Quotes about work
page 77

Thomas Edison photo

“During all those years of experimentation and research, I never once made a discovery. All my work was deductive, and the results I achieved were those of invention, pure and simple.”

Thomas Edison (1847–1931) American inventor and businessman

On his years of research in developing the electric light bulb, as quoted in "Talks with Edison" by George Parsons Lathrop in Harper's magazine, Vol. 80 (February 1890), p. 425.
Context: During all those years of experimentation and research, I never once made a discovery. All my work was deductive, and the results I achieved were those of invention, pure and simple. I would construct a theory and work on its lines until I found it was untenable. Then it would be discarded at once and another theory evolved. This was the only possible way for me to work out the problem. … I speak without exaggeration when I say that I have constructed 3,000 different theories in connection with the electric light, each one of them reasonable and apparently likely to be true. Yet only in two cases did my experiments prove the truth of my theory. My chief difficulty was in constructing the carbon filament.... Every quarter of the globe was ransacked by my agents, and all sorts of the queerest materials used, until finally the shred of bamboo, now utilized by us, was settled upon.

Martial photo

“Although the words run speedily, the hand is swifter than they; the tongue has not yet, the hand has already, completed its work.”
Currant verba licet, manus est velocior illis; Nondum lingua suum, dextra peregit opus.

XIV, 208.
Epigrams (c. 80 – 104 AD)

Agatha Christie photo
Charles Dupin photo
Patrick Matthew photo
Rebecca West photo
John Gray photo
Dave Matthews photo
Hesiod photo

“Work is no disgrace: it is idleness which is a disgrace.”

Source: Works and Days (c. 700 BC), line 311.

Goran Višnjić photo
Susan Sontag photo

“Since it is hardly likely that contemporary critics seriously mean to bar prose narratives that are unrealistic from the domain of literature, one suspects that a special standard is being applied to sexual themes. … There is nothing conclusive in the well-known fact that most men and women fall short of the sexual prowess that people in pornography are represented as enjoying; that the size of organs, number and duration of orgasms, variety and feasibility of sexual powers, and amount of sexual energy all seem grossly exaggerated. Yes, and the spaceships and the teeming planets depicted in science-fiction novels don’t exist either. The fact that the site of narrative is an ideal topos disqualifies neither pornography or science-fiction from being literature. … The materials of the pornographic books that count as literature are, precisely, one of the extreme forms of human consciousness. Undoubtedly, many people would agree that the sexually obsessed consciousness can, in principle, enter into literature as an art form. … But then they usually add a rider to the agreement which effectively nullifies it. They require that the author have the proper “distance” from his obsessions for their rendering to count as literature. Such a standard is sheer hypocrisy, revealing one again that the values commonly applied to pornography are, in the end, those belonging to psychiatry and social affairs rather than to art. (Since Christianity upped that ante and concentrated on sexual behavior as the root of virtue, everything pertaining to sex has been a “special case” in our culture, evoking particularly inconsistent attitudes.) Van Gogh’s paintings retain their status as art even if it seems his manner of painting owed less to a conscious choice of representational means than to his being deranged and actually seeing reality the way he painted it. … What makes a work of pornography part of the history of art rather than of trash is not distance, the superimposition of a consciousness more conformable to that of ordinary reality upon the “deranged consciousness” of the erotically obsessed. Rather, it is the originality, thoroughness, authenticity, and power of that deranged consciousness itself, as incarnated in a work.”

“The Pornographic Imagination,” pp. 45-47
Styles of Radical Will (1966)

Mahinda Rajapaksa photo

“Reflecting on the work of the UN, matters of a political nature have overridden the most basic issues, which affect the underprivileged and marginalized, who dominate world society.”

Mahinda Rajapaksa (1945) Prime Minister of Sri Lanka

United Nations, Sri "Lanka urges UN to study global inequality, failure to lift millions out of poverty" http://www.un.org/apps/news/story.asp/html/story.asp?NewsID=45978&Cr=general+assembly&Cr1=, 24 September 2013.

Nelson Algren photo
Donald J. Trump photo

“Our movement is about replacing a failed and corrupt political establishment with a new government controlled by you, the American people. The establishment has trillions of dollars at stake in this election. For those who control the levers of power in Washington and for the global special interests, they partner with these people that don't have your good in mind. The political establishment that is trying to stop us is the same group responsible for our disastrous trade deals, massive illegal immigration and economic and foreign policies that have bled our country dry. The political establishment has brought about the destruction of our factories and our jobs as they flee to Mexico, China and other countries all around the world. It's a global power structure that is responsible for the economic decisions that have robbed our working class, stripped our country of its wealth and put that money into the pockets of a handful of large corporations and political entities. The only thing that can stop this corrupt machine is you. The only force strong enough to save our country is us. The only people brave enough to vote out this corrupt establishment is you, the American people. I'm doing this for the people and the movement and we will take back this country for you and we will make America great again. I'm Donald Trump and I approve this message.”

Donald J. Trump (1946) 45th President of the United States of America

Closing argument for America (4 November 2016)
Source: 2010s, 2016, November, Lines recycled from Trump's campaign rally in West Palm Beach, FL (10/13/2016)

Mario Cuomo photo
Arthur Koestler photo
Fred Dibnah photo

“The thing is nowadays, you'll have 20 men working, yet 60 men telling them 'You can't do that, you ain't got a tin hat on'.”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

Carl Friedrich Gauss photo
Robert Rauschenberg photo
John Frusciante photo
Stanley Baldwin photo

“In this great problem which is facing the country in years to come, it may be from one side or the other that disaster may come, but surely it shows that the only progress that can be obtained in this country is by those two bodies of men—so similar in their strength and so similar in their weaknesses—learning to understand each other, and not to fight each other…we are moving forward rapidly from an old state of industry into a newer, and the question is: What is that newer going to be? No man, of course, can say what form evolution is taking. Of this, however, I am quite sure, that whatever form we may see…it has got to be a form of pretty close partnership, however that is going to be arrived at. And it will not be a partnership the terms of which will be laid down, at any rate not yet, in Acts of Parliament, or from this party or that. It has got to be a partnership of men who understand their own work, and it is little help that they can get really either from politicians or from intellectuals. There are few men fitted to judge, to settle and to arrange the problem that distracts the country to-day between employers and employed. There are few men qualified to intervene who have not themselves been right through the mill. I always want to see, at the head of these organisations on both sides, men who have been right through the mill, who themselves know exactly the points where the shoe pinches, who know exactly what can be conceded and what cannot, who can make their reasons plain; and I hope that we shall always find such men trying to steer their respective ships side by side, instead of making for head-on collisions.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1925/mar/06/industrial-peace in the House of Commons (6 March 1925).
1925

Alfred Horsley Hinton photo
John Stuart Mill photo

“The dissatisfaction with life and the world, felt more or less in the present state of society and intellect by every discerning and highly conscientious mind, gave in his case a rather melancholy tinge to the character, very natural to those whose passive moral susceptibilities are more than proportioned to their active energies. For it must be said, that the strength of will of which his manner seemed to give such strong assurance, expended itself principally in manner. With great zeal for human improvement, a strong sense of duty and capacities and acquirements the extent of which is proved by the writings he has left, he hardly ever completed any intellectual task of magnitude. He had so high a standard of what ought to be done, so exaggerated a sense of deficiencies in his own performances, and was so unable to content himself with the amount of elaboration sufficient for the occasion and the purpose, that he not only spoilt much of his work for ordinary use by over-labouring it, but spent so much time and exertion in superfluous study and thought, that when his task ought to have been completed, he had generally worked himself into an illness, without having half finished what he undertook. From this mental infirmity (of which he is not the sole example among the accomplished and able men whom I have known), combined with liability to frequent attacks of disabling though not dangerous ill-health, he accomplished, through life, little in comparison with what he seemed capable of;”

Source: https://archive.org/details/autobiography01mill/page/74/mode/1up pp. 74-75

Robert Rauschenberg photo
Alexis De Tocqueville photo

“Nothing tends to materialize man and to deprive his work of the faintest trace of mind more than the extreme division of labor.”

Source: Democracy in America, Volume I (1835), Chapter XV-IXX, Chapter XVIII.

Roberto Mangabeira Unger photo
Laraine Day photo
John A. Eddy photo
Margaret Thatcher photo

“Let me give you my vision. A man's right to work as he will to spend what he earns to own property to have the State as servant and not as master these are the British inheritance. They are the essence of a free economy. And on that freedom all our other freedoms depend.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to the Conservative Party Conference (10 October 1975) http://www.margaretthatcher.org/document/102777
Leader of the Opposition

Philippe of Belgium photo

“I begin my reign with the desire to put myself at the service of all Belgians. I will work for it in perfect agreement with the government and in accordance with the constitution.”

Philippe of Belgium (1960) seventh king of the Belgians

Divided Belgium has a new King Philippe http://www.telegraph.co.uk/news/worldnews/europe/belgium/10193295/Divided-Belgium-has-a-new-King-Philippe.html, Telegraph (July 21, 2013)

Jean Paul Sartre photo
John Muir photo

“im little jesica. im dying because of obamas help care bill. im on my death bed and the doctor is ignoring me because my dady works hard”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/11074098650]
Tweets by year, 2010

Roger Ebert photo

“Terri (Hilary Duff)'s new roommate is Denise (Dana Davis), who plans to work hard for a scholarship, and resents Terri as a distraction. Sizing up Terri's wardrobe and her smile, she tells her: "You're like some kind of retro Brady Buncher."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

I hate it when a movie contains its own review.
Review http://www.rogerebert.com/reviews/raise-your-voice-2004 of Raise Your Voice (8 October 2004)
Reviews, One-star reviews

Donald J. Trump photo

“Hillary Clinton I think is a terrific woman. I am biased because I have known her for years. I live in New York. She lives in New York. I really like her and her husband both a lot. I think she really works hard. And I think, again, she's given an agenda, it is not all of her, but I think she really works hard and I think she does a good job. I like her.”

Donald J. Trump (1946) 45th President of the United States of America

2007 CNN interview, reported in Zeke J. Miller, " When Donald Trump Praised Hillary Clinton http://time.com/3962799/donald-trump-hillary-clinton/", Time Magazine (July 17, 2015).
2000s

Charles Darwin photo

“I think it can be shown that there is such an unerring power at work in Natural Selection (the title of my book), which selects exclusively for the good of each organic being.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Darwin's first published expression of the concept of natural selection.
"On the Tendency of Species to form Varieties; and on the Perpetuation of Varieties and Species by Natural Means of Selection" Journal of the Proceedings of the Linnean Society of London: Zoology (read 1 July 1853; published 20 August 1858) volume 3, pages 45-62, at page 51 http://darwin-online.org.uk/content/frameset?pageseq=7&itemID=F350&viewtype=image
Other letters, notebooks, journal articles, recollected statements

William Burges photo
Vincent Van Gogh photo

“It is hard, terribly hard, to keep on working when one does not sell, and one literally has to pay for one's colors from what would not be too much for eating, drinking and lodgings, calculated ever so strictly. And then, besides, the models... All the same they are building State museums, and the like, for hundreds of thousands, but meanwhile, the artists can go to the dogs.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter, from Antwerp, Belgium, Dec. 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 438) p. 35
1880s, 1885

David Brewster photo
Andy Warhol photo

“I still care about people but it would be so much easier not to care. I don't want to get to close: I don't like to touch things, that's why my work is so distant from myself”

Andy Warhol (1928–1987) American artist

Nicolas Love, April 1987
1975 - 1987, BBC interview (1981)
Source: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz, in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467

Karel Appel photo
Steven Pinker photo
Baruch Spinoza photo
Will Eisner photo
Brian Clevinger photo
Muhammad Ali Jinnah photo

“I will have nothing to do with this pseudo-religious approach to politics. I part company with the Congress and Gandhi. I do not believe in working up mob hysteria. Politics is a gentleman's game.”

Muhammad Ali Jinnah (1876–1948) Founder and 1st Governor General of Pakistan

Speaking to journalist Durga Das in London (December 1920) as quoted in Jinnah, Pakistan and Islamic Identity : The Search for Saladin (1997) by Akbar S. Ahmed, p. 67

Julian of Norwich photo
Andy Partridge photo

“I hope that we some day will have a big budget and a lot of time in which to do our work. It is my dream to have an American staff and a Japanese staff work together to create a Godzilla film.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

Bill Hybels photo

“Don't ask God to bless junk food and miraculously transform it so that it has nutritional value. That's not how God works.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

Northrop Frye photo
Warren Farrell photo
Frances Kellor photo
Vanna Bonta photo

“The really exciting focus here [is] the event and others like it that encourage, support and celebrate the enterprising innovation of pioneers working to give humanity wings.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

about the X Prize. A Spaceship For Sale On Ebay May Win Half A Million Dollars http://www.space-travel.com/reports/A_Spaceship_For_Sale_On_Ebay_May_Win_Half_A_Million_Dollars_999.html Space Travel, Exploration and Tourism February 07, 2007

George Sarton photo
Cyrano de Bergerac photo
Paul Bourget photo
Hillary Clinton photo

“Always aim high, work hard, and care deeply about what you believe in. When you stumble, keep faith. When you're knocked down, get right back up. And never listen to anyone who says you can't or shouldn't go on.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

http://www.huffingtonpost.com/2008/06/07/clinton-concession-speech_n_105842.html, Washington D.C., June 7, 2008
Presidential campaign (January 20, 2007 – 2008)

William Cowper photo

“Deep in unfathomable mines
Of never failing skill,
He treasures up his bright designs,
And works his sovereign will.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)

Herbert Spencer photo

“What is essential to the idea of a slave? We primarily think of him as one who is owned by another. To be more than nominal, however, the ownership must be shown by control of the slave's actions — a control which is habitually for the benefit of the controller. That which fundamentally distinguishes the slave is that he labours under coercion to satisfy another's desires. The relation admits of sundry gradations. Remembering that originally the slave is a prisoner whose life is at the mercy of his captor, it suffices here to note that there is a harsh form of slavery in which, treated as an animal, he has to expend his entire effort for his owner's advantage. Under a system less harsh, though occupied chiefly in working for his owner, he is allowed a short time in which to work for himself, and some ground on which to grow extra food. A further amelioration gives him power to sell the produce of his plot and keep the proceeds. Then we come to the still more moderated form which commonly arises where, having been a free man working on his own land, conquest turns him into what we distinguish as a serf; and he has to give to his owner each year a fixed amount of labour or produce, or both: retaining the rest himself. Finally, in some cases, as in Russia before serfdom was abolished, he is allowed to leave his owner's estate and work or trade for himself elsewhere, under the condition that he shall pay an annual sum. What is it which, in these cases, leads us to qualify our conception of the slavery as more or less severe? Evidently the greater or smaller extent to which effort is compulsorily expended for the benefit of another instead of for self-benefit. If all the slave's labour is for his owner the slavery is heavy, and if but little it is light. Take now a further step. Suppose an owner dies, and his estate with its slaves comes into the hands of trustees; or suppose the estate and everything on it to be bought by a company; is the condition of the slave any the better if the amount of his compulsory labour remains the same? Suppose that for a company we substitute the community; does it make any difference to the slave if the time he has to work for others is as great, and the time left for himself is as small, as before? The essential question is—How much is he compelled to labour for other benefit than his own, and how much can he labour for his own benefit? The degree of his slavery varies according to the ratio between that which he is forced to yield up and that which he is allowed to retain; and it matters not whether his master is a single person or a society. If, without option, he has to labour for the society, and receives from the general stock such portion as the society awards him, he becomes a slave to the society.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

The Man versus the State (1884), The Coming Slavery

Heber C. Kimball photo
Francis Heylighen photo
H. R. McMaster photo
Nichelle Nichols photo
Yuval Noah Harari photo
Pliny the Elder photo
Nancy Pelosi photo

“You go through the gate. If the gate’s closed you go over the fence. If the fence is too high, we’ll pole-vault. If that doesn’t work, we’ll parachute in. But we are going to get health care reform passed for the American people.”

Nancy Pelosi (1940) American politician, first female Speaker of the House of Representatives, born 1940

11 November 2010 http://www.boston.com/bostonglobe/editorial_opinion/oped/articles/2010/11/11/a_polarizing_pelosi/
2010s

Charles Kingsley photo
Pat Carroll (actress) photo

“I just want to keep working and being enthusiastic and having dreams and working hard to make those dreams come true, anything else is boredom.”

Pat Carroll (actress) (1927) American actress

"Pat Carroll; Gertrude Stein was never a bore" (January 8, 1981)

Abhay Bang photo

“You won’t find solutions to rural India’s health issues in modern facilities that are far removed. Effective strategies will emerge only when you work with the people.”

Abhay Bang (2010) " Dr. Abhay Bang: Research with the People http://forbesindia.com/article/ideas-to-change-the-world/dr-abhay-bang-research-with-the-people/13742/1" on forbesindia.com, June 2, 2010.

David Lloyd George photo

“Play to your strengths. If you’re not the “warm & fuzzy” voice, don’t waste time trying to be that. Work at what you’re naturally good at, then make it better. Challenge people to challenge you. And know when to stop talking.”

Larry Brantley (1966) American stand-up comedian

Larry Brantley – the heart (and voice) behind Wishbone! http://hollyfranklin.com/larrybrantley/ (September 17, 2016)

Will Eisner photo

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Alice A. Bailey photo
Pranab Mukherjee photo
Baba Amte photo
Noam Chomsky photo

“As for drugs, my impression is that their effect was almost completely negative, simply removing people from meaningful struggle and engagement. Just the other day I was sitting in a radio studio waiting for a satellite arrangement abroad to be set up. The engineers were putting together interviews with Bob Dylan from about 1966-7 or so (judging by the references), and I was listening (I'd never heard him talk before — if you can call that talking). He sounded as though he was so drugged he was barely coherent, but the message got through clearly enough through the haze. He said over and over that he'd been through all of this protest thing, realized it was nonsense, and that the only thing that was important was to live his own life happily and freely, not to "mess around with other people's lives" by working for civil and human rights, ending war and poverty, etc. He was asked what he thought about the Berkeley "free speech movement" and said that he didn't understand it. He said something like: "I have free speech, I can do what I want, so it has nothing to do with me. Period."”

Noam Chomsky (1928) american linguist, philosopher and activist

If the capitalist PR machine [term used in the question] wanted to invent someone for their purposes, they couldn't have made a better choice.
Reply (via email) to Douglas Lain, June 1994 https://web.archive.org/web/20021214024709/http://www.douglaslain.com/diet-soap.html
Quotes 1990s, 1990-1994

Henri Fayol photo
Letitia Elizabeth Landon photo
Margaret Mead photo
Steve Blank photo

“Customer Discovery is damn hard work. You can't fake it.”

Steve Blank (1953) American businessman

Source: The Four Steps to the Epiphany (2013), p. 50.

Thomas Carlyle photo
Peter Paul Rubens photo

“[were I] not detained here by age and by the gout which renders me useless, I should go there to enjoy with my own eyes and admire the perfection of such worthy works.... [I pray] look upon all the marvels of your hand.... before I close my eyes forever.”

Peter Paul Rubens (1577–1640) Flemish painter

In a letter to Francois Duquesnoy, 1639-1640 ; as quoted in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 180
The sculptor Francois Duquesnoy, then living drawing heightened with in Rome, had sent him models of work done for a tomb monument, Windsor Castle, Rubens praised them with his usual expansive generosity. Rubens had begun to resign himself to his end, but could write still some letters
1625 - 1640

“The rhythm of poetry and the routine of work are interdependent for some poets”

Dennis O'Driscoll (1954–2012) Irish poet, critic

'Sing for the Taxman-Poetry Magazine-Poetry Foundation May 1 2009
Poetry Quotes

Sinclair Lewis photo
Vladimir Lenin photo
John Backus photo
Julian of Norwich photo

“This working, with all that be fair and good, our Lord doeth it in them by whom it is done: thus He is our Mother in Nature by the working of Grace in the lower part for love of the higher part. And He willeth that we know this: for He will have all our love fastened to Him. And in this I saw that all our duty that we owe, by God’s bidding, to Fatherhood and Motherhood, for God’s Fatherhood and Motherhood is fulfilled in true loving of God; which blessed love Christ worketh in us.”

Julian of Norwich (1342–1416) English theologian and anchoress

Summations, Chapter 60
Context: This fair lovely word Mother, it is so sweet and so close in Nature of itself that it may not verily be said of none but of Him; and to her that is very Mother of Him and of all. To the property of Motherhood belongeth natural love, wisdom, and knowing; and it is good: for though it be so that our bodily forthbringing be but little, low, and simple in regard of our spiritual forthbringing, yet it is He that doeth it in the creatures by whom that it is done. The Kindly, loving Mother that witteth and knoweth the need of her child, she keepeth it full tenderly, as the nature and condition of Motherhood will. And as it waxeth in age, she changeth her working, but not her love. And when it is waxen of more age, she suffereth that it be beaten in breaking down of vices, to make the child receive virtues and graces. This working, with all that be fair and good, our Lord doeth it in them by whom it is done: thus He is our Mother in Nature by the working of Grace in the lower part for love of the higher part. And He willeth that we know this: for He will have all our love fastened to Him. And in this I saw that all our duty that we owe, by God’s bidding, to Fatherhood and Motherhood, for God’s Fatherhood and Motherhood is fulfilled in true loving of God; which blessed love Christ worketh in us. And this was shewed in all and especially in the high plenteous words where He saith: It is I that thou lovest.

Marion Bauer photo

“The greatest work of the composer is often sublimation, that is, the deflection of energies, thoughts, occurrences, psychological and physical reactions, into socially constructive or creative channels.”

Marion Bauer (1882–1955) American composer

Hisama, Ellie M. (2001). Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon, p.122. Cambridge University Press. ISBN 052164030X.

Bernie Sanders photo