Quotes about writer
page 6

“great writers are indecent people
they live unfairly
saving the best part for paper.

good human beings save the world
so that bastards like me can keep creating art,
become immortal.
if you read this after I am dead
it means I made it.”

Charles Bukowski book The People Look Like Flowers at Last

Source: The People Look Like Flowers at Last

People, World, Art, Reading

“You want to be a writer, don't know how or when? Find a quiet place, use a humble pen.”

Paul Simon (1941) American musician, songwriter and producer

“If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.”

Lillian Hellman (1905–1984) American dramatist and screenwriter

“You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer.”

Jean M. Auel (1936) Novelist

Thinking, Learning, Reading

“Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.”

Jane Smiley (1949) American novelist

Source: A Year at the Races: Reflections on Horses, Humans, Love, Money, and Luck

Life, Learning, Reading, Horse

“I have stolen ideas from every book I have ever read. My principle in researching a novel is 'Read like a butterfly, write like a bee', and if this story contains any honey, it is entirely because of the quality of the nectar I found in the work of better writers.”

Philip Pullman book The Amber Spyglass

Acknowledgements, p. 549
Source: His Dark Materials, The Amber Spyglass (2000)

Books, Idea, Bee, Reading

“well, death says, as he walks by, I'm going to get you anyhow no matter what you've been: writer, cab-driver, pimp, butcher, sky-diver, I'm going to get you”

Charles Bukowski (1920–1994) American writer

Source: The Last Night of the Earth Poems

Death

“Writers end up writing about their obsessions. Things that haunt them; things they can’t forget; stories they carry in their bodies waiting to be released.”

Natalie Goldberg (1948) American writer

Waiting, Forgetting

“Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.”

Raymond Chandler (1888–1959) Novelist, screenwriter

Art, Learning

“The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.”

William Faulkner (1897–1962) American writer

“A great writer reveals the truth even when he or she does not wish to.”

Tom Bissell (1974) American journalist

Truth

“(A) writer, a man I loved and he loved me and we got married and it was great and is still great. He believed I could do anything, just as my parents had believed all those years ago, and I started to write fiction and that took off fine. And he loved Ireland, and the fax was invented so we writers could live anywhere we liked, instead of living in London near publishers.”

Maeve Binchy (1940–2012) Irish novelist

On Gordon Snell, her husband. irishtimes.com http://www.irishtimes.com/newspaper/frontpage/2012/0731/1224321158054.html

Love, Parent

“Where there is insight in citation, or wisdom winged with wit, especially from the world of letters, I have quoted liberally. For a good epigram not only makes a point, but a point to ponder. This book provides many such quotations that I have unearthed from the tomes of many writers.”

Evan Esar (1899–1995) American writer

20,000 Quips & Quotes, Introduction, pviii

Wisdom, Books, World, Quotes

“It is remarkable, that almost all speakers and writers feel it to be incumbent on them, sooner or later, to prove or to acknowledge the personality of God. … In reading a work on agriculture, we have to skip the author's moral reflections, and the words "Providence" and "He" scattered along the page, to come at the profitable level of what he has to say. What he calls his religion is for the most part offensive to the nostrils. … There is more religion in men's science than there is science in their religion.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday

Men, God, Religion, Feeling

“The twentieth century has witnessed with surprise, not merely the promulgation of these ferocious doctrines, but their enforcement with brutal vigour by the Government and by the populace. No past services, no proved patriotism, even wounds sustained in war, could procure immunity for persons whose only crime was that their parents had brought them into the world. Every kind of persecution, grave or petty, upon the world-famous scientists, writers, and composers at the top down to the wretched little Jewish children in the national schools, was practised, was glorified, and is still being practised and glorified.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

"Hitler and His Choice", The Strand Magazine (November 1935), quoted in Martin Gilbert, Prophet of Truth: Winston S. Churchill, 1922–1939 (London: Minerva, 1990), p. 681
The 1930s

War, Children, World, School

“The longer he practised his craft, the more conscious he became of the dynamic of language, of speech and writing as events in themselves. The simplest and most obvious proposition, stated in the most elementary language, could so mutate itself in the mind of the reader that it could express the opposite of what the writer had intended. What he wrote as evidence for the defence could hang the man he was defending.”

Morris West (1916–1999) Australian writer

Reflection of Nicol Peters, journalist, in Ch. III
Lazarus (1990)

“My main inspiration is sardonic British TV critics like Charlie Brooker, whose excellent show Screenwipe is fully on Youtube, and I recommend everyone watch it. He used to write for a PC magazine I read fanatically as a child. My own style is a mixture of him, possibly Douglas Adams, and internet writers like Seanbaby, Old Man Murray, or Something Awful. I’m such a rip-off.”

Ben Croshaw (1983) English video game journalist

http://www.geek.com/interview-zero-punctuations-yahtzee/
Other Articles

Reading

“As a full-time longshoreman I am necessarily more a scribbler than a writer. But I am also so by inclination. The writing I can enjoy is the sketching of an idea in a few dozen words — two hundred at most. Elaboration and expansion are for me hard going. An article of several thousand words becomes inevitably a mosaic of ideas — a series of ideas stuck together.”

Eric Hoffer (1898–1983) American philosopher

Entry (1962)
Eric Hoffer and the Art of the Notebook (2005)

Idea, Time

“In Australia during WWII, a couple of established poets invented the supposedly nonsensical works of a fictitious poet called Ern Malley and used them to discredit the modernist pretensions of the young editor who printed them. It never occurred to them that as writers of talent they were not in a position to suppose that they could deliberately write something perfectly meaningless.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Congratulations!', on scams, frauds and hoaxes.
Television and radio, Radio 4: A Point of View

“I suppose that writers should, in a way, feel flattered by the censorship laws. They show a primitive fear and dread at the fearful magic of print.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Clinging to the Wreckage : A Part of Life (1982), p. 183

Fear, Law, Way, Feeling

“Very few writers of verse can read their work to keep their listeners aware of the beauty of sense, that sense of beauty from the powerful, delicate ways in which sense is made by poetry.”

John Hollander (1929–2013) American poet

'Poetry' September 1995

Beauty, Way, Sense, Reading

“The ‘novel’ is a publishing convention that deforms the story. If more attention were given to form there would be fewer novels and better stories. There's no reason a publisher can’t put out a story that's a hundred or even seventy pages long. But a publisher will look at a story like that as defective novel, ineligible for shortlists. It should be in a collection. Or pumped full of air, turned into a novel… It's a pity. You see some good writers behaving like performing monkeys.”

Philip Ó Ceallaigh (1968) Irish writer

Interview by Tom Vowler (2010-13)

“In order to write all a man needs is paper and a pencil. Furthermore, when a thing has been written, it is written forever. When it is printed, nothing can stop it from being printed again and again if the thing wants to be printed again and again. I must therefore be a writer.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

“The Christian is today the villain. It is his morality which is regarded as degenerate and perverted and twisted, and the pervert is regarded as the misunderstood, sensitive soul. I can spend hours citing various modern writers who play variations of that theme.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Homosexuality (n. d.)

Soul

“Fame is what gets people to go watch your film. I'm just glad to be in a film i believe in. And if it take's fame to get people there, then it's my job. But i'd rather be a ghost writer than have my name down.”

River Phoenix (1970–1993) American actor, musician, and activist

Details Magazine, (1991)

People

“I really like Colossus, actually, especially because only Ultimate writers get to use him. Eat it, Whedon!”

Brian K. Vaughan (1976) American screenwriter, comic book creator

Interview http://newsarama.com/forums/showthread.php?s=&threadid=10193

“I had written a beautiful piece for today. It was a rant about how much I despise Halloween. It was witty, well-written and a shining example of a writer at the top of his form. Then I tried to save it, and my computer crashed. So I guess you won't get to read it. Out of all the people in the world, I am the only one who had the opportunity to read my brilliant Halloween article, and now the text is already fading from my cruel, cruel short-term memory, the paragraphs lost in a whirling sea of data, never to be seen again.”

Ben Croshaw (1983) English video game journalist

31 October 2002
Fully Ramblomatic

People, World, Beauty, Memory

“I may just add, that in addition to the hand-guns, I meet with other instruments of like kind mentioned in the reign of Elizabeth, namely, demy hags, or hag butts. They shot with these engines not only at butts and other dead marks, but also at birds and beasts, using sometimes bullets and sometimes half shots; but in the beginning of the seventeenth century the word artillery was used in a much more extensive sense, and comprehended long-bows, cross-bows, slur-bows, and stone-bows; also scorpions, rams, and catapults, which, the writer tells us, were formerly used; he then names the fire-arms as follows, cannons, basilisks, culverins, jakers, faulcons, minions, fowlers, chambers, harguebusses, calivers, petronils, pistols, and dags. "This," says he, "is the artillerie which is nowe in the most estimation, and they are divided into great ordinance, and into shot or guns," which proves that the use of fire-arms had then in great measure superseded the practice of archery.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 57
The Sports and Pastimes of the People of England (1801), Weapons

Bird, Sense, Dead

“The average "educated" American has been made to believe that, somehow, the United States must lead the world even though hardly anyone has any information at all about those countries we are meant to lead. Worse, we have very little information about our own country and its past. That is why it is not really possible to compare a writer like Howells with any living American writer because Howells thought that it was a good thing to know as much as possible about his own country as well as other countries while our writers today, in common with the presidents and paint manufacturers, live in a present without past among signs whose meanings are uninterpretable.”

Gore Vidal (1925–2012) American writer

"William Dean Howells" (1983)
1980s, At Home (1988)

World, Education, Past, Painting

“Writers are not neccessarily articulate simply because poetry is their stock-in-trade.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Introduction -'Stepping Stones' interviews with Seamus Heaney Faber & Faber 2009
Poetry Quotes

“Short story writers simply do what human beings have always done. They write stories because they have to; because they cannot rest until they have tried as hard as they can to write the stories. They cannot rest because they are human, and all of us need to speak into the silence of mortality, to interrupt and ever so briefly stop that quiet flow, and with stories try to understand at least some of it.”

Andre Dubus (1936–1999) Novelist, short story writer, teacher

Into the Silence.
Broken Vessels (1991)

Understanding, Silence

“Actors are often inspired while playing by the very spirit who impressed the part upon the writer. When the actor is really mediumistic, as all great actors are whether they know it or not, the spirit may actually play the part through him.”

Natacha Rambova (1897–1966) American film personality and fashion designer

On the metaphysics of acting, p. 209
Rudolph Valentino: A Wife's Memories of an Icon (2009)

Parting

“The forces of being remain. They are what the writer, as distinct from the contemporary popular mythmaker, still engage today, as myth in its ancient form attempted to do.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

“Industry is the vis motrix of husbandry, and therefore an ancient English writer observes, "that a single uncultivated acre is a real physical evil in any state."”

Walter Harte (1709–1774) poet and historian

Source: Essays on Husbandry (1764), p. 12.

Evil

“Fame is but a beautiful classic delusion. The inspiration of the poet is like the inspiration of the Delphic oracles: what was once held divine is now confessed the promptings of an evil spirit mocking the votaries of whom it made victims. We firmly believe that the time is fast approaching when no more books will be written. The once writers: will say—“Why should we sacrifice our whole existence to obtain a vain praise, which, after all, never comes sufficiently home to us to be enjoyed? Why should we devote, to this most barren pursuit, industry and talent, which, in any other line, would be certain of that worldly success, which, as we live in the world, is the only success to be de sired?” Even poets must at last learn wisdom. The bitterness and the hollowness of praise will be perceived; and then who will be at the trouble of writing a book? Again we repeat, the time is fast approaching when no more books will be written.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Wisdom, Books, World, Beauty

“My greatest satisfaction comes from helping to erase the old opinion about Latin American and black ballplayers. People had the wrong opinion. They never questioned our ability but they considered us inferior in our station of life. Simply because many of us were poor, we were thought to be low class. Even our integrity was questioned. I don't blame the fans for that; I blame the writers. They made it look like we were something different entirely from the white players. We're not. We're the same.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Sports Parade"
Other, <big><big>1970s</big></big>, <big>1971</big>

Life, People, Question, Help

“A well known American writer said once that, while everybody talked about the weather, nobody seemed to do anything about it.”

Charles Dudley Warner (1829–1900) American writer

Editorial, Hartford Courant (27 August 1897); this remark was reportedly quoted by Mark Twain and it has become often attributed to him, but the context of the statement might indicate the contrary situation
Paraphrased variant: Everybody talks about the weather, but nobody does anything about it.
Variant: Everybody complains about the weather, but nobody does anything about it.

Weather

““The depth of creativity of the author (Mani Madhava Chakyar) is evident from the introductory Shlokas (hymns in Sanskrit) itself ”
- Dr. Prem Lata Sharma (noted Hindi writer and scholar of Indian arts and literature)”

Mani Madhava Chakyar book Nātyakalpadrumam

Nātyakalpadrumam

Art, Literature

“Nations are represented by their poets and their writers in the open competition for the Nobel Prize. Consequently the award of the Prize by the Academy glorifies not only the author but the people whose son he is, and it bears witness that that nation has a share in the universal achievement, that its efforts are fruitful, and that it has the right to live for the profit of mankind. If this honour is premous to all, it is infinitely more so to Poland. It has been said that Poland is dead, exhausted, enslaved, but here is the proof of her life and triumph. Like Galileo, one is forced to think when before the eyes of the world homage has been rendered to the importance of Poland's achievement and her genius.”

Henryk Sienkiewicz (1846–1916) Polish journalist, Nobel Prize-winning novelist, and philanthropist

Nobel Prize acceptance speech (1905)

Life, People, World, Thinking

“Writers are as jealous as pigeons.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to I.L. Leontev (February 4, 1888)
Letters

“A comic writer should of all others be the least excused for deviating from nature, since it may not be always so easy for a serious poet to meet with the great and the admirable; but life every where furnishes an accurate observer with the ridiculous.”

Henry Fielding book Joseph Andrews

Author's Preface
Joseph Andrews (1742)

Life, Nature

“Lady writer on the TV
She had all the brains and the beauty.
The picture does not fit
You talked to me when you felt like it.
Just the way that her hair fell down around her face
Then I recall my fall from grace
Another time, another place.”

Mark Knopfler (1949) English guitarist

Lady Writer
Song lyrics, Communiqué, (1979)

Beauty, Way, Time

“The only people who criticize me are writers. You say, maybe I no team player. Did a player ever come to you and say I no team player? Who say that? The writers, right. I win four batting championships. Why I no team player? I kill myself in the outfield. You say, I no team player. You never see me loaf on the field. I break my back. Even Harry Walker tell me: "Roberto, why you want to break your back? Look at the other fellows. Take it easy." Super stars, my foot. They say Mickey Mantle is a super star. He's limping. They say poor Mickey. I play with four stitches in my foot and nobody knows about it. […] The fans are good to me. Only the writers are bad."”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Clemente Back, Lashes Out at Writers; Buc Explodes Over 'Team Player' Image" https://news.google.com/newspapers?id=LJxRAAAAIBAJ&sjid=02wDAAAAIBAJ&pg=7083%2C4907609 by Charley Feeney, in The Pittsburgh Post-Gazette (Monday, March 31, 1969), p. 29 Baseball-related, <big><big>1960s</big></big>, <big>1969</big>

People, Star

“Over and over again, medical writers liken withdrawal [from heroin], at worst, to a dose of flu. … Let me ask the reader this: if you were given a choice between suffering a bout of flu in the above sense, or avoiding it by robbing someone in the street or breaking into a house and stealing its contents, which would you choose?”

Theodore Dalrymple (1949) English doctor and writer

Romancing Opiates: Pharmacological Lies and the Addiction Bureaucracy (2006)

Sense, Suffering, Housing

“We shall see that the mathematical treatment of the subject [of electricity] has been greatly developed by writers who express themselves in terms of the 'Two Fluids' theory. Their results, however, have been deduced entirely from data which can be proved by experiment, and which must therefore be true, whether we adopt the theory of two fluids or not. The experimental verification of the mathematical results therefore is no evidence for or against the peculiar doctrines of this theory.”

James Clerk Maxwell book A Treatise on Electricity and Magnetism

A Treatise on Electricity and Magnetism (1873), §36.

Mathematics

“The Unified Modeling Language (UML) is a general-purpose visual modeling language that is used to specify, visualize, construct, and document the artifacts of a software system. It captures decisions and understanding about systems that must be constructed. It is used to understand, design, browse, conﬁgure, maintain, and control information about such systems. It is intended for use with all development methods, lifecycle stages, application domains, and media. The modeling language is intended to unify past experience about modeling techniques and to incorporate current software best practices into a standard approach. UML includes semantic concepts, notation, and guidelines. It has static, dynamic, environmental, and organizational parts. It is intended to be supported by interactive visual modeling tools that have code generators and report writers. The UML speciﬁcation does not deﬁne a standard process but is intended to be useful with an iterative development process. It is intended to support most existing object-oriented development processes.”

James Rumbaugh (1947) Computer scientist, software engineer

James Rumbaugh, Ivar Jacobson & Grady Booch (1998) The Unified Modeling Language Reference Manual. p. 1

Understanding, Support, Decision, Past

“I oscillate between loathing Vladimir Nabokov ’s novels (when I think he’s showing off or insisting on making his presence felt) and loving them. This morning, I can’t stand a word of his fiction. But Nabokov’s “Letters to Vera” is not fiction. The showing off, such as there is, is that of a man to his lover, whose absence is felt. The fact that these are the words—such beautiful words—of a writer to his beloved of more than 46 years readies you for the spirit of sincerity in which they were written. Besides, I’m a sucker for a love story.”

Zia Haider Rahman British novelist

"12 Months of Reading", Who read what in 2014, December 13, 2014 Who is Reading what in 2014 http://www.wsj.com/articles/who-read-what-in-2014-1418426064 13 December 2014 "The Wall Street Journal". Retrieved on 2014-12-20.

Love, Beauty, Lovers, Thinking

“Intellectual leadership in the eighteenth century passes from France to economically, socially and politically more progressive England. The great romantic movement starts here about the middle of the century, but the enlightenment also receives its decisive impulse from this country. The French writers of the period see in English institutions the quintessence of progress and build up a legend around English liberalism—a legend which only partly corresponds to reality. The displacement of France as the upholder of culture by England proceeds hand in hand with the decadence of the French royal house as the leading European power and, hence, the eighteenth century sees the ascent of England both in politics and in the arts and sciences.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public

Art, Reality, Decision, Science

“But when a great artist or a great writer lays hold upon either sort of ugliness he transfigures it instantaneously. With a touch from the magic ring he metamorphoses it into beauty. His Is a sort of fairy alchemy. His Is a sort of fairy alchemy.
When Velasquez, paints Sebastian, King Philip's dwarf, he gives him such an appealing look that we read the poor creature's secret and see the tragedy it involved — a man forced to get his living by discarding his human dignity, and becoming a toy, a living joke. The more poignant his martyrdom, within that misshapen body, the more beautiful the artist's work.
When Millet paints a poor rustic leaning upon a hoe, a wretch broken by fatigue, scorched by the sun, degraded as a beast of the field, he has only to add an expression of resignation in order to make this hideous nightmare a magnificent symbol of humanity.
When Shakespeare gives us Tago or Richard III, and when Racine gives us Néron and Narcisse, moral ugliness, interpreted by minds so clear, so penetrating, becomes a marvelous theme of beauty.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Secret, Beauty, Reading, Sun

“Those who, like the present writer, never had the privilege of meeting Sidgwick can infer from his writings, and still more from the characteristic philosophic merits of such pupils of his as McTaggart and Moore, how acute and painstaking a thinker and how inspiring a teacher he must have been. Yet he has grave defects as a writer which have certainly detracted from his fame. His style is heavy and involved, and he seldom allowed that strong sense of humour, which is said to have made him a delightful conversationalist, to relieve the uniform dull dignity of his writing. He incessantly refines, qualifies, raises objections, answers them, and then finds further objections to the answers. Each of these objections, rebuttals, rejoinders, and surrejoinders is in itself admirable, and does infinite credit to the acuteness and candour of the author. But the reader is apt to become impatient; to lose the thread of the argument: and to rise from his desk finding that he has read a great deal with constant admiration and now remembers little or nothing. The result is that Sidgwick probably has far less influence at present than he ought to have, and less than many writers, such as Bradley, who were as superior to him in literary style as he was to them in ethical and philosophical acumen. Even a thoroughly second-rate thinker like T. H. Green, by diffusing a grateful and comforting aroma of ethical "uplift", has probably made far more undergraduates into prigs than Sidgwick will ever make into philosophers.”

C. D. Broad (1887–1971) English philosopher

From Five Types of Ethical Theory (1930)

Sense, Strong, Teachers, Reading

“At present [around 1960-1970] I make objects (whether a type-writer, wheelbarrow, bed or fishingboat..) very 'hourloupés' [like his painting: Courre Merlan (Whiting Chase), 1964. What I mean is that I am swimming upstream against the 'l'Hourloupe' current. I am approaching it from the opposite direction: instead of starting out with indeterminate lines that eventually give me a wheelbarrow, I start out with the idea of making a wheelbarrow and then add my indeterminate lines. In effect what I am doing is making the current run simultaneously in both directions at the same time.”

Jean Dubuffet (1901–1985) sculptor from France

Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 81; Comment of Dubuffet on the occasion of his 1984 exhibition at the Venice Biennale

Idea, Time, Painting

“The writer is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party… loses its nature—it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world. I, myself, believe in what I call cold literature: a literature of flight for one's life, a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.”

Gao Xingjian (1940) Chinese novelist and playwright

Interview by Jean-Luc Douin http://web.archive.org/web/20130421061108/http://my.opera.com/PRC/blog/?startidx=560

Life, People, World, Literature

“Every writer has an ideal reader, I thought, and it was just my good luck that mine wanted to sleep with me.”

Michael Chabon book Wonder Boys

Wonder Boys (1995)

Sleep

“ 2The writer once had an eight-year-old car in good running condition. A friend of his, a repairman who knew the condition of the car, kept urging him to make it for a new model. "But why?" the writer asked. "The old car's in fine shape still." The repairman answered scornfully, "Yeah, but what the hell. All you've got is transportation."
Recently, the term "transportation car" has begun to appear in advertisements; for example, "'48 Dodge -- Runs perfectly good; transportation car. Leaving, must sell. $100." (Classified section of the Pali Press, Kailua Hawaii.) Apparently it means a car that has no symbolic or prestige value and is good only for getting you there and bringing you back -- a miserable kind of vehicle indeed! ”

S. I. Hayakawa book Language in Thought and Action

Footnote, p. 26
Language in Thought and Action (1949), The Symbolic Process

Cars, Hell, Appearance

“I do think that the modern India does belong to writers who are living in India.”

Kiran Desai (1971) Indian author

Kiran Desai Talk Asia interview http://edition.cnn.com/2007/WORLD/asiapcf/04/23/talkasia.desai/ (April 24, 2007), CNN

Thinking

“… Nothing is so simple as the subject matter of his works. The two greatest of his creations, the character of Satan and the character of Eve, are two of the simplest—the latter probably the very simplest—in the whole field of literature. On this side, Milton's art is classical. On the other hand, in no writer is the imagery more profuse, the illustrations more various, the dress altogether more splendid; and in this respect the style of his art seems romantic and modern. In real truth, however, it is only ancient art in a modern disguise: the dress is a mere dress, and can be stripped off when we will.—we all of us do perhaps in memory strip it off for ourselves.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[ART. VII—John Milton, National Review, July 1859, 9, 150–186, https://babel.hathitrust.org/cgi/pt?id=mdp.39015027193559;view=1up;seq=184] (quote from p. 174)
John Milton (1859)

Truth, Art, Literature, Memory

“I have never even wondered about the comparative standing of writers. I don't understand that. Writing to me is a deeply personal, even a secret function and when the product is turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.”

John Steinbeck (1902–1968) American writer

Paris Review - The Art of Fiction No. 45 (1969)

Secret, Understanding, Sense, Personality

“A writer who denies the need for structure in his work is like a squash player who claims his brilliance removes the need for a wall.”

David Baboulene (1960) UK author

The Story Book (2010)

“I'm a writer who performs. And I mean, I'm basically a writer. I've been doing it since I was 16. … For me, the balance between the two, the writing -- a year, two years, whatever it takes to do an album, and then you've had enough of writing and thinking and being introspective and all of that kind of stuff, and you want to get out on the road and you want to, you know, get into the physicality of performing.”

Neil Diamond (1941) American singer-songwriter

Larry King interview (2003)

Thinking

“Plainly Hugo was the greatest man of letters of his day. It has been given to few or none to live a life so full of effort and achievement, so rich in honour and success and fame. Born almost with the century, he was a writer at fifteen, and at his death he was writing still; so that the record of his career embraces a period of more than sixty years. There is hardly a department of art to a foremost place in which he did not prove his right. From first to last; from the time of Chateaubriand to the time of Zola, he was a leader of men; and with his departure from the scene the undivided sovereignty of literature became a thing of the past like Alexander's empire.”

William Ernest Henley (1849–1903) English poet, critic and editor

"Hugo"
Views and Reviews (1889)

Life, Death, Men, Art

“I think of novelists that I really return to and admire, you can almost sense that the book is somehow ahead of them, just a little bit ahead of them, no? You could write from the front: you could pull the book; there are masters that do that, and you can admire the architecture of it. […] I suppose what I look for as a reader is a writer who's risky, who's putting themselves in a position that's vulnerable, where the text knows a little bit more, is a bit ahead of them. And so I aspire to write those books, and that's why I suppose I put myself in that position.”

Hisham Matar (1970) American writer

at 43:30.
Blue Metropolis Festival (2013)

Books, Thinking, Sense

“Writers take words seriously — perhaps the last professional class that does — and they struggle to steer their own through the crosswinds of meddling editors and careless typesetters and obtuse and malevolent reviewers into the lap of the ideal reader.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

“When Ms Düsap heard that I was also about to embark on a literary career, Mrs. Düsap warned me that a crown of thorns rather than a crown of laurels awaited women on this road. In this world of ours it is not tolerated when a woman does well and claims a place for herself. In order to achieve this, it would be necessary for a woman to be far above average and she added: A man can be a merely average writer but a woman, never!”

Zabel Yesayan (1878–1943) Armenian writer

"Pagavan E : Zabel Yesayan'ın Barış Çağrısını Duyabilmek"] ["Enough! : Being Able to Hear Zabel Yesayan's Call for Peace"] by Melissa Bilal, in Kültür ve Siyasette Feminist Yaklaşımlar [Feminist Approaches in Culture and Politics], Issue 7 (March 2009)

Women, World

“The less a writer discusses his work—and himself—the better. The master chef slaughters no chickens in the dining room; the doctor writes prescriptions in Latin; the magician hides his hinges, mirrors, and trapdoors with the utmost care.”

Jack Vance (1916–2013) American mystery and speculative fiction writer

Afterword to "The Bagful of Dreams" in The Jack Vance Treasury (2007). First appeared in Epoch (1775), ed. Robert Silverberg and Roger Elwood.

“Though it makes me sick to do so without my writers, there are more than a hundred people whose financial well-being depends on our show. It is time to go back to work.”

Jimmy Kimmel (1967) American talk show host and comedian

On returning back to work at Jimmy Kimmel Live! during the 2007–2008 Writers Guild of America strike — reported in San Mateo County Times staff (December 19, 2007) "Here is your pregnant Spears", San Mateo County Times.

People, Time, Dependency

“I am not a science fiction writer. I am a fantasy writer. But the label got put on me and stuck.”

Ray Bradbury (1920–2012) American writer

Ray Bradbury interview http://lists.topica.com/lists/gsn-newsday-list/read/message.html?sort=t&mid=911788456 March 23, 2005

Science

“I listened while he thought aloud and had almost forgotten my Machiavellian combination, so keen was my relish of the joyous intimacy of this communion with a mind I had passionately loved in his works. He was the first of the great writers of our day whom I had thus approached on something like terms of intimacy. As we talked I observed the strange similarity between his spoken and his written words. I admired the charming simplicity with which he abandoned himself to the pleasures of imagination, his superabundant intelligence, the liveliness of his impressions and his total absence of arrogance and of pose.”

Paul Bourget (1852–1935) French writer

The Age for Love

Love, Pleasure, Imagination, Intelligence

“Writers, artists, and commentators on websites are detained or thrown into jail when they reflect on democracy, opening up, reform and reason. This is the reality of China.”

Ai Weiwei (1957) Chinese concept artist

Higgins, Charlotte. " Ai Weiwei: ‘China in many ways is just like the middle ages http://www.guardian.co.uk/artanddesign/2011/apr/11/ai-weiwei-china-last-interview." Guardian.co.uk., April 11, 2011. 2010-, 2011

Democracy, Reality

“They are arrayed against every principle for which we stand. So when the Soviet leaders jail a writer, or a priest, or a doctor or a worker, for the crime of speaking freely, it is not only for humanitarian reasons that we should be concerned. For these acts reveal a regime that is afraid of truth and liberty; it dare not allow its people to enjoy the freedoms we take for granted, and a nation that denies those freedoms to its own people will have few scruples in denying them to others. If detente is to progress then it ought to mean that the Soviet authorities relax their ruthless opposition to all forms and expressions of dissent.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Chelsea Conservative Association (26 July 1975) http://www.margaretthatcher.org/document/102750 Leader of the Opposition

People, Truth, Freedom

“I suppose many people in Ireland would regard me as being more a European writer than an Irish writer. I don't think this is so.”

John Banville (1945) Irish writer

John Banville: claiming Kafka as an Irish writer (2011)

People, Thinking

“Herbert Casson was a highly prolific writer on management, with a career as a management guru spanning some four decades. A skilled writer who was also a successful entrepreneur, he used his own experiences and acute observations of the world around him to develop a philosophy of management based on the concept of ‘efficiency’. He published more than seventy books, which by the time of his death had sold more than half a million copies around the world. Something of a maverick, he was never really accepted by the business academic community in either Britain or America. His books were popular and populist, highly entertaining and full of penetrating insight.”

Morgen Witzel (1960) Canadian historian, business theorist

Source: Fifty key figures in management, 2004, p. 42

Death, Books, World, Communication

“He has attained supremacy in one particular line: he succeeds in inspiring a mysterious terror better than any other writer.”

J. Sheridan Le Fanu (1814–1873) Irish writer of Gothic tales and mystery novels

M. R. James "The Novels and Stories of J. Sheridan Le Fanu" (1923). http://www.users.globalnet.co.uk/~pardos/ArchiveLeFanu.html Criticism

“I've been a television writer for a dozen years, and I've been fortunate to put words in the mouths of some great female characters. They've been working women, mostly, and I like to think they've become role models for a generation of girls trying to figure out their futures.
But let's be honest: TV isn't going to change anyone's perceptions of working women in the real world just by promoting fictional females to ever-higher positions of authority. And I'm not doing my job if I put a woman's career before her character.”

Jane Espenson (1964) American television writer and producer

How to Succeed at Vampire Slaying and Keep Your Soul (2005)

Women, World, Girl, Thinking

“I cannot be associated with a publication that dumps a staff member simply because his work has upset some readers. Journalism, when done well, always angers some readers, and it is the duty of the newspaper or magazine’s editors and managers to stand by writers and other members of the staff when readers complain about the analysis and opinions expressed by its staff. This is all the more true in the case of editorial cartoonists, whose very job is satire—and a good satirist never pauses to worry about angering the citizenry.”

Haim Watzman (1956) American writer

In a letter of resignation http://web.archive.org/web/20180726214951/https://www.facebook.com/haim.watzman/posts/10160660063290022?notif_id=1532534669809157&notif_t=feedback_reaction_generic from The Jerusalem Report, on the dismissal of Avi Katz.

Anger

“Books are still being written defaming H. P. B. and Mrs. Besant and one wonders what their writers hope to achieve. As far as I can ascertain the modern generation of investigating students are not the least interested in the pros or cons of their characters… What they are interested in is the teaching and the truth. This is wholesome and right. I wish these modern writers who spend months in raking up dirt and endeavoring to prove someone was vile would realise the stupidity of their activities. They do not touch the truth; they do not change the loyalties of those who know; they do not change the trend towards occult realisation and they hurt nobody but themselves.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter V - Part 1

Truth, Books, Stupidity, Hope

“There is something in this universe that justifies the biblical writer in saying, "You shall reap what you sow." This is a law-abiding universe. This is a moral universe. It hinges on moral foundations. If we are to make of this a better world, we've got to go back and rediscover that precious value that we've left behind.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954) Source: Rediscovering Lost Values http://mlk-kpp01.stanford.edu/index.php/kingpapers/article/rediscovering_lost_values/, Sermon delivered at Detroit's Second Baptist Church (28 February 1954)

World, Law, Universe

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Books, World, Housing

“The increasing discussion of the importance of inflexible prices in the. American economy has been somewhat stimulated by previous articles by the present writer. In one of these, material was presented on inflexible administered prices and their importance for monetary policy.”

Gardiner C. Means (1896–1988) American economist

Gardiner C. Means, "Notes on inflexible prices." The American Economic Review (1936): 23-35.

“You can assume that if a writer's work has survived for centuries, there are reasons why this is so, explanations that have nothing to do with a conspiracy of academics plotting to resuscitate a zombie army of dead white males.”

Francine Prose book Reading Like a Writer

Reading Like a Writer, ch. 2, p. 15 (2006)

Dead

“My difficulty with working class writers is that they don't make the working class come alive—Leslie Halward is an exception, but as you imply he is not very important. They give me information and they give their comrades gratification, but that's all; gloom, indignation, aspiration in plenty, and plenty of stains on the tablecloth and coal-dust in the mine—but no living beings to experience them.”

E.M. Forster (1879–1970) English novelist

Letter 350, to John Lehmann, 21 December 1940
Selected Letters (1983-1985)

“One Western author who has become very popular among India’s history-writers is the American scholar Prof. Richard M. Eaton…. A selective reading of his work, focusing on his explanations but keeping most of his facts out of view, is made to serve the negationist position regarding temple destruction in the name of Islam. Yet, the numerically most important body of data presented by him concurs neatly with the classic (now dubbed “Hindutva”) account. In his oft-quoted paper “Temple desecration and Indo-Muslim states”, he gives a list of “eighty” cases of Islamic temple destruction. "Only eighty", is how the secularist history-rewriters render it, but Eaton makes no claim that his list is exhaustive. Moreover, eighty isn't always eighty. Thus, in his list, we find mentioned as one instance: "1994: Benares, Ghurid army. Did the Ghurid army work one instance of temple destruction? Eaton provides his source, and there we read that in Benares, the Ghurid royal army "destroyed nearly one thousand temples, and raised mosques on their foundations. (Note that unlike Sita Ram Goel, Richard Eaton is not chided by the likes of Sanjay Subramaniam for using Elliott and Dowson's "colonialist translation.") This way, practically every one of the instances cited by Eaton must be read as actually ten, or a hundred, or as in this case even a thousand temples destroyed. Even Eaton's non-exhaustive list, presented as part of "the kind of responsible and constructive discussion that this controversial topic so badly needs", yields the same thousands of temple destructions ascribed to the Islamic rulers in most relevant pre-1989 histories of Islam and in pro-Hindu publications…. If the “eighty” (meaning thousands of) cases of Islamic iconoclasm are only a trifle, the “abounding” instances of Hindu iconoclasm, “thoroughly integrated” in Hindu political culture, can reasonably be expected to number tens of thousands. Yet, Eaton’s list, given without reference to primary sources, contains, even in a maximalist reading (i. e., counting “two” when one king takes away two idols from one enemy’s royal temple), only 18 individual cases…. In this list, cases of actual destruction amount to exactly two…”

Koenraad Elst (1959) orientalist, writer

2000s, Ayodhya: The Case Against the Temple (2002)

Way, Quotes, History, Reading

“In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.”

Don DeLillo book The Names

Source: The Names (1982), Ch. 5

Falseness, Madness

“Many conservative writers have contended that the tendency to equality in modern social movements is the expression of envy. In this way they seek to discredit this trend, attributing it to collectively harmful impulses.”

John Rawls book A Theory of Justice

Source: A Theory of Justice (1971; 1975; 1999), Chapter IX, Section 82, p. 538

Way, Envy

“It was so frightening at the time to be seventeen and have heart monitors hooked up to you. That was the moment the songwriter in me was born. I discovered a whole other side of me. I came home that night and started writing lyrics. I discovered it all at once: It was like opening up a lockbox, and inside was a depth that I didn't even know I had as a person, or a writer — incredible creativity and vision and neurosis, complete neurosis. They all go together in a package.”

John Mayer (1977) guitarist and singer/songwriter

On the effects of having a critical cardiac arrhythmia at age 17 Hiatt, Brian (2006-09-21), "My Big Mouth Strikes Again" http://www.rollingstone.com/news/story/11515443/john_mayer_speaks_listen_to_his_hilarious_takes_on_paris_hilton_brad__angelina_living_in_ny. Rolling Stone. (1009): 66-70

Home, Time, Heart, Personality