Quotes about voice
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Friedrich Schiller photo

“The dictates of the heart are the voice of fate.”

Act III, sc. viii
Wallenstein (1798), Part I - Die Piccolomini (The Piccolomini)

Black Elk photo
Malala Yousafzai photo
Marilyn Manson photo

“Art gives me the freedom I don’t have when I make music. In music, you feel a connection to the voice and think about the person behind it. In art that's secondary.”

Marilyn Manson (1969) American rock musician and actor

Regarding his latest art exhibition, as quoted in The Age http://www.theage.com.au/ (30 June 2010).
2010s

James Woods photo
Lisa Gerrard photo
Bellamy Young photo

“That little, small voice in your mind and in your heart that makes you curious about being vegan is something you should listen to, because that’s the sound of your conscience making you be compassionate.”

Bellamy Young (1970) American artist

"Longtime Vegan Bellamy Young: Variety Is Infinite", video interview with PETA (10 February 2016) https://www.youtube.com/watch?v=cLjdSQqq52o.

Haile Selassie photo

“Throughout history, it has been the inaction of those who could have acted, the indifference of those who should have known better, the silence of the voice of justice when it mattered most, that has made it possible for evil to triumph.”

Haile Selassie (1892–1975) Emperor of Ethiopia

Cited as from an address in Addis Ababa (1963) in Simpson's Contemporary Quotations (1988) http://www.bartleby.com/63/73/1173.html edited by James B. Simpson ISBN 0395430852

Dadabhai Naoroji photo

“More than 20 years earlier a small band of Hindu students and thoughtful gentlemen used to meet secretly to discuss the effects of British rule in India. The home charges and the transfer of capital from India to England in various shapes, and the exclusion of the children of the country from any share or voice in the administration of their own country, formed the chief burden of their complaint.”

Dadabhai Naoroji (1825–1917) Indian politician

As the theoretician of the "Drain Theory", he explained in his lecture delivered at the East Indian Association, London on 2 May 1867 in Forerunners of Dadabhai Naoroji’s Drain Theory, 3 December 2013, Jstor Organization http://www.jstor.org/discover/10.2307/4411389?uid=3738256&uid=2129&uid=2&uid=70&uid=4&sid=21103047963541,
Drain Theory

Rainer Maria Rilke photo

“How shall I hold on to my soul, so that
it does not touch yours? How shall I lift
it gently up over you on to other things?
I would so very much like to tuck it away
among long lost objects in the dark,
in some quiet, unknown place, somewhere
which remains motionless when your depths resound.
And yet everything which touches us, you and me,
takes us together like a single bow,
drawing out from two strings but one voice.
On which instrument are we strung?
And which violinist holds us in his hand?
O sweetest of songs.”

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Amy Goodman photo

“Going to where the silence is. That is the responsibility of a journalist: giving a voice to those who have been forgotten, forsaken, and beaten down by the powerful.”

Amy Goodman (1957) American broadcast journalist, syndicated columnist, investigative reporter and author

The Exception to the Rulers written with David Goodman

Jawaharlal Nehru photo

“Every little thing counts in a crisis and we want our weight felt and our voice heard in quarters which are for the avoidance of world conflict.”

Jawaharlal Nehru (1889–1964) Indian lawyer, statesman, and writer, first Prime Minister of India

Jawaharlal Nehru's Speeches 1949 - 1953 (1954), p. 144

Virginia Woolf photo
Barack Obama photo
José Saramago photo

“Fumbling in total darkness, they reached out to each other, naked, he penetrated her with desire and she received him eagerly, and they exchanged eagerness and desire until their bodies were locked in embrace, their movements in harmony, her voice rising from the depth of her being, his totally submerged, the cry that is born, prolonged, truncated, that muffled sob, that unexpected tear, and the machine trembles and shudders, probably no longer even on the ground but, having rent the screen of brambles and undergrowth, is now hovering at dead of night amid the clouds, Blimunda, Baltasar, his body weighing on hers, and both weighing on the earth, for at last they are here, having gone and returned.”

Em profunda escuridão se procuraram, nus, sôfrego entrou nela, ela o recebeu ansiosa, depois a sofreguidão dela, a ânsia dele, enfim os corpos encontrados, os movimentos, a voz que vem do ser profundo, aquele que não tem voz, o grito nascido, prolongado, interrompido, o soluço seco, a lágrima inesperada, e a máquina a tremer, a vibrar, porventura não está já na terra, rasgou a cortina de silvas e enleios, pairou no alto da noite, entre as nuvens, pesa o corpo dele sobre o dela, e ambos pesam sobre a terra, afinal estão aqui, foram e voltaram.
Source: Baltasar and Blimunda (1982), pp. 255–256

Nikola Tesla photo
Barack Obama photo
Marquis de Sade photo
Barack Obama photo
Karl Menninger photo
Novalis photo
Barack Obama photo
George W. Bush photo

“I'm going to put people in my place, so when the history of this administration is written at least there's an authoritarian voice saying exactly what happened.”

George W. Bush (1946) 43rd President of the United States

Discussing his forthcoming book, as quoted in the Associated Press, March 17, 2009 http://www.huffingtonpost.com/2009/03/17/bush-abstains-from-critic_n_176032.html.
2000s, 2009

Edgar Allan Poe photo
Thomas Paine photo
Kurt Vonnegut photo
Herman Melville photo
Barack Obama photo

“And at some point, I know that one of my daughters will ask, perhaps my youngest, will ask, "Daddy, why is this monument here? What did this man do?" How might I answer them? Unlike the others commemorated in this place, Dr. Martin Luther King Jr. was not a president of the United States — at no time in his life did he hold public office. He was not a hero of foreign wars. He never had much money, and while he lived he was reviled at least as much as he was celebrated. By his own accounts, he was a man frequently racked with doubt, a man not without flaws, a man who, like Moses before him, more than once questioned why he had been chosen for so arduous a task — the task of leading a people to freedom, the task of healing the festering wounds of a nation's original sin. And yet lead a nation he did. Through words he gave voice to the voiceless. Through deeds he gave courage to the faint of heart. By dint of vision, and determination, and most of all faith in the redeeming power of love, he endured the humiliation of arrest, the loneliness of a prison cell, the constant threats to his life, until he finally inspired a nation to transform itself, and begin to live up to the meaning of its creed.
Like Moses before him, he would never live to see the Promised Land. But from the mountain top, he pointed the way for us — a land no longer torn asunder with racial hatred and ethnic strife, a land that measured itself by how it treats the least of these, a land in which strength is defined not simply by the capacity to wage war but by the determination to forge peace — a land in which all of God's children might come together in a spirit of brotherhood.
We have not yet arrived at this longed for place. For all the progress we have made, there are times when the land of our dreams recedes from us — when we are lost, wandering spirits, content with our suspicions and our angers, our long-held grudges and petty disputes, our frantic diversions and tribal allegiances. And yet, by erecting this monument, we are reminded that this different, better place beckons us, and that we will find it not across distant hills or within some hidden valley, but rather we will find it somewhere in our hearts.”

Barack Obama (1961) 44th President of the United States of America

Dr. Martin Luther King Jr. National Memorial Groundbreaking Ceremony (13 November 2006)
2006

Black Elk photo
Friedrich Nietzsche photo

“I always believed that at some time fate would take from me the terrible effort and duty of educating myself. I believed that, when the time came, I would discover a philosopher to educate me, a true philosopher whom one could follow without any misgiving because one would have more faith in him than one had in oneself. Then I asked myself: what would be the principles by which he would educate you?—and I reflected on what he might say about the two educational maxims which are being hatched in our time. One of them demands that the educator should quickly recognize the real strength of his pupil and then direct all his efforts and energy and heat at them so as to help that one virtue to attain true maturity and fruitfulness. The other maxim, on the contrary, requires that the educator should draw forth and nourish all the forces which exist in his pupil and bring them to a harmonious relationship with one another. … But where do we discover a harmonious whole at all, a simultaneous sounding of many voice in one nature, if not in such men as Cellini, men in whom everything, knowledge, desire, love, hate, strives towards a central point, a root force, and where a harmonious system is constructed through the compelling domination of this living centre? And so perhaps these two maxims are not opposites at all? Perhaps the one simply says that man should have a center and the other than he should also have a periphery? That educating philosopher of whom I dreamed would, I came to think, not only discover the central force, he would also know how to prevent its acting destructively on the other forces: his educational task would, it seemed to me, be to mould the whole man into a living solar and planetary system and to understand its higher laws of motion.”

“Schopenhauer as educator,” § 3.2, R. Hollingdale, trans. (1983), pp. 130-131
Untimely Meditations (1876)

Barack Obama photo

“But for all those who scratched and clawed their way to get a piece of the American Dream, there were many who didn't make it - those who were ultimately defeated, in one way or another, by discrimination. That legacy of defeat was passed on to future generations - those young men and increasingly young women who we see standing on street corners or languishing in our prisons, without hope or prospects for the future. Even for those blacks who did make it, questions of race, and racism, continue to define their world-view in fundamental ways. For the men and women of Reverend Wright’s generation, the memories of humiliation and doubt and fear have not gone away; nor has the anger and the bitterness of those years.
That anger may not get expressed in public, in front of white co-workers or white friends. But it does find voice in the barbershop, or the beauty shop, or around the kitchen table. At times, that anger is exploited by politicians, to gin up votes along racial lines, or to make up for a politician's own failing. And occasionally it finds voice in the church on Sunday morning, in the pulpit and in the pews. The fact that so many people are surprised to hear that anger in some of Reverend Wright's sermons simply reminds us of the old truism that the most segregated hour of American life occurs on Sunday morning.”

Barack Obama (1961) 44th President of the United States of America

2008, A More Perfect Union (March 2008)

Ozzy Osbourne photo
Barack Obama photo
Black Elk photo
Angelus Silesius photo
José José photo

“For three years I was immersed in a depression, I did not know how to assimilate the loss of my voice, which was a reality.”

José José (1948–2019) Mexican singer

http://www.eluniversal.com.mx/notas/551253.html

Gabriel Iglesias photo

“I accidentally wound up at this "dance…place", gentleman clubby place. I wasn't driving, it was an accident; we pulled up to the place, ya know (car engine, brakes), ah! I knew where I was, you can be drunk and know where you are, so long as you hear (drum beats), AAAH! I walked in there and I got recognized by one of the dancers. You gotta call them "dancers" or "entertainers" or they'll get mad at you, "(feminine voice) I am not a stripper, ok?! I'm an entertainer." And I said, "No, I'm an entertainer, you're nasty!" Some girl recognized me, and she said, "Omigawd I know who you are, you're faamous!" And I'm like, "Oh no, oh no!" And some other dancer who was spinning around on a pole overheard famous and she stopped [eek! Looks over]. She walks over, "(feminine voice) Oh my gawd, you're famous? Can I have your autograph?" I was like, "You don't even know who I am." "I don't care; SIGN IT!" "Ok, relax; what's your name?" "Diamond." "What's your last name?" "Rodriguez." "(writing)To Diamond, with all my love and affection…" "HURRY UP!" I got so mad, so I wrote, "George Lopez." I was so drunk, I didn't care; and she freaked out, she was like, "Oh my gawd! OH MY GAWD! You're George Lopez!" I can't help it guys, I was so drunk, I did this; I said, "[George Lopez voice] I know, huh? Ay, ay, cabrona! Why you cry!? Why you crying'!?"”

Gabriel Iglesias (1976) American actor

I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)

Black Elk photo
Juan Antonio Villacañas photo
Naguib Mahfouz photo

“Voices were blended and intermingled in a tumultuous swirl around which eddied laughter, shouts, the squeaking of doors and windows, piano and accordion music, rollicking handclaps, a policeman's bark, braying, grunts, coughs of hashish addicts and screams of drunkards, anonymous calls for help, raps of a stick, and singing by individuals and groups.”

Naguib Mahfouz (1911–2006) Egyptian writer

Mahfouz (1957) Palace of Desire Part II; Cited in Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006

Kenzaburō Ōe photo
Henri Barbusse photo
Antoine de Saint-Exupéry photo

“Each man must look to himself to teach him the meaning of life. It is not something discovered: it is something molded. These prison walls that this age of trade has built up round us, we can break down. We can still run free, call to our comrades, and marvel to hear once more, in response to our call, the impassioned chant of the human voice.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

1939 translation:
We can still run free, call to our comrades, and marvel to hear once more, in response to our call, the pathetic chant of the human voice.
Source: Terre des Hommes (1939), Ch. II : The Men, as quoted in The Lyric Self in Zen and E.E. Cummings (2015) by Michael Buland Burns and ‎Rima Snyder, p. 72

Sukirti Kandpal photo
Jean Jacques Rousseau photo

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Julia Roberts photo
Thomas De Quincey photo
Gabriel Iglesias photo

“Three years ago, I bought a Beetle, not even thinking. [Audience laughs some] That's not the joke, shut up. See? I can't even tell you guys a story. [mocking laugh] I wasn't thinking, I bought the car, because it was affordable, economical, brand-new freakin' Beetle for like $17,000. I was, like, "AHHH!" First new car, you know? I go to show it off at my friend Martin's house. I thought it was nice. I pull up, like, [Imitates car driving, then brakes screeching] "MARTEEEEEEEEEEEEN!" He lives in the 'hood, I don't get out of the car. Across the street, there are these gang members, the kind of gang members that, they don't get into like shooting people and stuff like that, they just sit on the porch and talk a lot of smack. So I'm there in a Beetle and across the street, I hear this. I was like, "MARTEEEEEEN!" Over here, I hear, "Oralé!" [Looks behind] "Hey, what's up guys, hows it going?" "How did you get in there, esé?" [Gives an frustrated look] "HURRY UP, MARTIN!" 2 months later, I go back to pick him up. Now, I've had some time to work on the car. I put some rims on it, some stickers on it, I put a chip in the motor that makes it go faster. I thought I was bad, right? So I pull up, [Imitates car driving, tires screeching, and the motor revving] "MARTEEEEEN!" [Gesturing to the voice behind him] "Orale!" [Gabriel shakes his head] Uh-uh, I'm not turning around. "Hey!" Mmm-mm. "Hey!" I don't see you! "Yoo-hoo!" [Growls and turns around] "EH!"”

Gabriel Iglesias (1976) American actor

WHAT?! "Check it out, eh, it's the Fat and the Furious!"
Hot & Fluffy (2007)

Sadegh Hedayat photo
Barack Obama photo

“These voices blame the Middle East's only democracy for the region's extremism. They offer the false promise that abandoning a stalwart ally is somehow the path to strength. It is not, it never has been, and it never will be.”

Barack Obama (1961) 44th President of the United States of America

Speech at AIPAC Policy Conference (4 June 2008) http://www.npr.org/templates/story/story.php?storyId=91150432&ft=1&f=1102
2008

Hugh Laurie photo
Morihei Ueshiba photo
Richard Wagner photo
Maria Callas photo

“What a lovely voice, but who cares?”

Maria Callas (1923–1977) American-born Greek operatic soprano

On hearing a recording by Renata Tebaldi, as quoted in The Last Prima Donnas (1982) by Lanfranco Rasponi; also in The Book of Musical Anecdotes (1985) by Norman Lebrecht ISBN 0-02-918710-9

Sarah Vaughan photo
Barack Obama photo
Barack Obama photo
Georgy Zhukov photo
Gabriel Iglesias photo

“The next thing I know, I'm on the set of the movie Magic Mike. The movie is directed by a director named Steven Soderbergh, who's an amazing, amazing director, he's done a lot of great films. And, of course, Channing Tatum's in the movie. In addition, there's an actor by the name of Matthew McConaughey, who's attached to the movie. [Several audience members cheer] I'm a huge fan of Matthew McConaughey, okay? When I found out that I was gonna work with him, I was so excited, you know? People ask me, "Really, you get star-struck?" Hell yeah! I'm a comedian, not an actor. So, I show up, and, immediately, they send me to the makeup trailer that's outside. So, I go into the makeup trailer, I sit down, they start working on my hair, they start putting makeup on me, and in comes Matthew McConaughey, and he sits down on the chair right next to me. And I start freaking out, "Oh, my God, that's Matthew McConaughey!" [Stutters excitedly] And, now, I decide to introduce myself before I did or said something stupid, right? So, I look over to him, and I say, "Excuse me, Mr. McConaughey? How are you doing? My name's Gabriel Iglesias, I'm going to be playing the role of Tobias, the club DJ, and I just wanted to say Hello, and that it's an honor to work with you." And, in my head, I'm thinking, "I hope he's the same guy. I hope he's the same person in the movies, I hope his voice is the same, I hope his accent's the same." And he turns to me, and he says, [Imitating Matthew McConaughey] "All riiight." [Audience cheers] "How you doin' there, big man? You doin' good?" "I'm doing good." "All riiight."”

Gabriel Iglesias (1976) American actor

And, I'm spazzing out. [Gives excited gibberish]
Aloha, Fluffy (2013)

Barack Obama photo

“[D]emocracy is not something that is static; it’s something that we constantly have to work on. […]democracy is a little messier than alternative systems of government, but that’s because democracy allows everybody to have a voice. And that system of government lasts, and it’s legitimate, and when agreements are finally struck, you know that nobody is being left out of the conversation. And that’s the reason for our stability and our prosperity.”

Barack Obama (1961) 44th President of the United States of America

Joint news conference with Thai Prime Minister Yingluck Shinawatra at Government House, Bangkok, Thailand on November 18, 2012 http://www.whitehouse.gov/the-press-office/2012/11/18/remarks-president-obama-and-prime-minister-shinawatra-joint-press-confer
2012

Malala Yousafzai photo
Oliver Cowdery photo

“I shall not attempt to paint to you the feelings of this heart, nor the majestic beauty and glory which surrounded us on this occasion; but you will believe me when I say, that earth, nor men, with the eloquence of time, cannot begin to clothe language in as interesting and sublime a manner as this holy personage. No; nor has this earth power to give the joy, to bestow the peace, or comprehend the wisdom which was contained in each sentence as they were delivered by the power of the Holy Spirit! Man may deceive his fellow-men, deception may follow deception, and the children of the wicked one may have power to seduce the foolish and untaught, till naught but fiction feeds the many, and the fruit of falsehood carries in its current the giddy to the grave; but one touch with the finger of his love, yes, one ray of glory from the upper world, or one word from the mouth of the Savior, from the bosom of eternity, strikes it all into insignificance, and blots it forever from the mind. The assurance that we were in the presence of an angel, the certainty that we heard the voice of Jesus, and the truth unsullied as it flowed from a pure personage, dictated by the will of God, is to me past description, and I shall ever look upon this expression of the Savior’s goodness with wonder and thanksgiving while I am permitted to tarry; and in those mansions where perfection dwells and sin never comes, I hope to adore in that day which shall never cease.”

Oliver Cowdery (1806–1850) American Mormon leader

Letter from Oliver Cowder to W.W. Phelps (Letter I), (September 7, 1834). Published in Latter Day Saints' Messenger and Advocate, Vol. I. No. 1. Kirtland, Ohio, October, 1834. Published in Letters by Oliver Cowdery to W.W. Phelps on the Rise of the Church of Jesus Christ of Latter-day Saints, Liverpool, 1844.

Barack Obama photo
Rabindranath Tagore photo
Aurelius Augustinus photo
Ronald Reagan photo

“Admittedly there is a risk in any course we follow other than this [surrender], but every lesson in history tells us that the greater risk lies in appeasement, and this is the specter our well-meaning liberal friends refuse to face — that their policy of accommodation is appeasement, and it gives no choice between peace and war, only between fight and surrender. If we continue to accommodate, continue to back and retreat, eventually we have to face the final demand — the ultimatum. And what then? When Nikita Khrushchev has told his people he knows what our answer will be? He has told them that we are retreating under the pressure of the Cold War, and someday when the time comes to deliver the final ultimatum, our surrender will be voluntary because by that time we will have weakened from within spiritually, morally, and economically. He believes this because from our side he has heard voices pleading for "peace at any price" or "better Red than dead," or as one commentator put it, he would rather "live on his knees than die on his feet." And therein lies the road to war, because those voices don't speak for the rest of us. You and I know and do not believe that life is so dear and peace so sweet as to be purchased at the price of chains and slavery. If nothing in life is worth dying for, when did this begin — just in the face of this enemy?”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

1960s, A Time for Choosing (1964)

Caspar David Friedrich photo

“Man should not be held as an absolute standard for mankind, but the Godly, the infinite is his goal... Follow without hesitation the voice of your inner self; for it is the Godly in us and leads us not to astray..”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from: Caspar David Friedrich, by Irma Emmerich; Herman Böhlaus, Weimar, 1964, p. 11; as cited & transl. by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 4
undated

Jennifer Beals photo
Albert Schweitzer photo
Chris Colfer photo

“I remember thinking how often we look, but never see … we listen, but never hear … we exist, but never feel. We take our relationships for granted. A house is only a place. It has no life of its own. It needs human voices, activity and laughter to come alive.”

Erma Bombeck (1927–1996) When I stand before God at the end of my life, I would hope that I would not have a single bit of talent le…

A Marriage Made In Heaven; or, Too Tired For an Affair (1993)

H.P. Lovecraft photo

“Now the trickiest catch in the negro problem is the fact that it is really twofold. The black is vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. But, it is also a fact that there would be a very grave and very legitimate problem even if the negro were the white man's equal. For the simple fact is, that two widely dissimilar races, whether equal or not, cannot peaceably coexist in the same territory until they are either uniformly mongrelised or cast in folkways of permanent and traditional personal aloofness. No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all visit exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment.... All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something.... Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites... No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Willa Cather photo
Kurt Vonnegut photo
Barack Obama photo
Henri Barbusse photo
John Ronald Reuel Tolkien photo
Henri Barbusse photo
Napoleon I of France photo

“Well then, I will tell you. Alexander, Caesar, Charlemagne and I myself have founded great empires; but upon what did these creations of our genius depend? Upon force. Jesus alone founded His empire upon love, and to this very day millions will die for Him. I think I understand something of human nature; and I tell you, all these were men, and I am a man: none else is like Him; Jesus Christ was more than a man. I have inspired multitudes with such an enthusiastic devotion that they would have died for me but to do this it was necessary that I should be visibly present with the electric influence of my looks, my words, of my voice. When I saw men and spoke to them, I lighted up the flame of self-devotion in their hearts. Christ alone has succeeded in so raising the mind of man toward the unseen, that it becomes insensible to the barriers of time and space. Across a chasm of eighteen hundred years, Jesus Christ makes a demand which is beyond all others difficult to satisfy; He asks for that which a philosopher may often seek in vain at the hands of his friends, or a father of his children, or a bride of her spouse, or a man of his brother. He asks for the human heart; He will have it entirely to Himself. He demands it unconditionally; and forthwith His demand is granted. Wonderful! In defiance of time and space, the soul of man, with all its powers and faculties, becomes an annexation to the empire of Christ. All who sincerely believe in Him, experience that remarkable, supernatural love toward Him. This phenomenon is unaccountable; it is altogether beyond the scope of man's creative powers. Time, the great destroyer, is powerless to extinguish this sacred flame; time can neither exhaust its strength nor put a limit to its range. This is it, which strikes me most; I have often thought of it. This it is which proves to me quite convincingly the Divinity of Jesus Christ.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

In a statement about Jesus Christ. While exiled on the rock of St. Helena, Napoleon called Count Montholon to his side and asked him, "Can you tell me who Jesus Christ was?" Upon the Count declining to respond Napoleon countered. Ravi Zacharias, Jesus Among Other Gods http://books.google.com/books?id=jSI9HnMHdPsC&pg=PA149&lpg=PA149&dq=napoleon+jesus+among+gods&source=bl&ots=CdsDSjamnm&sig=K3l7Ek972r7pyEFT681lbf3PVSQ&hl=en&sa=X&ei=nBqhUf3RL4au9AS37ICwCQ&ved=0CBYQ6AEwAA, p. 149, in Henry Parry Liddon (1868) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. New edition. https://books.google.com/books?id=IcINAAAAYAAJ&pg=PA148&dq#v=onepage&q&f=false pp. 147-148, and in Henry Parry Liddon (1869) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. Fourth edition. https://ia800203.us.archive.org/15/items/divinityofourlord00libbrich/divinityofourlord00libbrich.pdf pp. 147-148.
Attributed

Karl Marx photo
Vasyl Slipak photo

“Ukraine can become a successful country and a major player on the political stage if we start heeding the voices of the people.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

Ukrainian opera singer Vasyl Slipak killed by sniper // The Washington Post. — 2016. — July 2. https://www.washingtonpost.com/news/worldviews/wp/2016/07/01/famous-ukrainian-opera-singer-vasyl-slipak-killed-by-sniper-in-eastern-ukraine/

Maria Callas photo
Friedrich Nietzsche photo
Virginia Woolf photo
Black Elk photo

“With visible breath I am walking.
A voice I am sending as I walk.
In a sacred manner I am walking.
With visible tracks I am walking.
In a sacred manner I walk.”

Black Elk (1863–1950) Oglala Lakota leader

Song of the White Bison Woman who brought the sacred pipe to men.
Black Elk Speaks (1961)

Kenzaburō Ōe photo
John Chrysostom photo
Mark Twain photo
Gabriel Iglesias photo
Leonardo Da Vinci photo
Nikola Tesla photo
Victor Klemperer photo
Barack Obama photo

“We also know that centuries of racial discrimination -- of slavery, and subjugation, and Jim Crow -- they didn’t simply vanish with the end of lawful segregation. They didn’t just stop when Dr. King made a speech, or the Voting Rights Act and the Civil Rights Act were signed. Race relations have improved dramatically in my lifetime. Those who deny it are dishonoring the struggles that helped us achieve that progress. But we know -- but, America, we know that bias remains. We know it. Whether you are black or white or Hispanic or Asian or Native American or of Middle Eastern descent, we have all seen this bigotry in our own lives at some point. […] Although most of us do our best to guard against it and teach our children better, none of us is entirely innocent. No institution is entirely immune. And so when African Americans from all walks of life, from different communities across the country, voice a growing despair over what they perceive to be unequal treatment; when study after study shows that whites and people of color experience the criminal justice system differently, so that if you’re black you’re more likely to be pulled over or searched or arrested, more likely to get longer sentences, more likely to get the death penalty for the same crime; when mothers and fathers raise their kids right and have “the talk” about how to respond if stopped by a police officer -- “yes, sir,” “no, sir” -- but still fear that something terrible may happen when their child walks out the door, still fear that kids being stupid and not quite doing things right might end in tragedy -- when all this takes place more than 50 years after the passage of the Civil Rights Act, we cannot simply turn away and dismiss those in peaceful protest as troublemakers or paranoid. We can’t simply dismiss it as a symptom of political correctness or reverse racism. To have your experience denied like that, dismissed by those in authority, dismissed perhaps even by your white friends and coworkers and fellow church members again and again and again -- it hurts. Surely we can see that, all of us.”

Barack Obama (1961) 44th President of the United States of America

2016, Memorial Service for Fallen Dallas Police Officers (July 2016)

W. H. Auden photo
Leonardo Da Vinci photo

“In order to prove whether the spirit can speak or not, it is necessary in the first place to define what a voice is and how it is generated.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Jhené Aiko photo
Leonard Cohen photo

“Only in Canada could somebody with a voice like mine win 'Vocalist of the Year.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

First words of his speech accepting the Juno Award for Best Male Vocalist in Canada (1992)

Barack Obama photo