Quotes about technique

A collection of quotes on the topic of technique, use, news, doing.

Quotes about technique

Yuzuru Hanyu photo

“Because it’s the music that engenders the expression, artistry, and technique that is figure skating, I think that music and figure skating are essentially one and the same. [...] It’s my raison d'être. It’s the reason I skate.”

Yuzuru Hanyu (1994) Japanese figure skater (1994-)

Other quotes, 2020
Original: (ja) そこに音楽があるから、フィギュアスケートっていう表現だったり、芸術だったり、技術っていうものがそこに生まれてくるのであって、音楽とフィギュアスケートっていうのがほぼイコールだと僕は思ってます。で、僕にとっては… なんて言うか、生きがいです。フィギュアスケートをやる理由です。
Source: Hanyu in an interview from 2019 about the meaning of the music, aired 28 March 2020 in フィギペディア~2019-2020シーズン特別編 (Figurepedia 2019-2020 season special edition) on TV Asahi.

Yuzuru Hanyu photo

““I believe – and this is the case not only for figure skating but for other forms of art including ballet and musicals as well – that this artistry is very much based on having the correct technique and a strong foundation at the core of everything. It is upon these that the artistry is built, and without that strong foundation and that basis in technique, it is not possible to have that full artistry required as well.””

Yuzuru Hanyu (1994) Japanese figure skater (1994-)

Source: Original: (ja) たとえばバレエとかミュージカルとかもそうですけれども、芸術というのは、明らかに正しい技術、徹底された基礎によって裏付けされた表現力、芸術であって、それが足りないと芸術にはならないと僕は思っています。

Source: Interview at the Foreign Correspondence Club of Japan from 27 February 2018
https://quotepark.com/authors/yuzuru-hanyu/

Hermann Göring photo
Morihei Ueshiba photo

“In a real battle, atemi is seventy percent, technique is thirty percent.”

Morihei Ueshiba (1883–1969) founder of aikido

As quoted in Total Aikido (1997) by Gōzō Shioda, p. 24

Martha Graham photo

“Great dancers are not great because of their technique, they are great because of their passion.”

Martha Graham (1894–1991) American dancer and choreographer

As quoted in The Runner's Book of Daily Inspiration : A Year of Motivation, Revelation, and Instruction (1999) by Kevin Nelson, p. 11.

Frédéric Chopin photo

“One needs only to study a certain positioning of the hand in relation to the keys to obtain with ease the most beautiful sounds, to know how to play long notes and short notes and to [attain] certain unlimited dexterity… A well formed technique, it seems to me, [is one] that can control and vary a beautiful sound quality.”

Frédéric Chopin (1810–1849) Polish composer

As quoted in Chopin : Pianist and Teacher as Seen by His Pupils.
Source: Chopin : Pianist and Teacher as Seen by His Pupils (1986) by Jean-Jacques Eigeldinger, Roy Howat, Naomi Shohet, and Krysia Osostowicz, p. 16

Sergei Rachmaninoff photo
Jan Tinbergen photo
George Orwell photo

“This business of making people conscious of what is happening outside their own small circle is one of the major problems of our time, and a new literary technique will have to be evolved to meet it.”

George Orwell (1903–1950) English author and journalist

"As I Please," The Tribune (17 January 1947)
"As I Please" (1943–1947)
Context: This business of making people conscious of what is happening outside their own small circle is one of the major problems of our time, and a new literary technique will have to be evolved to meet it. Considering that the people of this country are not having a very comfortable time, you can't perhaps, blame them for being somewhat callous about suffering elsewhere, but the remarkable thing is the extent to which they manage to be unaware of it. Tales of starvation, ruined cities, concentration camps, mass deportations, homeless refugees, persecuted Jews — all this is received with a sort of incurious surprise, as though such things had never been heard of but at the same time were not particularly interesting. The now-familiar photographs of skeleton-like children make very little impression. As time goes on and the horrors pile up, the mind seems to secrete a sort of self-protecting ignorance which needs a harder and harder shock to pierce it, just as the body will become immunised to a drug and require bigger and bigger doses.

Pablo Picasso photo
Louis Althusser photo

“In the battle that is philosophy all the techniques of war, including looting and camouflage, are permissible.”

Louis Althusser (1918–1990) French political philosopher

Source: Philosophy and the Spontaneous Philosophy of the Scientists: And Other Essays

Bruce Lee photo

“Art calls for complete mastery of techniques, developed by reflection within the soul.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker
Otto Dix photo

“After Herberholz had shown me all sorts of techniques, I suddenly got very interested in etching. I had a lot to say, I had a subject. Wash off the acid, put on the aquatint: a wonderful technique that you can use to get as many different shades and tones as you want. The 'doing' aspect of art becomes tremendously interesting when you start doing etchings; you get to be a real alchemist.”

Otto Dix (1891–1969) German painter and printmaker

Otto Dix quoted by Eva Karcher, in Otto Dix, New York: Crown Publishers, 1987, p. 22; as cited by Roy Forward, in 'Education resource material: beauty, truth and goodness in Dix's War' https://nga.gov.au/dix/edu.pdf, p. 10

Lotfi A. Zadeh photo
Bertrand Russell photo
Max Horkheimer photo
Vladimir Horowitz photo
Ernst Gombrich photo
J. J. Thomson photo
Bertrand Russell photo

“Can a society in which thought and technique are scientific persist for a long period, as, for example, ancient Egypt persisted, or does it necessarily contain within itself forces which must bring either decay or explosion?”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

"Can a Scientific Community Be Stable?," Lecture, Royal Society of Medicine, London (29 November 1949)
1940s

Stanley Kubrick photo

“The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Interviewed by Charles Reynolds, Popular Photography (1960)

Morihei Ueshiba photo
Norbert Wiener photo

“Since Leibniz there has perhaps been no man who has had a full command of all the intellectual activity of his day. Since that time, science has been increasingly the task of specialists, in fields which show a tendency to grow progressively narrower… Today there are few scholars who can call themselves mathematicians or physicists or biologists without restriction. A man may be a topologist or a coleopterist. He will be filled with the jargon of his field, and will know all its literature and all its ramifications, but, more frequently than not, he will regard the next subject as something belonging to his colleague three doors down the corridor, and will consider any interest in it on his own part as an unwarrantable breach of privacy… There are fields of scientific work, as we shall see in the body of this book, which have been explored from the different sides of pure mathematics, statistics, electrical engineering, and neurophysiology; in which every single notion receives a separate name from each group, and in which important work has been triplicated or quadruplicated, while still other important work is delayed by the unavailability in one field of results that may have already become classical in the next field.
It is these boundary regions which offer the richest opportunities to the qualified investigator. They are at the same time the most refractory to the accepted techniques of mass attack and the division of labor. If the difficulty of a physiological problem is mathematical in essence, then physiologists ignorant of mathematics will get precisely as far as one physiologists ignorant of mathematics, and no further. If a physiologist who knows no mathematics works together with a mathematician who knows no physiology, the one will be unable to state his problem in terms that the other can manipulate, and the second will be unable to put the answers in any form that the first can understand… A proper exploration of these blank spaces on the map of science could only be made by a team of scientists, each a specialist in his own field but each possessing a thoroughly sound and trained acquaintance with the fields of his neighbors; all in the habit of working together, of knowing one another's intellectual customs, and of recognizing the significance of a colleague's new suggestion before it has taken on a full formal expression. The mathematician need not have the skill to conduct a physiological experiment, but he must have the skill to understand one, to criticize one, and to suggest one. The physiologist need not be able to prove a certain mathematical theorem, but he must be able to grasp its physiological significance and to tell the mathematician for what he should look. We had dreamed for years of an institution of independent scientists, working together in one of these backwoods of science, not as subordinates of some great executive officer, but joined by the desire, indeed by the spiritual necessity, to understand the region as a whole, and to lend one another the strength of that understanding.”

Source: Cybernetics: Or Control and Communication in the Animal and the Machine (1948), p. 2-4; As cited in: George Klir (2001) Facets of Systems Science, p. 47-48

Randal Marlin photo

“Propaganda analysis can contribute to world peace by exposing those techniques that lead to armed conflict by creating misapprehension of reality.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Eight, Propaganda, Democracy, And the Internet, p. 305

Halldór Laxness photo

“b>The first thing is to have the will; the rest is technique.</b”

Kristnihald undir Jökli (Under the Glacier/Christianity at Glacier) (1968)

Elinor Ostrom photo
Gabriel Marcel photo
Jean-François Lyotard photo
Roger Federer photo
Michael Oakeshott photo
Leon Trotsky photo
Julian Huxley photo
Jamie Oliver photo
Alfred Cortot photo
Douglass C. North photo
Gabriele Münter photo
Gottlob Frege photo

“If I compare arithmetic with a tree that unfolds upward into a multitude of techniques and theorems while its root drives into the depths, then it seems to me that the impetus of the root.”

Gottlob Frege (1848–1925) mathematician, logician, philosopher

Gottlob Frege, Montgomery Furth (1964). The Basic Laws of Arithmetic: Exposition of the System. p. 10

Hermann Grassmann photo
Edward Bernays photo

“This is an age of mass production. In the mass production of materials a broad technique has been developed and applied to their distribution. In this age, too, there must be a technique for the mass distribution of ideas.”

Edward Bernays (1891–1995) American public relations consultant, marketing pioneer

"Manipulating Public Opinion", American Journal of Sociology 33 (May, 1928), p. 958–971

Leon Trotsky photo

“During my youth I rather leaned toward the prognosis that the Jews of different countries would be assimilated and that the Jewish question would thus disappear, as it were, automatically. The historical development of the last quarter of a century has  not confirmed this view. Decaying capitalism has everywhere swung over to an intensified nationalism, one aspect of which is anti-Semitism. The Jewish question has loomed largest in the most highly developed capitalist country of Europe, Germany. […]
The Jews of different countries have created their press and developed the Yiddish language as an instrument adapted to modern culture. One must therefore reckon with the fact that the Jewish nation will maintain itself for an entire epoch to come. […]
We must bear in mind that the Jewish people will exist a long time. The nation cannot normally exist without common territory. Zionism springs from this very idea. But the facts of every passing day demonstrate to us that Zionism is incapable of resolving the Jewish question. The conflict between the Jews and Arabs in Palestine acquires a more and more  tragic and more and more menacing character. I do not at all believe that the  Jewish question can be resolved within the framework of rotting capitalism and under the control of British imperialism. […]
Socialism will open the possibility of great migrations on the basis of the most developed technique and culture. It goes without saying that what is here involved is not compulsory displacements, that is, the creation of new ghettos for certain nationalities, but displacements freely consented to, or rather demanded, by certain nationalities or parts of nationalities. The dispersed Jews who would want to be reassembled in the same community will find a sufficiently extensive and rich spot under the sun. The same possibility will be opened for the Arabs, as for all other scattered nations. National topography will become a part of  the planned economy. This is the great historic perspective as I see it. To work for international Socialism means to work also for the solution of the Jewish question.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Excerpts of Trotsky’s interview with Jewish Telegraphic Agency (18 January 1937); as quoted in Trotsky and the Jews (1972) by Joseph Nedava, p. 204

Elias James Corey photo
G. H. Hardy photo
Morihei Ueshiba photo

“Aiki is not a technique to fight with or defeat an enemy. It is the way to reconcile the world and make human beings one family.”

Morihei Ueshiba (1883–1969) founder of aikido

As quoted in It's A Lot Like Dancing… : An Aikido Journey (1993 by Terry Dobson Riki Moss, and Jan E. Watson - 9781883319021}}

Xavier Sala-i-Martin photo
Pope Francis photo
Michael Chekhov photo
Jascha Heifetz photo

“For almost a century, Jascha Heifetz was the performer all others wished to emulate, a genius whose technique and musicianship earned him accolades as "the perfect violinist."”

Jascha Heifetz (1901–1987) Lithuanian violinist

U.S. News & World Report Article date: December 21, 1987 Author:Horn, Miriam https://archive.is/20130629103326/www.highbeam.com/doc/1G1-6174725.html
About

Douglass C. North photo
Lotfi A. Zadeh photo
Maria Callas photo
Heath Ledger photo
Robin Hartshorne photo
Morihei Ueshiba photo
Morihei Ueshiba photo
Henry Kissinger photo

“This amazing, romantic character suits me precisely because to be alone has always been part of my style or, if you like, my technique.”

Henry Kissinger (1923–2023) United States Secretary of State

Interview with Oriana Fallaci (November 1972), as quoted in "Oriana Fallaci and the Art of the Interview" in Vanity Fair (December 2006) http://www.vanityfair.com/politics/features/2006/12/hitchens200612; Kissinger, as quoted in "Special Section: Chagrined Cowboy" in TIME magazine (8 October 1979) http://www.time.com/time/magazine/article/0,9171,916877,00.html called this "without doubt the single most disastrous conversation I ever had with any member of the press" and claimed that he had probably been misquoted or quoted out of context, but Fallaci later produced the tapes of the interview.
1970s
Context: I've always acted alone. Americans like that immensely.
Americans like the cowboy who leads the wagon train by riding ahead alone on his horse, the cowboy who rides all alone into the town, the village, with his horse and nothing else. Maybe even without a pistol, since he doesn't shoot. He acts, that's all, by being in the right place at the right time. In short, a Western. … This amazing, romantic character suits me precisely because to be alone has always been part of my style or, if you like, my technique.

Bertrand Russell photo

“The most essential characteristic of scientific technique is that it proceeds from experiment, not from tradition.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

The Scientific Outlook (1931)
1930s
Context: The most essential characteristic of scientific technique is that it proceeds from experiment, not from tradition. The experimental habit of mind is a difficult one for most people to maintain; indeed, the science of one generation has already become the tradition of the next...

Bruce Lee photo

“All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 108-109
Context: The Three Stages of Cultivation — The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.

Maria Montessori photo

“The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.

Damodar Dharmananda Kosambi photo

“Archaeologically, this period is still blank… There is no special Aryan pottery… no particular Aryan or Indo-Aryan technique is to be identified by the archaeologists even at the close of the second millennium.”

Damodar Dharmananda Kosambi (1907–1966) Indian mathematician

About the Aryan invasions. The Culture and Civilization of Ancient India in Historical Outline by D.D. Kosambi, Vikas Publishing House Pvt. Ltd, Delhi-Bombay-Bangalore-Kanpur, 1975 (first printed 1970). Quoted in Talageri, S. (2000). The Rigveda: A historical analysis. New Delhi: Aditya Prakashan.

Ronald Fisher photo

“He has made contributions to many areas of science; among them are agronomy, anthropology, astronomy, bacteriology, botany, economics, forestry, meteorology, psychology, public health, and-above all-genetics, in which he is recognized as one of the leaders. Out of this varied scientific research and his skill in mathematics, he has evolved systematic principles for the interpretation of empirical data; and he has founded a science of experimental design. On the foundations he has laid down, there has been erected a structure of statistical techniques that are used whenever people attempt to learn about nature from experiment and observation.”

Ronald Fisher (1890–1962) English statistician, evolutionary biologist, geneticist, and eugenicist

W. Allen Wallis (1952) at the University of Chicago while honoring Fisher with the Honorary degree of Doctor of Science; cited in: George E. P. Box (1976) " Science and Statistics http://www-sop.inria.fr/members/Ian.Jermyn/philosophy/writings/Boxonmaths.pdf" Journal of the American Statistical Association, Vol. 71, No. 356. (Dec., 1976), pp. 791-799.

Rohit Sharma photo

“Rohit Sharma has a much better technique than Virender Sehwag. Sehwag just had a will and aggressive mindset to hit shots all across the park. He (Rohit Sharma) has got great timing, a variety of shots and elegance. I really thought that he is the Inzamam-ul-Haq of India.”

Rohit Sharma (1987) Indian cricketer

Rohit Sharma has a better technique than Virender Sehwag: Shoaib Akhtar, India Today, 7 October 2019 https://www.indiatoday.in/sports/cricket/story/india-vs-south-africa-test-series-shoaib-akhtar-rohit-sharma-opener-inzamam-ul-haq-virender-sehwag-1606976-2019-10-07,
About him

Sara Ahmed photo
Rudolf Nureyev photo

“Technique is what you fall back on when you run out of inspiration.”

Rudolf Nureyev (1938–1993) Soviet ballet dancer and choreographer

Source: "Rudolf Nureyev’s Technical Influence" https://nureyev.org/rudolf-nureyev-artistic-influence-index/technique/

Holly Black photo
Raymond Chandler photo
Charlaine Harris photo
Lois McMaster Bujold photo

“I have a catchphrase to describe my plot-generation technique — "What's the worst possible thing I can do to these people?"”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"Putting It Together" p. 6
The Vorkosigan Companion (2008)
Source: Cordelia's Honor

John Dewey photo
Paulo Coelho photo

“To become really good at anything, you have to practice and repeat, practice and repeat, until the technique becomes intuitive”

Source: Aleph (2011)
Context: Routine has nothing to do with repetition. To become really good at anything, you have to practice and repeat, practice and repeat, until the technique becomes intuitive.

Meg Cabot photo
Michael Jordan photo

“You took out a book on blow-job technique from the British Library? They shouldn't have books like that in there!”

Sarra Manning (1950) British writer

Source: You Don't Have to Say You Love Me

Julia Child photo

“Once you have mastered a technique, you barely have to look at a recipe again”

Julia Child (1921–2004) American chef

Source: Julia's Kitchen Wisdom: Essential Techniques and Recipes from a Lifetime of Cooking

Jacques Ellul photo
Cyril Connolly photo

“Literature is the art of writing something that will be read twice; journalism what will be grasped at once, and they require separate techniques.”

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 3: The Challenge of the Mandarins (p. 19)

Ann Brashares photo
Pauline Kael photo
Antoni Tàpies photo
Hermann Rauschning photo

“Computer-aided design also is not automatic programming, although automatic programming techniques must necessarily play an important role in computer-aided design.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Computer-Aided Design: A Statement of Objectives (1960), p. 2.

Ernst Ludwig Kirchner photo
Terry Winograd photo
Jacques Lipchitz photo

“when a famous investor publishes a newsletter, it's a sure tip-off that his techniques have stopped working.”

William J. Bernstein (1948) economist

Source: The Four Pillars of Investing (2002), Chapter 3, The Market Is Smarter Than You Are, p. 88.

Peter Atkins photo
Hermann Hesse photo
Derren Brown photo

“(DVD introduction) Well, welcome to your very own DVD of me, DVB, and ‘Mind Control’. If you weren’t expecting me and thought you were buying Reginald Perrin, then press eject now before you begin vomiting. Otherwise, please, please ensure that you are sitting in an extreme level of comfort, preferably in pre-worn slippers and, I trust, with your extended family around you. If you have seen the film ‘Signs’ and would like to wear the pointy tin foil hats now would be a good time to put them on you can’t be too careful. Well, pphhh, goodness me, er, it’s been a meteoric rise over these last years. The money and sex are exhausting and I have you the viewer to thank. Thanks. We’ve put together some of the pieces from the specials and series in glistening digital format, each pixel hand picked and gently polished and brought to you in wide-sound, surround-screen enjoyment. I hope you enjoy watching them as much as I’ll enjoy the royalties from this, which is enormously. If you don’t like it and HMV won’t take it back because you’ve got sticky all over it then the disc makes an excellent beer coaster or wheels for a space truck or can be immense fun just putting it on your finger and [waggling it], like that. But I hope you do like it. When I first started developing these techniques I had no idea that they were going to prove at all popular and for all my nancing about and staring I’m actually really excited to have a DVD out and can’t wait to go and find it in Discount Books & Puzzles next to the Dizzie Gillespie CD box sets and disappointing erotica. I hope you like it and if you do, please go and buy another one.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920