Quotes about touch
page 9

“My songs were once of the sunrise:
They shouted it over the bar;
First-footing the dawns, they flourished,
And flamed with the morning star.

My songs are now of the sunset:
Their brows are touched with light,
But their feet are lost in the shadows
And wet with the dews of night.”

William Ernest Henley (1849–1903) English poet, critic and editor

"Envoy"
Poems (1898)

Star, Light, Night

“I have touched filth.

Only with the finger tip I touched it,

inquisitive of the taste of it.

But it creeps.

It has spread over my body a slime,

and into my soul a stupor (…)”

Olaf Stapledon book Last Men in London

Last Men in London (1932)

Soul

“"Just watch," said Sheila, touching her finger to her head.”

Lou Reed (1942–2013) American musician

The Gift (written by Lou Reed, narrated by John Cale)
Lyrics

“Nutbeem influenced a little by the lunar cycle. Had a touch of werewolf. At full moon he burst, talked himself dry, took exercise in the form of dancing and fighting at the Starlight Lounge, then slowly fell back to contemplation.”

Annie Proulx book The Shipping News

Source: The Shipping News (1993), P. 75

Exercises, Dance, Fight

“For the first time he looked into his heart and wrote, and thus for the first time he touched the hearts of others; the cold style took fire, and beneath the clumsy periods welled tears.”

Evelyn Beatrice Hall book The Friends of Voltaire

Source: The Friends of Voltaire (1906), Ch. 1 : D'Alembert: The Thinker, p. 29

Tear, Time, Heart

“Open up your mouth, touch your lips to mine,
That we may make a kiss that can pierce through death and survive.”

Josh Homme (1973) American musician

"The Blood Is Love", Lullabies to Paralyze (2005)
Lyrics, Queens of the Stone Age

Death, Kiss

“It was a touching sight that aged negro kneeling at the feet of the tall, gaunt-looking man who seemed in himself to be bearing all the grief of the nation, and whose sad face seemed to say, 'I suffer for you all, but will do all I can to help you.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 295

Age, Sadness, Suffering, Help

“He has grasped it, but no one is interested. He is of interest to no one. He is fascinating. He is unnoticed. Since no one understands, how could they notice him? Because there is only understanding, he is beloved, and no one comes to see him. Because there is only truth, he is likely to become famous. Since there is only joy, he will not be remembered. Because you have already understood, you find it necessary to touch his hand. Since you love so much and are not understood, you find it possible to touch his ears. He smiles at you. You notice a sudden spiritual "Brightness."”

Adi Da Samraj (1939–2008) American writer

Aham Da Asmi. I Am He. Everything has already died. This is the other world.
Page 423, 2004 Standard Edition.
The Knee of Listening

Love, Truth, World, Smile

“It was Italian playwright and screenwriter Ennio Flaiano who first spoke to Fellini of Fernando Pessoa during their collaboration on I Vitelloni (1953). Fellini claimed, however, that it was not until he lunched with Anthony Burgess in the mid 1970s (when the British writer owned a country house in Bracciano north of Rome) that he began reading the Portuguese poet in earnest. This is not to suggest that Pessoa influenced Fellini in any direct way but simply to note a genial coincidence embedded within two autobiographical masterpieces. The first quotation is from Pessoa’s O Livro do desassossego: ‘These are my Confessions, and if in them I say nothing, it’s because I have nothing to say.’ The second is from Fellini’s Otto e mezzo (1963) during the crucial night scene at the base of the scaffolding when Guido confesses to Rosella, “I have really nothing to say in my film. But I want to say it anyway.” Suddenly, the disparate obsessions of these two great Mediterranean minds seem to fold into one another, if only for an instant, like the sounds of vibrating wires touched simultaneously. Whatever the ultimate significance may be, it amuses me to think that textual coincidences of this nature are proof of the brotherhood of artists.”

Damian Pettigrew Canadian filmmaker

On Fellini and Fernando Pessoa
Federico Fellini: Sou um Grande Mentiroso (2008)

Way, Nature, Thinking, Reading

“They can do it. Just leave them alone. That's a lifestyle I don't want to touch.”

Richard Nixon (1913–1994) 37th President of the United States of America

1970s, They're Born That Way (1971)

“I still
Light up like a candle burnin when he calls me up
I still
Melt down like a candle burnin everytime we touch
Oh say what you will
He does me wrong and I should be gone
I still
Be lovin you baby and it's much too much”

Macy Gray (1967) American singer-songwriter and actress

Still" (co-written with Jeremy Ruzumna, Bill Esses, Jeff Blue) - YouTube video http://www.youtube.com/watch?v=CntzOovlkmo On How Life Is (1999)

Light, Baby

“There was a lot of revision that went into [making] the [Wind] sculptures, [c. 2009 - meant as her response to the death of Michael Jackson which she admired]. It might look like I just went in the gallery and they just went up – just like that – but it was not like that. It was really a long process to get the things to look the way they do, to have that balance especially in relation to what I already said about minimalism, and to also have this light touch to them.”

Isa Genzken (1948) German sculptor

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

Death, Way, Light

“Behind her chair, from a wall covered in a very expensive velvet-flock paper, a portrait of her grandfather looked down. He had been an Episcopalian bishop, but the picture showed him in the costume of a New England gentleman keeping up the Old English custom of riding to hounds: red coat, brown boots, distinguished with a white dog-collar and black silk front.
Hugh referred to him as being dressed to kill.
The salad was replaced—though Hugh had sampled only a mouthful of his—by a dish of cold fish with mayonnaise. He didn’t even touch this course. He was suddenly afraid of it because it had come from the sea.”

John Brunner book The Sheep Look Up

February “DISGRACE”
The Sheep Look Up (1972)

Dogs, Fish, Sea

“I'm going to spend my life writing poems, turning them into music that will affect people and touch their hearts. I'm going to write the songs that people can't write for themselves.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Kia Makarechi, "Stevie Nicks On Fleetwood Mac's Reunion Tour, Rihanna, Kanye West & Her Early Years In Music", http://www.huffingtonpost.com/2012/12/03/stevie-nicks-fleetwood-mac-reunion-rihanna-kanye_n_2220029.html Huffington Post, 3 December 2012

Life, People, Music, Heart

“Rousseau's writings are so admirably adapted to touch both these classes that the effect they produced, especially in France, is easily intelligible.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

"On The Natural Inequality of Men" (January 1890) http://aleph0.clarku.edu/huxley/CE1/NatIneq.html 1890s

Intelligence

“And if You look, You look through Me. And when You talk, You talk at Me. And when I touch You, You don't feel anything”

Bono (1960) Irish rock musician, singer of U2

"Stay (Faraway,So Close)
Lyrics, Zooropa (1993)

Feeling

“I had long since insisted upon interpreting the things that Fate forced me to do as victories of my own will and intelligence, and now this bad habit had grown into a sort of frenzied arrogance. In the nature of what I was calling my intelligence there was a touch of something illegitimate, a touch of the sham pretender who has been placed on the throne by some freak chance. This dolt of a usurper could not foresee the revenge that would inevitably be wreaked upon his stupid despotism.”

Yukio Mishima book Confessions of a Mask

Source: Confessions of a Mask (1949), p. 220.

Fate, Stupidity, Intelligence, Revenge

“The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): pp 35-44. as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

Art, Universe

“This became Delacroix's theme: that the achievements of the spirit — all that a great library contained — were the result of a state of society so delicately balanced that at the least touch they would be crushed beneath an avalanche of pent-up animal forces.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 8: Delacroix

Animals

“Much like a subtle spider which doth sit
In middle of her web, which spreadeth wide;
If aught do touch the utmost thread of it,
She feels it instantly on every side.”

John Davies (poet) (1569–1626) English poet, lawyer, and politician, born 1569

The Immortality of the Soul (c. 1594). Compare:
:"Our souls sit close and silently within / And their own webs from their own entrails spin; / And when eyes meet far off, our sense is such / That, spider-like, we feel the tenderest touch." John Dryden, Mariage à la Mode, act ii. sc. 1.;
:"The spider’s touch—how exquisitely fine!— / Feels at each thread, and lives along the line." Alexander Pope, Epistle i. line 217.

Feeling

“You know why I'm pulling your leg? Because I can't touch it from where I am.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

Fresh Air interview (February 4, 2002)

“Now have I told you of Fifteen Revelations, as God vouchsafed to minister them to mind, renewed by lightings and touchings, I hope of the same Spirit that shewed them all.
Of which Fifteen Shewings the First began early in the morn, about the hour of four; and they lasted, shewing by process full fair and steadily, each following other, till it was nine of the day, overpassed.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Fifteenth Revelation, Chapter 65

God, Hope, Light

“He touched me…
Control myself and try to act
As if I remember my name
But he touched me…he touched me…
And suddenly nothing is the same!”

Ira Levin (1929–2007) Novelist, playwright

Song: He touched me

“Mitch…was the kind of man who added something to everything he touched and everyone he came in contact with. I was envious of his view on life. He saw it all as a big game, where the only way to win was to be good to other people, to be able to look at yourself in the mirror and like what you see.”

Nicholas Sparks (1965) American writer and novelist

Taylor McAden, Chapter 25, p. 300
2000s, The Rescue (2000)

Life, People, Way, Game

“When we are bored, when we are out of tune, when we have little worries, it clears our feelings and changes our mood if we can get in touch with the beauty of the natural world.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

World, Beauty, Feeling, Mood

“She always had been in touch with something outside of human ken. She had something in her no other human had. You sensed it, but you could not name it, for there was no name for this thing she had. And she had fumbled with it, trying to use it, not knowing how to use it, charming off the warts and healing poor hurt butterflies and only God knew what other acts that she performed unseen.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 34

God, Sense, Hurt

“It is only comparatively primitive machinery that affords a stimulus, and there is already a faint period touch about Pacific 231 and Le Pas d'Acier. One feels…that Prokofieff should have written ballets about the spinning jenny and the Luddite riots; that Honegger should have been there to celebrate the opening of the Stockton and Darlington Railway and the death of Huskisson with a "Symphonie Triomphale et Funèbre".”

Constant Lambert (1905–1951) British composer and conductor

"Mechanical Romanticism", pp. 209-10.
Music, Ho! (1934)

Death, Feeling

“How full and rich a world
Theirs to inhabit is—
Sweet scent of grass and bloom,
Playmates’ glad symphony,
Cool touch of western wind,
Sunshine’s divine caress.

How should they know or feel
They are in darkness?

But, oh, the miracle!
If a Redeemer came,
Laid finger on their eyes—
One touch and what a world,
New-born in loveliness!”

Israel Zangwill (1864–1926) British writer

Poem: Blind Children

World, Feeling, Grass

“Oh my love, oh my love, I've cried for you so much,
Lonely nights without sleeping, while I longed for your touch.
Now your lips can't evade the heartache I've known,
Come with me to a world of our own.”

Tom Springfield (1934) English musician, songwriter and record producer

Song A World of Our Own.

Love, World, Sleep, Night

“I can hardly describe the discord produced by the comparison of the retouched part of the painting and the part left untouched, the former having lost entirely the immediacy and brio of the brushwork and the latter the mastery of sensitive and discerning touches... For it is true that the more one retouches under the pretext of restoration, the more harm one does, and even the artists themselves, were they able to return, would not able to retouch their painting perfectly on account of the necessary change in the hue of pigments over time… No painting by Titian should be relined, nor any paintings by a number of other painters.... and, even when it is possible, the operation is more likely to result in deterioration than in improvement of the painting.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

from his Letters 263-264. circa 1801; in Goya, A life in Letters, edited and introduced by Sarah Simmons; translations by Philip Troutman, London, Pimlico, 2004
Early 1801 - Goya was then First Painter of the Court - the artist is sent to check the results of some restoration operated on works belonging to the Spanish crown. His 263-264 letters reveal the total opposition of Goya against any cleaning or restoration of older paintings
1800s

Change, Time, Parting, Painting

“Abélard would find most of his old problems sensitive to his touch today. Time has settled few or none of the essential points of dispute. Science hesitates, more visibly than the Church ever did, to decide once for all whether Unity or Diversity is ultimate law; whether order or chaos is the governing rule of the Universe, if Universe there is; whether anything except phenomena exists. Even in matters more vital to society, one dares not speak too loud. Why, and for what, and to whom, is man a responsible agent? Every jury and judge, every lawyer and doctor, every legislator and clergyman has his own views, and the law constantly varies. Every nation may have a different system. One court may hang, and another may acquit for the same crime, on the same day; and Science only repeats what the Church said to Abélard, that where we know so little, we had better hold our tongues.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Law, Problem, Universe, Science

“But I have seen the unknown dead, those little men of the Republic. It was they who woke me up. If a stranger, an enemy, becomes a thing like that when he dies, if one stops short and is afraid to walk over him, it means that even beaten our enemy is someone, that after having shed his blood, one must placate it, give this blood a voice, justify the man who shed it. Looking at certain dead is humiliating. One has the impression that the same fate that threw these bodies to the ground holds us nailed to the spot to see them, to fill our eyes with the sight. It's not fear, not our usual cowardice. One feels humiliated because one understands–touching it with one's eyes–that we might be in their place ourselves: there would be no difference, and if we live we owe it to this dirtied corpse. That is why every war is a civil war; every fallen man resembles one who remains and calls him to account.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

Source: The house on the hill (1949), Chapter 23, p. 176

Men, Fate, War, Fear

“The factory of the future will have only two employees, a man and a dog. The man will be there to feed the dog. The dog will be there to keep the man from touching the equipment.”

Warren Bennis (1925–2014) American leadership expert

Warren G. Bennis; As cited in: Mark Fisher (1991) The millionaire's book of quotations. p. 15
1990s

Dogs, Future

“I had been in touch with a lot of people I thought would stand by me in the front row of the scrum, (I) didn't know it was going to collapse.”

Kamisese Mara (1920–2004) President of Fiji

Attributed to him posthumously by his friend, business tycoon Hari Punja[citation needed]

People

“Radical Islam has seen us for what we are: a soft touch. It sees that political correctness is like a drug that we just can't stop injecting, even though we know it's going to kill us. And they're taking full advantage of that, turning our sense of fairness against us, and making us despise ourselves for one of our best qualities. And any concession made will be seen as a sign of weakness to be exploited further, because there is no dialogue with radical Islam. It doesn't want to be agreed with, it wants to be obeyed. It thinks it has the God-given right, aptly enough, to make the rules, not just for Muslims, but for everyone, and some of us, frankly, think that's a little bit too much to ask.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"More demands from Islam" (9 October 2007) http://youtube.com/watch?v=mHh0NdR5Jh0 2007

God, Thinking, Sense

“Dialogue in Hell:
Seventeenth Dialogue

Montesquieu:… Now I understand the apologue the god Vishnu; you have a hundred arms like the Hindu idol and each one of your fingers touches a spring. In the same way that you touch everything, are you also able to see everything?
Machiavelli: Yes, for I shall make of the police an institution so vast that in the heart of my kingdom half of the people shall see the other half…
…If, as I scarcely doubt, I succeed in attaining this result, here are some of the forms by which my police would manifest themselves abroad: men of pleasure and good company in the foreign courts, to keep an eye on the intrigues of the princes and of the exiled pretenders…the establishment of political newspapers in the great capitals, printers and book stores places in the same conditions and secretly subsidized.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Men, God, People, Pleasure

“And if it's proud to have a heart that never hardens, and a temper that never tires, and a touch that never hurts," Miss Jenny struck in, flushed, "she is proud.”

Charles Dickens book Our Mutual Friend

Bk. III, Ch. 2
Our Mutual Friend (1864-1865)

Heart, Hurt

“The boy watches his father cross the road and thinks there is something about the way his dad moves through the world that is truly impressive. Cars screech to a halt, drives shake their fists and stick their heads out the windows and curse and blow their horns and Bunny walks on as if radiating some super-human force field, like he has walked off the pages of a comic book. The world can't touch him. He seems to be the grand generator of some hyper-powerful electricity.”

Nick Cave book The Death of Bunny Munro

The Death of Bunny Munro (2009)
Books

Books, World, Cars, Way

“The start of work means the end to freedom, but also to doubt, intensity and wayward desires. The accountant’s ten thousand possibilities have been reduced to an agreeable handful. She has a business card which she hands over in meetings and which tells other people—and, more meaningfully perhaps, reminds her—that she is a Business Unit Senior manager, rather than a vaporous transient consciousness in an incidental universe. How satisfying it is to be held in check by the assumptions of colleagues, instead of being forced to contemplate, in the loneliness of the early hours, all that one might have been and now never will be. … Life is no longer mysterious, sad, haunting, touching, confusing or melancholy; it is a practical stage for clear-eyed action.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 238.

Life, People, Sadness, Business

“Myspace is a great way to keep in touch with friends whom you don't care enough about to actually have a conversation with. Why bother calling to say 'How are you?' when you can just surf their page and post an mpeg of a guy farting on his cat?
[Myspace is] this website where young people can post pictures and info about themselves for anyone to see. When I first heard about it, I thought to myself, 'Finally a Yellow Pages for sex offenders. Why didn't I think of that?'
The most popular (American Idol) contestants have been: white people that sound black, young people that sound old, and straight guys that sound gay.
The final five are exactly like The Breakfast Club: There's the rebel(Chris Daughtry), the princess (Katharine McPhee), the nerd (Elliot Yamin), the weirdo (Paris Bennett)… and of course, the principal (Taylor Hicks). What? He's old!
(Ryan Phillippe & Reese Witherspoon) Broke up, (Kid Rock & Pamela Anderson) broke up, (Vince Vaughn & Jennifer Aniston) broke up, (Kate Moss & Pete Doherty) coked up. They said it wouldn't last; not the marriage, the stash. 007,.08, 1.2, 215. Came out, came out, (Tom Brady and Bridget Moynihan) came in, (Brady and Gisele Bündchen) came in. Hates Jews, went to rehab, loves Jews; hates gays, went to rehab, now loves gays; hates blacks, didn't go to rehab, still hates blacks. 'Father Knows Best', (with Britney Spears) 'Mad About You,' (Spears without panties) 'Leave It to Beaver.' New father, new father, new father? R. I. P., D. U. I., P. O. W. 'You're a hypocrite,' 'you're fat,' 'you're rude,' 'you're ugly,' whoa, whoa, whoa, guys. Stop fighting, you're both right. Booze, pot, Vicodin, crack, booze, pot, Vicodin, and crack.”

David Spade (1964) American stand-up comedian

The Showbiz Show with David Spade

Love, Hate, Marriage, People

“They were allowed a little touch at each of the books, but only with their fingertips tonight, literature cannot bear dirty hands; first we'll have to back each volume with paper, the covers must not get dirty, nor the spines slit, books are the nation's most precious possession, books have preserved the nation's life through monopoly, pestilence, and volcanic eruption, not to mention the tons of snow that have lain over the country's widely scattered homesteads for the major part of every one of its thousand years.”

Halldór Laxness (1902–1998) Icelandic author

Sjálfstætt fólk (Independent People) (1935), Book Two, Part I: Hard Times

Life, Books, Literature, Parting

“The union of the States of Germany into a form of government similar in many respects to that of the American Union is an event that can not fail to touch deeply the sympathies of the people of the United States. This union has been brought about by the long-continued, persistent efforts of the people, with the deliberate approval of the governments and people of twenty-four of the German States, through their regularly constituted representatives.”

Ulysses S. Grant (1822–1885) 18th President of the United States

Message regarding the unification of Germany http://millercenter.org/president/grant/speeches/message-regarding-unification-of-germany (7 February 1871) 1870s

People, Effort

“Such young unfurrowed souls roll to meet each other like two velvet peaches that touch softly and are at rest; they mingle as easily as two brooklets that ask for nothing but to entwine themselves and ripple with ever-interlacing curves in the leafiest hiding-places.”

George Eliot book Adam Bede

Adam Bede (1859)

Soul

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Art, Feeling, Question, Thinking

“O Love, divine Love, why do You lay siege to me?
In a frenzy of love for me, You find no rest.
From five sides You move against me:
Hearing, sight, taste, touch, and scent.
To come out is to be caught; I cannot hide from You.
If I come out through sight I see Love
Painted in every form and color,
Inviting me to come to You, to dwell in You.
If I leave through the door of hearing,
What I hear points only to You, Lord;
I cannot escape Love through this gage.
If I come out through taste, every flavor proclaims:
"Love, divine Love, hungering Love!
You have caught me on Your hook, for you want to reign in me."
If I leave through the door of scent
I sense You in all creation; You have caught me
And wounded me through that fragrance.
If I come out through the sense of touch
I find Your lineaments in every creature;
To try to flee from You is madness.”

Jacopone da Todi (1236–1306) Italian Franciscan mystic

The Lauds

Love, Hunger, Color, Sense

““I thought I would be safe here.”
“You are.” For the first time, he touched her, touched her hand. “Safe from everything but paper and ink. Please. Put those down.”
“Paper and ink.” She clutched the books to her ample chest. “They’re not nothing, Alec. They’re pretty much everything to me: the embodiment of ideas, of thought—of free and open thought. Of inquiry and supposition. All of it.””

Ellen Kushner book The Privilege of the Sword

Part IV, Chapter V (p. 386)
The Privilege of the Sword (2006)

Books, Idea, Time

“For them, we have become seniors. They wrongly believe that we don’t get what this generation wants, that we are out of touch with the listeners today. But that’s not the case. Our shows wouldn’t be successful if that was so. Thanks to the Internet, youngsters are rediscovering us. Young people sing along with me in my shows both here and abroad. Guess, you can’t fight perception.”

Draft:Udit Narayan (1955) Playback singer

People, Singing, Success, Fight

“Voulagris asked me to find film funding for what was to be the last but unfinished film project of Elia Kazan, a personal friend of Voulgaris. The subject of the film was the immigration of the Kazan family from the beleaguered Greek minority communities under Turkish rule in Asia Minor to the safe haven of the USA where the Kazan family settled. I arranged a meeting between Elia Kazan and the London based film financier Frixos Constantini of Poseidon Films at the Grand Bretagne Hotel in Athens. What followed from this meeting is that Mr Constantini put Elia Kazan in touch with Martin Scorsese a personal friend of Mr Constantini and who also runs the production company Cappa films. And so it was that these two giants of US cinema met for the first time.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

Interview on Helenism .net (September 2011)

Family, Communication, Time, Personality

“Wisdom did not belong to mortals, and those whom others called wise were only those who, through grim experience, had touched the very edges of unwelcome truths. For the wise, even joy was tinged with sorrow. No, the world made its demands upon mortals and they were immediate ones, pressingly, ferociously so, and even knowing a reasonable course was not enough to alter a mad plunge into disaster.”

Steven Erikson book Forge of Darkness

Forge of Darkness (2013)

Wisdom, Truth, World, Joy

“The bureaucrat was sensitive to this kind of friction. It arose wherever the moving edge of technology control touched on local pride.”

Michael Swanwick book Stations of the Tide

Source: Stations of the Tide (1991), Chapter 1, “The Leviathan in Flight” (p. 14)

“All the people who are hating me right now and are here waiting to see me die, when you wake up in the morning you aren't going to feel any different. You are going to hate me as much tomorrow as you do tonight.
Reach out to God and he will hear you. Let him touch your hearts. Don't hate all your lives.”

Sean Sellers (1969–1999) American murderer

Final statement before his execution (5 February 1999), quoted in "Man Who Killed 3 as Teen Is Among Pair Executed" in Los Angeles Times (5 February 1999) http://articles.latimes.com/1999/feb/05/news/mn-5135.

God, Hate, People, Feeling

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Philip Roth book Sabbath's Theater

Sabbath's Theater (1995)

War, People, Mountain, Star

“Agreeably to the request of the House of Representatives, communicated in their resolution of the 16th instant, I proceed to state under the reserve therein expressed, information received touching an illegal combination of private individuals against the peace and safety of the Union, and a military expedition planned by them against the territories of a power in amity with the United States, with the measures I have pursued for suppressing the same….
But by information received yesterday I learn that on the 22d of December, Mr. Burr descended the Cumberland with two boats merely of accommodation, carrying with him from that State no quota toward his unlawful enterprise. Whether after the arrival of the proclamation, of the orders, or of our agent, any exertion which could be made by that State, or the orders of the governor of Kentucky for calling out the militia at the mouth of Cumberland, would be in time to arrest these boats, and those from the falls of the Ohio, is still doubtful.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Special Message to Congress on the Burr Conspiracy, declaring his former Vice President an illegal conspirator and a fugitive from justice (22 January 1807)
1800s, Second Presidential Administration (1805-1809)

Peace, Communication, Learning, Time

“There is nothing, nothing on Urras that we Anarresti need! We left with empty hands, a hundred and seventy years ago, and we were right. We took nothing. Because there is nothing here but States and their weapons, the rich and their lies, and the poor and their misery. There is no way to act rightly, with a clear heart, on Urras. There is nothing you can do that profit does not enter into, and fear of loss, and the wish for power. You cannot say good morning without knowing which of you is ‘superior’ to the other, or trying to prove it. You cannot act like a brother to other people, you must manipulate them, or command them, or obey them, or trick them. You cannot touch another person, yet they will not leave you alone. There is no freedom. It is a box—Urras is a box, a package, with all the beautiful wrapping of blue sky and meadows and forests and great cities. And you open the box, and what is inside it? A black cellar full of dust, and a dead man. A man whose hand was shot off because he held it out to others. I have been in Hell at last. Desar was right; it is Urras; Hell is Urras.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, (1974), Chapter 11 (pp. 346-347)

People, Fear, Beauty, Way

“The 1922 Club gave me a dinner in the House the other night and I think I had a great success…I had just a note or two to keep me right. I said there were some who doubted whether I was a dyed-in-the-wool Tory. I told them I wore Tory colours in my pram in the 1868 election. My father voted Whig then, but our cook was a Tory and she saw to my politics. For 94 years a Tory had represented Bewdley. I told them of my fight at Kidderminster, how I had come back from a visit to the United States a protectionist, how we were stirred by Joseph Chamberlain's tariff campaign, how we blundered badly over the Taff Vale decision. How when the war ended we were in a new world and how class conscious and revolutionary it was; how I felt that our Party was being destroyed and how I determined to do what I could to rescue it. I did not mention L[loyd] G[eorge] or Winston [Churchill]. Then in 1931 we conformed to the King's wish and all my colleagues agreed with me in doing so. I then touched on German rearmament and claimed that we could not have got this country to rearm one moment earlier than we did.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Conversation with Thomas Jones (22 May 1936), quoted in Thomas Jones, A Diary with Letters. 1931-1950 (Oxford University Press, 1954), p. 204.
1936

War, World, Thinking, Decision

“In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.”

Wallace Stevens (1879–1955) American poet

Peter Quince at the Clavier (1915)

Imagination, Search, Spring, Water

“Scholars, theologians, and even poets have yet to be able to truly describe and touch upon the beauty, romance, and magic of a relationship built on 100% authenticity.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 110

Beauty

“All art that is expressive has to be illusionistic. The raw material out of which art is built is not necessarily in itself potent; you must transform it. Contours, tactility, touch, color, intervals, that's all part of the concreteness of art. You have to make the concreteness expressive. That way you don't cater to taste. You resist sentimentality. Things in a picture can't remind you too much of anything else. You have to resist all that.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 24
Conversation with Karen Wilkin' (1986-1988)

Art, Color, Way, Parting

“By following up this idea, also, we might go a little further. We might arrive at the conviction that our present science is human, petty, and contingent; that it is closely linked with the structure of our sensory organs; that this structure results from the evolution which fashioned these organs; that this evolution has been an accident of history; that in the future it may be different; and that, consequently, by the side or in the stead of our modern science, the work of our eyes and hands—and also of our words—there might have been constituted, there may still be constituted, sciences entirely and extraordinarily new—auditory, olfactory, and gustatory sciences, and even others derived from other kinds of sensations which we can neither foresee nor conceive because they are not, for the moment, differentiated in us. Outside the matter we know, a very special matter fashioned of vision and touch, there may exist other matter with totally different properties. …We must, by setting aside the mechanical theory, free ourselves from a too narrow conception of the constitution of matter. And this liberation will be to us a great advantage which we shall soon reap. We shall avoid the error of believing that mechanics is the only real thing and that all that cannot be explained by mechanics must be incomprehensible. We shall then gain more liberty of mind for understanding what the union of the soul with the body may be.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Source: The Mind and the Brain, 1907, p. 43

Error, Soul, History, Idea

“Half of the human race lives in manifest obedience to the lunar rhythm; and there is evidence to show that the psychological and therefore the spiritual life, not only of women, but of men too, mysteriously ebbs and flows with the changes of the moon. There are unreasoned joys, inexplicable miseries, laughters and remorses without a cause. Their sudden and fantastic alternations constitute the ordinary weather of our minds. These moods, of which the more gravely numinous may be hypostasized as gods, the lighter, if we will, as hobgoblins and fairies, are the children of the blood and humours. But the blood and humours obey, among many other masters, the changing moon. Touching the soul directly through the eyes and, indirectly, along the dark channels of the blood, the moon is doubly a divinity.”

Aldous Huxley (1894–1963) English writer

"Meditation on the Moon"
Music at Night and Other Essays (1931)

Life, Women, Men, God

“Frances Egan, the school nurse, left her nutrition charts long enough to tell me there was nothing that could have been done. "Evelyn had a rough time with her father," she said. "Once she came in beaten black and blue."
"What did you do for her?"
"I gave her a cup of tea."
"Tea? Why tea, for heaven's sake?"
"Why? Because I know all about it," she said, shaking with anger. "I know more than anyone here what goes on outside — poverty, disease, dope, degeneracy — yet I'm not supposed to give them even a band-aid. I used to plead, bang on my desk, talk myself hoarse arguing with kids, parents, welfare, administration, social agencies. Nobody really heard me. Now I give them tea. At least, that's something."
"But you're a nurse," I said helplessly.
She showed me the Directive from the Board posted on her wall: THE SCHOOL NURSE MAY NOT TOUCH WOUNDS, GIVE MEDICATION, REMOVE FOREIGN PARTICLES FROM THE EYE…
Are we, none of us, then, allowed to touch wounds? What is the teacher's responsibility? And if it begins at all, where does it end?”

Bel Kaufmanová book Up the Down Staircase

Part V, ch. 26 (Sylvia Barrett)
Up the Down Staircase (1965)

Disease, School, Parent, Teachers

“Roger: It does a little bit of both I think it depends on the band. On a band that is enormously huge like Metallica it definitely hurts cause people are just going to download their stuff-period. But a smaller band maybe that hasn’t sold anything but has been able to have some good shows and get some fans out because of their MySpace or whatever you know what I mean. Using the Internet as a tool to promote the band is awesome. My sisters’ band doesn’t have a CD or whatever but they constantly pull 100 kids at their shows because they promote heavily on the internet and they stay in touch with their fans that way so it can be either or. For Less Than Jake we’re right in the middle. We definitely get a lot of paths to talk about the band, and interviews, and stuff for sale, and you know what I mean MySpace’s and Facebook’s all that kind of stuff there’s a presence there that definitely helps the band. But at the same time I know we’re one of the bands that is a victim of a lot of downloading so there you go.”

Roger Manganelli (1973) American musician

People, Way, Thinking, Sister

“Beauty in art is truth bathed in an impression received from nature. I am struck upon seeing a certain place. While I strive for a conscientious imitation, I yet never for an instant lose the emotion that has taken hold of me. Reality is one part of art; feeling completes it... Before any site and any object, abandon yourself to your first impression. If you have really been touched, you will convey to others the sincerity of your emotion.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote from Corot's 'Notebooks', ca. 1856, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 241
1850s

Truth, Beauty, Art, Feeling

“He [ Renoir; Maillol made his bust] was very interested, watching me do his bust. He said to me: 'Every time you touch it, it becomes more alive.”

Aristide Maillol (1861–1944) sculptor from France

Quote in Maillol's letter, 14th May 1887; as cited in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 245-246

Time

“Millard Parlette was near exhaustion. … Sometimes it seemed to him, that he was at the end of his life, that he'd waited just long enough to meet this — the crisis he'd foreseen a hundred years ago. … Known rebels moved freely through the Hospital, and no one could touch them. Their attitude toward the police was rude and contemptuous. Rumor had it that Millard Parlette was drafting new laws to further restrict police power. It didn't help that the rumors were true.”

Larry Niven (1938) American writer

Source: A Gift From Earth (1968), Ch. 14 : Balance Of Power

Life, Law, Waiting, Help

“… Oh! burning are the drops
That wounded love will shed—like to the dew
Falling from off the poison tree, the blight
Still following the touch;—ah! other tears
Soften and bless—but these destroy the heart.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II, XVII
The Fate of Adelaide (1821)

Love, Tear, Tree, Heart

“During all these days Lao Chiu was lying on the bed suffering continual pain. The doctors and nurses did their utmost to reduce his suffering to the minimum, but they could not completely relieve it. Even the chief surgeon said once, "When we were healing him I often thought that if another person was in his place he certainly would not have stood it so long, but Lao DChiu endured everything. When I saw him grinding his teeth to suppress his groans, I felt so touched that the tears feel from my eyes." Indeed he suffered great pain for a long period. While changing the dressings even laughing gas anaesthesia could not keep him quiet. Sometimes these pains were so intense that his whole body trembled uncontrollably.”

Ba Jin (1904–2005) Chinese novelist

A Battle For Life (July 1958)

Pain, Feeling, Lying, Tear

“It is probably true that business corrupts everything it touches. It corrupts politics, sports, literature, art, labor unions and so on. But business also corrupts and undermines monolithic totalitarianism. Capitalism is at its liberating best in a noncapitalist environment.”

Eric Hoffer (1898–1983) American philosopher

"Thoughts of Eric Hoffer, Including: 'Absolute Faith Corrupts Absolutely'", The New York Times Magazine (April 25, 1971), p. 50.

Art, Literature, Business, Sport

“Arms trade. If there was a legitimate trade, they'd sell those things - guns and bombs - in a supermarket. It would be like a cosmetics demonstration, and you'd have a little bit of shopping music in the background. And so, here's our arms trade demonstrator. 'Hello, and welcome to our new "Twilight of the World" range - our stunning new collection for nuclear winter. Now, for those persistent racial problems, why not try our new ethnic cleanser, "Pogrom"? Apply vigorously to the affected area, and then wipe off the face of the earth. For persistent outbreaks, to eliminate those last spots of resistance, why not try our new "I Can't Believe It's Not a Kalashnikov"? Go on, leaders, treat yourself. Tell yourself "I want it, I need it, I'll have it". Now, for those particularly sensitive areas, why not try our new range, "U. N."? It's entirely cosmetic; it does nothing. Apply half-heartedly with our new hand-wringing cream. Now, people often come up to me and say "Can you save my face?" Well, I can. So for those secret little deals - those secret little Iraqi liaisons - why not try "Embargo", the mark of the middleman? Now, for a touch of mystery, why not visit the "Missing Body Shop"? Collect your free nail remover and watch your problems disappear. Now, you're probably sitting there thinking "Oh, I'm such a hideous old blood-soaked dictator of a thing; nobody will deal with me". How wrong you are! We are sole suppliers to the US government of "Turn-a-Blind-Eye Liner" - use always in conjunction with "Oil of Kuwaiti", a touch of "Massacre" and blusher. Oh, you won't need that. I'm Marlene from the House of Charnel. Thank you for your time and patience. And for that finishing touch - for those romantic evenings when you really want to take the enemy out - why not try our stunning new nerve gas, "Paralyse" by Calvin Klein.' (Linda Live 1993)”

Linda Smith (1958–2006) comedian

Stand-up

People, Secret, World, Music

“Adams could no more interest Algernon Swinburne than he could interest Encke's comet. To Swinburne he could be no more than a worm. The quality of genius was an education almost ultimate, for one touched there the limits of the human mind on that side; but one could only receive; one had nothing to give — nothing even to offer.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Education

“After half a lifetime of poking fun at Bernard Shaw's materialism Kingsmill was not above touching the despised sage for ten quid. Even in the Australian school of literary morals, we weren't allowed to slag a man and put the bit on him simultaneously: it had to be one or the other.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Richard Ingrams at Doubting Castle'
Essays and reviews, From the Land of Shadows (1982)

School

“I just don't get it. The pigeon was already dead, we found it in the road. And no other censor has objected. What is the problem with you, English? You killed millions of Indians and Africans, and yet you go nuts about the circumstances of the death of a single Serbian pigeon. I am touched you hold the lives of Serbian birds so dear, but you are crazy. I will never understand how your minds work.”

Emir Kusturica (1954) Serbian film director, actor and musician of Bosnian origin

In an interview in The Guardian (4 March 2005) http://film.guardian.co.uk/interview/interviewpages/0,6737,1429569,00.html about a British censor demanding that a shot of a cat pouncing on a pigeon be cut from his film Life is a Miracle 2000s

Death, Understanding, Problem, Bird

“To the gross senses the chair seems solid and substantial. But the gross senses and be refined by means of instruments. Closer observations are made, as the result of which we are forced to conclude that the chair is “really” a swarm of electric charges whizzing about in empty space. … While the substantial chair is an abstraction easily made from the memories of innumerable sensations of sight and touch, the electric charge chair is a difficult and far-fetched abstraction from certain visual sensations so excessively rare (they can only come to us in the course of elaborate experiments) that not one man in a million has ever been in the position to make it for himself. The overwhelming majority of us accept the electric-charge chair on authority, as good Catholics accept transubstantiation.”

Aldous Huxley (1894–1963) English writer

“One and Many,” pp. 8–9
Do What You Will (1928)

Sense, Memory

“One of the most influential figures in Philippine cinema, Da King touched the lives of many people even before running for the presidency in 2004. A prolific and outstanding actor who won the most best actor awards from FAMAS, he would not need his acting skills in 2004--as his genuine concern for Filipinos of all walks of life was apparent as he went around the country to campaign against a government that was as crooked and menacing as the villains he faced in his movies.”

Francis Escudero (1969) Filipino politician

2009, Statement: Remembering the King

Life, People, Country

“The remembrance of death is very powerful to restrain us from sinning. For he should well consider the day will come(and he knoweth not how soon)….. no more Suns will rise and set upon him;.. no more seeing, no more hearing. no more speaking, no more touching, no more tasting, no more fancying, no more understanding, no more remembering, no more desiring, no more loving, no more delights of any sort to be enjoyed by him…let any man duly and daily ponder these things, and how can it be that he should dare…..”

Nicholas Ferrar (1592–1637) English scholar and courtier

Some final, unfinished thoughts a few weeks before his death aged forty-six, in 1637, Essay on Nicholas Ferrar, Jane Falloon, Heart of Pilgrimage-A Study of George Hertbert, Author House,Milton Keynes 2007 ISBN 978-1-4259-7755-9

Love, Death, Understanding, Sun

“This essay touches bottom for twentieth century man. …it is one many signals marking the end of "Antiman," with his hopeless relativism, and announcing "Unitary Man," …able to be more harmonious because he has become aware of the ordering processes at all levels in nature, without and within. …here at last subject and object are potentially fused in a single insight.”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

The Universe of Experience: A Worldview Beyond Science and Religion (1974)

Nature

“Most American officials viewed Prime Minister Haris Silajdzic as the Bosnia leader with the broadest vision - an eloquent advocate of a multiethnic state. But his power struggles with Izetbegović and Sacirbey and other members of the Bosnian government often isolated him. His collegues complained that he was difficult to work with. He carried a serious additional burden: Tuđman and Milošević distrusted him. Nevertheless, Silajzic was one of the two msot popular Muslim politicians in Bosnia, along with Izetbegović. My own feelings about Silajdzic shifted frequently. There was something touching about his intensity and energy, and his constant desire to improve himself intellectually. Although always busy, he seemed alone - his wife and son lived in Turkey. Silajdzic was the only Bosnian official who seemed genuinely to care about economic reconstruction of his ravaged land. His unpredictable moods worried us, but his support would be essential for any peace agreement.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 188

Peace, Feeling, Mood, Business

“The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines.”

Tom Lehrer (1928) American singer-songwriter and mathematician

Sydney Morning Herald interview (2003)

People, Thinking

“We say that the words were smooth, caressing, hard, sharp, and so on: all words that refer to body touching. Indeed we can kill or elate with words as body experiences. We kill or elate with words because, as co-ordinations of actions, they take place through body interactions that trigger in us body changes in the domain of physiology.”

Humberto Maturana (1928) Chilean biologist and philosopher

Source: Reality; The Search for Objectivity or the Quest for a Compelling Argument (1988), p. 48 as cited in: Vincent Kenny (1989).

Change

“Frozen, right? But to others, it looks like you're calm as could be. That's why some of the others tease you so mercilessly sometimes. They think you're made of stone, and they want to break in and touch the human feelings. They just don't know that when you seem most stony, that's when you're the most frightened and breakable.”

Orson Scott Card (1951) American science fiction novelist

Homecoming saga, Earthfall (1995)

Feeling, Thinking

“The minister, who would be most like the Master, must go and, like Him, lay the warm, kindly hand on the leper, the diseased, the wretched. He must touch the blind eyes with something from himself. The tears must be in his own eyes over the dead who are to be raised to spiritual life. Jesus is our great exemplar.”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 413.

Life, Disease, Tear, Dead

“Cheap music, childish images, the vulgate in language, in its crassest sense, can penetrate to the deeps of our necessities and dreams. It can assert irrevocable tenure there. The opening bars, the hammer-beat accelerando of Edith Piaf's Je ne regrette rien — the text is infantile, the tune stentorian, and the politics which enlisted the song unattractive — tempt every nerve in me, touch the bone with a cold burn and draw me into God knows what infidelities to reason, each time I hear the song, and hear it, uncalled for, recurrent inside me.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 4 (p. 183).

God, Dreams, Music, Sense

“An accident of careless handling at a dumping point had touched off a great atomic explosion, somewhere in central Europe. That country had thought itself attacked during the disarmament hiatus, and had struck at China, which had bombarded Russia, which thought it was being attacked by America. The confusion was straightened out in less than two hours, but by then two-thirds of the world had been killed.”

Lester del Rey (1915–1993) Novelist, short story writer, editor

Source: The Eleventh Commandment (1962), Chapter 2 (p. 14)

World, Country

“In Vermont, at a state beach, a mother is reprimanded by Authority for allowing her 6 month old daughter to go about without her diapers on. Now, if children go around naked, they are liable to see each others sexual organs, and maybe even touch them. Terrible thing! If we [raise] children up like this it will probably ruin the whole pornography business, not to mention the large segment of the general economy which makes its money by playing on peoples sexual frustrations.”

Bernie Sanders (1941) American politician, senator for Vermont

1969 essay in the Freeman — as quoted in "You Might Very Well Be the Cause of Cancer": Read Bernie Sanders' 1970s-Era Essays http://www.motherjones.com/politics/2015/07/bernie-sanders-vermont-freeman-sexual-freedom-fluoride, by Tim Murphy, Mother Jones (6 July 2015) 1970s

Money, Children, People, Business

“Pascal scornfully said that simple workmen had been able to convince of error those great men that are called 'philosophers'. It was, then, these unlearned men… who were most ready to believe 'what they saw with their eyes and touched with their hands'.”

Reijer Hooykaas (1906–1994) Dutch historian

Religion and the rise of modern science, 1972

Men, Error

“b>One of the loveliest and most magnificent events that can happen in the country is when ponies take fright, particularly in a herd. A meadow-pippit has flown past. The ponies' fear is at first blended with play, even with mockery, amusement touched with a shudder, not unlike the behavior of the mentally ill. They trot as if they were retreating from a slow-moving stream of fire, but with lightning in every action, storm in every nerve; swinging their heads everywhere as if the front of their necks were made of elastic, gracefully flirting their tails. They can even pause for a moment, and start biting and boxing, with those romantic mating cries of theirs. Then all at once it is as if the fire has started flowing right under these strange creatures, they charge away like a storm incarnate over scree and bogs and landslides, dipping the tips of their toes for a fractional moment into the furnace that blazes beneath their hooves, cutting across waterfalls, gullys, and boulders, galloping steeply for a while until they stand trapped at last on some ledge high in the mountaintops, there to die and be eaten by birds.”

Halldór Laxness book The Atom Station

Atómstöðin (The Atom Station) (1948)

Fear, Behavior, Bird, Past

“If the deepest, most fundamental levels of the analysand's pathology are to be reached, the relationship with the analyst becomes the vehicle for the establishment and articulation of bad-object relations. The analyst cannot enter the analysand's world in any form other than as a familiar (that is, "bad," or less than gratifying, object). This is true even though there often are elaborate resistances to the experience of the transference. Otherwise the analysis does not touch the analysand deeply, offers no promise, no hope for connection and transformation.”

Stephen Mitchell (1946–2000) American psychologist

Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 305

World, Hope

“"Where's Simon?" Clary interrupted.
Isabelle wobbled. "He's a rat," she said darkly.
"Did he do something to you?" Alec was full of brotherly concern. "Did he touch you? If he tried anything-"
"No, Alec," Isabelle said irritably. "Not like that. He's a rat"”

Cassandra Clare The Mortal Instruments

Clary, Isabelle, and Alec, pg. 237
The Mortal Instruments, City of Bones (2007)

“I think Sabra should have won. When they [the contestants] had a week off [over the Fourth of July], Danny brought Sabra to New York and we got to know her. People said, ‘There's no way she's only been dancing four years.' But I said, ‘She's been touched by God. God gave her the ability to understand her body.”

Sabra Johnson (1987) Dutch dancer

Denise Wall, fellow-contestant Danny Tidwell's mother and dance coach Starr Seibel, Deborah (2007-08-17). "Backstage at the So You Think You Can Dance Finale!" http://www.tvguide.com/news/dance-finale-sabra/070817-05 TVGuide.com. Retrieved 2007-08-17 About

God, People, Way, Understanding

“Some states, e. g. "pregnant", are all-or-none, no intermediates. But sexual abuse has shades of grey, from violent buggery to mild touching.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

https://twitter.com/RichardDawkins/status/282850316377014272 Twitter

“See ye not, Courtesy
Is the true Alchemy,
Turning to gold all it touches and tries?”

George Meredith (1828–1909) British novelist and poet of the Victorian era

The Song of Courtesy https://www.gutenberg.org/files/1381/1381-h/1381-h.htm#page129, IV (1859).

“When I was young I once found a book in a Dutch translation, The 'Leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Source: Karel Appel – the complete sculptures,' (1990), p. 93 'Quotes', K. Appel (1989)
Appel's quote is referring to his sculpture 'Monument for Walt Whitman', dedicated to the American poet

Books, World, Way, Feeling

“Consider and act with reference to the true ends of existence. This world is but the vestibule of an immortal life. Every action of our lives touches on some chord that will vibrate in eternity.”

Edwin Hubbell Chapin (1814–1880) American priest

Source: Dictionary of Burning Words of Brilliant Writers, P. 6.

Life, World

“I want to reassure the American people that the full resources of the federal government are working to assist local authorities to save lives and to help the victims of these attacks. Make no mistake: The United States will hunt down and punish those responsible for these cowardly acts.
I've been in regular contact with the Vice President, the Secretary of Defense, the national security team and my Cabinet. We have taken all appropriate security precautions to protect the American people. Our military at home and around the world is on high alert status, and we have taken the necessary security precautions to continue the functions of your government.
We have been in touch with the leaders of Congress and with world leaders to assure them that we will do whatever is necessary to protect America and Americans.
I ask the American people to join me in saying a thanks for all the folks who have been fighting hard to rescue our fellow citizens and to join me in saying a prayer for the victims and their families.”

George W. Bush (1946) 43rd President of the United States

Remarks Upon Arrival at Barksdale Air Force Base https://en.wikisource.org/wiki/Remarks_Upon_Arrival_at_Barksdale_Air_Force_Base (11 September, 2001) 2000s, 2001

People, World, Family, Home

“If I could be close beside you
If I could be where you are
if I could reach out and touch you
and bring you back home
Is there a way I can find you
Is there a sign I should know
Is there a road I could follow
to bring you back home to me”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Way, Home

“It often happens that we are most touched by what we are least capable of. Evanescent delicacy is not the quality in the arts that I admire most, but it is often the characteristic by which I am most reduced to envy.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, Unreliable Memoirs (1980), p. 64

Art, Envy

“The peasant boy, who followed the coloured track of the rainbow, hoping to find the blue and charmed flower which springs where the arch touches earth, is wiser far than one who gives youth, genius, and time to literature.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Youth, Hope, Spring, Boy

“She moved slowly, and her coat, too tight, made her belly stick out more prominently. With the two dollars deep in her purse she wandered off, more uncertain than ever, for now she saw the shining pans and pots and the cloth, so soft to the touch. Her desires grew vast and many, and she left, poorer certainly than when she had come in the store.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P.120

Clothes

“The history of technology will record that for the first time a machine of human construction, a five-and-a-half-ton missile, covered a distance of a hundred and twenty miles with a lateral deflection of only two and a half miles from the target. Your names, my friends and colleagues, are associated with this achievement. We did it with automatic control. From the artilleryman's point of view, the creation of the rocket as a weapon solves the problem of the weight of heavy guns. We are the first to have given a rocket built on the principles of aircraft construction a speed of thirty-three hundred miles per hour by means of rocket propulsion. Acceleration throughout the period of propulsion was no more than five times that of gravity, perfectly normal for maneuvering of aircraft. We have thus proved that it is quite possible to build piloted missiles or aircraft to fly at supersonic speed, given the right form and suitable propulsion. Our automatically controlled and stabilized rocket has reached heights never touched by any man-made machine. Since the tilt was not carried to completion our rocket today reached a height of nearly sixty miles. We have thus broken the world altitude record of twenty-five miles previously held by the shell fired from the now almost legendary Paris Gun.
The following points may be deemed of decisive significance in the history of technology: we have invaded space with our rocket and for the first time--mark this well--have used space as a bridge between two points on the earth; we have proved rocket propulsion practicable for space travel. To land, sea, and air may now be added infinite empty space as an area of future intercontinental traffic, thereby acquiring political importance. This third day of October, 1942, is the first of a new era in transportation, that of space travel....
So long as the war lasts, our most urgent task can only be the rapid perfection of the rocket as a weapon. The development of possibilities we cannot yet envisage will be a peacetime task. Then the first thing will be to find a safe means of landing after the journey through space…”

Walter Dornberger (1895–1980) German general

[Dornberger, Walter, Walter Dornberger, V2--Der Schuss ins Weltall, 1952 -- US translation V-2 Viking Press:New York, 1954, Bechtle Verlag, Esslingan, p17,236]

War, World, Travel, History

“Change was a constant in Walt Disney’s commitment to tell a story well, to bring it to an audience through the technology of the day, and to push that technology so that rather than controlling the story, it enhanced the story and gave it an opportunity to touch people, to speak to each of them individually, to make it believable.”

Newton Lee American computer scientist

Disney Stories: Getting to Digital, 2012

People, Change

Quotes about touch page 9

Quotes about touch
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