Session 511
The “Unknown” Reality: Volume Two, (1979)

Books, Reality

“After teaching a class in Creative Writing a few years back, my own creative powers fell to an all0time low. I really had a case of writer's block, and my idealistic young assistant complained that I simply sat around the loft doing absolutely nothing-which was absolutely true. This gave me time to think (as the French say): Can creative writing be taught?”

William S. Burroughs book The Adding Machine: Collected Essays

"A Word to the Wise Guy"
The Adding Machine: Collected Essays (1985)

Thinking, Time

“Frank O'Connor, the Irish writer, tells in one of his books how, as a boy, he and his friends would make their way across the countryside, and when they came to an orchard wall that seemed too high and too doubtful to try and too difficult to permit their voyage to continue, they took off their hats and tossed them over the wall — and then they had no choice but to follow them.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, President John F. Kennedy's last formal speech and public words

Books, Way, Boy

“Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart. The continuity such an impression ignores is a literary continuity.”

Martin Amis (1949) Welsh novelist

"Joan Didion" (1980)
The Moronic Inferno and Other Visits to America (1986)

“It's definitely the book that I can tell—I don't know if other people can tell but I can tell as a writer–-is probably the most divisive that I've written. It has an equal number of detractors as it does fans. It doesn't really hold true with the other books. It was the one that took the longest to write, and the one that seemed the most important at the time. It's an unwieldy book… I like it.”

Bret Easton Ellis (1964) American novelist

On Glamorama <br class="br"> http://www.amazon.com/gp/feature.html?docId=571852

People, Books, Time

“My roster of the new literature, in short, would include all the writers who come bearing new information and who present it with vigor, clarity and humanity.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 9, Nonfiction as Literature, p. 61.

Literature

“Certainly in Mexico, the Latin American country I know best, white ascends. Certainly, the whitest dinner party I ever attended was a Mexico City dinner party where a Mexican squire of exquisite manner, mustache, and flán-like jowl, expressed himself surprised, so surprised, to learn that I am a writer. One thought he would never get over it. Un escritor... ¿Un escritor...? Turning the word on a lathe of tooth and tongue, until: “You know, in Mexico, I think we do not have writers who look like you,” he said. He meant dark skin, thick lips, Indian nose.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Thinking, Learning, Country

“Why must a novel-writer be either a “realist” or a “romantist”? And, if the latter, why “romanticist” any more than “realisticist”? Why should a good novel not combine romance and reality in just proportions? Is there any reason to suppose that the one element must necessarily shut out the other?”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

The Novel: What It Is (1893)

Reality

“The artist who parades his drawing, the writer who wishes to attract praise to his style, resemble the soldier who plumes himself on his unif onn but refuses to go into battle, or the farmer who polishes the ploughshare instead of driving it into the earth.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

Drawing

“The Dada movement was an anti-movement which corresponded to a need born of the first World War. Although neither literary nor pictorial in essence, Dada found its exponents in painters and writers scattered all over the world. Max Ernst's activities in Cologne in 1917 made him the foremost representative of the Dada painters. Between 1919 and 1921 his paintings, drawings and collages depicting the world of the subconscious were already a foretaste of Surrealism... In fact his previous achievements had certainly influenced, to a great extent, the literary Surrealist exploration of the subconscious.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in 'Appreciations of other artists': Max Ernst (painter, sculptor author) 1945, by Marcel Duchamp; as cited in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159
1921 - 1950

War, World, Drawing, Painting

“Poetry has this much, at least, in common with religion, that its standards were fixed long ago, by certain inspired writers, whose authority it is no longer lawful to call in question; and that many profess to be entirely devoted to it, who have no good works to produce in support of their pretensions. The catholic poetical church, too, has worked but few miracles since the first ages of its establishment; and has been more prolific, for a long time, of doctors than of saints: It has had its corruptions, and reformation also, and has given birth to an infinite variety of heresies and errors, the followers of which have hated and persecuted each other as cordially as other bigots.”

Francis Jeffrey, Lord Jeffrey (1773–1850) British politician

Review of Robert Southey's Thalaba the Destroyer, in the Edinburgh Review (October 1802)

Hate, Age, Religion, Law

“I just wanted to say something about (…) my resentment of the identification of this country of Britain with royalty. As if we have nothing else to offer as a culture – the country of my birth. The great contribution, of the English anyway, to the world is literature and language. That language and literature is, in fact, in its tradition quite extensively republican and democratic. I mean our Blake, Milton, our Shelley, many many other great writers, poetry and prose, have been against the idea that Britain is a feudal or monarchic system. One of the great aspects of that tradition is represented by the name Thomas Paine, who is the moral author of your Declaration of Independence. In fact, one of the great accomplishments of the English republican movement, if you like, is the American Declaration of Independence. So it has always struck me as rather bizarre that there is this cult in the United States of English royalism – just the sort of thing I left England to get away from.”

Christopher Hitchens (1949–2011) British American author and journalist

1997-05-09
Christopher Hitchens on Diana, Princess of Wales, the Royal Family, Dodi Fayed & Muslim Law (1997)
C-SPAN
Washington, D.C.
https://www.youtube.com/watch?v=dQK2d1TdTzk
1990s

Pain, World, Literature, Idea

“[reading an email] "Dear Craig, … are your letters written by your writers?" No. "Does this make me one of your writers?" (ponders) Yes. "Why haven't I been paid?"”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

Because you're one of my writers!
2009-04-03 broadcast
The Late Late Show with Craig Ferguson (2005–2014)

Reading

“Such bickerings to recount, met often in these our writers, what more worth is it than to chronicle the wars of kites or crows flocking and fighting in the air?”

John Milton (1608–1674) English epic poet

The History of England (1670), Book IV

War, Fight

“Writer: What, above all, I'm primarily concerned with is the substance of life, the pith of reality. If I had to sum up my work, that's it, really. I'm taking the pith out of reality.”

Alan Bennett (1934) English actor, author

"The Pith and its Pitfalls", p. 384 (1981).
Writing Home (1994)

Life, Reality

“Thales thought that water was the primordial substance of all things. Heraclitus of Ephesus… thought that it was fire. Democritus and his follower Epicurus thought that it was the atoms, termed by our writers "bodies that cannot be cut up" or, by some "indivisibles." The school of the Pythagoreans added air and the earthy to the water and fire. Hence, although Democritus did not in a strict sense name them, but spoke only of indivisible bodies, yet he seems to have meant these same elements, because when taken by themselves they cannot be harmed, nor are they susceptible of dissolution, nor can they be cut up into parts, but throughout time eternal they forever retain an infinite solidity.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter II "On the Primordial Substance according to the Physicists" Sec. 1

School, Sense, Water, Time

“Although he had his faults as a writer, Howard was a natural storyteller, whose narratives are unmatched for vivid, gripping, headlong action. His heroes – King Kull, Conan, Bran Mak Morn, Solomon Kane are larger than life: men of mighty thews., hot passions, and indomitable will, who easily dominate the stories through which they stride. In fiction, the difference between a writer who is a natural storyteller and one who is not is like the difference between a boat that will float and one that will not. If the writer has this quality, we can forgive many other faults; if not, no other virtue can make up for the lack, any more than gleaming paint and sparkling brass on a boat make up for the fact that it will not float.”

Robert E. Howard (1906–1936) American author

~ L. Sprague de Camp, Conan of the Isles, "Introduction", 1968
About

Life, Men, Forgiveness, Nature

“What's not realized about good novelists is that they're as competitive as good athletes. They study each other — where the other person is good and where the person is less good. Writers are like that but don't admit it.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Interview for French TV (1998)

Study, Personality

“Those big-shot writers … could never dig the fact that there are more salted peanuts consumed than caviar.”

Mickey Spillane (1918–2006) American writer

As quoted in The Making of a Bestseller: From Author to Reader (1999) by Arthur T. Vanderbilt, p. 135

“He caught a glimpse of that extraordinary faculty in man, that strange, altruistic, rare, and obstinate decency which will make writers or scientists maintain their truths at the risk of death. Eppur si muove, Galileo was to say; it moves all the same. They were to be in a position to burn him if he would go on with it, with his preposterous nonsense about the earth moving round the sun, but he was to continue with the sublime assertion because there was something which he valued more than himself. The Truth. To recognize and to acknowledge What Is. That was the thing which man could do, which his English could do, his beloved, his sleeping, his now defenceless English. They might be stupid, ferocious, unpolitical, almost hopeless. But here and there, oh so seldome, oh so rare, oh so glorious, there were those all the same who would face the rack, the executioner, and even utter extinction, in the cause of something greater than themselves. Truth, that strange thing, the jest of Pilate's. Many stupid young men had thought they were dying for it, and many would continue to die for it, perhaps for a thousand years. They did not have to be right about their truth, as Galileo was to be. It was enough that they, the few and martyred, should establish a greatness, a thing above the sum of all they ignorantly had.”

T. H. White book The Book of Merlyn

The Book of Merlyn (1977)

Death, Men, Truth, Stupidity

“Writing with a simplified alphabet checked the power of custom of an oral tradition but implied a decline in the power of expression and the creation of grooves which determined the channels of thought of readers and later writers.”

Harold Innis (1894–1952) Canadian professor of political economy

Minerva's Owl p. 11.
The Bias of Communication (1951)

“The people of China forged their own literature apart from letters. And today this is what lives, to be part of what is to come, and all the formal literature, which was called art, is dead. The plots of these novels are often incomplete, the love interest is often not brought to solution, heroines are often not beautiful and heroes often are not brave. Nor has the story always an end; sometimes it merely stops, in the way life does, in the middle of it when death is not expected.
In this tradition of the novel have I been born and reared as a writer.”

Pearl S. Buck (1892–1973) American writer

The Chinese Novel (1938)

Love, Life, Death, People

“What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story.”

H.L. Mencken (1880–1956) American journalist and writer

The American Mercury (May 1933), p. 136
1930s

Drawing

“It rots a writer’s brain, it cretinises you. You say the same thing again and again, and when you do that happily you’re well on the way to being a cretin. Or a politician.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Interview in London Observer (30 August 1987)

Way

“A good many young writers make the mistake of enclosing a stamped, self-addressed envelope, big enough for the manuscript to come back in. This is too much of a temptation to the editor.”

Ring Lardner (1885–1933) Sportswriter, short story writer

Preface http://books.google.com/books?id=U_xaAAAAMAAJ&q=%22A+good+many+young+writers+make+the+mistake+of+enclosing+a+stamped+self-addressed+envelope+big+enough+for+the+manuscript+to+come+back+in+This+is+too+much+of+a+temptation+to+the+editor%22&pg=PAx#v=onepage to How to Write Short Stories (1924)

“You hear all this whining going on, "Where are our great writers?" The thing I might feel doleful about is: Where are the readers?”

Gore Vidal (1925–2012) American writer

2000s, What I've Learned (2008)

Feeling

“It will take time to get a more settled sense of Thompson’s distinction as a historian and a writer. His work spans too many forms for easy judgement, and its aura can be a temptation to short cuts. But a tension between what might be called his nineteenth and his eighteenth century sensibility was certainly at the creative centre of it.”

Perry Anderson (1938) British historian

Spectrum: From Right to Left in the World of Ideas (2005), Ch. 8. "In Memoriam, Edward Thompson" (1993)

Sense, Time

“Communist writers likewise maintain that the Judaic-Christian code of ethics is "class" morality. By this they mean that the Ten Commandments and the ethics of Christianity were created to protect private property and the property class. To show the lengths to which Communist writers have gone to defend this view we will mention several of their favorite interpretations of the Ten Commandments. They believe that "Honor thy Father and thy Mother" was created by the early Hebrews to emphasize to their children the fact that they were the private property of their parents. "Thou shalt not kill" was attributed to the belief of the dominant class that their bodies were private property and therefore they should be protected along with other property rights. "Thou shalt not commit adultery" and "Thou shalt not covet thy neighbor's wife" were said to have been created to implement the idea that a husband was the master of the home and the wife was strictly private property belonging to him. This last line of reasoning led to some catastrophic consequences when the Communists came into power in Russia. In their anxiety to make women "equal with men" and prevent them from becoming private property, they degraded womankind to the lowest and most primitive level. Some Communist leaders advocated complete libertinism and promiscuity to replace marriage and the family.”

W. Cleon Skousen book The Naked Communist

The Naked Communist (1958)

Women, Men, Marriage, Children

“The best thing fishing taught me, I think was how to be alone. Without this ability no writer can really survive or work, and there is a strong relationship between the activity of the fisherman, letting his line down into unknown depths in the hope of catching an unseen prey (which may be worth keeping, or may not) and that of a writer trolling his memory and reflections for unexpected jags and jerks of association.”

Robert Hughes (1938–2012) Australian critic, historian, writer

Things I Didn't Know (2006)

Hope, Jerk, Thinking, Fish

“Lysenkoism is held up by bourgeois commentators as the supreme demonstration that conscious ideology cannot inform scientific practice and that "ideology has no place in science." On the other hand, some writers are even now maintaining a Lysenkoist position because they believe that the principles of dialectical materialism contradict the claims of genetics. Both of these claims stem from a vulgarisation of Marxist philosophy through deliberate hostility, in the first case, or ignorance, in the second. Nothing in Marx, Lenin or Mao contradicts the particular physical facts and processes of a particular set of natural phenomena in the objective world, because what they wrote about nature was at a high level of abstraction. The error of the Lysenkoist claim arises from attempting to apply a dialectical analysis of physical problems from the wrong end. Dialectical materialism is not, and has never been, a programmatic method for solving particular physical problems. Rather, dialectical analysis provides an overview and a set of warning signs against particular forms of dogmatism and narrowness of thought. It tells us, "Remember that history may leave an important trace. Remember that being and becoming are dual aspects of nature. Remember that conditions change and that the conditions necessary to the initiation of some process may be destroyed by the process itself. Remember to pay attention to real objects in space and time and not lose them utterly in idealized abstractions. Remember that qualitative effects of context and interaction may be lost when phenomena are isolated."”

Richard C. Lewontin (1929) American evolutionary biologist

And above all else, "Remember that all the other caveats are only reminders and warning signs whose application to different circumstances of the real world is contingent."
"The Problem of Lysenkoism" by Richard Lewontin and Richard Levins, in Hilary and Steven Rose (eds.), The Radicalisation of Science, Macmillan, 1976, p. 58.

Hostility, World, Error, History

“Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the gift of creative expression in unusually large measure disclose the meaning of the individuality of others to those others. In participating in the work of art, they become artists in their activity. They learn to know and honor individuality in whatever form it appears. The fountains of creative activity are discovered and released. The free individuality which is the source of art is also the final source of creative development in time.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Art, Learning, Appearance, Time

“The best among our writers are doing their accustomed work of mirroring what is deep in the spirit of our time; if chaos appears in those mirrors, we must have faith that in the future, as always in the past, that chaos will slowly reveal itself as a new aspect of order.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Faith, Appearance, Time, Past

“The message is clear and loud. The fortunes of the persons who rule the country and the contents of the textbooks run in tandem. When Ayub Khan was in power in 1969 and the Urdu book was published it was right and proper that the bulk of it should be in praise of him. When, in 1970, he was no longer on the scene and this English translation was published it was meet that the book should ignore him. All the books published during Zia's years of power followed this practice. The conclusion is inescapable: the students arc not taught contemporary history but an anthology of tributes to current rulers. The authors are not scholars or writers but courtiers.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Books, History, Personality, Country

“I observe, that of late Chymistry begins, as indeed it deserves, to be cultivated by Learned Men who before despis’d it; and to be pretended to by many who never cultivated it, that they may be thought not to ignore it: Whence it is come to passe, that divers Chymical Notions about Matters Philosophical are taken for granted and employ’d, and so adopted by very eminent Writers both Naturalists and Physitians. Now this I fear may prove somewhat prejudicial to the Advancement of solid Philosophy: For though I am a great Lover of Chymical Experiments, and though I have no mean esteem of divers Chymical Remedies, yet I distinguish these from their Notions about the causes of things, and their manner of Generation.”

Robert Boyle book The Sceptical Chymist

Source: The Sceptical Chymist (1661), Preface Introductory to the Following Treatise

Men, Fear, Lovers, Learning

“What makes The Present Age and The Difference Between a Genius and an Apostle important is not so much that the former essay anticipates Heidegger and the latter, Barth: it would be more accurate to say that Heidegger’s originality is widely overestimated, and that many things he says at great length in his highly obscure German were said earlier by various writers who had made the same points much more elegantly, and that some of these writers, including Kierkegaard, were known to Heidegger. Why should Kierkegaard’s significance depend on someone else’s, quite especially when many points that others copied from him may be wrong?”

Walter Kaufmann (1921–1980) American philosopher

Walter Kaufmann, Preface to The Present Age, by Soren Kierkegaard, Dru translation 1962 p. 15-16
Other books

Age, Dependency

“As a nation we grumble, we never worry, and the more difficult times are, the more cheerful we become. Indifferent we may be in many ways to what is going on in the world outside, but this indifference is soon shed in times of difficulty. We are always serene in times of difficulty. We are not a military nation, but we are great fighters—as we ought to be, from the stock of which I have told you. We have staying power, we are not rattled. I remember being very amused and rather pleased by a writer in The Times, who said that my spiritual home was in the last ditch. If that be so, I shared that ditch with most of my fellow-countrymen.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Broadcast from London (25 September 1933), quoted in This Torch of Freedom (1935), p. 13.
1933

World, Way, Home, Time

“… Hence, Paul Morand's generalization to the effect that French writers are never younger, never more free from constraint, than when they have passed their sixtieth birthday. By that time they have broken free from the romantic agonies of youth and turned their backs on that pursuit of honors which, in a country where literature plays a social role, absorbs too much of their energies during the years of maturity.”

André Maurois (1885–1967) French writer

The Art of Writing

Youth, Literature, Birthday, Time

“The writer isn’t made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.”

E.L. Doctorow (1931–2015) novelist, editor, professor

Interview in Writers at Work (1988)

“Men saw the stars at the edge of the sea
They thought great thoughts about liberty
Poets wrote down words that did fit
Writers wrote books
Thinkers thought about it.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Take It Where You Find It
Song lyrics, Wavelength (1978)

Men, Books, Star, Sea

“Freud pointed out, in his Problem of Lay Analysis, that it is extremely unlikely that a young man who would throw the best years of his life into the cloistered drudgery of getting an M. D. degree, could possibly make a good psychoanalyst; so he preferred to look for young analysts among the writers, the lawyers, the mothers of families, those who had chosen human contact. But in their economic wisdom, the Psychoanalytic Institute of Vienna (and New York) overruled him.”

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), pp. 145-146.

Life, Wisdom, Family, Problem

“Thank you. I guess a fellow like me has to die to get voted in by the writers.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

In Cooperstown, New York, July 22, 1968, for the annual Hall of Fame Game; replying to a fellow Museum patron (who, upon seeing him photographing various exhibits, had informed Clemente, "Some day they will be taking pictures of your shrine here"), as quoted in "Sidelight on Sports: I Remember Roberto" by Al Abrams, in The Pittsburgh Post-Gazette (Tuesday, January 2, 1973), p. 14
Baseball-related, <big><big>1960s</big></big>, <big>1968</big>

“So I feel that this is an encouragement to other writers in the region to persist in the their work, even if they feel that what they are doing is not popular, because in the long run it may tell on their behalf.”

Wilson Harris (1921–2018) Guyanese writer

Interview with Wilson Harris (2010) on being Knighted at Queen Elizabeth II Birthday Honours

Feeling

“Scholars have an inordinate respect for long books, and have a terrible rancune against those that attempt to cheat on them. They cannot bear to imagine that short-cuts are possible, that specialism is not an inevitability, that learning need not be stoically endured. They cannot bear writers allegro, and when they read such texts—and even pretend to revere them—the result is (this is not a description without generosity) 'unappetizing'.”

Nick Land (1962) British philosopher

Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 2: "The curse of the sun", p. 25 (original emphasis)

Books, Imagination, Learning, Reading