Jeff VanderMeer book City of Saints and Madmen
"The Strange Case of X", p. 196
City of Saints and Madmen (2001–2004)
Spectrum: From Right to Left in the World of Ideas (2005), Ch. 8. "In Memoriam, Edward Thompson" (1993)
Jeff VanderMeer book City of Saints and Madmen
"The Strange Case of X", p. 196
City of Saints and Madmen (2001–2004)
John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic
Writers on Themselves (1986)
John Gower (1330–1408) English writer
C. S. Lewis, The Allegory of Love (1975 [1936]), p. 222.
Criticism
Dugald Stewart (1753–1828) Scottish philosopher and mathematician
Source: Elements of the Philosophy of the Human Mind, 1792, p. 247
T.S. Eliot book Tradition and the Individual Talent
Tradition and the Individual Talent (1919)
Context: The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.
Giuseppe Tomasi di Lampedusa (1896–1957) Sicilian writer and prince
Martin Seymour-Smith Guide to Modern World Literature (London: Hodder & Stoughton, 1975) vol. 3, p. 30.
Criticism
William Burges (1827–1881) English architect
Source: Art applied to industry: a series of lectures, 1865, p. 9; Partly cited in: The New Encyclopaedia Britannica: Macropaedia (19 v.) Encyclopaedia Britannica, 1983. p. 514
Context: At present the fashion appears to have set in in favour of two very distinct styles. One is a very impure and bastard Italian, which is used in most large secular buildings; and the other is a variety of the architecture of the thirteenth century, often, I am sorry to say, not much purer than its rival, especially in the domestic examples, although its use is principally confined to ecclesiastical edifices. It is needless to say that the details of these two styles are as different from each other as light from darkness, but still we are expected to master both of them. But it is most sincerely to be hoped that in course of time one or both of them will disappear, and that we may get something of our own of which we need not be ashamed. This may, perhaps, take place in the twentieth century, it certainly, as far as I can see, will not occur in the nineteenth.
Sören Kierkegaard book For Self-Examination
Soren Kierkegaard, For Self-Examination, Hong p. 58-59
1850s, For Self-Examination (1851), Christ is the Way