Quotes about work
page 76

Antonio Negri photo
John Vorster photo

“…the policy of separate development can be tested by any unprejudiced person against the requirements of Christianity and morality, and it will be found to meet all those requirements. … for conditions such as those in South Africa there is no other policy[, for without it] you will have chaos and ultimately bring about the downfall of all population groups here in South Africa. South Africa's problems are unique and South Africa has chosen its solution. …we, the Whites, the Coloureds, the Asians and the Bantu, will work out our own solutions here in South Africa. …we instituted the policy of separate development, not because we considered ourselves better than others, not because we considered ourselves richer or more educated than others. We instituted the policy of separate development because we said we were different from others. We prize that otherness and are not prepared to relinquish it. … We have our land and we and we alone will have author­ity over it. We have our Parliament and in that Parliament we and we alone will be represented; that is why [during] this past session it was my pleasant privilege to … abolish Coloured representation in Parliament; and it has been abolished once and for all. … but one should also put something in its place. That is why the National Party … for the first time [has given] the Coloureds in the Republic a Coloured Persons Representative Council in their own political area [where they] can exercise their political rights in their own way and by their own people. That is morality, that is policy, that is standpoint. … We said you may not attend my university, but we did not leave it at that. We said we shall give you a university of your own. We said you may not attend my school but we said we shall give you a school of your own. That is morality, that is Christianity …”

John Vorster (1915–1983) politician from South Africa and seventh Prime Minister of South Africa

John Vorster in his Heilbron speech http://www.sahistory.org.za/archive/extract-speech-made-heilbron-16-august-1968 on 16 August 1968, as quoted in sahistory.org.za

Carl Sagan photo
Ilana Mercer photo

“The military works like government; is financed like government, and sports the same inherent malignancies and perverse incentives of government, down to the racial-spoils system.”

Ilana Mercer South African writer

"The Silent Co-Conspirators In Military Mass Shootings" http://www.economicpolicyjournal.com/2013/09/the-silent-co-conspirators-in-military.html Economic Policy Journal, September 22, 2013.
2010s, 2013

William Morley Punshon photo
Nathanael Greene photo
Brad Dourif photo
Andrew Dickson White photo
Stuart Kauffman photo
Warren Farrell photo
Peter Kropotkin photo
Anthony Burgess photo
Nassim Nicholas Taleb photo

“I disagree with the followers of Marx and those of Adam Smith: the reason free markets work is because they allow people to be lucky, thanks to aggressive trial and error, not by giving rewards or "incentives" for skill.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Source: The Black Swan: The Impact of the Highly Improbable (2007), p. xxi

“What I try with my own stuff is to work the poem to a slow climax through a series of quiet painful dissonances.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Rothenberg and Antin interview (1958)

Olly Blackburn photo

“Making Donkey Punch was all about energy, speed and intense work.”

Olly Blackburn Film director and screenwriter

[Edinburgh International Film Festival, www.edfilmfest.org.uk, http://www.edfilmfest.org.uk/news/2008/06/self-portrait-olly-blackburn, Olly Blackburn, News - Self portrait: Olly Blackburn, 20 June 2008, 23 February 2012]

Leo Tolstoy photo
John McCain photo
Vitruvius photo
Paul Lafargue photo

“Jehovah … gave his worshippers the supreme example of ideal laziness; after six days of work, he rests for all eternity.”

Paul Lafargue (1842–1911) French politician

The Right to Be Lazy (1883), H. Kerr, trans. (1907), pp. 12-13

Tsunetomo Yamamoto photo
William Hague photo
Vyasa photo
Mokshagundam Visveshvaraya photo

“These facts and figures must serve as an eye-opener to the people of Mysore. I refer to them here not because I have any hopes of our reaching the levels of prosperity of the two Colonies, but because it will do us good to know what organization and human endeavour are capable of achieving under favourable conditions. / The nationality of our people rests on a religious and fatalistic basis, not on an economic basis, as in the West. There are still people among us who believe that the golden age was in the past, the world is on the down-grade and the old-word conditions might yet be reproduced some day. The Hindu ideal of life is that this world is a preparation for the next and not a place to stay in and make ourselves comfortable. We are devoted to past ideals, although, out of necessity or from prospect of personal gain, we have partly taken to Western methods of work and business. There is a yearning for the old ideals and a half-hearted acquiescence in the new and, on the whole, the genius of the people is for standing still. / If we are to follow in the wake of other countries in the pursuit of material prosperity, we must give up aimless activities and bring our ideals into line with the standards of the West, namely, to spread education in all grades, multiply occupations and increase production and wealth. All other activities should conform themselves to the economic idea.”

Mokshagundam Visveshvaraya (1860–1962) Indian engineer, scholar, statesman and the Diwan of Mysore

148-149
[Speeches by Sir M. Visvesvaraya, K.C.I.E, https://archive.org/details/VisvesvarayaSpeeches, 1917, Bangalore Government Press, 148]

Jeremy Irons photo

“I've never been passionate about acting, and I find more and more that I work to live the life I want to live. An actor like Al Pacino lives to act. I'm not sure though, there's something about the detachment I have, the feeling of the lack of importance about what I do, that is healthy.”

Jeremy Irons (1948) English actor

King of all his castles
The New Zealand Herald
2005-05-14
Elaine
Lipworth
http://www.nzherald.co.nz/lifestyle/news/article.cfm?c_id=6&objectid=10125499
2011-08-11

Malcolm Muggeridge photo
Paul A. Samuelson photo
Dave Gorman photo
Herman Cain photo

“I don't believe racism in this country today holds anybody back in a big way. Are there some elements of racism? Yes, it gets back to if we don't grow this economy, that is a ripple effect for every economic level, and because blacks are more disproportionately unemployed, they get hit the worst when economic policies don't work. That's where it starts.”

Herman Cain (1945) American writer, businessman and activist

State of the Union
2011-10-09
Television, quoted in * Cain: Racism not holding anyone back
Political Ticker
2011-10-09
Kevin
Liptak
CNN
http://politicalticker.blogs.cnn.com/2011/10/09/cain-racism-not-holding-anyone-back/

Alex Kozinski photo
Cassandra Clare photo
Scott Ritter photo
Hendrik Werkman photo

“There the telephone is ringing again - the engine, the machines [of the printing company] that call you with their sounds - those people who honor and tease [you] with their orders and admonitions - the chiefs who ask - the bills that have to be paid - the interest that force you to work.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Daar heb je weer de telefoon, de motor de machines [ van de drukkerij] die met hun geluiden je roepen, die mensen die met hun orders en standjes vereeren en plagen, de chefs die vragen, de wissels die betaald moeten worden, de rente die je noodzaakt tot werken.
Quote of Hendrik Werkman, c. 1920's; as cited by Martin Werkman, in Pakketten voor Dames, quoted by Doeke Sijens in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 35
1920's

Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

John Ruskin photo
Jakob Dylan photo

“If God is working I wish He’d say so
Maybe He don’t live here anymore”

Jakob Dylan (1969) singer and songwriter

"We Don’t Live Here Anymore"
Women + Country (2010)

Fritz Todt photo
Martin Heidegger photo

“Enjoyment of the work consists in participation in the creative state of the artist.”

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 117

Frederick Douglass photo

“The slave is a man, "the image of God," but "a little lower than the angels;" possessing a soul, eternal and indestructible; capable of endless happiness, or immeasurable woe; a creature of hopes and fears, of affections and passions, of joys and sorrows, and he is endowed with those mysterious powers by which man soars above the things of time and sense, and grasps, with undying tenacity, the elevating and sublimely glorious idea of a God. It is such a being that is smitten and blasted. The first work of slavery is to mar and deface those characteristics of its victims which distinguish men from things, and persons from property. Its first aim is to destroy all sense of high moral and religious responsibility. It reduces man to a mere machine. It cuts him off from his Maker, it hides from him the laws of God, and leaves him to grope his way from time to eternity in the dark, under the arbitrary and despotic control of a frail, depraved, and sinful fellow-man. As the serpent-charmer of India is compelled to extract the deadly teeth of his venomous prey before he is able to handle him with impunity, so the slaveholder must strike down the conscience of the slave before he can obtain the entire mastery over his victim.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The Nature of Slavery. Extract from a Lecture on Slavery, at Rochester, December 1, 1850
1850s, My Bondage and My Freedom (1855)

Steve Ballmer photo

“I think fully accepting that things are not the way they need to be, and going to work on those issues in a way that people understand you are serious about, as opposed to the tech industry generally appearing arrogant, I understand that.”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

Business Insider: "Former Microsoft CEO Steve Ballmer has advice for Facebook and Google: Don't make the mistake we did" http://www.businessinsider.com/ex-microsoft-ceo-steve-baller-tech-industry-work-with-regulators-2018-6?r=UK&IR=T (23 June 2018)
2010s

Andrei Tarkovsky photo
Vladimir Lenin photo

“When we say "the state," the state is We, it is we, it is the proletariat, it is the advanced guard of the working class.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Speech (27 May 1922).
1920s

Charles Henry Fowler photo
Sri Aurobindo photo
Roberto Mangabeira Unger photo

“It was jest another instance of a flaw in work of man;
A lefty never figgered in the gunman’s battle plan;
There ain’t no scheme man thinks of that Dame Nature cannot beat —
So his pupils are unlearnin’ that cute trick they got from Pete.”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

Pete's Error http://www.cowboypoetry.com/ac.htm#PETE, st. 4.
Out Where the West Begins and Other Western Verses http://www.cowboypoetry.com/ac.htm#outbk (1917)

Max Frisch photo

“Where the works gives scope for individuality, one sees a blossoming of self respect”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

Reese Witherspoon photo
Joe Biden photo

“But I respectfully suggest, Major, that the responsibility is slightly above your pay grade, to decide whether to take the nation to war alone, or to take the nation to war part way, or to take the Nation to work half-way. That is a real tough decision.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

To Scott Ritter, in hearings about the disarmament process, before the Senate Committee on Armed Services (September 1998), quoted in * 2020-01-07 Joe Biden, five years before invasion, said the only way of disarming Iraq is "taking Saddam down" Ryan Grim The Intercept https://theintercept.com/2020/01/07/joe-biden-iraq-war-history/
1990s

“Whatever we are directed to pray for, we are also exhorted to work for; we are not permitted to mock Jehovah, asking that of Him which we deem not worth our pains to acquire.”

Elias Lyman Magoon (1810–1886) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 469.

Wilhelm Backhaus photo
Donald Tsang photo
Bell Hooks photo

“Betty Friedan's The Feminine Mystique is still heralded as having paved the way for contemporary feminist movement-it was written as if these women did not exist. Friedan's famous phrase, "the problem that has no name," often quoted to describe the condition of women in this society, actually referred to the plight of a select group of college-educated, middle and upper class, married white women-housewives bored with leisure, with the home, with children, with buying products, who wanted more out of life. Friedan concludes her first chapter by stating: "We can no longer ignore that voice within women that says: 'I want something more than my husband and my children and my house.'" That "more" she defined as careers. She did not discuss who would be called in to take care of the children and maintain the home if more women like herself were freed from their house labor and given equal access with white men to the professions. She did not speak of the needs of women without men, without children, without homes. She ignored the existence of all non-white women and poor white women. She did not tell readers whether it was more fulfilling to be a maid, a babysitter, a factory worker, a clerk, or a prostitute, than to be a leisure class housewife. She made her plight and the plight of white women like herself synonymous with a condition affecting all American women. In so doing, she deflected attention away from her classism, her racism, her sexist attitudes towards the masses of American women. In the context of her book, Friedan makes clear that the women she saw as victimized by sexism were college-educated, white women who were compelled by sexist conditioning to remain in the home. … Specific problems and dilemmas of leisure class white housewives were real concerns that merited consideration and change but they were not the pressing political concerns of masses of women. Masses of women were concerned about economic survival, ethnic and racial discrimination, etc. When Friedan wrote The Feminine Mystique, more than one third of all women were in the work force. Although many women longed to be housewives, only women with leisure time and money could actually shape their identities on the model of the feminine mystique.”

p. 1-2 https://books.google.com/books?id=uvIQbop4cdsC&pg=PA1.
Feminist Theory: From Margin to Center (1984), Chapter 1: Black Women: Shaping Feminist Theory

Murray N. Rothbard photo
Ernst Ludwig Kirchner photo
Jack Lambert photo

“How lucky I was to have played for the Pittsburgh Steelers fans. A proud, hard-working people, who loves their football, and their players.”

Jack Lambert (1952) American football player

In his Hall of Fame induction speech. http://www.profootballhof.com/multimedia/inductions/2010/7/6/jack-lamberts-enshrinement-speech/

George Steiner photo
Ellsworth Kelly photo
Jerry Coyne photo
Aldo Leopold photo

“A profession is a body of men who voluntarily measure their work by a higher standard than their clients demand. To be professionally acceptable, a policy must be sound as well as salable. Wildlife administration, in this respect, is not yet a profession.”

Aldo Leopold (1887–1948) American writer and scientist

"Chukaremia" [1938]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 246.
1930s

Ernest Belfort Bax photo

“I fear many working men will tell Mrs. Besant that the greatest hindrance to their political and social activity is the apathy of their wives.”

Ernest Belfort Bax (1854–1926) British barrister and journalist

To-Day magazine, October issue ‘No Misogyny But True Equality’ http://historyoffeminism.com/ernest-belfort-bax-no-misogyny-but-true-equality-1887-complete/
‘No Misogyny But True Equality’ (1887)

Richard Henry Dana Jr. photo

“Referring to a professor aboard ship: This passenger — the first and only one we had had, except to go from port to port on the coast — was no one else than a gentleman whom I had known in my smoother days, and the last person I should have expected to see on the coast of California — Professor Nuttall of Cambridge. I had left him quietly seated in the chair of the Botany and Ornithology Department at Harvard University, and the next I saw of him, he was strolling about San Diego beach, in a sailors' pea jacket, with a wide straw hat, and barefooted, with his trousers rolled up to his knees, picking up stones and shells… I was often amused to see the sailors puzzled to know what to make of him, and to hear their conjectures about him and his business… The Pilgrim's crew called Mr. Nuttall "Old Curious," from his zeal for curiosities; and some of them said that he was crazy, and that his friends let him go about and amuse himself this way. Why else would (he)… come to such a place as California to pick up shells and stones, they could not understand. One of them, however, who had seen something more of the world ashore said, "Oh, 'vast there!… I've seen them colleges and know the ropes. They keep all such things for cur'osities, and study 'em, and have men a purpose to go and get 'em… He'll carry all these things to the college, and if they are better than any that they have had before, he'll be head of the college. Then, by and by, somebody else will go after some more, and if they beat him he'll have to go again, or else give up his berth. That's the way they do it. This old covery knows the ropes. He has worked a traverse over 'em, and come 'way out here where nobody's ever been afore, and where they'll never think of coming."”

This explanation satisfied Jack; and as it raised Mr. Nuttall's credit, and was near enough to the truth for common purposes, I did not disturb it.
Source: Two Years Before the Mast (1840), p. 267

Joseph Beuys photo
Hans von Seeckt photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Vincent Van Gogh photo

“Believe me, I work, I drudge, I grind all day long and I do so with pleasure, but I should get very much discouraged if I could not go on working as hard or even harder... I feel, Theo, that there is a power within me, and I do what I can to bring it out and free it. It is hard enough, all the worry and bother with my drawings, and if I had too many other cares and could not pay the models I should lose my head.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Jan. 1882; as quoted in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 171)
1880s, 1882

Nile Kinnick photo
Abd al-Karim Qasim photo
Józef Piłsudski photo

“I am not going to dictate to you what you write about my life and work. I only ask that you not make me out to be a 'whiner and sentimentalist.”

Józef Piłsudski (1867–1935) Polish politician and Prime Minister

(1908) Bohdan Urbankowski, Józef Piłsudski: Dreamer and Strategist, 1997, ISBN 8370019145, p. 133
Attributed

Thomas Hardy photo

“Work hard and be poor, do nothing and get more.”

The Hand of Ethelberta (1876), ch. 1

Sam Harris photo
Cesare Pavese photo

“A man succeeds in completing a work only when his qualities transcend that work.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Oliver Cromwell photo

“God has brought us where we are, to consider the work we may do in the world, as well as at home.”

Oliver Cromwell (1599–1658) English military and political leader

Speech to the Army Council (1654)

Michael Halliday photo

“What makes learning possible is that the coding imposed by the mother tongue corresponds to a possible mode of perception and interpretation of the environment. A green car can be analysed experientially as carness qualified by greenness, if that is the way the system works.”

Michael Halliday (1925–2018) Australian linguist

Source: 1970s and later, Learning How to Mean--Explorations in the Development of Language, 1975, p. 140 cited in: Clare Painter (2005) Learning Through Language In Early Childhood. p. 64.

Joseph Joubert photo

“Genius begins beautiful works, but only labor finishes them.”

Joseph Joubert (1754–1824) French moralist and essayist

Le génie commence les beaux ouvrages, mais le travail seul les achève.

Angela Davis photo
Donald J. Trump photo
Ron Paul photo
Lee Kuan Yew photo

“I lived a very isolated life. When you start at 20, you have a lot of nonsense to work out of your system.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Edie : Girl On Fire (2006)

Stuart A. Umpleby photo
Matt Ridley photo
Nile Kinnick photo
Richard Nixon photo
Bernie Sanders photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Herman Kahn photo
Joseph McCarthy photo

“I have here in my hand a list of 205 that were made known to the Secretary of State as being members of the Communist Party and who nevertheless are still working and shaping policy in the State Department.”

Joseph McCarthy (1908–1957) Wisconsin politician

Attributed to a speech in Wheeling, West Virginia (9 February 1950), as printed in the Wheeling Intelligencer. At dispute is whether McCarthy claimed 205 names, as many historical accounts say, or 57 names, as McCarthy said on the Senate floor; see Congressional Record (20 February 1950) http://www.wvculture.org/hiStory/government. McCarthy admitted using the number 205 in speeches, but in reference to a statistic for which he had no names. Eyewitnesses to the speech remember him referring to both figures at different points. McCarthy provided a copy of his list to Sen. Millard Tydings on request; it had 81 names, some of which had handwritten annotations. He refused to disclose all of the names publicly unless given access to relevant government files, citing libel concerns. See also Blacklisted from History (2007) by M. Stanton Evans.
Disputed