Quotes about theater

A collection of quotes on the topic of theater, people, doing, likeness.

Quotes about theater

“Actors are agents of change. A film, a piece of theater, a piece of music, or a book can make a difference. It can change the world.”

Alan Rickman (1946–2016) English film, television and stage actor

Interview: Alan Rickman on "Nobel Son" http://www.ifc.com/2008/12/alan-rickman-on-nobel-son by Aaron Hillis, IFC.com (4 December 2008)

Books, World, Music, Change

“The man who has many answers
is often found
in the theaters of information
where he offers, graciously,
his deep findings.

While the man who has only questions,
to comfort himself, makes music.”

Mary Oliver (1935–2019) American writer

Source: A Thousand Mornings

Music, Question

“A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture — in literature, art, theater, or the daily newspapers.”

Andrea Dworkin (1946–2005) Feminist writer

Speech at Queen's College, City University of New York (March 12, 1975). "The Sexual Politics of Fear and Courage", ch. 5, published in Our Blood (1976).

Life, People, Art, Literature

“I believe that my dream has always been to become someone. To succeed in life, in the show, I did not know exactly what, but it was or singing or acting, or do cinema or theater… it was the show.”

Dalida (1933–1987) French singer, actress, model and beauty pageant titleholder

Source: http://dalidaideal.blogspot.com/2018/10/dalida-quotes.html

Life, Dreams, Singing

“I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently.”

Terence McKenna (1946–2000) American ethnobotanist

Spacetime Tsunami http://www.deoxy.org/t_sunami.htm, Interview with Carla Sinclair, bOING bOING #10. Context: I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently. And there's a way to take the world apart and put it back unrecognizably. We don't really understand what consciousness is at the really deep levels. With some of the tryptamine hallucinogens, you see into possibilities where questions like, 'are you alive?' 'are you dead?' 'are you you?' seem to have been transcended. I think people have a very narrow conception of what is possible with reality, that we're surrounded by the howling abyss of the unknowable and nobody knows what's out there.

People, Understanding, Problem, Thinking

“My first job was in a movie theater. I worked at Cinema 6 in New City, New York. I was an usher. I sold popcorn.”

Sebastian Stan (1982) Romanian-American actor

Quote

“Free speech is the right to shout "Theater!" in a crowded fire.”

Abbie Hoffman (1936–1989) American political and social activist

Source: Soon to be a Major Motion Picture (1980), p. 214.

“Everything is theater.”

Fernando Pessoa book The Book of Disquiet

Source: The Book of Disquiet

“MAGIC THEATER
ENTRANCE NOT FOR EVERYBODY
I tried to open the door, but the heavy old latch would not stir. The display too was over. It had suddenly ceased, sadly convinced of its uselessness. I took a few steps back, landing deep into the mud, but no more letters came. The display was over. For a long time I stood waiting in the mud, but in vain.
Then, when I had given up and gone back to the alley, a few colored letters were dropped here and there, reflected on the asphalt in front of me. I read:
FOR MADMEN ONLY!”

Hermann Hesse book Steppenwolf

Source: Steppenwolf (1927), p. 32

Color, Time, Waiting, Reading

“When from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.And once again I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy), immediately the old gray house upon the street, where her room was, rose up like the scenery of a theater.”

Marcel Proust book In Search of Lost Time

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

Happiness, People, Faith, Hope

“And now, ladies and gentlemen, that we've enjoyed some good times this evening, and enjoyed some laughter together, I feel it is my obligation to remind you of some of the negative, depressing, dangerous, life-threatening things that life is really all about; things you have not been thinking about tonight, but which will be waiting for you as soon as you leave the theater or as soon as you turn off your television sets. Anal rape, quicksand, body lice, evil spirits, gridlock, acid rain, continental drift, labor violence, flash floods, rabies, torture, bad luck, calcium deficiency, falling rocks, cattle stampedes, bank failure, evil neighbors, killer bees, organ rejection, lynching, toxic waste, unstable dynamite, religious fanatics, prickly heat, price fixing, moral decay, hotel fires, loss of face, stink bombs, bubonic plague, neo-Nazis, friction, cereal weevils, failure of will, chain reaction, soil erosion, mail fraud, dry rot, voodoo curse, broken glass, snake bite, parasites, white slavery, public ridicule, faithless friends, random violence, breach of contract, family scandals, charlatans, transverse myelitis, structural defects, race riots, sunspots, rogue elephants, wax buildup, killer frost, jealous coworkers, root canals, metal fatigue, corporal punishment, sneak attacks, peer pressure, vigilantes, birth defects, false advertising, ungrateful children, financial ruin, mildew, loss of privileges, bad drugs, ill-fitting shoes, widespread chaos, Lou Gehrig's disease, stray bullets, runaway trains, chemical spills, locusts, airline food, shipwrecks, prowlers, bathtub accidents, faulty merchandise, terrorism, discrimination, wrongful cremation, carbon deposits, beef tapeworm, taxation without representation, escaped maniacs, sunburn, abandonment, threatening letters, entropy, nine-mile fever, poor workmanship, absentee landlords, solitary confinement, depletion of the ozone layer, unworthiness, intestinal bleeding, defrocked priests, loss of equilibrium, disgruntled employees, global warming, card sharks, poisoned meat, nuclear accidents, broken promises, contamination of the water supply, obscene phone calls, nuclear winter, wayward girls, mutual assured destruction, rampaging moose, the greenhouse effect, cluster headaches, social isolation, Dutch elm disease, the contraction of the universe, paper cuts, eternal damnation, the wrath of God, and PARANOIAAAAAAAAA!!!!!!!”

George Carlin (1937–2008) American stand-up comedian

Playing With Your Head (1986)

Life, God, Bad luck, Children

“The theater is so endlessly fascinating because it's so accidental. It's so much like life.”

Arthur Miller (1915–2005) playwright from the United States

The New York Times (9 May 1984)

Life

“Totalitarianism no longer comes in the form of communism or fascism. It comes now from corporations. And these corporations fear those who think and write, those who speak out and form relationships freely. Individual freedom impedes their power and their profits. Our democracy, as Snowden I think has revealed, has become a fiction. The state, through elaborate forms of political theater, seeks to maintain this fiction to keep us passive. And if we wake up, the state will not shy away from draconian measures. The goal is complete subjugation, the iron rule of our corporations and our power elite.”

Chris Hedges (1956) American journalist

Source: “ 25:13 Our Only Hope Will Come Through Rebellion http://www.youtube.com/watch?v=TOlg_2qAbUA” (2014)

Fear, Democracy, Communication, Thinking

“In the theater, while you recognized that you were looking at a house, it was a house in quotation marks … on screen, the quotation marks tend to be blotted out by the camera. The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes. It isn't easy to do in the theater, but it's twice as hard in film.”

Arthur Miller (1915–2005) playwright from the United States

On filming a television production of Death of a Salesman, as quoted in The New York Times (15 September 1985) http://query.nytimes.com/gst/fullpage.html?res=9805E2DE133BF936A2575AC0A963948260&sec=&spon=&pagewanted=all

Feeling, Problem, Housing, Personality

“It was wonderful, a stunning happy ending to what began as just another tragic rock & roll story, as if Bob Dylan had been arrested in Miami for jacking off in a seedy little XXX theater while stroking the spine of a fat young boy.”

Hunter S. Thompson (1937–2005) American journalist and author

2000s, Kingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American Century (2004)

Happiness, Boy

“Fierce and pure, I was the theater of a fairyland restored to life.”

Jean Genet book The Thief's Journal

The Thief's Journal (1949)

Life

“Actors didn't use to be celebrities. A hundred years ago, they put the theaters next to the brothels. Actors were poor. Celebrities used to be kings and queens. Then the United States abolished monarchy, and now there's this coming together of show business and celebrity. I don't think it's healthy. I don't want to sound self-important, but all these celebrity shows and magazines—it comes from us, from Hollywood, from our country. We're the ones creating it. And I think it works in close step with a lot of other bad things that are happening in the world. It promotes greed, it promotes being selfish and it promotes this ladder, where you're a better person if you have more money. It's not at all about the work itself. Don't get me wrong. I love movies. But this myth of celebrity has nothing to do with movies.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Newsweek, March 31, 2006

Love, Money, World, Business

“We Protestants ought to humbly confess that the theater and the sports have done more for race amity, for race understanding than, on the whole, the Protestant Church in certain type, in certain parts of the nation.”

Reinhold Niebuhr (1892–1971) American protestant theologian

The Mike Wallace Interview (1958)

Understanding, Sport, Parting

“I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play — but rather the most accurate possible statement of the problem.”

Arthur Miller (1915–2005) playwright from the United States

National Observer (20 January 1964)

Problem, Thinking

“Many if not most of his decisions are thrust upon the president, out of the blue, by events beyond his control: oil spills, financial panics, pandemics, earthquakes, fires, coups, invasions, underwear bombers, movie-theater shooters, and on and on and on. They don’t order themselves neatly for his consideration but come in waves, jumbled on top of each other. “Nothing comes to my desk that is perfectly solvable,” Obama said at one point. “Otherwise, someone else would have solved it. So you wind up dealing with probabilities. Any given decision you make you’ll wind up with a 30 to 40 percent chance that it isn’t going to work. You have to own that and feel comfortable with the way you made the decision. You can’t be paralyzed by the fact that it might not work out.” On top of all of this, after you have made your decision, you need to feign total certainty about it. People being led do not want to think probabilistically.”

Barack Obama (1961) 44th President of the United States of America

Michael Lewis, "Obama's Way" https://www.vanityfair.com/news/2012/10/michael-lewis-profile-barack-obama, Vanity Fair, (October 2012). 2012

People, Way, Feeling, Thinking

“I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.”

Arthur Miller (1915–2005) playwright from the United States

The Times (11 January 1989)

“This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

General Aspects of Dream Psychology (1928)

Dreams

“In the coming days, we’ll learn about the victims — young men and women who were studying and learning and working hard, their eyes set on the future, their dreams on what they could make of their lives. And America will wrap everyone who’s grieving with our prayers and our love.
But as I said just a few months ago, and I said a few months before that, and I said each time we see one of these mass shootings, our thoughts and prayers are not enough. It’s not enough. It does not capture the heartache and grief and anger that we should feel. And it does nothing to prevent this carnage from being inflicted someplace else in America — next week, or a couple of months from now.
We don’t yet know why this individual did what he did. And it’s fair to say that anybody who does this has a sickness in their minds, regardless of what they think their motivations may be. But we are not the only country on Earth that has people with mental illnesses or want to do harm to other people. We are the only advanced country on Earth that sees these kinds of mass shootings every few months.
Earlier this year, I answered a question in an interview by saying, “The United States of America is the one advanced nation on Earth in which we do not have sufficient common-sense gun-safety laws — even in the face of repeated mass killings.” And later that day, there was a mass shooting at a movie theater in Lafayette, Louisiana. That day! Somehow this has become routine. The reporting is routine. My response here at this podium ends up being routine. The conversation in the aftermath of it. We’ve become numb to this.
We talked about this after Columbine and Blacksburg, after Tucson, after Sandy Hook Elementary School shooting, after Aurora, after Charleston. It cannot be this easy for somebody who wants to inflict harm on other people to get his or her hands on a gun.
And what’s become routine, of course, is the response of those who oppose any kind of common-sense gun legislation.”

Barack Obama (1961) 44th President of the United States of America

2015, Remarks after the Umpqua Community College shooting (October 2015)

Love, Women, Men, People

“Man has an invincible inclination to allow himself to be deceived and is, as it were, enchanted with happiness when the rhapsodist tells him epic fables as if they were true, or when the actor in the theater acts more royally than any real king.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)
Context: Man has an invincible inclination to allow himself to be deceived and is, as it were, enchanted with happiness when the rhapsodist tells him epic fables as if they were true, or when the actor in the theater acts more royally than any real king. So long as it is able to deceive without injuring, that master of deception, the intellect, is free; it is released from its former slavery and celebrates its Saturnalia. It is never more luxuriant, richer, prouder, more clever and more daring.

Happiness

“If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.”

Arthur Miller (1915–2005) playwright from the United States

Collected Plays (1958) Introduction, Section 2
Context: My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind; and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.

Business

“Conflict cannot be avoided, but perhaps it can be confined to a mental theater.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 94
Context: A pagan education would sharpen the mind, steel the will, and seduce the senses. Our philosophy should be both contemplative and pugilistic, admitting aggression (as Christianity does not) as central to our mythology. The beasts of passion must be confronted, and the laws of nature understood. Conflict cannot be avoided, but perhaps it can be confined to a mental theater.

“Luxurious food and drinks, in no way protect you from harm. Wealth beyond what is natural, is no more use than an overflowing container. Real value is not generated by theaters, and baths, perfumes or ointments, but by philosophy.”

Epicurus (-341–-269 BC) ancient Greek philosopher

From the esplanade wall at Oenoanda, now in Turkey, as recorded by Diogenes of Oenoanda

Food, Way, Drink, Nature

“The mission of the theater, after all, is to change, to raise the consciousness of people to their human possibilities.”

Arthur Miller (1915–2005) playwright from the United States

On The Crucible, in a 1987 interview; as quoted in "Arthur Miller, Moral Voice of American Stage, Dies at 89" by Marilyn Berger in The New York Times (11 February 2005) http://www.nytimes.com/2005/02/11/theater/newsandfeatures/11cnd-miller.html?ei=5070&en=3842d0df3195ba4c&ex=1148356800&adxnnlx=1148209567-ZnjnGzbndB3P1XvCU5BNDg&pagewanted=all&position= Context: I was very moved by that play once again when the Royal Shakespeare Company did a production that toured the cathedrals of England. Then they took it to Poland and performed it in the cathedrals there, too. The actors said it changed their lives. Officials wept; they were speechless after the play, and everyone knew why. It was because they had to enforce the kind of repression the play was attacking. That made me prouder than anything I ever did in my life. The mission of the theater, after all, is to change, to raise the consciousness of people to their human possibilities.

People, Change

“Let's run away to Venice, and hide out in an old movie theater. We can dye our hair blonde, so no one will ever find us!”

Cornelia Funke book The Thief Lord

Source: The Thief Lord

“The theater is the only institution in the world which has been dying for four thousand years and has never succumbed. It requires tough and devoted people to keep it alive.”

John Steinbeck book Once There Was a War

Source: Once There Was a War

People, World

“Good teaching is one-fourth preparation and three-fourths theater.”

Gail Godwin (1937) Novelist, short story writer

“… It all seemed to him to have disappeared as if behind a curtain at a theater. There are such curtains that drop in life. God is moving on to the next act.”

Victor Hugo book Les Misérables

Source: Les Misérables

Life, God

“When you open a book it's like going to the theater first you see the curtain then it is pulled aside and the show begins.”

Cornelia Funke Inkheart trilogy

Source: Inkheart

Books

“Your uncle," Poseidon sighed, "has always had a flair for dramatic exits. I think he would've done well as the god of theater.”

Rick Riordan book The Lightning Thief

Source: The Lightning Thief

God, Thinking

“I'm done. I'm going to go to bed and read important books about theater."
"It would would be easier if you just said porn," Scarlett said.
"No idea what you're talking about. But knock first if you need me.”

Maureen Johnson (1973) writer from the USA

Source: Suite Scarlett

Books, Idea, Reading

“You're going to burn in a very special level of hell. A level they reserve for child molesters and people who talk at the theater.”

Joss Whedon (1964) American director, writer, and producer for television and film

People, Hell

“And suddenly solitude fell across his heart like a dusty reflection. He closed his eyes. The dark doors within him opened and he entered. The next performance in the theater of Grenouille's soul was beginning.”

Patrick Süskind (1949) German writer and screenwriter

Source: Perfume: The Story of a Murderer

Soul, Solitude, Heart

“It’s illegal to yell ‘Fire!’ in a crowded theater, right?” “It is.” “Well, I’ve whispered ‘Racism’ in a post-racial world.”

Paul Beatty book The Sellout

Source: The Sellout

World

“If theater is ritual, then dance is too… It's as if the threads connecting us to the rest of the world were washed clean of preconceptions and fears. When you dance, you can enjoy the luxury of being you.”

Paulo Coelho (1947) Brazilian lyricist and novelist

Source: The Witch Of Portobello

World, Fear, Dance

“We'll meet at the theater tonight. I'll hold your seat 'til you get there. Once you get there; you're on your own.”

Groucho Marx (1890–1977) American comedian

“Life was growing and spreading here the way a disease propagates and eats and in the eating must kill. There should be something more, he thought. A kind of being might come into the universe that did not want to finally eat everything or to command all or to fill every niche and site with its own precious self. It would be a strange thing, with enough of the brute biology in it to have the quick, darting sense of survival. But it would also have to carry something of the machine in it, the passive and accepting quality of duty, of waiting, and of thought that went beyond the endless eating or the fear of dying. To such a thing the universe would not be a battleground but a theater, where eternal dramas were acted out and it was best to be in the audience. Perhaps evolution, which had been at the beginning a blind force that pushed against everything, could find a path to that shambling, curiously lasting state.”

Gregory Benford (1941) Science fiction author and astrophysicist

Part 6 “Aleph Null”, Chapter 4 (p. 226)
Against Infinity (1983)

Life, Fear, Disease, Way

“This paucity of actors on the stage reflects the liturgical roots of Greek theater, which continued to stick close to its religious origins. … [A] machine, called the mēchanē, was a sort of crane that swung an actor playing a god over the parapet of the skēnē and out above the stage (thus the Latin phrase deus ex machina for a solution from nowhere, an unforeseen answer to prayers).”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.IV The Politician and the Playwright: How to Rule

God

“In the summer of 1928, Hitler aged 39, was the Nazi party leader, and he fell in love with Geli Raubal, his 20 year old niece, the daughter of his widowed half-sister, Angela Raubal. He took her everywhere, to meetings and conferences, on long walks in the mountains and to the cafés and theaters in Munich. Gossip about the party leader and his beautiful blond niece was inevitable in Munich and throughout Nazi circles in southern Germany. By 1931, some deep rift whose origins and nature have never been fully ascertained grew between them.”

William L. Shirer book The Rise and Fall of the Third Reich

The Rise and Fall of the Third Reich (1960)

Love, Age, Beauty, Mountain

“I wanted to experiment with that live energy, to push myself a little. It's very much about having intimacy with the music. I love theater - and I love playing in these old theaters. It's not a Vegas stage show. It's very much just me and the music and a five-piece band and a 20-piece string section from each city.”

Josh Groban (1981) American musician and actor

Miami Herald, 4/23/04

Love, Music

“Well, at first I wanted to put blinds on the building [of the outdoor-sculpture Josef Strau did for her recently]. But when I do something I've already done before, I sometimes have a certain feeling of uncertainty. Although I am falling back on something that I know is safe and pretty good. But then it was all too expensive. I had seen glowing green, fresh bamboo at the KaDeWe store. It had attracted my attention and I thought it would be nice to do something with it. Back home, sitting over the photo, drawing some things on it, I remembered this lovely green bamboo again and also that there was this fascist building – or partly fascist building – next to the store, a theater, an ugly building. And then I thought, bamboo is politically correct, that's just the thing. But I also think it's visually beautiful. Simple. The work is called 'Haare wachsen wie sie wollen”

Isa Genzken (1948) German sculptor

'Hair grows the way it wants'
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Love, Beauty, Way, Feeling

“Among the idle rich, boredom is one of the most common causes of unhappiness. People who have difficulty in earning their living may suffer greatly, but they are not bored. Wealthy men and women become bored when they depend upon the theater for their enjoyment instead of making their own lives interesting.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

Women, Men, People, Suffering

“If one perceives of it all – the entire War or even life as a whole – as a scene in the theater of 'infinity', many things are much easier to bear.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's Diary, 12 September 1940, Amsterdam; as quoted on: 'Arts in exile' http://kuenste-im-exil.de 1940s

Life, War

“I have seen here [in London] a play on Faust, the most diabolic thing imaginable. The Mephistopheles is a masterpiece of caricature and intelligence. It is Goethe's 'Faust', but adapted; the principle features are preserved. They have made it into an opera mixed with comedy and with everything that is most sombre. The scene in the church is given with the priest's chanting and the organ in the distance. Impossible to carry an effect further, in the theater.”

Eugène Delacroix (1798–1863) French painter

Quote in a letter (written in London, England) to J. B. Pierret, 18 June 1825; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 67
1815 - 1830

Imagination, Intelligence

“For the adult, all the world is a stage and the personality is the mask one wears to play the assigned role. The outlaw quietly takes a seat in the back row of the theater of the mind and watches.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), pp. 135-136

World, Personality

“On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

quote from 'Guerra sola igiene del mundo', in Edizione Futuriste di Poesia', Milan 1915; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 21
1910's

Death, Health, Youth, Art

“I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything. I was in the workshop and watched him. So as a child so-called art was not my view. That was, in my opinion, my father's job. But I liked to watch him; he comes, as my mother also, from a very craftsman's background. My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theater and all such nonsense, you know. On my mother's side there was much more heavy craft. They were blacksmiths. They made a specialty horse shoes and nails for them... So, as a child, my main fun was to watch others working. I loved to walk to the neighboring carpenter's place and up to the neighboring shoemaker in my home town.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Love, Art, Shoe, Home

“But if you think it's going to get any better, let me burst that bubble of optimism now because I was fortunate enough last year to be invited to the First Republican Presidential Candidate Debate in Simi Valley in California, which, interestingly, was exactly as much fun as it sounds. But it was, obviously a privilege to be there and I did get to witness one incredible moment of political theater when all, at that point, ten of the potential leaders of the free world were asked the same question. And that question was "Who here doesn't believe in evolution?" And three of those men raised their hands. And then none of those three men put their hands down and said "Only joking."”

John Oliver (1977) English comedian

And their confidence was seductive!
John Oliver: Terrifying Times (2008)

Men, World, Confidence, Optimism

“Somebody said that Bertolt Brecht [German socialist writer of political theater] wanted everybody to think alike. I want everybody to think alike. But Brecht wanted to do it through Communism, in a way. Russia is doing it under government. It's happening here [in America] all by itself without being under a strict government; so if it's working without trying, why can't it work without being Communist? Everybody looks alike and acts alike, and we're getting more and more that way.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), p. 26

Way, Communication, Thinking

“If you were to take a plastic bag and place it inside a large bowl, and then, using a wooden spoon, stir the bag around, you could use the expression 'a mixed bag' to describe what you had in front of you, but you would not be using the expression in the same way I am about to use it now. Although 'a mixed bag' sometimes refers to a plastic bag that has been stirred in a bowl, more often, it is used to describe a situation that has both good parts and bad parts. An afternoon movie theater, for example, would be a mixed bag if your favorite movie were showing, but if you had to eat gravel instead of popcorn. A trip to the zoo would be a very mixed bag if the weather were beautiful, but all the man and woman-eating lions were running around loose.”

Daniel Handler book The Ersatz Elevator

Lemony Snicket
The Ersatz Elevator (2001)

Beauty, Way, Parting, Weather

“I came back sophomore year and decided to do some shows because I did one small play senior year of high school and I had a lot of fun. I had one line, I think. I did an audition for a show; it was experimental theater and we had a great time. For my second show, I had a great role and a great time and my aunt came to see the show. I’m doing shows just to meet folks at this point, so that I could figure out what I want to do. When she saw the show, she said, “You know what? You may want to think about this as a career! You’re really good!””

Courtney B. Vance (1960) American actor

Alumni Spotlight: Courtney B. Vance http://www.thecrimson.com/article/2016/10/18/alumni-spotlight-courtney-vance/, The Harvard Crimson (October 18, 2016)

School, Thinking, Time

“I think of myself as an actor and not a movie star. I like doing movies; I enjoy it. But, essentially, I'm a theater actor. That's the only place I feel like I actually am a star. In the theater, I can put people in the seats and sell tickets.”

Nathan Lane (1956) American actor

Amy Longsdorf (January 25, 2000) "Isnt' He Great? - Hollywood Sure Thinks So, But Nathan Lane Is Still More Comfortable Onstage Than On Celluloid", The Record, p. Y1.

People, Feeling, Star, Thinking

“I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on—if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.”

Tobe Hooper (1943–2017) American film director, screenwriter and producer

Tobe Hooper Interview http://www.interviewmagazine.com/film/tobe-hooper/#_ (July 14, 2014)

Music, Travel, Feeling, Thinking

“Since Sputnik and the satellites, the planet is enclosed in a manmade environment that ends "Nature" and turns the globe into a repertory theater to be programmed. Shakespeare at the Globe mentioning "All the world's a stage, and all the men and women merely players" (As You Like It, Act II, Scene 7) has been justified by recent events in ways that would have struck him as entirely paradoxical. The results of living inside a proscenium arch of satellites is that the young now accept the public spaces of the earth as role-playing areas. Sensing this, they adopt costumes and roles and are ready to "do their thing" everywhere."”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, From Cliché to Archetype (1970), p.9-10

Women, Men, World, Way

“Once I got into it, I (realized) in this medium, you can use musical theater to connect and make a dream come true, like fly on stage. Through stagecraft you can wow (the audience) and make them feel that sense of wonder. … You’re singing, you’re dancing, and you’re performing a feat of wonder. I couldn’t stop thinking in those terms. There was so much potential.”

Misty Lee (1976) Magician, voice actress, comedian

Mt. Clemens native Misty Lee hangs with Houdini, Princess Leia, Spidey https://www.freep.com/story/entertainment/2016/10/22/misty-lee-magician-voice-actress/92484578/ (October 22, 2016)

Dreams, Music, Feeling, Thinking

“After completing my work [his murals for the Jewish Theater in Moscow) I thought, as has been agreed, that it would be shown in public as a series of my latest things. The management will agree with me that I can find no inner peace as a painter until the 'masses' see my work etc. It turned out that the things [the murals] had been put into a 'cage', as it were, where they can be seen at the very best by (if you will forgive me for saying so) Jews at close quarters. I like the Jews a lot (there's enough 'proof' of that) but I like the Russians as well and some other nationalities, and I am used to painting serious things for many 'nationalities.”

Marc Chagall (1887–1985) French artist and painter

In a letter to the management of the State Jewish Kamerny Theater, 1921, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 89
1920's

Peace, Forgiveness, Painting

“I loved the theaters, and even though I was hungry, I never spent money for food.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

Love, Money, Food

“There have always been two aspects to my work: formal innovation and strong content. That goes for Steve’s tape pieces as well. To make a work together, we had to be engaged by the subject matter, and we shared an interest in technology as it has advanced. Looking back at the Hindenburg and Bikini Atoll, and forward in “Dolly” to new technologies, was a way of rethinking and understanding the soup in which we swim. We call this a theater of ideas, but its success as a work depends on the strength of the video and the music.
“Hindenburg” itself begins with the crash of the zeppelin in 1937 and ends with a view of its burnt-up carcass on the landing field in Lakehurst, New Jersey, taken from an airplane. What interested us here in viewing the archival material and listening to recordings of the period was the overwhelming conviction that technology was the sure way to progress. Naturally, after the atom bomb, a darker view of progress began to appear.”

Beryl Korot (1945) American artist

Beryl Korot, in: " Steve Reich and Beryl Korot by Julia Wolfe http://bombmagazine.org/article/2521/steve-reich-and-beryl-korot," BOMB 81, Fall 2002

Music, Way, Idea, Understanding

“Love is a command, not just a feeling. Somehow, in the romantic world of music and theater we have made love to be what it is not. We have so mixed it with beauty and charm and sensuality and contact that we have robbed it of its higher call of cherishing and nurturing.”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA30&dq=%22Love+is+a+command%22, 39]
2000s

Love, World, Beauty, Music

“In this theater of man's life it is reserved only for God and angels to be lookers on.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

Francis Bacon, in The Advancement of Learning (1605) Book II, xx, 8.
Misattributed

Life, God, Angels

“If you really want to help the American theater, don't be an actress, dahling. Be an audience.”

Tallulah Bankhead (1902–1968) American actress

Tallulah: My Autobiography (1952)

Help

“But whom do I treat unjustly,' you say, 'by keeping what is my own?' Tell me, what is your own? What did you bring into this life? From where did you receive it? It is as if someone were to take the first seat in the theater, then bar everyone else from attending, so that one person alone enjoys what is offered for the benefit of all in common — this is what the rich do. They seize common goods before others have the opportunity, then claim them as their own by right of preemption. For if we all took only what was necessary to satisfy our own needs, giving the rest to those who lack, no one would be rich, no one would be poor, and no one would be in need.”

Basil of Caesarea (329–379) Christian Saint

Source: Social Justice, I Will Tear Down My Barns, p. 69

Life, Personality

“A [further] aspect [of homosexuality] is the hatred of God’s reality, an insistence on wars against reality, in living in a world of make believe. As a result, the theater is the natural element of these people. Some scholars, again not Christian, have pointed out there has been by-and-large a strong homosexual control of the theater, in varying degrees in different times, from the days of the Romans. But part and parcel of this homosexual control of the theater has been the delight in prostituting women, in using them and abusing them for the sheer delight of showing their contempt for them. Now this is homosexual culture, described by people who are not hostile to it, and in fact sometimes have some good things to say for it.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Homosexuality (n. d.)

Women, God, Hostility, War

“The goal was just to finish the movie and get it out in a few theaters. To think that decades later people would still be thinking and talking about it, I could have never imagined.”

Don Coscarelli (1954) American film director, producer and screenwriter

Happy birthday, Tall Man! ‘Phantasm’ turns 30 https://herocomplex.latimes.com/uncategorized/phantasm/ (October 16, 2009)

People, Imagination, Thinking

“It's the kind of movie home video was invented for: Not worth the trip to the theater, but slam it into the VCR and you get your rental's worth.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/my-cousin-vinny-1992 of My Cousin Vinny (13 March 1992) Reviews, Two-and-a-half star reviews

Home

“What people really want in the theater is fantasy involvement and not reality involvement.”

Edward Albee (1928–2016) American playwright

Quote (4 June 1967)

People, Reality

“I am often being asked about Petersburg and it's fans. I always say, those are open people, that love their city, their team and try to show it. I am glad, there is such a city, there is such a team and such people, that support that team. In Munich they are all… German! What else can I say? It's as if they come to the theater, everyone are sitting quietly.”

Anatoliy Tymoshchuk (1979) Ukrainian footballer

http://www.sports.ru/football/151508509.html. (2013)

Love, People, Support

“It ought to be possible for American consumers of any color to receive equal service in places of public accommodation, such as hotels and restaurants and theaters and retail stores, without being forced to resort to demonstrations in the street, and it ought to be possible for American citizens of any color to register and to vote in a free election without interference or fear of reprisal. It ought to be possible, in short, for every American to enjoy the privileges of being American without regard to his race or his color. In short, every American ought to have the right to be treated as he would wish to be treated, as one would wish his children to be treated. But this is not the case.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Civil Rights Address

Children, Fear, Color

“There you are', said Efros [Granovsky, director of the State Jewish Chamber Theater, in 1920], leading me into a dark room, 'These walls are all yours, you can do what you like with them'. It was a completely demolished apartment that had been abandoned by bourgeois refugees. 'You see', he continued, 'the benches for the audience will be here; the stage there'. To tell the truth, all I could see there was the remains of a kitchen… And I flung myself at the walls. The canvases were stretched out on the floor. Workmen, actors walked over them. The rooms and corridors were in the process of being repaired; piles of shavings lay among my tubes of paint, my sketches. At every step one dislodged cigarette-ends, crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 38
1920's, My life (1922)

Truth, Painting

“Dance was really the art of the temple and that her temple theater was built with that purpose in mind. It has many features of the temple, and we have adopted as much as possible all the ideals enshrined in Natyashastra.”

Rukmini Devi Arundale (1904–1986) Indian Bharatnatyam dancer

On her "Kootahmabalam temple theater" set up in her hundred acre Kalakshetra, quoted in "Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts", page 14

Art, Dance

“I did a bond tour during the Second World War… We were raising money, and we played Boston and Philadelphia and most of the big cities. And we got to Minneapolis. There wasn't any big theater to play there, so we did our show in a railroad station. Then I told the audience that I knew a girl in Minneapolis. She was also known in St. Paul, she used to come over to visit me. She was known as "The Tail Of Two Cities."”

Groucho Marx (1890–1977) American comedian

I didn't sell any more bonds, but eh... they didn't allow me to appear anymore.
Recounting a War Bonds tour in his Carnegie Hall appearance (6 May 1972)

Money, War, World, Girl

“The art of the theater is action. It is the study of commitment. The word is an act. To SAY the word in such a way as to make it heard and understood by all in the theater is a commitment — it is the highest art to see a human being out on a stage speaking to a thousand of his or her peers saying, 'These words which I am speaking are the TRUTH — they are not an approximation of any kind. They are the God's truth, and I support them with my life,' which is what the actor does on stage.”

David Mamet (1947) American playwright, essayist, screenwriter, and film director

Writing in Restaurants (1987)

Life, God, Truth, Art

“In exasperation, I furiously attacked the floors and walls of the Moscow Theater. My mural paintings sight there, in obscurity. Have you seen them? Rant and rave, my contemporaries! In one way or another, my first theatrical alphabet gave you a belly-ache. Not modest? I'll leave that to my grandmother: it bores me. Despise me, if you like.”

Marc Chagall (1887–1985) French artist and painter

ca. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 94
1920's

Way, Painting

“The Jews might well, were they of such a mind (as I am, lament the disappearance of all those who painted the wooden synagogues in the small towns and villages - oh why haven't I gone to my grave with them!), and the carvers of the wooden 'school mallets' – 'quiet boy!' (and if you should see them in Ansky’s collection, you’ll get a shock!). But is there really any difference between my ancestor from Mohiliev, who painted the synagogue there, and myself, who painted the Jewish theatre in Moscow (and a good theater it is at that)?… I am convinced that, were I to stop shaving, you would see in me a deceptive likeness.”

Marc Chagall (1887–1985) French artist and painter

after 1930
Source: 'Shtrom' No. 1, 1922, Marc Chagall; as quoted in 'Chagall and the Jewish art programme', by Grigory Kasovsky
Chagall's quote is explaining his relation to the Jewish society and Jewish art history 'Bletlach' (Leaflet - essay in Yiddish)

School, Boy, Painting

“She simply has no concept of what’s real and what’s fantasy—did I say? She’s in the theater.”

Samuel R. Delany book Triton

Source: Triton (1976), Chapter 7 “Tiresias Descending, or Trouble on Triton” (p. 322)

“I suppose men are born with traits that can be cultivated in the direction of leadership. But there is also no doubt that leadership can be cultivated The idea of any man being born an army commander or being born to be a theater commander, such as General Eisenhower, just isn’t so. The characteristics of leadership, necessarily has to have certain decisiveness and confidence come from knowledge based on studies and training. The fundamental thing is your basic knowledge, the development of your mind, and your ability to apply this knowledge as you go along your military career.”

Lucian Truscott (1895–1965) Recipient of the Purple Heart medal

Quoted in Nineteen Stars: A Study in Military Character & Leadership, (CA: Presidio, 1971), by Edgar F. Puryear, Jr.— in answer to the question of whether leaders are born or made posed by author

Men, Confidence, Idea, Knowledge

“Mrs. Driscoll clapped her hands together and the bracelets jingled brightly. "Yes, Mr. Morgan! The theater can heal a wounded spirit and broken heart! I've seen it countless times. When we are completely artificial, we can find out what's real."”

John Twelve Hawks book Spark

Spark (2014)

Time, Heart

“It’s important to understand how we got where we are today. In 1966, the unthinkable happened: a madman climbed the University of Texas clock tower and opened fire, killing more than a dozen people. It was the first mass shooting in the age of television, and it left a real impression on the country. It was the kind of terror we didn’t expect to ever see again. But around 30 years ago, we started to see an uptick in these types of shootings, and over the last decade they’ve become the new norm.
In July 2012, a gunman walked into a darkened theater in Aurora and shot 12 people to death, injuring 70 more. One of his weapons was an assault rifle. The sudden and utterly random violence was a terrifying sign of what was to come.
In December 2012, a young man entered an elementary school in Newtown and murdered six educators and 20 young children. One of his weapons was an assault rifle. Watching the aftermath of these young babies being gunned down was heartrending.
In June 2016, a gunman entered a nightclub in Orlando and sprayed revelers with gunfire. The shooter fired hundreds of rounds, many in close proximity, and killed 49. Many of the victims were shot in the head at close range. One of his weapons was an assault rifle.
Last month, a gunman opened fire on concertgoers in Las Vegas, turning an evening of music into a killing field. All told, the shooter used multiple assault rifles fitted with bump-fire stocks to kill 58 people. The concert venue looked like a warzone.
Over the weekend in Sutherland Springs, 26 were killed by a gunman with an assault rifle. The dead ranged from 17 months old to 77 years. No one is spared with these weapons of war. When so many rounds are fired so quickly, no one is spared. Another community devastated and dozens of families left to pick up the pieces.
These are just a few of the many communities we talk about in hushed tones—San Bernardino, Littleton, Aurora, towns and cities across the country that have been permanently scarred.”

Dianne Feinstein (1933) American politician

[Senators Introduce Assault Weapons Ban, November 8, 2017, w:Diane Feinstein, Diane, Feinstein, https://www.feinstein.senate.gov/public/index.cfm/2017/11/senators-introduce-assault-weapons-ban]
On the introduction of the Assault Weapons Ban of 2017

Death, War, Children, People

“No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Source: As quoted in "Critic Kenneth Tynan Has Mellowed But Is Still England's Stingingest Gadfly" by Godfrey Smith in The New York Times (9 January 1966)

World

“The paralysis you feel right now – the impotent helplessness that washes over you as news of another mass slaughter scrolls across the television screen – isn’t real. It's a fiction created and methodically cultivated by the gun lobby, designed to assure that no laws are passed to make America safer, because those laws would cut into their profits…As my colleagues go to sleep tonight, they need to think about whether the political support of the gun industry is worth the blood that flows endlessly onto the floors of American churches, elementary schools, movie theaters, and city streets. Ask yourself – how can you claim that you respect human life while choosing fealty to weapons-makers over support for measures favored by the vast majority of your constituents?”

Chris Murphy (1973) American politician

Statement on the shootings in Sutherland Springs, TX http://www.businessinsider.com/chris-murphy-texas-church-shooting-sutherland-springs-2017-11 (November 5, 2017)

Life, School, Law, Feeling

“I was born on January 18, 1910 at 4 Seymour Street, off. London Road, Liverpool, Lancashire, England, Great. Britain, Europe, the world, the solar system, the universe. Writing out my full address like this was a great satisfaction when I was a boy. Seymour Street had a solid row of narrow, four-story houses on both sides, each with a flight of steps leading up to the front door, and what we called an "airy," a rectangular hole in front of the basement window, often with steps leading down to a basement underneath the front door. The streets of the neighborhood spoke of the Napoleonic Wars in the early nineteenth century— St. Vincent Street, Rodney Street, Lord Nelson Street. Close by was dirty Lime Street Station; St. George's Hall, a magnificent classical structure the center of Liverpudlian splendor; the theaters; and the great Picton Library with its huge circular reading room. The neighborhood was very mixed; we belonged to the English minority in Liverpool, a city largely populated by the Irish and the Welsh.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1980s, Illustrating Economics: Beasts, Ballads and Aphorisms, 1980, p. 3

War, World, Boy, Universe

“I found some consolation or narcotic. Sometimes it was a woman, sometimes a good friend — yes, you too once helped me that way — at other times it was music or applause in the theater. But now these things no longer give me pleasure and that is why I drink. I could never sing without first having a couple of drinks, but now I can also not think, talk, live and feel tolerably well without first having a couple of drinks.”

Hermann Hesse book Gertrud

Source: Gertrude (1910), p. 225

Pleasure, Music, Way, Feeling

“I didn't like movies. You see, in a play you become the play, because you start in the beginning and end up at the end of the script. Movies, you do little bits and you don't know where it fits in. You just do a little bit here and a little bit there and you never see the whole thing, you can never act out the whole thing. It has no unity. I would advise anybody-a kid-instead of doing pictures, get experience! Do theater! Get theater in his blood!”

David Manners (1900–1998) Canadian-born American actor

Interview with David Manners, Scarlet Street #26 (1997)

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Men, Hunger, Pleasure, Imagination

“This latest skirmish in the high art/low art war has played out most fiercely over Mr. Tidwell, who shocked balletomanes when he left American Ballet Theater in 2005, then added insult to injury by joining the third season of “So You Think You Can Dance.””

Danny Tidwell (1984) American dancer

The New York Times La Rocco Claudia. "TV Viewers Discover Dance, and the Debate Is Joined" http://www.nytimes.com/2007/09/21/arts/dance/21revo.html?ref=dance#, The New York Times, September 21, 2007 About

War, Art, Thinking, Dance

“Boxing has become America’s tragic theater.”

Joyce Carol Oates (1938) American author

On Boxing (1987)

Box

“On the stage it is always now; the personages are standing on that razor edge, between the past and the future, which is the essential character of conscious being; the words are rising to their lips in immediate spontaneity … The theater is supremely fitted to say: "Behold! These things are."”

Thornton Wilder (1897–1975) American playwright and novelist

Writers at Work interview (1958)

Past, Future

“The theater workshop can become a place where teachers and students meet as fellow players, involved with one another, ready to connect, to communicate, to experience, to respond, and to experiment and discover.”

Viola Spolin (1906–1994) American academic and acting theorist

Theater Games for the Classroom: A Teacher's Handbook (1986) Northwestern University Press, page 2

Communication, Teachers

“Russell Markert, Lela Rogers, Ed Sedgwick- these were but a few of the experienced theater people who generously gave me a boost. I have a theory about the assists we get in life. Only rarely can we repay those people who helped us, but we can pass that help along to others. That's why, in 1958, I reactivated Lela's theater workshop with two dozen talented kids trying to get started in show business.”

Lucille Ball (1911–1989) American actress and businesswoman

Page 79
Love, Lucy (1996)

Life, People, Business, Help

“But Hitler didn't strive for the annihilation of the Jews - he stressed that fact in public life and in the newspapers. Hitler merely said at the beginning that Jewish influence was too great, that of all the lawyers in Berlin, eighty percent were Jewish. Hitler thought that a small percentage of the people, the Jews, should not be allowed to control the theater, cinema, radio, et cetera.”

Franz von Papen (1879–1969) German chancellor

To Leon Goldensohn (30 March 1946). Quoted in "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004.
1940s

Life, People

“The theater is the only branch of art much cared for by people of wealth; like canasta, it does away with the bother of talk after dinner.”

Mary McCarthy (1912–1989) American writer

"Up the Ladder from Charm to Vogue", p. 185. First published in two parts in The Reporter (July 18 and August 1, 1950)
On the Contrary: Articles of Belief 1946–1961 (1961)

People, Art, Wealth