Quotes about wrap
page 3

Piero Scaruffi photo

“…but defining their sound was Little Girls, an exuberant ska wrapped in an electronic patina, with modernist vocals à la XTC and a touch of dementia.”

Piero Scaruffi (1955) Italian writer

Oingo Boingo The History Of Rock Music http://www.scaruffi.com/vol4/oingo.html

Brad Paisley photo
George Raymond Richard Martin photo

“Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview with Locus magazine (November 2005)

Mark Heard photo
Barney Frank photo
Alan Moore photo

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life…
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns…
And somebody falls off…
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller…
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives…
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick.”

Alan Moore (1953) English writer primarily known for his work in comic books

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Alexis De Tocqueville photo
Henry Stephens Salt photo
Siobhan Fahey photo

“If this world is wearing thin
And you're thinking of escape
I'll go anywhere with you
Just wrap me up in chains
But if you try to go alone
Don't think I'll understand (Stay) Stay with me”

Siobhan Fahey (1958) singer and songwriter in Banarama and Shakespears Sister

"Stay" (written with Marcella Detroit and David A. Stewart) - Video and full text online http://viddigger.blogspot.com/2007/04/shakespears-sister-stay.html
Hormonally Yours (1992)

“(James) White seems from all reports to have been a very pleasant fellow but he did have one huge blind spot, which is that he was as sexist as a giant ball of sexists wrapped in a dense layer of yet more sexists.”

James Nicoll (1961) Canadian fiction reviewer

(review of 'The Lights Outside the Windows' by James White (collected in "Deadly Litter") https://jamesdavisnicoll.com/review/the-universe-is-antagonist-enough, 2014
2010s

Mike Oldfield photo
William Collins photo

“By fairy hands their knell is rung;
By forms unseen their dirge is sung;
There Honour comes, a pilgrim gray,
To bless the turf that wraps their clay;
And Freedom shall awhile repair,
To dwell a weeping hermit there!”

William Collins (1721–1759) English poet, born 1721

Ode written in the year 1746. A variation of the first two lines is "By hands unseen the knell is rung; / By fairy forms their dirge is sung".

Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Bill Engvall photo

“It took all of her considerable strength to heave the girl’s wrapped body into her arms, pivot, and let it thump into the trunk.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 118

Marshall McLuhan photo

“Since Sputnik, the earth has been wrapped in a dome-like blanket or bubble. Nature ended.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Leslie Stephen photo
Pat Cadigan photo
Nikos Kazantzakis photo
Albert Camus photo

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

William Cullen Bryant photo
William Julius Mickle photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Herbert Giles photo
Terence V. Powderly photo
Tsunetomo Yamamoto photo
Alexander Ovechkin photo

“He's getting wrapped up before the game and iced down after it. And you see that and you might have an injury, but you are like, 'Well, if Ovie can go out there and skate as hard as he does, I can go out there.”

Alexander Ovechkin (1985) Russian ice hockey player

That rubs off on guys a lot, too.
Sami Lepisto, interview in Harlan Goode (October 5, 2008) "The Capitals' star attraction: Ovechkin charms fans with energy, humbleness", The Washington Times, News World Communications. p. M08.
About

Bernard Mandeville photo
François Bernier photo
Alain de Botton photo

“Responsible for wrapping the iron fist of authority in its velvet glove is Jane Axtell, head of the accountancy firm’s Human Resources department.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 244.

Colin Moulding photo

“Can't you see
Love and affection
When it's put
In your direction
Wrapped in your mysterious wonderland”

Colin Moulding (1955) English bassist, songwriter and vocalist

"Wonderland"
Mummer (1983)

“We are now in the middle of a long process of transition in the nature of the image which man has of himself and his environment. Primitive men, and to a large extent also men of the early civilizations, imagined themselves to be living on a virtually illimitable plane. There was almost always somewhere beyond the known limits of human habitation, and over a very large part of the time that man has been on earth, there has been something like a frontier…
Gradually, however, man has been accustoming himself to the notion of the spherical earth and a closed sphere of human activity. A few unusual spirits among the ancient Greeks perceived that the earth was a sphere. It was only with the circumnavigations and the geographical explorations of the fifteenth and sixteenth centuries, however, that the fact that the earth was a sphere became at all widely known and accepted. Even in the thirteenth century, the commonest map was Mercator's projection, which visualizes the earth as an illimitable cylinder, essentially a plane wrapped around the globe, and it was not until the Second World War and the development of the air age that the global nature of tile planet really entered the popular imagination. Even now we are very far from having made the moral, political, and psychological adjustments which are implied in this transition from the illimitable plane to the closed sphere.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, The Economics of the Coming Spaceship Earth, 1966, p. 3

Nicolae Paulescu photo

“You entered my aura and fell into my arms.
I just wrapped around you like a snake that's been charmed.”

Amber (1970) Dutch born German singer, songwriter, label owner and executive producer

"You Move Me", My Kind of World (2004).

Sri Chinmoy photo
Jonah Goldberg photo
Nat Turner photo
Mickey Spillane photo
Alfred Denning, Baron Denning photo
Walter Scott photo
Shelley Long photo

“I'm not as klutzy as I used to be… I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time.”

Shelley Long (1949) actress

Quoted in "Funny Ladies: The Best Humor from America's Funniest Women", p. 7 http://books.google.co.uk/books?id=KOVGUVYj2XUC&pg=PA7&dq=%22I'm+not+as+klutzy+as+I+used+to+be%22&hl=en&sa=X&ei=Jfz6Tt78KpSm8gPfwpXeCA&ved=0CDEQ6AEwAA#v=onepage&q=%22I'm%20not%20as%20klutzy%20as%20I%20used%20to%20be%22&f=false

Lisa Randall photo
Joey Comeau photo
Albert Speer photo

“At this time a high-ranking SS leader hinted to me that Himmler was preparing decisive steps. In February 1945, the Reichsführer-SS had assumed command of the Vistula Army Group, but he was no better than his successor at stopping the Russian advance. Hitler was now berating him also. Thus what personal prestige Himmler had retained was used up by a few weeks of commanding frontline troops. Nevertheless, everyone still feared Himmler, and I felt distinctly shaky one day on learning that Himmler was coming to see me about something that evening. This, incidentally, was the only time he ever called on me. My nervousness grew when Theodor Hupfauer, the new chief of our Central Office- with whom I had several times spoken rather candidly- told me in some trepidation that Gestapo chief Kaltenbrunner would be calling on him at the same hour. Before Himmler entered, by adjutant whispered to me: "He's alone." My office was without window panes; we no longer bothered replacing them since they were blasted out by bombs every few days. A wretched candle stood at the center of the table; the electricity was out again. Wrapped in our coats, we sat facing one another. Himmler talked about minor matters, asked about pointless details, and finally made the witless observation: "When the course is downhill there's always a floor to the valley, and once it is reached, Herr Speer, the ascent begins again." Since I expressed neither agreement nor disagreement with this proverbial wisdom and remained virtually monosyllabic throughout the conversation, he soon took his leave. I never found out what he wanted of it, or why Kaltenbrunner called on Hupfauer at the same time. Perhaps t hey had heard about my critical attitude and were seeking allies; perhaps they merely wanted to sound us out.”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Source: Inside the Third Reich: Memoirs (1970), p. 427-428

Willem de Kooning photo

“Art never seems to make me peaceful or pure. I always seem to be wrapped in the melodrama of vulgarity. I do not think.... of art as a situation of comfort.”

Willem de Kooning (1904–1997) Dutch painter

Original: Original in Dutch: Kunst lijkt me nooit volledig of zuiver te maken. Het is of ik altijd verwikkeld ben in het melodrama van de alledaagsheid. [...]
Source: Quote of De Kooning from Beyond the Aesthetic, Robert Motherwell, Design 47, April 1946, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 101.

Mike Watt photo
Eugene V. Debs photo
William James photo

“Real culture lives by sympathies and admirations, not by dislikes and disdain — under all misleading wrappings it pounces unerringly upon the human core.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

The Social Value of the College-Bred
1910s, Memories and Studies (1911)

Ethan Hawke photo
T.S. Eliot photo
Carol Ann Duffy photo
Greg Giraldo photo

“Flav, you look like a skeleton wrapped in electrical tape.”

Greg Giraldo (1965–2010) American comedian

Flavor Flav Comedy Central Roast (2007)

Lucius Shepard photo

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

Bruce Springsteen photo
Walt Whitman photo

“All, all for immortality,
Love like the light silently wrapping all.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Song of the Universal, 4
Bartlett's Familiar Quotations, 10th ed. (1919)

Charles Dickens photo
Trevor Baylis photo

“The key to success is to risk thinking unconventional thoughts. Convention is the enemy of progress. As long as you've got slightly more perception that the average wrapped loaf, you could invent something.”

Trevor Baylis (1937–2018) English inventor

Cited in: Daniel H. Pink (2006), A Whole New Mind: Why Right-Brainers Will Rule the Future. p. 137

Ann Coulter photo

“Maybe we could fight the war a little harder and not keep responding to Amnesty International… I don't think we even need more troops. I think we need to be less worried about civilian casualties. I mean, are the terrorists—are Islamic terrorists a more frightening enemy than the Nazis war machine? I don't think so. Fanatics can be stopped. Japanese kamikaze bombers—you can stop them by bombing their society. We killed more people in two nights over Hamburg than we have in the entire course of the Iraq war. … You can destroy the fighting spirit of fanatics. We've done it before. We know how to do it. And it's not by fighting a clean little hygienic war. … That was not a clean, hygienic war, World War Two. We killed a lot of civilians, and we crushed the Nazi war machine. And the idea that Nazism, which was tied to a civilized culture, was less of a threat than the Koran, tied to a Stone Age culture, I think is preposterous! If we want to win this war, we absolutely could. And I think we've been too nice so far. … We have liberals in this country screaming bloody murder about how we treat terrorists captured who are at Guantanamo, whether Khalid Sheikh Mohammed is being water-boarded… If this is a country that is worried about that—and I don't think it is—then we may as well give up right now. … Democracies don't like to go to war, so we're going to have to wrap it up quickly and destroy the fighting spirit of the fanatics.”

Ann Coulter (1961) author, political commentator

Hardball with Chris Matthews (26 June 2007) https://www.youtube.com/watch?v=60xDmowdTCA
2007

Virgil photo

“Wrapping truth in darkness.”

Source: Aeneid (29–19 BC), Book VI, Line 100 (tr. Fairclough)

“Every man is a V.I.P., because he has divine worth. That was revealed when "Love came down at Christmas." A scientist said, making a plea for exchange scholarships between nations, "The best way to send an idea is to wrap it up in a person." That was what happened at Christmas. The idea of divine love was wrapped up in a person.”

Halford E. Luccock (1885–1960) American Methodist minister

Whoops! It's Christmas (1959)
Context: The central core of truth is that Christmas turns everything upside down, the upside of heaven come down to earth. The Christmas story puts a new value on every man. He is not a thing to be used, not a chemical accident, not an educated ape. Every man is a V. I. P., because he has divine worth. That was revealed when "Love came down at Christmas." A scientist said, making a plea for exchange scholarships between nations, "The best way to send an idea is to wrap it up in a person." That was what happened at Christmas. The idea of divine love was wrapped up in a person.

Eddie Mair photo

“…so do wrap up!”

Eddie Mair (1965) Scottish broadcaster

After every single weather report on 'Broadcasting House' (Radio 4), no matter how sunny and hot[citation needed]
From PM and Broadcasting House

Robert H. Jackson photo

“Hitler did not carry all responsibility to the grave with him. All the guilt is not wrapped in Himmler's shroud. It was these dead men whom these living chose to be their partners in this great conspiratorial brotherhood, and the crimes that they did together they must pay for one by one.”

Robert H. Jackson (1892–1954) American judge

Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)
Context: These men saw no evil, spoke none, and none was uttered in their presence. This claim might sound very plausible if made by one defendant. But when we put all their stories together, the impression which emerges of the Third Reich, which was to last a thousand years, is ludicrous. If we combine only the stories of the front bench, this is the ridiculous composite picture of Hitler's Government that emerges. It was composed of:
A No. 2 man who knew nothing of the excesses of the Gestapo which he created, and never suspected the Jewish extermination programme although he was the signer of over a score of decrees which instituted the persecution of that race;
A No. 3 man who was merely an innocent middleman transmitting Hitler's orders without even reading them, like a postman or delivery boy;
A Foreign Minister who knew little of foreign affairs and nothing of foreign policy;
A Field-Marshal who issued orders to the armed forces but had no idea of the results they would have in practice …
… This may seem like a fantastic exaggeration, but this is what you would actually be obliged to conclude if you were to acquit these defendants.
They do protest too much. They deny knowing what was common knowledge. They deny knowing plans and programmes that were as public as Mein Kampf and the Party programme. They deny even knowing the contents of documents which they received and acted upon. … The defendants have been unanimous, when pressed, in shifting the blame on other men, sometimes on one and sometimes on another. But the names they have repeatedly picked are Hitler, Himmler, Heydrich, Goebbels, and Bormann. All of these are dead or missing. No matter how hard we have pressed the defendants on the stand, they have never pointed the finger at a living man as guilty. It is a temptation to ponder the wondrous workings of a fate which has left only the guilty dead and only the innocent alive. It is almost too remarkable.
The chief villain on whom blame is placed — some of the defendants vie with each other in producing appropriate epithets — is Hitler. He is the man at whom nearly every defendant has pointed an accusing finger.
I shall not dissent from this consensus, nor do I deny that all these dead and missing men shared the guilt. In crimes so reprehensible that degrees of guilt have lost their significance they may have played the most evil parts. But their guilt cannot exculpate the defendants. Hitler did not carry all responsibility to the grave with him. All the guilt is not wrapped in Himmler's shroud. It was these dead men whom these living chose to be their partners in this great conspiratorial brotherhood, and the crimes that they did together they must pay for one by one.

Ann Coulter photo

“These people can't even wrap up genocide. We've been hearing about this slaughter in Darfur forever — and they still haven't finished.”

Ann Coulter (1961) author, political commentator

"If At First You Don't Appease — Cry, Cry Again" (4 April 2007) http://www.anncoulter.com/cgi-local/printer_friendly.cgi?article=177.
2007
Context: These people can't even wrap up genocide. We've been hearing about this slaughter in Darfur forever — and they still haven't finished. The aggressors are moving like termites across that country. It's like genocide by committee. Who's running this holocaust in Darfur, FEMA? This is truly a war in which we have absolutely no interest. But liberals want our boys to go fight scimitar-wielding dervishes.

Bob Dylan photo

“It's peculiar and unnerving in a way to see so many young people walking around with cellphones and iPods in their ears and so wrapped up in media and video games. It robs them of their self-identity.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Rolling Stone #1078 (14 May 2009), p. 45
Context: It's peculiar and unnerving in a way to see so many young people walking around with cellphones and iPods in their ears and so wrapped up in media and video games. It robs them of their self-identity. It's a shame to see them so tuned out to real life. Of course they are free to do that, as if that's got anything to do with freedom. The cost of liberty is high, and young people should understand that before they start spending their life with all those gadgets.

Franklin D. Roosevelt photo

“It was natural and perhaps human that the privileged princes of these new economic dynasties, thirsting for power, reached out for control over government itself. They created a new despotism and wrapped it in the robes of legal sanction. In its service new mercenaries sought to regiment the people, their labor, and their property.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1930s, Speech to the Democratic National Convention (1936)
Context: It was natural and perhaps human that the privileged princes of these new economic dynasties, thirsting for power, reached out for control over government itself. They created a new despotism and wrapped it in the robes of legal sanction. In its service new mercenaries sought to regiment the people, their labor, and their property. And as a result the average man once more confronts the problem that faced the Minute Man.

“The eons came and the eons fled
And the sleep that wrapped us fast
Was riven away in a newer day
And the night of death was past.”

Evolution (1895; 1909)
Context: Yet happy we lived and happy we loved,
And happy we died once more;
Our forms were rolled in the clinging mold
Of a Neocomian shore.
The eons came and the eons fled
And the sleep that wrapped us fast
Was riven away in a newer day
And the night of death was past.

Bill Bailey photo
Winston S. Churchill photo

“I cannot forecast to you the action of Russia. It is a riddle wrapped in a mystery inside an enigma: but perhaps there is a key. That key is Russian national interest.”

BBC broadcast (“The Russian Enigma”), London, October 1, 1939 ( partial text http://www.churchill-society-london.org.uk/RusnEnig.html, transcript of the "First Month of War" speech https://ww2memories.wordpress.com/2011/09/24/churchills-ww2-speech-to-the-nation-october-1939/).
The Second World War (1939–1945)

Mike Tyson photo
John Bowring photo
Tessa Thompson photo

“The film itself is sort of an indictment of Hollywood. With black people, why is everything that we do wrapped in Christian dogma? Why do we only have to be the sassy black friend? It was incredible to be able to talk about the frustration that I’d had in this industry, in a film. And then it did so well. So that became my North Star.”

Tessa Thompson (1983) American actresse

On her role in the film Dear White People in “Tessa Thompson interview: ‘Men should have the responsibility to deal with their toxicity’” https://www.independent.co.uk/arts-entertainment/films/features/tessa-thompson-interview-creed-ii-2-sexuality-men-bisexual-acting-michael-b-jordan-metoo-a8658881.html in Independent (2018 Nov 30)

Sally Wen Mao photo
Dave Lindorff photo
Jen Wang photo

“Frances and Sebastian accept each other right from the get go, and the world the characters live in is one that is willing to change. I think you buy it because it’s wrapped in this fairy tale theme and playing off these Disney Princess movie tropes. It would be a lot harder if I went for a strict historical theme.”

Jen Wang (1984) American comics artist

On how gender identity and other themes are addressed in The Prince and the Dressmaker in “INTERVIEW WITH JEN WANG, AUTHOR AND ARTIST OF THE PRINCE AND THE DRESSMAKER” https://bookriot.com/2018/02/06/prince-and-the-dressmaker/ in BookRiot (2018 Feb 6)

Chris Cornell photo
Chris Cornell photo
Arthur MacManus photo
Scott Lynch photo

“My responsibility was to tell you the truth, not wrap you in swaddling clothes.”

She raised her hood again, half-veiling her face in shadow. “Nor protect you from your own badly aimed temper.”
Source: The Republic of Thieves (2013), Chapter 9 “The Five-Year Game: Reasonable Doubt” section 2 (p. 551)

Adam Goldstein photo

“I just can’t wrap my head around it – I don’t want to believe it’s real – and nothing I can say will serve his memory any justice right now. I’m just f-ng sad sad.”

Adam Goldstein (1973–2009) American DJ

Samantha Ronson, club DJ DJ AM’s Friends Pay Tribute http://www.showbizspy.com/article/191155/dj-ams-friends-pay-tribute.html.