Quotes about voice
page 13

Jane Collins photo
Burkard Schliessmann photo
Thomas Campbell photo

“But sorrow return'd with the dawning of morn,
And the voice in my dreaming ear melted away.”

Thomas Campbell (1777–1844) British writer

The Soldier's Dream http://www.bartleby.com/106/267.html

Hermann Hesse photo
John Woolman photo
Francisco De Goya photo

“No recognition / Nadie se conoce' [Goya wrote on this plate no. 6:] The world is a masquerade, faces, costumes, voices, everything a lie. Each person wishes to appear what he is not. The whole world deceives itself, and no one recognizes himself.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, pp. 355-377
Goya wrote this explanatory comment on the plate of Capricho no. 6
1790s

Abraham Joshua Heschel photo
John Napier photo

“11 Proposition. The Seven Thunders, whose voices are commanded to bee sealed, and not written (cap.10.4.) are the Seven Angels, specified cap.14. vers. 6.8.9.14.15.17.18.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593), The First and Introductory Treatise

Francis Marion Crawford photo
Tim Cook photo
Joe Hill photo

“Long-haired preachers come out every night,
Try to tell you what's wrong and what's right;
But when asked how 'bout something to eat
They will answer with voices so sweet:

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You'll get pie in the sky when you die.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

"The Preacher and the Slave" http://en.wikisource.org/wiki/The_Preacher_and_the_Slave (1911)

William Wordsworth photo
Michael Crichton photo
Matthew Arnold photo

“Wordsworth has gone from us — and ye,
Ah, may ye feel his voice as we!
He too upon a wintry clime
Had fallen — on this iron time
Of doubts, disputes, distractions, fears.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

St. 4
Memorial Verses (1852)

“Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Paramahansa Yogananda photo
Joyce Grenfell photo
John DiMaggio photo
Julie Gold photo
John Buchan photo
P.G. Wodehouse photo
Morarji Desai photo
David Horowitz photo
Andrew Sega photo
Stanley Baldwin photo
Harlan Ellison photo
Jean-François Millet photo

“I remember being awakened one morning by voices in the room where I slept. There was a whizzing sound which made itself heard between the voices now and then. It was the sound of spinning-wheels, and the voices were those of women spinning and carding wool. The dust of the room danced in a ray of sunshine which shone through the high narrow window that lighted the room..”

Jean-François Millet (1814–1875) French painter

Quote, c. 1870; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 12
taken from Millet's youth-memories, he wrote down on request of his friend and later biographer Alfred Sensier, https://fr.wikipedia.org/wiki/Alfred_Sensier]
1870 - 1875

Heber J. Grant photo

“There is a still small voice telling us what is right, and if we listen to that still small voice we shall grow and increase in strength and power, in testimony and in ability not only to live the gospel but to inspire others to do so.”

Heber J. Grant (1856–1945) President of The Church of Jesus Christ of Latter-day Saints

Grant (1937) "The Path of Safety," Improvement Era, Dec. 1937, 735.; Cited in " Heber J. Grant, Served 1918–1945 http://www.lds.org/churchhistory/presidents/controllers/potcController.jsp?leader=7&topic=quotes" on ids.org

Layal Abboud photo
Cyrus David Foss photo

“Underneath all the arches of Scripture history, throughout the whole grand temple of the Scriptures, these two voices ever echo, man is ruined, man is redeemed.”

Cyrus David Foss (1834–1910) American bishop

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 489.

Michel Foucault photo
Alan Paton photo
John R. Erickson photo
Ted Nugent photo
William Ernest Henley photo
Jimmy Carter photo
Ralph Waldo Emerson photo

“Though love repine, and reason chafe,
There came a voice without reply, —
"'Tis man's perdition to be safe,
When for the truth he ought to die."”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Sacrifice
1860s, May-Day and Other Pieces (1867)
Variant: Though love repine, and reason chafe,
There came a voice without reply, —
"'Tis man's perdition to be safe,
When for the truth he ought to die."

Andrew Scheer photo
P.G. Wodehouse photo
Jean-Paul Marat photo
John F. Kennedy photo
Ray Bradbury photo
Truman Capote photo
P.G. Wodehouse photo
Wassily Kandinsky photo
Felix Frankfurter photo

“Holmes said Emerson had a beautiful voice, and, of course, Holmes had one of the most beautiful voices the Lord ever put into a throat.”

Felix Frankfurter (1882–1965) American judge

On Oliver Wendell Holmes, Jr. and Ralph Waldo Emerson, p. 59.
Other writings, Felix Frankfurter Reminisces (1960)

William Morris photo

“Where, oh where was Mr. Roger Fry in 1905, and why was his voice not heard in the land? How could he allow anybody to call Cézanne an "amateur" with impunity?”

Frank Rutter (1876–1937) British art critic

Rutter, Frank. Art in My Time, pp. 112–113. Rich & Cowan, London, 1933.

Harry Turtledove photo
Roger Scruton photo
Jerome David Salinger photo
Kage Baker photo
Arthur Waley photo

“Ceaseless as the interminable voices of the bell-cricket, all night till dawn my tears flow.”

Arthur Waley (1889–1966) British academic

Source: Translations, The Tale of Genji (1925–1933), Ch. 1: 'Kiritsubo'

Ayn Rand photo
Gordon B. Hinckley photo
Reuven Rivlin photo

“We miss [Rehavam Ze'evi's] clear, ideological voice, his leadership, his larger than life presence.”

Reuven Rivlin (1939) Israeli politician, 10th President of Israel

Israel national news http://www.israelnationalnews.com/News/News.aspx/160988#.U5g1Uvl_uci, 16 October 2012

Cassandra Clare photo
Margaret Cho photo
Albrecht Thaer photo
Joanna Krupa photo
Aldo Leopold photo

“It is on some, but not all, of these misty autumn day-breaks that one may hear the chorus of the quail. The silence is suddenly broken by a dozen contralto voices, no longer able to restrain their praise of the day to come.”

“September: The Choral Copse”, p. 53.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"

Ernestine Rose photo

“What rights have women? … [they are] punished for breaking laws which they have no voice in making. All avenues to enterprise and honors are closed against them. If poor, they must drudge for a mere pittance—if of the wealthy classes, they must be dressed dolls of fashion—parlor puppets…”

Ernestine Rose (1810–1892) American feminist activist

At the Social Reform Convention, Boston (1844), quoted in Kolmerten, Carol A., The American Life of Ernestine L. Rose, Syracuse, NY: Syracuse University Press, 1999, p. 49.

Garth Brooks photo

“On a prayer,
In a song,
I hear your voice,
And it keeps me hanging on.
Oh, raining down, against the wind,
I'm reaching out,
'Till we reach the circle's end.
When you come back to me again.”

Garth Brooks (1962) American country music artist

When You Come Back to Me Again, written by Jenny Yates and G. Brooks.
Song lyrics, Scarecrow (2001)

John Masefield photo

“And in the ghostly palm-trees the sleepy tune
Of the quiet voice calling me, the long low croon
Of the steady Trade Winds blowing.”

John Masefield (1878–1967) English poet and writer

Salt-Water Ballads (1902), "Trade Winds"

Jairam Ramesh photo

“Bills to create three new states have finally been passed by Parliament. Of these, only the formation of Jharkhand out of Bihar can be said to be the outcome of a long, long struggle. Chhattisgarh and Uttaranchal, for instance, do not find any mention in the report of the States Reorganisation Commission that was submitted 45 years ago. What is intriguing about Uttaranchal is that it has given three great chief ministers to Uttar Pradesh in the past 50 years - Govind Ballabh Pant, Hemvati Nandan Bahuguna and Narain Dutt Tiwari - and yet the region felt neglected. Similarly, Chhattisgarh produced many noted political leaders, three of whom - Ravi Shankar Shukla, Shyama Charan Shukla and Motilal Vora - became chief ministers of Madhya Pradesh. Two other chief ministers, D. P. Mishra and Arjun Singh, contested from Chhattisgarh. Yet this region too felt unwanted. New voices are being heard. Fresh demands for Bodoland out of Assam, Vidarbha out of Maharashtra, Gorkhaland out of West Bengal and Telengana out of Andhra Pradesh are being made. And since Uttaranchal does not solve the problem of Uttar Pradesh's simply ungovernable size, some cries for a further break-up of India's most populous state are also being raised.”

Jairam Ramesh (1954) Indian politician

[Jairam Ramesh, Kautilya Today: Jairam Ramesh on a Globalizing India, https://books.google.com/books?id=1kDQthPkFJkC&pg=PA212, http://indiatoday.intoday.in/story/formation-of-jharkhand-out-of-bihar-can-be-said-to-be-the-outcome-of-a-long-long-struggle/1/246915.html, 2002, India Research Press, 978-81-87943-37-2, 212]

Edwin Abbott Abbott photo
Daljit Nagra photo
Laurell K. Hamilton photo
Mark Satin photo
Letitia Elizabeth Landon photo
Charles Darwin photo
Vytautas Juozapaitis photo
Hillary Clinton photo

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Joanna Newsom photo
Abul A'la Maududi photo
Richard Feynman photo
Florence Earle Coates photo
John Miles Foley photo

“We know now that cultures are not oral or literate; rather they employ a menu or spectrum of communicative strategies, some of them associated with texts, some with voices, and some with both.”

John Miles Foley (1947–2012) American literary scholar

"What's in a Sign?", in Signs of Orality. The Oral Tradition and its Influence in the Greek and Roman World, ed. E. Anne MacKay (1999), p. 3

Graham Greene photo
William Westmoreland photo
Vitruvius photo

“Voice is a flowing breath of air, perceptible to the hearing by contact. It moves in an endless number of circular rounds, like the innumerably increasing circular waves which appear when a stone is thrown into smooth water, and which keep on spreading indefinitely from the centre unless interrupted by narrow limits, or by some obstruction which prevents such waves from reaching their end in due formation. When they are interrupted by obstructions, the first waves, flowing back, break up the formation of those which follow.”

Alternate translation: The voice is a flowing breath, made sensible to the organ of hearing by the movements it produces in the air. It is propagated in infinite numbers of circular zones, exactly as when a stone is thrown into a pool of standing water countless circular undulations are generated therein, which, increasing as they recede from the center, spread out over a great distance, unless the narrowness of the locality or some obstacle prevent their reaching their termination; for the first line or waves, when impeded by obstructions, throw by their backward swell the succeeding circular lines of waves into confusion. Quoted by Ernst Mach, The Science of Mechanics: A Critical and Historical Account of its Development (1893, 1960) Tr. Thomas J. McCormack
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 6

John Buchan photo

“Her voice had a thrill in it like music, frosty music.”

Prologue
Huntingtower (1922)

David Cameron photo
Amartya Sen photo
Stanley Baldwin photo
Alice A. Bailey photo

“(Voice on television) Honey, I love you, but I got to be moving on. (Sylvia) Break his kneecaps.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 49

Dafydd ap Gwilym photo

“Welkin's wind, way unhindered,
Big blusterer passing by,
A harsh-voiced man of marvels,
World-bold, without foot or wing.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Yr wybrwynt helynt hylaw
Agwrdd drwst a gerdda draw,
Gŵr eres wyd garw ei sain,
Drud byd heb droed heb adain.
"Y Gwynt" (The Wind), line 1; translation by Joseph P. Clancy, from Gwyn Jones (ed.) The Oxford Book of Welsh Verse in English (Oxford: OUP, 1977) p. 38.