“Kunti, like Ahalya with Indra, is curious. She wishes to test whether Durvasa’s boon really works. Significantly, this desire arises in her after she has menstruated. In her account to Vyasa, she frankly states that she had desired (sprihayanti) Surya, again reminding us of Ahalya when approached by Indra. Perceiving a radiant being in the rising sun she invites him, using the mantra. Once summoned, Surya, like Indra, will not return unsatisfied. He cajoles and browbeats the girl, assuring her of unimpaired virginity, and threatening to consume the kingdom and the boon-bestowing sage if denied. A thrilling conflation of desire and fear overpower Kunti’s reluctance, and she stipulates that the son thus born must be like his father.”

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

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character from Indian epic Mahabharata

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“Large-eyed and well endowed, as her name Pritha connotes, she is strikingly lovely, and Kuntibhoja exhorts her not to neglect any service out of pride in her beauty. Kunti’s relationship with Durvasa does not appear to have been easy. In the account she gives much later to Vyasa, she tells him that despite Durvasa’s conduct having been such as to provide abundant cause for anger, she had not given way to it. She further states that she was constrained at the sage’s insistence to accept his boon, whereby any god would be compelled to answer her summons, and that she obeyed out of fear of his curse. The interaction that she describes after this between her and the sun god, Surya, is exactly similar – the same insistence and the same fear.”

Kunti character from Indian epic Mahabharata

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

“Pandu was married to Kunti, the adopted daughter of King Kuntibhoja. Her real father was King Sura of the Yadava clan. Kuntibhoja had adopted her and used her to serve a Brahmin visiting his court. This Brahmin [Durvasa] was known both for his irascibility and his great magical powers. Kunti served him so well that he blessed the king and gave Kunti several mantras with which she could call any god to father her child. In her childish curiosity, Kunti used one mantra and called Surya, the sun-god. He appeared immediately and begot a son on her. Frightened, Kunti put the child in a box, with gold and jewelery, and set it in the river. The boy was found and adopted by the suta Adhiratha, and became known as Karna.”

Kunti character from Indian epic Mahabharata

Source: The End Of An Epoch, p. 12.

“Karna inclined his beautiful head and listened. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun. The young mother loved her first-born son deeply, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhiratha, a charioteer. And named Karna.”

Kunti character from Indian epic Mahabharata

Kunti in p. 232.
The God of Small Things

“There was a certain history to this. While heavily pregnant with Amelia, she had asked him if she was radiant or if she just looked like a waddling duck. He told her she’d looked like a radiant duck. This had not been the correct answer.”

Julia Quinn (1970) American novelist

Source: The Bridgertons: Happily Ever After

“She loved him because he had brought her back to life. She had been like a caterpillar in a cocoon, and he had drawn her out and shown her that she was a butterfly.”

Ken Follett book The Pillars of the Earth

Source: The Pillars of the Earth

“Kunti summoned the eternal god of justice to obtain offspring from him. And she offered without loss of time, sacrifices unto the god and began to duly repeat the formula that Durvasa had imparted to her some time before. 'O Kunti, what am I to give thee?' And Kunti too smiling in her turn, replied, 'Thou must even give me offspring.”

Kunti character from Indian epic Mahabharata

The Sun god appeared before Kunti
The Mahabharata/Book 1: Adi Parva/Section CXXIII

“She liked to imagine that when she passed, the world looked after her, but she also knew how anonymous she was. Except when she was at work, no one knew where she was at any time of day and no one waited for her. It was immaculate anonymity.”

Alice Sebold book The Lovely Bones

Source: The Lovely Bones

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

Arundhati Roy book The God of Small Things

pages 232-233.
The God of Small Things (1997)

“Emily looked at him for a long time. There were so many things she wanted to know—but she wanted not to know them even more. She didn’t want any more answers. He had been the one thing she could trust, the one person she could rely on. She wanted to beg him to be that way again. But it wasn’t him who had changed. It was her. It was her own credulity she really wanted back. And credulity, like virtue, could be lost only once.”

M. K. Hobson book The Native Star

Source: The Native Star (2010), Chapter 17, “The Cockatrice” (p. 237)

“Kunti, or Pritha, is the daughter of Shoora of the Vrishnis, given away when just a child to her father’s childless friend Kuntibhoja. This rankles deep within her; she voices her resentment pointedly both before and after the Kurukshetra war. Growing up in Kuntibhoja’s apartments, she finds no mother; Kuntibhoja himself hands her over, in adolescence, to the vagaries of the eccentric, w:Irascibleirascible and fiery sage Durvasa. Should she displease the sage, she is warned, it will dishonour her guardian’s clan as well as her own.”

Kunti character from Indian epic Mahabharata

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

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