
Personal correspondence, quoted in Stephen Jay Gould, "Cabinet Museums: Alive, Alive, O!", Dinosaur in a Haystack (Harmony, 1995), p. 245
Personal correspondence, quoted in Stephen Jay Gould, "Cabinet Museums: Alive, Alive, O!", Dinosaur in a Haystack (Harmony, 1995), p. 245
James Endrst (July 8, 1994) "It's Been 25 Years Since We Took That Giant Leap For Mankind - Moon Odyssey", The Hartford Courant, p. B1.
Joseph Stella (1912); As cited in: Metropolitan Museum of Art (1965) American Painting in the Twentieth Century. p. 69
In Zee News: "Winning Grand Slams is Sania's motivation after London Games"
“On the Spirit of America” http://books.google.com/books?id=w0IOAAAAIAAJ&pg=PA122, Address to Daughters of the American Revoltion (11 October 1915)
1910s
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 267
Unsourced
Unsourced, In A Soldiers' Hospital II: Gramophone Tunes
As quoted in "Babe Ruth, Idle First time In 23 Years, Blames His Legs"
Edwin Boring (1946). Mind and mechanism; Cited in: Melford E. Spiro (1992) Anthropological Other Or Burmese Brother?: Studies in Cultural Analysis.. p. 68
(c. 1911), as quoted by Fonti, 'The Dance', p. 15; as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 33
Prologue; Edward Van Sloan actually comes out from behind an on-screen curtain to deliver this speech.
Frankenstein (1931)
1872(?), page 92
John of the Mountains, 1938
"Miss USA Winners Bare All and Say NO to Fur" https://www.youtube.com/watch?v=YGM9mDRd0Cs, PETA video (June 13, 2013).
Alfred P. Sloan. quoted in: John Bourne (2000), Learning Effectiveness and Faculty Satisfaction. p. 11
"Okie from Muskogee" (September 1969), co-written with Roy Edward Burris, for Okie from Muskogee (October 1969)
“The Hill and the Hole” (p. 165); originally published in Unknown Worlds, August 1942
Short Fiction, Night's Black Agents (1947)
Letter to W G Whittaker, 1914, quoted in Paul Holmes Holst p. 62.
Concepts
Quote from a conversation with J.P. Hodin, 18 August 1959; in an extract from J.P. Hodin, Barbara Hepworth, London, 1961, Two Conversations with Barbara Hepworth: 'Art and Life' and 'The Ethos of Sculpture', pp. 23–24
1947 - 1960
Canto II, XII
The Fate of Adelaide (1821)
“You ride in a limousine the first time, it’s a big thrill but after that it’s just a stupid car.”
Bruce Springsteen Talking
Review http://www.reelviews.net/movies/d/die_hard.html of Die Hard (1988).
Four star reviews
Review http://www.reelviews.net/movies/s/sw2.html of Star Wars Episode V: The Empire Strikes Back (1980).
Four star reviews
Source: The Bankrupt Bookseller (1947), p. 30
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 130.
“Mere grace is not enough: a play should thrill
The hearer's soul, and move it at its will.”
Non satis est pulchra esse poemata; dulcia sunto
Et, quocumque uolent, animum auditoris agunto.
Source: Ars Poetica, or The Epistle to the Pisones (c. 18 BC), Line 99 (tr. John Conington)
As quoted in The Times Book of Quotations (2000), p. 384
Interview with Marion Finlay, "Hockney on … politics, pleasure, and smoking in public places" http://www.forestonline.org/output/Page264.asp FOREST Online (28 July 2004)
2000s
Plato's Pharmacy, Pharmacia
Dissemination (1972)
Source: Titus Alone (1959), Chapter 18 (p. 831)
Extreme Championship Wrestling. July 11th, 2006.
Extreme Championship Wrestling
“The great deep thrills for through it everywhere
The breath of beauty blows.”
The Nuts of Knowledge (1903)
“The Dragon”, p. 216.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)
“He felt the almost sexual thrill of being the one in the room with all the power.”
Part IV, Chapter VI (p. 405)
The Privilege of the Sword (2006)
“Waiting for the German verb is surely the ultimate thrill.”
Page 143
The Hair of the Dogma (1977)
Source: Never Leave Well Enough Alone (1951), Chapter 1
“Chords that vibrate sweetest pleasure
Thrill the deepest notes of woe.”
Sensibility How Charming, st. 4
Johnson's The Scots Musical Museum (1787-1796)
"Playboy Interview: Madalyn Murray", Playboy (October 1965)
Quoted in "Saint Paul," interview with John Aldridge, The Guardian (2005-04-10)
2007
BBC radio interview (December 13, 2006)
2006
Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata
Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 8, Centennial summer, p. 196
Source: "Democracy and Standards" (1924), p. 138
October 8, 2005 weblog post http://www.maxbarry.com/2005/10/08/news.html#firstreviews
To Christopher Morley, quoted in Saturday Review Treasury (1957)
Source: The Rag and Bone Shop (2000), p. 142
On receiving the Nobel Prize, in The New York Times (8 October 1993) http://www.nytimes.com/books/98/01/11/home/28957.html
"Crucifixion"
Pleasures of the Harbor (1967)
As quoted in "Spoonful of Sugar : Natasha Lyonne’s Sweet Comeback" by Shira Levine, in Heeb Magazine (20 January 2009)
Context: Look, I’m not thrilled that perfect strangers get to have an opinion about me or feel like they know me, but I have enough perspective to know they don’t know me, and I do have a life and I don’t live it for other people.… My reality is very different from what everyone read. The problem is because I did get myself in a lot of trouble, I didn’t get to do the kind of work that maybe I should have been doing, so it became confusing who I really am and what I am really about … It’s totally fucking strange to me that people took a lot of that fucking stuff seriously. … It’s not their fault that they don’t know me personally. Who’s got the time?
unheard-of and unfelt effects with words.
Source: Native Son (1940), p. xxx
"The Holy Dimension", p. 334
Moral Grandeur and Spiritual Audacity: Essays (1997)
Context: Only those who are spiritually imitators, only people who are afraid to be grateful and too weak to be loyal, have nothing but the present moment. The mark of nobility is inherited possession. To a noble person it is a holy joy to remember, an overwhelming thrill to be grateful, while to a person whose character is neither rich nor strong, gratitude is a most painful sensation. The secret of wisdom is never to get lost in a momentary mood or passion, never to forget a friendship over a momentary grievance, never to lose sight of the lasting values over a transitory episode.
Source: In My Own Way: An Autobiography 1915-1965 (1972), p. 122
Casting, p. 69
Catching the Big Fish (2006)
Context: On Blue Velvet, I worked with a casting director, Johanna Ray. And we had all brought up Dennis Hopper. But everybody said, 'No, no; you can't work with Dennis. He's really in bad shape, and you'll have nothing but trouble.' So we continued looking for people. But one day, Dennis' agent called and said that Dennis was clean and sober and had already done another picture, and I could talk to that director to verify it. Then Dennis called and said, 'I have to play Frank, because I am Frank.' That thrilled me, and scared me.
The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: One of the great disservices a culture of domination has done to all of us is to confuse the erotic with domination and violence. The God is wild, but his is the wildness of connection, not of domination. Wildness is not the same as violence. Gentleness and tenderness do not translate into wimpiness. When men — or women, for that matter — begin to unleash what is untamed in us, we need to remember that the first images and impulses we encounter will often be the stereotyped paths of power we have learned in a culture of domination. To become truly wild, we must not be sidetracked by the dramas of power-over, the seduction of addictions, or the thrill of control. We must go deeper. <!-- p. 233
“Lover, I don’t play to win but for the thrill until I’m spent.”
"The Strangers" - Live @ Great American Music Hall (27 February 2009) http://www.youtube.com/watch?v=JAX3P1ueR6w
Actor (2009)
Context: Lover, I don’t play to win but for the thrill until I’m spent.
Paint the black hole blacker. Paint the black hole blacker
Source: The Story of My Life (1903), Ch. 4
Context: We walked down the path to the well-house, attracted by the fragrance of the honeysuckle with which it was covered. Some one was drawing water and my teacher placed my hand under the spout. As the cool stream gushed over one hand she spelled into the other the word water, first slowly, then rapidly. I stood still, my whole attention fixed upon the motions of her fingers. Suddenly I felt a misty consciousness as of something forgotten — a thrill of returning thought; and somehow the mystery of language was revealed to me. I knew then that "w-a-t-e-r" meant the wonderful cool something that was flowing over my hand. That living word awakened my soul, gave it light, hope, joy, set it free! There were barriers still, it is true, but barriers that could in time be swept away.
I left the well-house eager to learn. Everything had a name, and each name gave birth to a new thought. As we returned to the house every object which I touched seemed to quiver with life. That was because I saw everything with the strange, new sight that had come to me.
“There was a time when the name of Cornstalk thrilled every heart in West Virginia.”
Rev. William Henry Foote, in "Cornstalk, the Shawanee Chief" in The Southern Literary Messenger Vol. 16, Issue 9, (September 1850) pp. 533-540 http://victorian.fortunecity.com/rothko/420/aniyuntikwalaski/cornstalk.html
Context: There was a time when the name of Cornstalk thrilled every heart in West Virginia. Here and there among the mountains may be found an aged one, who remembers the terrors of Indian warfare as they raged on the rivers, and in the retired glens, west of the Blue Ridge, under that noted savage. Cornstalk was to the Indians of West Virginia, what Powhatan was to the tribes on the Sea Coast, the greatest and the last chief.
“My big ears indicated a talent for music. This thrilled me.”
On what inspires him in “An Interview with GALA Hispanic Theatre’s Hugo Medrano” https://mdtheatreguide.com/2011/10/an-interview-with-gala-hispanic-theatres-hugo-medrano/ in MD Theatre Guide (2011 Oct 8)
Worst of all, I felt that every day that passed riveted another link to the chain of habit which was binding our life into a fixed shape, that our emotions, ceasing to be spontaneous, were being subordinated to the even, passionless flow of time… ‘It’s all very well … ‘ I thought, ‘it’s all very well to do good and lead upright lives, as he says, but we’ll have plenty of time for that later, and there are other things for which the time is now or never.’ I wanted, not what I had got, but a life of challenge; I wanted feeling to guide us in life, and not life to guide us in feeling.
Family Happiness (1859)
On what attracted him to theater in “August Wilson, The Art of Theater No. 14” https://www.theparisreview.org/interviews/839/august-wilson-the-art-of-theater-no-14-august-wilson in The Paris Review (Winter 1999)
should have prayed all his life for the conversion of England, pledging his sons to do likewise. Once, during Mass, he had a vision of my sons in England. But only in 1841, almost seventy years after his death, did they actually set foot on English soil - through Fr Dominic Barberi. It was he who received Newman into the Church..
Broken Lights Diaries 1957-59.
2020s, 2020, February, Donald Trump Charleston, South Carolina Rally (February 28, 2020)
2020s, 2020, February, Donald Trump Charleston, South Carolina Rally (February 28, 2020)
Bigg Boss 14: Nikki Tamboli wants to work with Vijay Sethupathi after reality show
Grace Zabriskie: Methodical Madness https://www.backstage.com/magazine/article/grace-zabriskie-methodical-madness-42678/ (June 26, 2001)
Source: The Cosmic Code (1982), p. 312
Source: Marta Kristen and Mark Goddard – Fifty Years Later and Still Lost in Space https://www.popentertainmentarchives.com/post/marta-kristen-and-mark-goddard-fifty-years-later-and-still-lost-in-space (January 15, 2015)
Rights, rights, rights, rights… Jesus! It's appalling. People have had enough of that. And they better have, because it's a non-productive mode of being. Responsibility, man: that's where the meaning in life is.
Other